I-Mt 55

Biblioteca Trivulziana e Archivio Storico Civico (Castello Sforzesco), Milano, Italy

manuscript of polyphony: early 16th century

Archive	Biblioteca Trivulziana e Archivio Storico Civico (Castello Sforzesco), Milano, Italy (I-Mt)
Shelfmark	55
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Pagination
Measurements	112 x 165 mm
Other Identifiers	RISM: I-Mt 55 CCM: MilT 55 olim (Former shelfmark): I 107
Relationships	Trivulzio, Marchese G. G. (–1831) (owner) Bellini, Caroli (mentioned in liminary text)
External Links	Digitised manuscript
Provenance	Italy
Contents	Contains 59 compositions, 8 from 3 composers, 51 are anonymous.

General Description

Main corpus (pp. 2-139) copied by a single scribe; in late 16th or early 17th century, other scribes added instrumental pieces in guitar tablature on pp. 140-198. Copied in northern Italy, possibly at Milan. Inscription in later hand on parchment leaf at beginning: 'Ad usura d. Caroli Bellini.' Possibly acquired in early 19th century by Marchese G. G. Trivulzio (d. 1831) of Milan, but may have belonged to Trivulzio family at an earlier period. Trivulzio library later incorporated in Archivio Storico Civico. Original final leaf of first gathering later misbound as second leaf in same gathering, confusing original sequence of pieces and separating voice parts of several pieces.

DIAMM, 2017

Binding

Original covers of dark brown tooled leather.

DIAMM, 2017

Watermark

One watermark resembles Briquet # 468; a second mark resembles Briquet #748.

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Modern pagination, 1-198 (last 34 pages, with blank staves only, not numbered)

DIAMM, 2017

Decoration

Inked calligraphic initials; folios are gilt-edged.

DIAMM, 2017

Surface

i paper + i parchment +116 paper + i paper

DIAMM, 2017

RISM Description

RISM

XVe/XVIe s. 232 p. (= 116ff). Papier (1 p. de garde parchemin, n. ch.), 112 x 162 mm. Pagination moderne en haut des p. jusqu'à la p. 198. La p. 1 et les 34 dernières sont blanches. Notation mesurée blanche. 5 portées par p. Lettres ornées à la plume avec quelques profils. Reliure du XVIe s. (dos rénové) en cuir estampé avec liens de cuir.

Ce ms., entré à la bibliothèque des Trivulzio à une date inconnue, est depuis quelques années conservé à l'Archivio storico civico au Castel Sforzesco de Milan (Biblioteca Trivulziana). La partie la plus ancienne du ms. (la seule dont il est question ici) s'arrête à la p. 139 (f. 70) et a été copiée par un seul scribe en Italie au plus tard dans les premières années du XVIe s. Suivent ensuite des danses en tablature de guitare de la fin du XVIe - début du XVIIe s. Au v° du f. limin. n.ch. et de la même époque que la tablature: «Ad usum D. Caroli Bellini.» Sauf 1 pièce religieuse (no 61), répertoire profane dont 12 frottole se retrouvent dans les recueils de Petrucci imprimés de 1504 à 1507.

Editions

Le ms. entier a été transcrit dans JeppesenLF III, et toutes les pièces sur paroles italiennes par R. Giazotto (cf. Bibliographie). Voir en outre à chaque pièce.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 motet, 58 Italian secular pieces, 5 textless pieces = 64

Ana? [F.]-2, (Ana)-4, (G. Luppatus)-1, (Tromboncino)-2, anon-55

i paper + i parchment +116 paper + i paper folios, 112 x 165. Original final leaf of first gathering later misbound as second leaf in same gathering, confusing original sequence of pieces and separating voice parts of several pieces. Modern pagination, 1-198 (last 34 pages, with blank staves only, not numbered). Original covers of dark brown tooled leather. No index. Main corpus (pp. 2-139) copied by a single scribe; in late 16th or early 17th century, other scribes added instrumental pieces in guitar tablature on pp. 140-198. Inked calligraphic initials; folios are gilt-edged. One watermark resembles Briquet # 468; a second mark resembles Briquet #748.

