I-CNM Mus MS 1 [Discantus]

Biblioteca Comunale Silvio Zavatti, Civitanova Marche, Italy

partbook: c. 1555-60

Archive	Biblioteca Comunale Silvio Zavatti, Civitanova Marche, Italy (I-CNM)
Shelfmark	Mus MS 1 [Discantus]
Image Availability	DIAMM does not have images of this source.
Surface	Paper
Numbering System	Foliation
Format	landscape
Measurements	160 x 223-30 mm
Other Identifiers	CCM: CivitaBC (1) olim (Former shelfmark): s.s. (1)
Notations	black void mensural
Copyists	scribal concordance [97] Text and Music
Relationships	Medici family (patron)
Provenance	Italy
Contents	56 pieces from 24 composers

General Description

A Discantus partbook from a set of four volumes. Contains four series of madrigals and two of motets, separately numbered. Copied by a single scribe, who also wrote CivitaBC (2). Probably copied in Florence.

DIAMM, 2022

Binding

Original covers of cream-coloured parchment, inscribed with voice designations; remnants of green ribbon ties

DIAMM, 2017

Watermark

(1) crown (not in Briquet); (2) crossbow in circle, surmounted by fleur-de-lis (not in Briquet); (3) generally resembles Briquet #6098; (4) crossed arrows (not in Briquet)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 12-13mm

DIAMM, 2017

Foliation

Modern pencil foliation on upper right rectos, 1-120

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, in six series (several partes numbered separately): i-xxx (4-voice madrigals); i-xx (5-voice madrigals); i-iiii (5-voice motets); i-iii (6-voice motets); i-iiii (6-voice madrigals); i (7-voice madrigal).

DIAMM, 2017

Decoration

No initials or decoration, except for large calligraphic initials on front covers. Medici family emblem in initial on front cover of Tenor book.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

7 motets, 51 Italian secular pieces = 58*

*Series of 18th-century additions in several partbooks not taken into account here.

(Arcadelt)-12, (Arcadelt/Corteccia/G. Ponte)-1, (Corteccia)-1, (A. Ferrabosco I/Verdelot)-1, (D. Ferrabosco)-1, (C. Festa?)-1, (S. Festa)-1, (Havericq)-1, (Jaquet of Mantua/Lupus)-1, (Josquin/ Verdelot)-1, (Naich/Reulx)-1, (Nollet)-1, (Palestrina)-3, (Richafort/Verdelot)-1, (Rore)-1, (Ruffo)-1, (Verdetot)-8, anon-21

4 paper partbooks (D-iii + 120 + i folios, A-iii + 117, T-iii + 116 + i, Q/S-iii + 73 + i), 160 x 223-30. Modern pencil foliation on upper right rectos in each book—D: 1-120; A: 1-128 (ff. 3-5, 24, 28-30, 58, 61, 69, 118 now missing); T: 1-120 (ff. 45, 100, 109-110 now missing); B: 1-74 (f. 64 now missing). Original ink numbering of pieces, in six series (several partes numbered separately): i-xxx (4-voice madrigals); i-xx (5-voice madrigals); i-iiii (5-voice motets); i-iii (6-voice motets); i-iiii (6-voice madrigals); i (7-voice madrigal). Blank staves only—D: 1, 28'-40, 59'-84, 88'-92, 95'-100, 104'-118, 119'-120'; A: 1, 65'-66, 92-95, 99'-103, 106'-109, 113'-114, 115-117', 124-126, 127'-128'; T: 1, 30'-40, 60'-84, 88'-92, 95'-98, 103'-118, 119'-120'; Q/S: 1, 20'-42, 46'-50, 55'-59, 65'-71, 72'-74'. Original covers of cream-colored parchment, inscribed with voice designations; remnants of green ribbon ties. No index. Copied by a single scribe, who also wrote CivitaBC (2). Staff height 12-13. No initials or decoration, except for large calligraphic initials on front covers. Medici family emblem in initial on front cover of T book. Watermarks: (1) crown (not in Briquet); (2) crossbow in circle, surmounted by fleur-de-lis (not in Briquet); (3) generally resembles Briquet #6098; (4) crossed arrows (not in Briquet).