Early 16th century, perhaps ca. 1510 (JepFR), with late 16th or early 17th century additions. Copied in northern Italy, possibly at Milan. Inscription in later hand on parchment leaf at beginning: "Ad usura d. Caroli Bellini." Possibly acquired in early 19th century by Marchese G. G. Trivulzio (d. 1831) of Milan, but may have belonged to Trivulzio family at an earlier period. Trivulzio library later incorporated in Archivio Storico Civico.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–3	Gridan vostri ochi al cor mio	-	Anonymous
Gridan vostri ochi al cor mio Anonymous Appears on: 1v–3 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Gridan vostri ochi al cor mio … General Note p. 2: Sup et T; p. 5: Ct et B
2–8v	Veggio sdegnato amor crudel e fero	[F.V.* = FRANCESCO D'ANA]	Ana, Francesco D' (ca. 1460–ca. 1503)
Veggio sdegnato amor crudel e fero Ana, Francesco D' (ca. 1460–ca. 1503) Appears on: 2–8v Genres: Italian secular Source Attribution: [F.V.* = FRANCESCO D'ANA] Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Vego sdegnato amor crudel e fero . . . Voice: [no designation] Languages: Italian Voice Text: Vego sdegnato amor crudel e fero . . . Voice: [no designation] Languages: Italian Voice Text: Vego sdegnato amor crudel e fero . . . Voice: [no designation] Languages: Italian Voice Text: Vego sdegnato amor crudel e fero . . . General Note p. 3: Ct et B; p. 16: Sup et TPubl. cf. Fn 230 n° 35 Concordances *15055
f. 2v–f. 9	Se non t'hai ben sbramata de straciarmi ..	-	Anonymous
Se non t'hai ben sbramata de straciarmi .. Anonymous Appears on: f. 2v–f. 9 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Se non t'hai ben sbramata de straciarmi ... Voice: [no designation] Languages: Italian Voice Text: Se non t'hai ben sbramata de straciarmi ... Voice: [no designation] Languages: Italian Voice Text: Se non t'hai ben sbramata de straciarmi ... Voice: [no designation] Languages: Italian Voice Text: Se non t'hai ben sbramata de straciarmi ... General Note p. 4: Sup et T; p. 17: Ct et B
3v–4	I ho disposto sempre amarti	F.	Ana, Francesco D' (ca. 1460–ca. 1503) (?)
I ho disposto sempre amarti Ana, Francesco D' (ca. 1460–ca. 1503) (?) Appears on: 3v–4 Genres: Italian secular Source Attribution: F. Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: I ho disposto sempre amarti … Voice: [no designation] Languages: Italian Voice Text: I ho disposto sempre amarti … Voice: [no designation] Languages: Italian Voice Text: I ho disposto sempre amarti … Voice: [no designation] Languages: Italian Voice Text: I ho disposto sempre amarti …
4v–5	Amor se tu non vieni in mia defesa	-	Anonymous
Amor se tu non vieni in mia defesa Anonymous Appears on: 4v–5 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Amor se tu non vieni in mia defesa . . . Voice: [no designation] Languages: Italian Voice Text: Amor se tu non vieni in mia defesa . . . Voice: [no designation] Languages: Italian Voice Text: Amor se tu non vieni in mia defesa . . . Voice: [no designation] Languages: Italian Voice Text: Amor se tu non vieni in mia defesa . . .
5v–6	Da poi crudel che non mi valse mai	-	Anonymous
Da poi crudel che non mi valse mai Anonymous Appears on: 5v–6 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Da poi crudel che non mi valse mai . . . Voice: [no designation] Languages: Italian Voice Text: Da poi crudel che non mi valse mai . . . Voice: [no designation] Languages: Italian Voice Text: Da poi crudel che non mi valse mai . . .
6v–7	I non mi doglio se penando vivo	-	Anonymous
I non mi doglio se penando vivo Anonymous Appears on: 6v–7 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: I non mi doglio se penando vivo … Voice: [no designation] Languages: Italian Voice Text: I non mi doglio se penando vivo … Voice: [no designation] Languages: Italian Voice Text: I non mi doglio se penando vivo … Voice: [no designation] Languages: Italian Voice Text: I non mi doglio se penando vivo …
7v–8	La vita che hagio facta amara e dura	-	Anonymous
La vita che hagio facta amara e dura Anonymous Appears on: 7v–8 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: La vita che hagio facta amara e dura ... Voice: [no designation] Languages: Italian Voice Text: La vita che hagio facta amara e dura ... Voice: [no designation] Languages: Italian Voice Text: La vita che hagio facta amara e dura ... Voice: [no designation] Languages: Italian Voice Text: La vita che hagio facta amara e dura ... General Note p. 16 [f. 8v] cf. n' 2 p. 17 [f. 9] cf. tf 3
9v–10	Mercede ha per me spinto ogni suo lume	-	Anonymous