Ca. 1555-60, with additions in 18th century. Probably copied in Florence.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1v–2	S'io esca vivo de dubbiosi scogli	[P866: Paolo Aretino]* -unverified	Aretino, Paolo (1508–1584) (?)
S'io esca vivo de dubbiosi scogli Aretino, Paolo (1508–1584) (?) Appears on: 1v–2 Genres: Italian secular Source Attribution: [P866: Paolo Aretino]* -unverified Voice: [no designation] Languages: Italian Voice Text: S'io esca vivo de dubbiosi scogli
2v–3	Con lei fuss'io da che si part'il sole	[Arcadelt/Corteccia/G. Ponte]	Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?) Du Pont, Jacques (?)
Con lei fuss'io da che si part'il sole Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?) Du Pont, Jacques (?) Appears on: 2v–3 Genres: Italian secular, Madrigal (Italian) Source Attribution: [Arcadelt/Corteccia/G. Ponte] Voice: [no designation] Languages: Italian Voice Text: Con lei fuss'io da ch' si part'il sole
3v–4	O pietose rime et voi freddi sospiri	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
O pietose rime et voi freddi sospiri Arcadelt, Jacques (ca. 1507–1568) Appears on: 3v–4 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Pietose rime et voi freddi sospiri
4v–5	Quand' io pens' al martire amor che tu	Arcadelt	Arcadelt, Jacques (ca. 1507–1568)
Quand' io pens' al martire amor che tu Arcadelt, Jacques (ca. 1507–1568) Appears on: 4v–5 Genres: Madrigal (Italian) Source Attribution: Arcadelt Voice: [no designation] Languages: Italian Voice Text: Quand'io pens'al martiri chel viver
5v–6	Ancidetemi pur grievi martiri che'l viver	-	Arcadelt, Jacques (ca. 1507–1568)
Ancidetemi pur grievi martiri che'l viver Arcadelt, Jacques (ca. 1507–1568) Appears on: 5v–6 Genres: Italian secular
6v–7	Il ciel che rado virtu tanta mostra	-	Arcadelt, Jacques (ca. 1507–1568)
Il ciel che rado virtu tanta mostra Arcadelt, Jacques (ca. 1507–1568) Appears on: 6v–7 Genres: Madrigal (Italian)
7v–8	Io mi pensai che spento	-	Arcadelt, Jacques (ca. 1507–1568)
Io mi pensai che spento Arcadelt, Jacques (ca. 1507–1568) Appears on: 7v–8 Genres: Madrigal (Italian)
10v–11	Lassar'il velo o per sol'o per ombra	[Arcadelt/F. Layolle]	Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Alamanne de (?)
Lassar'il velo o per sol'o per ombra Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Alamanne de (?) Appears on: 10v–11 Genres: Italian secular Source Attribution: [Arcadelt/F. Layolle] Voice: [no designation] Languages: Italian Voice Text: Lassarvil velo o per solvo per ombra
11v–16	Chiare fresch' e dolce aque (2p. s'egli e pur mio destino; 3p. Tempo verr'ancor forse; 4p. Da bei rami scendea dolce; 5p. Qunate volte dissio alhor)	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Chiare fresch' e dolce aque (2p. s'egli e pur mio destino; 3p. Tempo verr'ancor forse; 4p. Da bei rami scendea dolce; 5p. Qunate volte dissio alhor) Arcadelt, Jacques (ca. 1507–1568) Appears on: 11v–16 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Chiare fresch'e dolce aque II: s'egli e pur mio destino III: Tempo verr'ancor forse IV: [D]a bei rami scendea dolce V: Qunate volte dissio alhor
16v	Perche la vita e breve et l'ingegno	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Perche la vita e breve et l'ingegno Arcadelt, Jacques (ca. 1507–1568) Appears on: 16v Genres: Italian secular, Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Perche la vit'e breve et l'ingegno
17	Ch'quella verd'etate et quei frise	Anon.	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
Ch'quella verd'etate et quei frise Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 17 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Ch'quella verd'etate et quei frise
17v	Come con isnoi fallaci e va pensieri	Anon.	Anonymous
Come con isnoi fallaci e va pensieri Anonymous Appears on: 17v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Come con isnoi fallaci e va pensieri
18	Hor chi mai cantera se non cant'oggi	[Corteccia]	Corteccia, (Pier) Francesco
Hor chi mai cantera se non cant'oggi Corteccia, (Pier) Francesco Appears on: 18 Genres: Italian secular Source Attribution: [Corteccia] Voice: [no designation] Languages: Italian Voice Text: Hor chi mai cantera se non cant'oggi
18v–19	Cosi mi giud, amore di pensier	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Cosi mi giud, amore di pensier Arcadelt, Jacques (ca. 1507–1568) Appears on: 18v–19 Genres: Italian secular Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Cosi mi giud,amore di pensier
19v–20	Passer mai solitario in alcun tato	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Passer mai solitario in alcun tato Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 19v–20 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: French Voice Text: Passer mai solitari[o] in alcun tato
20v	Di questi ciech'amanti si muovo	Anon.	Anonymous
Di questi ciech'amanti si muovo Anonymous Appears on: 20v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: [D]i questi ciech'amanti si muovo
21	Voi mi ponest'in foco per farm'anzvl mio	[Palestrina]	Palestrina, Giovanni Pierluigi da (1525–1594)
Voi mi ponest'in foco per farm'anzvl mio Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 21 Genres: Italian secular Source Attribution: [Palestrina] Voice: [no designation] Languages: Italian Voice Text: [V]oi mi ponest'in foco per farm'anzvl mio
21v–22	Perch'al viso damor portav'insegna	[Palestrina]	Palestrina, Giovanni Pierluigi da (1525–1594)
Perch'al viso damor portav'insegna Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 21v–22 Genres: Italian secular Source Attribution: [Palestrina] Voice: [no designation] Languages: Italian Voice Text: Perch'al viso damor portav'insegna
22v–23	S'io credessi per mort'esser' scarco	[Anselmo Reulx/N. Ubert = Naich]	Reulx, Anselmo de (?) Naich, Hubert (?)
S'io credessi per mort'esser' scarco Reulx, Anselmo de (?) Naich, Hubert (?) Appears on: 22v–23 Genres: Italian secular Source Attribution: [Anselmo Reulx/N. Ubert = Naich] Voice: [no designation] Languages: Italian Voice Text: S'io credessi per mort'esser' scarco
23v–24	Io mi son giovinetta et volontieri II: Io vo per verdi prati riguardando	[D. Ferrabosco]	Ferrabosco, Domenico Maria
Io mi son giovinetta et volontieri II: Io vo per verdi prati riguardando Ferrabosco, Domenico Maria Appears on: 23v–24 Genres: Madrigal (Italian) Source Attribution: [D. Ferrabosco] Voice: [no designation] Languages: Italian Voice Text: Io mi son giovinett'et volentieri
24v–25	Gia fu chi mhebbe cara et volentieri	[Palestrina]	Palestrina, Giovanni Pierluigi da (1525–1594)
Gia fu chi mhebbe cara et volentieri Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 24v–25 Genres: Italian secular Source Attribution: [Palestrina] Voice: [no designation] Languages: Italian Voice Text: Gia fu chi mhebbe cara et volentieri