Mercede ha per me spinto ogni suo lume Anonymous Appears on: 9v–10 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Mercede ha per me spinto ogni suo lume Item Bibliography Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik, vol. 8. Leipzig.
10v–11	Non bianco marmo non candida petra	[F.V.* = FRANCESCO D'ANA]	Ana, Francesco D' (ca. 1460–ca. 1503)
Non bianco marmo non candida petra Ana, Francesco D' (ca. 1460–ca. 1503) Appears on: 10v–11 Genres: Italian secular Source Attribution: [F.V.* = FRANCESCO D'ANA] Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Non biancho marmo non candida petra Item Bibliography Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik, vol. 8. Leipzig.
11v–12	De pianto in pianto meno la mia vita	-	Anonymous
De pianto in pianto meno la mia vita Anonymous Appears on: 11v–12 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: De pianto in pianto meno la mia vita
12v–13	Io son tra mille scogli un fragil legno	-	Anonymous
Io son tra mille scogli un fragil legno Anonymous Appears on: 12v–13 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: lo son tra mille scogli un fragil legno
13v–14	Amor cum le tue faze e l'archo e l'armi	[F.V.* = FRANCESCO D'ANA]	Ana, Francesco D' (ca. 1460–ca. 1503)
Amor cum le tue faze e l'archo e l'armi Ana, Francesco D' (ca. 1460–ca. 1503) Appears on: 13v–14 Genres: Italian secular Source Attribution: [F.V.* = FRANCESCO D'ANA] Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Amor cum le tue faze e l'archo e l'armi Concordances 1505s Item Bibliography Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV.* Publikationen älterer Musik, vol. 8. Leipzig.
28–29	Amor a chi non val forza ne ingegno	[F.V.* = FRANCESCO D'ANA]	Ana, Francesco D' (ca. 1460–ca. 1503)
Amor a chi non val forza ne ingegno Ana, Francesco D' (ca. 1460–ca. 1503) Appears on: 28–29 Genres: Italian secular Source Attribution: [F.V.* = FRANCESCO D'ANA] Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Amor a chi non val forza ne ingegno . . . Concordances 15055 Item Bibliography Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV.* Publikationen älterer Musik, vol. 8. Leipzig.
15v–16	La morte tu mi dai pel mio servire = Rendi quella alma	-	Anonymous
La morte tu mi dai pel mio servire = Rendi quella alma Anonymous Appears on: 15v–16 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: La morte tu mi dai pel mio servire . . . [= Rendi quella alma] Concordances GB-Lbm 3051
16v–17	Bracho non son et echo la catena	-	Anonymous
Bracho non son et echo la catena Anonymous Appears on: 16v–17 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Bracho non son et echo la catena
17v–18	Vedendo el buon nochier torbido el cielo	-	Anonymous
Vedendo el buon nochier torbido el cielo Anonymous Appears on: 17v–18 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Vedendo el bon nochier torbido el cielo General Note Publ. cf. Fn 230 n° 36
18v–19	Non te stimar se a te ciascun s'arende	-	Anonymous
Non te stimar se a te ciascun s'arende Anonymous Appears on: 18v–19 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Non te stimar se a te ciascun s'arende Item Bibliography Rubsamen, Walter H. 1943. Literary Sources of Secular Music in Italy (ca. 1500). University of California Publications in Music, vol. 1, No. 1. Berkeley and Los Angeles.
19v–20	Come el piombin	-	Anonymous
Come el piombin Anonymous Appears on: 19v–20 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Come el pionbin quel simplice augellecto
20v–21	La faza obscura e gli ochi humidi e basi	-	Anonymous
La faza obscura e gli ochi humidi e basi Anonymous Appears on: 20v–21 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: La faza obscura e gli ochi humidi e basi
21v–22	Hor fazo che tu voi zo che te pare	-	Anonymous
Hor fazo che tu voi zo che te pare Anonymous Appears on: 21v–22 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Hor fazo che tu voi zo che te pare
22v–23	El tempo fuge e tu fugir lo Lassi	-	Anonymous
El tempo fuge e tu fugir lo Lassi Anonymous Appears on: 22v–23 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: El tempo fuge e tu fugir lo Lassi
23v–24	Di poi che Lo ti cor è tanto ingrato	-	Anonymous
Di poi che Lo ti cor è tanto ingrato Anonymous Appears on: 23v–24 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Di poi che Lo to cor è tanto ingrato [= Spesso nascosti stan] Concordances GB-Lbm 3051
24v–25	Ricordomi di far di notte giorno	-	Anonymous
Ricordomi di far di notte giorno Anonymous Appears on: 24v–25 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Ricordomi di far di notte giorno
25v–26	Restati cor mio muta di voglia	-	Anonymous
Restati cor mio muta di voglia Anonymous Appears on: 25v–26 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Restati cor mio muta di voglia
26v–27	Un giorno mia fortuna cessarai	-	Anonymous
Un giorno mia fortuna cessarai Anonymous Appears on: 26v–27 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Un giorno mia fortuna cessarai
27v–28	Dimi che regi questa amara vita	-	Anonymous
Dimi che regi questa amara vita Anonymous Appears on: 27v–28 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Dimi che regi questa amara vita
28v–29	Io son la nave che in tempesta bruna	-	Anonymous
Io son la nave che in tempesta bruna Anonymous Appears on: 28v–29 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Io son la nave che in tempesta bruna
29v–30	Io azo cussi bruto e mal augurio	-	Anonymous
Io azo cussi bruto e mal augurio Anonymous Appears on: 29v–30 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Io azo cussi bruto e mal augurio . . .
30v–31	Cridati amanti al fuocho	-	Anonymous
Cridati amanti al fuocho Anonymous Appears on: 30v–31 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Cridati amanti al fuocho
31v–32	untexted	-	-
untexted Appears on: 31v–32 Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
32v–33	Se ben or non schopro il foco	[B. TROMBONCINO]	Tromboncino, Bartolomeo (1470–ca. 1534)
Se ben or non schopro il foco Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 32v–33 Genres: Italian secular Source Attribution: [B. TROMBONCINO] Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Se ben hor non scopro el fuocho General Note [= L'oratione e sempre bona]Publ. cf. Bc 18 n" 3 Concordances SA-Csa
33v–34	untexted	-	-
untexted Appears on: 33v–34 Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
34v–35	untexted	-	-
untexted Appears on: 34v–35 Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
35v–36	untexted	-	-
untexted Appears on: 35v–36 Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
36v–37	Lontan pur mi convien partir da te	-	Anonymous
Lontan pur mi convien partir da te Anonymous Appears on: 36v–37 Genres: Chanson Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Lontan pur me convien partir da te General Note Publ. cf. Bc 18 n° 1 [=Jesu dolce mio sposo] [= Peregrinando vo] Concordances SA-Csa 12 **GB-Lbm 3051
37v–38	untexted	-	-
untexted Appears on: 37v–38 Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text
38v–39	Rendo l'arme al fier amor	-	Anonymous
Rendo l'arme al fier amor Anonymous Appears on: 38v–39 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Rendo l'arme al fier amor Item Bibliography Giazotto, Remo. 1959. Onde musicali nella corrente poetica di Serafino dall'Aquila in Musurgia nova. 3ff. Milano. Pages: (f. 38v) facs.
39v–40	Or su correr [Hor succorer] voglio a morte	-	Anonymous
Or su correr [Hor succorer] voglio a morte Anonymous Appears on: 39v–40 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Hor succorer vogl'o a morte General Note Title: Hor succorer vogl'io a morte
40v–41	Quel dolze ponto ch'io desiato tanto	-	Anonymous
Quel dolze ponto ch'io desiato tanto Anonymous Appears on: 40v–41 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Quel dolze ponto ch'io desiato tanto
41v–42	La speranza e la mercede	-	Anonymous
La speranza e la mercede Anonymous Appears on: 41v–42 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: La speranza e la mercede
42v–44	Ad ognor cresse la doglia	-	Anonymous
Ad ognor cresse la doglia Anonymous Appears on: 42v–44 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Ad ognor cresse la doglia …
44v–45	Non te smarir cor mio va passo passo	-	Anonymous
Non te smarir cor mio va passo passo Anonymous Appears on: 44v–45 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Non te smarir cor mio va passo passo Item Bibliography Rubsamen, Walter H. 1943. Literary Sources of Secular Music in Italy (ca. 1500). University of California Publications in Music, vol. 1, No. 1. Berkeley and Los Angeles. Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik, vol. 8. Leipzig. Pages: facs.
45v–46	Si dolze el dolor mio poi che non m'ami	-	Anonymous
Si dolze el dolor mio poi che non m'ami Anonymous Appears on: 45v–46 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Si dolze el dolor mio poi che non m'ami Item Bibliography Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II (facs.).
46v–48	Se gran festa me mostrasti	[T.* = B. TROMBONCINO]	Tromboncino, Bartolomeo (1470–ca. 1534)
Se gran festa me mostrasti Tromboncino, Bartolomeo (1470–ca. 1534) Appears on: 46v–48 Genres: Italian secular Source Attribution: [T.* = B. TROMBONCINO] Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Se gran festa me mostrasti Concordances *15056