25v–26	Mentre gli ardenti ray cercai fuggir	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Mentre gli ardenti ray cercai fuggir Arcadelt, Jacques (ca. 1507–1568) Appears on: 25v–26 Genres: Italian secular Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Mentre gli ardenti ray cercai fuggir
26v–27	Ma di chi debbo lamentarmi hay lassa	[Vincentio Ruffo]	Ruffo, Vincenzo (ca. 1508–1587)
Ma di chi debbo lamentarmi hay lassa Ruffo, Vincenzo (ca. 1508–1587) Appears on: 26v–27 Genres: Italian secular, Madrigal (Italian) Source Attribution: [Vincentio Ruffo] Voice: [no designation] Languages: Italian Voice Text: [M]a di chi debbo lamentarmi hay lassa
27v–28	Quel si grave dolore ch'io sentiro	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Quel si grave dolore ch'io sentiro Arcadelt, Jacques (ca. 1507–1568) Appears on: 27v–28 Genres: Italian secular Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Quel si grave dolore ch'io sentiro
40v–41	Altro non è el mio amor ch'el proprio	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Altro non è el mio amor ch'el proprio Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 40v–41 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: Altro non è'l mio amor chel proprio inferno
41v–42	Dormend' un giorno a Baia a l'ombr' Amore	[Verdelot]	Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532)
Dormend' un giorno a Baia a l'ombr' Amore Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 41v–42 Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: [D]ormend'un giorn'a baia alombr'amore
42v–43	Occhi piu ch' sereni lasso se mi uccidete	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Occhi piu ch' sereni lasso se mi uccidete Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 42v–43 Genres: Italian secular Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: Occhi piu chv sereni lasso se mi uccidete
43v–44	Se per ventura io veggio dapress'il mio	Anon.	Anonymous
Se per ventura io veggio dapress'il mio Anonymous Appears on: 43v–44 Genres: Madrigal (Italian) Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Se per ventura io veggio dapress'il mio
44v–45	Quand' avran fin' amore gli affanni	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Quand' avran fin' amore gli affanni Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 44v–45 Genres: Italian secular Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: Quand'havran fin amore gli affanni
45v–46	Qual'hor massal'amore venir per grave duol	[Arcadelt]	Arcadelt, Jacques (ca. 1507–1568)
Qual'hor massal'amore venir per grave duol Arcadelt, Jacques (ca. 1507–1568) Appears on: 45v–46 Genres: Italian secular Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: Qual'hor massal'amore venir per grave duol
46v–47	Se misprona la voglia donna thalor	Anon.	Anonymous
Se misprona la voglia donna thalor Anonymous Appears on: 46v–47 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Se misprona la voglia donna thalor
47v–48	Il dolce sonnon mi promisse pace	[Nollet]	Nollet
Il dolce sonnon mi promisse pace Nollet Appears on: 47v–48 Genres: Italian secular Source Attribution: [Nollet] Voice: [no designation] Languages: Italian Voice Text: [I]l dolce sonnon mi promisse pace
48v–49	A che con nuovo laccio donna legarmi	[Rore]	Rore, Cipriano de (ca. 1515–1565)
A che con nuovo laccio donna legarmi Rore, Cipriano de (ca. 1515–1565) Appears on: 48v–49 Genres: Italian secular Source Attribution: [Rore] Voice: [no designation] Languages: Italian Voice Text: A che con nuovo laccio donna legarmi
49v	Ite caldi sospiri al freddo core	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532)
Ite caldi sospiri al freddo core Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 49v Genres: Madrigal (Italian) Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: Ite caldi sospiri al freddo core
50	Vita dunque amor cagion dogni mio bene	Anon.	Anonymous
Vita dunque amor cagion dogni mio bene Anonymous Appears on: 50 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Vita dunque amor cagion dogni mio bene
50v–51	Se'l mio grav duol misforza	Anon.	Anonymous
Se'l mio grav duol misforza Anonymous Appears on: 50v–51 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Se'l mio grav duol misforza
51v–52	Ogni loco mi porge doglia e pianto	[Palestrina]	Palestrina, Giovanni Pierluigi da (1525–1594)
Ogni loco mi porge doglia e pianto Palestrina, Giovanni Pierluigi da (1525–1594) Appears on: 51v–52 Genres: Italian secular Source Attribution: [Palestrina] Voice: [no designation] Languages: Italian Voice Text: Ogni loco mi porge doglia e pianto
52v–53	La dolce vista e'l bel guardo soave	[Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532) (?)
La dolce vista e'l bel guardo soave Verdelot, Philippe (ca. 1480–ca. 1532) (?) Appears on: 52v–53 Genres: Italian secular Source Attribution: [Verdelot] Voice: [no designation] Languages: Italian Voice Text: La dolce vista el bel sguardo suave
53v–54	Ben mi credea passar mio temp'omai	[S. Festa]	Festa, Sebastiano (ca. 1490–1524)
Ben mi credea passar mio temp'omai Festa, Sebastiano (ca. 1490–1524) Appears on: 53v–54 Genres: Madrigal (Italian) Source Attribution: [S. Festa] Voice: [no designation] Languages: Italian Voice Text: Ben mi credea per starv da voi lontano
54v–55	I gelosi pensier lardenti core	Anon.	Anonymous
I gelosi pensier lardenti core Anonymous Appears on: 54v–55 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: I gelosi pensier lardenti core
55v–56	Morte ma morto e sola puo far	[Gioan Nasco]* -- unverified	Nasco, Jan (?)
Morte ma morto e sola puo far Nasco, Jan (?) Appears on: 55v–56 Genres: Italian secular Source Attribution: [Gioan Nasco]* -- unverified Voice: [no designation] Languages: Italian Voice Text: Morte mha morto e sola puo far
56v–57	Miseri padr'e folli ch' pur tropp' amorosi	Anon.	Anonymous
Miseri padr'e folli ch' pur tropp' amorosi Anonymous Appears on: 56v–57 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: [M]iseri padr'e folli ch' pur tropp' amorosi
57v–58	S'io potessi voler quel ch'io vorrei	Anon.	Anonymous
S'io potessi voler quel ch'io vorrei Anonymous Appears on: 57v–58 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: S'io potessi voler quel ch'io vorrei
58v–59	O chioma di fin oro, o front' altera	[Arcadelt]	Anonymous
O chioma di fin oro, o front' altera Anonymous Appears on: 58v–59 Genres: Madrigal (Italian) Source Attribution: [Arcadelt] Voice: [no designation] Languages: Italian Voice Text: O chioma di fin orvo front'altera
84v–85	Gaudent in caelis animae sanctorum	[Damianus Hauricus = Havericq]	Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Gaudent in caelis animae sanctorum Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 84v–85 Genres: Motet Source Attribution: [Damianus Hauricus = Havericq] Voice: [no designation] Languages: Latin Voice Text: Gaudent in celis anime sanctorum