48v–49	Questa doglia se m'acora	-	Anonymous
Questa doglia se m'acora Anonymous Appears on: 48v–49 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Questa doglia se m'acora
49v–50	Hogni cosa va'l suo locho	-	Anonymous
Hogni cosa va'l suo locho Anonymous Appears on: 49v–50 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Hogni cosa va'l suo locho
50v–51	Crudel et despietata che n'arrai	-	Anonymous
Crudel et despietata che n'arrai Anonymous Appears on: 50v–51 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Crudel et despietata che n'arrai
51v–52	Da pò che tu è disposta de lassarme	-	Anonymous
Da pò che tu è disposta de lassarme Anonymous Appears on: 51v–52 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Da pò che tu è disposta de lassarme
52v–53	Trista he la sorte di chi serve al vento	-	Anonymous
Trista he la sorte di chi serve al vento Anonymous Appears on: 52v–53 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Trista he la sorte di chi serve al vento General Note Ct et B: … la mia sorte . . .
53v–54	Del mio amar grande et del tuo amor pocho	-	Anonymous
Del mio amar grande et del tuo amor pocho Anonymous Appears on: 53v–54 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Del mio amar grande et del tuo amor pocho Item Bibliography Rubsamen, Walter H. 1943. Literary Sources of Secular Music in Italy (ca. 1500). University of California Publications in Music, vol. 1, No. 1. Berkeley and Los Angeles. Pages: facs.
54v–55	De mortai guerra et de perpetua pace	-	Anonymous
De mortai guerra et de perpetua pace Anonymous Appears on: 54v–55 Genres: Chanson Number of voices: 4 Voice: [no designation] Languages: French Voice Text: De mortai guerra et de perpetua pace
55–56	Nemica morte d'ogni alma felice	-	Anonymous
Nemica morte d'ogni alma felice Anonymous Appears on: 55–56 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Nemica morte d'ogni alma felice
56–57	Contento in foco sto corno fenice	-	Anonymous
Contento in foco sto corno fenice Anonymous Appears on: 56–57 Genres: Italian secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Contento in fuocho como la fenice
57v–58	Sparsa mi è l'alegreza e Lo favore	-	Anonymous
Sparsa mi è l'alegreza e Lo favore Anonymous Appears on: 57v–58 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Sparsa mi è l'alegreza e Lo favore
58v–59	Se a mi che tanto t'amo dai la morte	-	Anonymous
Se a mi che tanto t'amo dai la morte Anonymous Appears on: 58v–59 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Se a mi che tanto t'amo dai la morte
59v–60	Averte amata tanto me ne pento	-	Anonymous
Averte amata tanto me ne pento Anonymous Appears on: 59v–60 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Averte amata tanto me ne pento
60v–61	Voglio giri chiamando morte	[G. LUPPATUS]*	Hellinck, Lupus (ca. 1494–1541) (?)
Voglio giri chiamando morte Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 60v–61 Genres: Italian secular Source Attribution: [G. LUPPATUS]* Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: Voglio giri chiamando morte Concordances 15044 (à 4vx.) Item Bibliography Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV.* Publikationen älterer Musik, vol. 8. Leipzig.
61v–63	Dona el tempo se ne ito	-	Anonymous
Dona el tempo se ne ito Anonymous Appears on: 61v–63 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Dona el tempo se ne ito
63v–64	La mia fiama è tanto acesa	-	Anonymous
La mia fiama è tanto acesa Anonymous Appears on: 63v–64 Genres: Motet Voice: [no designation] Languages: Italian Voice Text: La mia fiama è tanto acesa
[-]	Adoramus te Domine	-	Anonymous
Adoramus te Domine Anonymous Appears on: [-] Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Adoramus te domine
66v–67	Ahi lasso a quande fiere la sete toglio	-	Anonymous
Ahi lasso a quande fiere la sete toglio Anonymous Appears on: 66v–67 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Ahy lasso a quante fiere la sete toglio . . . Item Bibliography Rubsamen, Walter H. 1943. Literary Sources of Secular Music in Italy (ca. 1500). University of California Publications in Music, vol. 1, No. 1. Berkeley and Los Angeles. Pages: facs.
67v–68	Ben he dura la mia sorte	-	Anonymous
Ben he dura la mia sorte Anonymous Appears on: 67v–68 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Ben he dura la mia sorte
p136–p139	Chi ben ama tardi oblia	-	Anonymous
Chi ben ama tardi oblia Anonymous Appears on: p136–p139 Genres: Italian secular Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Chi ben ama tardi oblia