85v–86	Benedicta sit sancta trinitas II: O adoranda trinitas O veneranda	Anon.	Anonymous
Benedicta sit sancta trinitas II: O adoranda trinitas O veneranda Anonymous Appears on: 85v–86 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicta sit sancta trinitas II: O adoranda trinitas O veneranda
86v–87	Aspice Domine quia facta est desolata	[Jaquet of Mantua/Lupus]	Mantua, Jacquet de (1483–1559) (?) Hellinck, Lupus (ca. 1494–1541) (?)
Aspice Domine quia facta est desolata Mantua, Jacquet de (1483–1559) (?) Hellinck, Lupus (ca. 1494–1541) (?) Appears on: 86v–87 Genres: Motet Source Attribution: [Jaquet of Mantua/Lupus] Voice: [no designation] Languages: Latin Voice Text: Aspice domine quia facta est
87v–88	Si bona suscepimus de manu Domini	[Richafort/Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)
Si bona suscepimus de manu Domini Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Appears on: 87v–88 Genres: Motet Source Attribution: [Richafort/Verdelot] Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus de manu domini
92v–93	Si bona suscepimus de manu Domini	Anon.	Anonymous
Si bona suscepimus de manu Domini Anonymous Appears on: 92v–93 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus de manu domini
93v–94	Sancta Maria virgo virginum 25.7	[Josquin/Verdelot]	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?)
Sancta Maria virgo virginum 25.7 Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 93v–94 Genres: Motet Source Attribution: [Josquin/Verdelot] Voice: [no designation] Languages: Latin Voice Text: Sancta Maria virgo virginum 25.6
94v–95	Ecce advenit dominator / Carolus vincit Carolus regnat	[C. Festa?]	Festa, Costanzo (ca. 1485–1545) (?)
Ecce advenit dominator / Carolus vincit Carolus regnat Festa, Costanzo (ca. 1485–1545) (?) Appears on: 94v–95 Genres: Motet Source Attribution: [C. Festa?] Voice: [no designation] Languages: Latin Voice Text: Ecce advenit dominator/Carolus vincit Carolus regnat
100v–101	Ultimi miei sospiri che mi lasciate	[A. Ferrabosco I/Verdelot]	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532)
Ultimi miei sospiri che mi lasciate Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532) Appears on: 100v–101 Genres: Madrigal (Italian) Source Attribution: [A. Ferrabosco I/Verdelot] Voice: [no designation] Languages: Italian Voice Text: [U]ltimi miei sospiri chvmi lassate
101v–102	Quant' in mill' anni il ciel dovea mostrarne	[Noletto = Nollet]	Nollet
Quant' in mill' anni il ciel dovea mostrarne Nollet Appears on: 101v–102 Genres: Madrigal (Italian) Source Attribution: [Noletto = Nollet] Voice: [no designation] Languages: Italian Voice Text: Quant'in mill'anni il ciel dovea mostrarne
102v–103	Hor' chel ciel et la terr'el vento	Anon.	Anonymous
Hor' chel ciel et la terr'el vento Anonymous Appears on: 102v–103 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Hor' chel ciel et la terr'el vento
103v–104	Ite caldi sospiri al freddo core	Anon.	Anonymous
Ite caldi sospiri al freddo core Anonymous Appears on: 103v–104 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Ite caldi sospiri al freddo core
118v–119	A che tanto dolor tanti sospiri	Anon.	Tudual
A che tanto dolor tanti sospiri Tudual Appears on: 118v–119 Genres: Madrigal (Italian) Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: A che tanto dolor tanti sospiri

Composer	Compositions
Anonymous	Benedicta sit sancta trinitas II: O adoranda trinitas O veneranda – 85v–86 Come con isnoi fallaci e va pensieri – 17v Di questi ciech'amanti si muovo – 20v Hor' chel ciel et la terr'el vento – 102v–103 I gelosi pensier lardenti core – 54v–55 Ite caldi sospiri al freddo core – 103v–104 Miseri padr'e folli ch' pur tropp' amorosi – 56v–57 O chioma di fin oro, o front' altera – 58v–59 S'io potessi voler quel ch'io vorrei – 57v–58 Se misprona la voglia donna thalor – 46v–47 Se per ventura io veggio dapress'il mio – 43v–44 Se'l mio grav duol misforza – 50v–51 Si bona suscepimus de manu Domini – 92v–93 Vita dunque amor cagion dogni mio bene – 50
Arcadelt, Jacques (ca. 1507–1568)	Ancidetemi pur grievi martiri che'l viver – 5v–6 Chiare fresch' e dolce aque (2p. s'egli e pur mio destino; 3p. Tempo verr'ancor forse; 4p. Da bei rami scendea dolce; 5p. Qunate volte dissio alhor) – 11v–16 (?) Con lei fuss'io da che si part'il sole – 2v–3 Cosi mi giud, amore di pensier – 18v–19 (?) Dormend' un giorno a Baia a l'ombr' Amore – 41v–42 Il ciel che rado virtu tanta mostra – 6v–7 Io mi pensai che spento – 7v–8 (?) Lassar'il velo o per sol'o per ombra – 10v–11 Mentre gli ardenti ray cercai fuggir – 25v–26 O pietose rime et voi freddi sospiri – 3v–4 Perche la vita e breve et l'ingegno – 16v Qual'hor massal'amore venir per grave duol – 45v–46 Quand' io pens' al martire amor che tu – 4v–5 Quel si grave dolore ch'io sentiro – 27v–28
Aretino, Paolo (1508–1584)	(?) S'io esca vivo de dubbiosi scogli – 1v–2
Corteccia, (Pier) Francesco	(?) Con lei fuss'io da che si part'il sole – 2v–3 Hor chi mai cantera se non cant'oggi – 18
Despres, Josquin (ca. 1450–1521)	(?) Sancta Maria virgo virginum 25.7 – 93v–94
Du Pont, Jacques	(?) Con lei fuss'io da che si part'il sole – 2v–3
Ferrabosco, Alfonso (the elder) (1543–1588)	(?) Ultimi miei sospiri che mi lasciate – 100v–101
Ferrabosco, Domenico Maria	Io mi son giovinetta et volontieri II: Io vo per verdi prati riguardando – 23v–24
Festa, Costanzo (ca. 1485–1545)	(?) Ecce advenit dominator / Carolus vincit Carolus regnat – 94v–95
Festa, Sebastiano (ca. 1490–1524)	Ben mi credea passar mio temp'omai – 53v–54
Hellinck, Lupus (ca. 1494–1541)	(?) Aspice Domine quia facta est desolata – 86v–87
Layolle, Alamanne de	(?) Lassar'il velo o per sol'o per ombra – 10v–11
Mantua, Jacquet de (1483–1559)	(?) Aspice Domine quia facta est desolata – 86v–87
Naich, Hubert	(?) S'io credessi per mort'esser' scarco – 22v–23
Nasco, Jan	(?) Morte ma morto e sola puo far – 55v–56
Nollet	Il dolce sonnon mi promisse pace – 47v–48 Quant' in mill' anni il ciel dovea mostrarne – 101v–102
Palestrina, Giovanni Pierluigi da (1525–1594)	Gia fu chi mhebbe cara et volentieri – 24v–25 Ogni loco mi porge doglia e pianto – 51v–52 Perch'al viso damor portav'insegna – 21v–22 Voi mi ponest'in foco per farm'anzvl mio – 21
Phinot, Dominique	(?) Gaudent in caelis animae sanctorum – 84v–85
Reulx, Anselmo de	(?) S'io credessi per mort'esser' scarco – 22v–23
Richafort, Jean (ca. 1480–ca. 1550)	(?) Gaudent in caelis animae sanctorum – 84v–85 (?) Si bona suscepimus de manu Domini – 87v–88
Rore, Cipriano de (ca. 1515–1565)	A che con nuovo laccio donna legarmi – 48v–49
Ruffo, Vincenzo (ca. 1508–1587)	Ma di chi debbo lamentarmi hay lassa – 26v–27
Tudual	A che tanto dolor tanti sospiri – 118v–119
Verdelot, Philippe (ca. 1480–ca. 1532)	Altro non è el mio amor ch'el proprio – 40v–41 (?) Ch'quella verd'etate et quei frise – 17 Dormend' un giorno a Baia a l'ombr' Amore – 41v–42 (?) Gaudent in caelis animae sanctorum – 84v–85 Ite caldi sospiri al freddo core – 49v (?) La dolce vista e'l bel guardo soave – 52v–53 Occhi piu ch' sereni lasso se mi uccidete – 42v–43 Passer mai solitario in alcun tato – 19v–20 Quand' avran fin' amore gli affanni – 44v–45 (?) Sancta Maria virgo virginum 25.7 – 93v–94 (?) Si bona suscepimus de manu Domini – 87v–88 Ultimi miei sospiri che mi lasciate – 100v–101