Composer	Compositions
Ana, Francesco D' (ca. 1460-ca. 1503)	Amor a chi non val forza ne ingegno – 28–29 Amor cum le tue faze e l'archo e l'armi – 13v–14 (?) I ho disposto sempre amarti – 3v–4 Non bianco marmo non candida petra – 10v–11 Veggio sdegnato amor crudel e fero – 2–8v
Anonymous	Ad ognor cresse la doglia – 42v–44 Adoramus te Domine – [-] Ahi lasso a quande fiere la sete toglio – 66v–67 Amor se tu non vieni in mia defesa – 4v–5 Averte amata tanto me ne pento – 59v–60 Ben he dura la mia sorte – 67v–68 Bracho non son et echo la catena – 16v–17 Chi ben ama tardi oblia – p136–p139 Come el piombin – 19v–20 Contento in foco sto corno fenice – 56–57 Cridati amanti al fuocho – 30v–31 Crudel et despietata che n'arrai – 50v–51 Da poi crudel che non mi valse mai – 5v–6 Da pò che tu è disposta de lassarme – 51v–52 De mortai guerra et de perpetua pace – 54v–55 De pianto in pianto meno la mia vita – 11v–12 Del mio amar grande et del tuo amor pocho – 53v–54 Di poi che Lo ti cor è tanto ingrato – 23v–24 Dimi che regi questa amara vita – 27v–28 Dona el tempo se ne ito – 61v–63 El tempo fuge e tu fugir lo Lassi – 22v–23 Gridan vostri ochi al cor mio – 1v–3 Hogni cosa va'l suo locho – 49v–50 Hor fazo che tu voi zo che te pare – 21v–22 I non mi doglio se penando vivo – 6v–7 Io azo cussi bruto e mal augurio – 29v–30 Io son la nave che in tempesta bruna – 28v–29 Io son tra mille scogli un fragil legno – 12v–13 La faza obscura e gli ochi humidi e basi – 20v–21 La mia fiama è tanto acesa – 63v–64 La morte tu mi dai pel mio servire = Rendi quella alma – 15v–16 La speranza e la mercede – 41v–42 La vita che hagio facta amara e dura – 7v–8 Lontan pur mi convien partir da te – 36v–37 Mercede ha per me spinto ogni suo lume – 9v–10 Nemica morte d'ogni alma felice – 55–56 Non te smarir cor mio va passo passo – 44v–45 Non te stimar se a te ciascun s'arende – 18v–19 Or su correr [Hor succorer] voglio a morte – 39v–40 Quel dolze ponto ch'io desiato tanto – 40v–41 Questa doglia se m'acora – 48v–49 Rendo l'arme al fier amor – 38v–39 Restati cor mio muta di voglia – 25v–26 Ricordomi di far di notte giorno – 24v–25 Se a mi che tanto t'amo dai la morte – 58v–59 Se non t'hai ben sbramata de straciarmi .. – f. 2v–f. 9 Si dolze el dolor mio poi che non m'ami – 45v–46 Sparsa mi è l'alegreza e Lo favore – 57v–58 Trista he la sorte di chi serve al vento – 52v–53 Un giorno mia fortuna cessarai – 26v–27 Vedendo el buon nochier torbido el cielo – 17v–18 [No description] – 31v–32 [No description] – 35v–36 [No description] – 34v–35 [No description] – 33v–34 [No description] – 37v–38
Hellinck, Lupus (ca. 1494-1541)	(?) Voglio giri chiamando morte – 60v–61
Tromboncino, Bartolomeo (1470-ca. 1534)	Se ben or non schopro il foco – 32v–33 Se gran festa me mostrasti – 46v–48

Composition	Composers (? Uncertain)	Folios / Pages
Ad ognor cresse la doglia	Anonymous	42v–44
Adoramus te Domine	Anonymous	[-]
Ahi lasso a quande fiere la sete toglio	Anonymous	66v–67
Amor a chi non val forza ne ingegno	Ana, Francesco D' (ca. 1460–ca. 1503)	28–29
Amor cum le tue faze e l'archo e l'armi	Ana, Francesco D' (ca. 1460–ca. 1503)	13v–14
Amor se tu non vieni in mia defesa	Anonymous	4v–5
Averte amata tanto me ne pento	Anonymous	59v–60
Ben he dura la mia sorte	Anonymous	67v–68
Bracho non son et echo la catena	Anonymous	16v–17
Chi ben ama tardi oblia	Anonymous	p136–p139
Come el piombin	Anonymous	19v–20
Contento in foco sto corno fenice	Anonymous	56–57
Cridati amanti al fuocho	Anonymous	30v–31
Crudel et despietata che n'arrai	Anonymous	50v–51
Da poi crudel che non mi valse mai	Anonymous	5v–6
Da pò che tu è disposta de lassarme	Anonymous	51v–52
De mortai guerra et de perpetua pace	Anonymous	54v–55
De pianto in pianto meno la mia vita	Anonymous	11v–12
Del mio amar grande et del tuo amor pocho	Anonymous	53v–54
Di poi che Lo ti cor è tanto ingrato	Anonymous	23v–24
Dimi che regi questa amara vita	Anonymous	27v–28
Dona el tempo se ne ito	Anonymous	61v–63
El tempo fuge e tu fugir lo Lassi	Anonymous	22v–23
Gridan vostri ochi al cor mio	Anonymous	1v–3
Hogni cosa va'l suo locho	Anonymous	49v–50
Hor fazo che tu voi zo che te pare	Anonymous	21v–22
I ho disposto sempre amarti	Ana, Francesco D' (ca. 1460–ca. 1503) (?)	3v–4
I non mi doglio se penando vivo	Anonymous	6v–7
Io azo cussi bruto e mal augurio	Anonymous	29v–30
Io son la nave che in tempesta bruna	Anonymous	28v–29
Io son tra mille scogli un fragil legno	Anonymous	12v–13
La faza obscura e gli ochi humidi e basi	Anonymous	20v–21
La mia fiama è tanto acesa	Anonymous	63v–64
La morte tu mi dai pel mio servire = Rendi quella alma	Anonymous	15v–16
La speranza e la mercede	Anonymous	41v–42
La vita che hagio facta amara e dura	Anonymous	7v–8
Lontan pur mi convien partir da te	Anonymous	36v–37
Mercede ha per me spinto ogni suo lume	Anonymous	9v–10
Nemica morte d'ogni alma felice	Anonymous	55–56
Non bianco marmo non candida petra	Ana, Francesco D' (ca. 1460–ca. 1503)	10v–11
Non te smarir cor mio va passo passo	Anonymous	44v–45
Non te stimar se a te ciascun s'arende	Anonymous	18v–19
Or su correr [Hor succorer] voglio a morte	Anonymous	39v–40
Quel dolze ponto ch'io desiato tanto	Anonymous	40v–41
Questa doglia se m'acora	Anonymous	48v–49
Rendo l'arme al fier amor	Anonymous	38v–39
Restati cor mio muta di voglia	Anonymous	25v–26
Ricordomi di far di notte giorno	Anonymous	24v–25
Se a mi che tanto t'amo dai la morte	Anonymous	58v–59
Se ben or non schopro il foco	Tromboncino, Bartolomeo (1470–ca. 1534)	32v–33
Se gran festa me mostrasti	Tromboncino, Bartolomeo (1470–ca. 1534)	46v–48
Se non t'hai ben sbramata de straciarmi ..	Anonymous	f. 2v–f. 9
Si dolze el dolor mio poi che non m'ami	Anonymous	45v–46
Sparsa mi è l'alegreza e Lo favore	Anonymous	57v–58
Trista he la sorte di chi serve al vento	Anonymous	52v–53
Un giorno mia fortuna cessarai	Anonymous	26v–27
Vedendo el buon nochier torbido el cielo	Anonymous	17v–18
Veggio sdegnato amor crudel e fero	Ana, Francesco D' (ca. 1460–ca. 1503)	2–8v
Voglio giri chiamando morte	Hellinck, Lupus (ca. 1494–1541) (?)	60v–61

‡ denotes primary source study

Cattin, Giulio. 1977. Musiche per le Laude di Castellano Castellani. Rivista Italiana di Musicologia, 12: 183-230. Pages: 192.

Prizer, William Flaville. 1974. Marchetta Cara and the North Italian Frottola. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I,100-1,105.

Cattin, Giulio. 1973. Nuova Fonte Italiana della Polifonia intorno al 1500 (MS. Cape Town, Grey 3.b.l2). Acta Musicologica, 45: 165-221. Pages: 203-4.

Hernon, Michael A. 1972. Perugia MS 431 (G20): A Study of the Secular Italian Pieces. George Peabody College for Teachers, Unpublished Ph.D. dissertation. Pages: 7.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II,xxx,73-6,162-5, passim; III,141-324.

Rubsamen, Walter H. 1968. The Earliest French Lute Tablature. Journal of the American Musicological Society, 21: 286-99. Pages: 291.

Gallico, Claudio. 1966. Per la Compilazione di un Inventario di Poesia e Musica Italiana del Primo Rinascimento. Revista Italiana di Musicologia, 1: 88-93. Pages: 92.

Rubsamen, Walter H. 1964. From Frottola to Madrigal: The Changing Pattern of Secular Italian Vocal Music. Chanson & Madrigal 1480-1530: Studies in Comparison and Contrast, 51-87 and 172-242. Cambridge, Massachusetts. Pages: 53.

Giazotto, Remo. 1959. Musurgia Nova. Milan.

Bridgman, Nanie. 1953-6. Un Manuscrit Italien du Début du XVIe Siècle à la Bibliothèque Nationale (Département de la musique, Rés. Vm.' 676). Annales Musicologiques, 1 & 4: 177ff(I)-259ff(IV). Pages: 196-7, 208-9,218-9.

Rubsamen, Walter H. 1943. Literary Sources of Secular Music in Italy (ca. 1500). University of California Publications in Music, vol. 1, No. 1. Berkeley and Los Angeles. Pages: 10ff,43-6, frontispiece.

Jeppesen, Knud. 1939. Über einige unbekannte Frottolenhandschriften. Acta Musicologica, 11: 81-114. Pages: 88-93.

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Giovanni Zanovello

Wednesday, 7 November, 2018

Pointing to online catalogue entry of the Trivulziana library, which offers a link to online images of the digitised manuscript.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Mt 55

Biblioteca Trivulziana e Archivio Storico Civico (Castello Sforzesco), Milano, Italy

manuscript of polyphony: early 16th century

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