Composition	Composers (? Uncertain)	Folios / Pages
A che con nuovo laccio donna legarmi	Rore, Cipriano de (ca. 1515–1565)	48v–49
A che tanto dolor tanti sospiri	Tudual	118v–119
Altro non è el mio amor ch'el proprio	Verdelot, Philippe (ca. 1480–ca. 1532)	40v–41
Ancidetemi pur grievi martiri che'l viver	Arcadelt, Jacques (ca. 1507–1568)	5v–6
Aspice Domine quia facta est desolata	Mantua, Jacquet de (1483–1559) (?) Hellinck, Lupus (ca. 1494–1541) (?)	86v–87
Ben mi credea passar mio temp'omai	Festa, Sebastiano (ca. 1490–1524)	53v–54
Benedicta sit sancta trinitas II: O adoranda trinitas O veneranda	Anonymous	85v–86
Ch'quella verd'etate et quei frise	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	17
Chiare fresch' e dolce aque (2p. s'egli e pur mio destino; 3p. Tempo verr'ancor forse; 4p. Da bei rami scendea dolce; 5p. Qunate volte dissio alhor)	Arcadelt, Jacques (ca. 1507–1568)	11v–16
Come con isnoi fallaci e va pensieri	Anonymous	17v
Con lei fuss'io da che si part'il sole	Corteccia, (Pier) Francesco (?) Arcadelt, Jacques (ca. 1507–1568) (?) Du Pont, Jacques (?)	2v–3
Cosi mi giud, amore di pensier	Arcadelt, Jacques (ca. 1507–1568)	18v–19
Di questi ciech'amanti si muovo	Anonymous	20v
Dormend' un giorno a Baia a l'ombr' Amore	Arcadelt, Jacques (ca. 1507–1568) (?) Verdelot, Philippe (ca. 1480–ca. 1532)	41v–42
Ecce advenit dominator / Carolus vincit Carolus regnat	Festa, Costanzo (ca. 1485–1545) (?)	94v–95
Gaudent in caelis animae sanctorum	Phinot, Dominique (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	84v–85
Gia fu chi mhebbe cara et volentieri	Palestrina, Giovanni Pierluigi da (1525–1594)	24v–25
Hor chi mai cantera se non cant'oggi	Corteccia, (Pier) Francesco	18
Hor' chel ciel et la terr'el vento	Anonymous	102v–103
I gelosi pensier lardenti core	Anonymous	54v–55
Il ciel che rado virtu tanta mostra	Arcadelt, Jacques (ca. 1507–1568)	6v–7
Il dolce sonnon mi promisse pace	Nollet	47v–48
Io mi pensai che spento	Arcadelt, Jacques (ca. 1507–1568)	7v–8
Io mi son giovinetta et volontieri II: Io vo per verdi prati riguardando	Ferrabosco, Domenico Maria	23v–24
Ite caldi sospiri al freddo core	Verdelot, Philippe (ca. 1480–ca. 1532)	49v
Ite caldi sospiri al freddo core	Anonymous	103v–104
La dolce vista e'l bel guardo soave	Verdelot, Philippe (ca. 1480–ca. 1532) (?)	52v–53
Lassar'il velo o per sol'o per ombra	Arcadelt, Jacques (ca. 1507–1568) (?) Layolle, Alamanne de (?)	10v–11
Ma di chi debbo lamentarmi hay lassa	Ruffo, Vincenzo (ca. 1508–1587)	26v–27
Mentre gli ardenti ray cercai fuggir	Arcadelt, Jacques (ca. 1507–1568)	25v–26
Miseri padr'e folli ch' pur tropp' amorosi	Anonymous	56v–57
Morte ma morto e sola puo far	Nasco, Jan (?)	55v–56
O chioma di fin oro, o front' altera	Anonymous	58v–59
O pietose rime et voi freddi sospiri	Arcadelt, Jacques (ca. 1507–1568)	3v–4
Occhi piu ch' sereni lasso se mi uccidete	Verdelot, Philippe (ca. 1480–ca. 1532)	42v–43
Ogni loco mi porge doglia e pianto	Palestrina, Giovanni Pierluigi da (1525–1594)	51v–52
Passer mai solitario in alcun tato	Verdelot, Philippe (ca. 1480–ca. 1532)	19v–20
Perch'al viso damor portav'insegna	Palestrina, Giovanni Pierluigi da (1525–1594)	21v–22
Perche la vita e breve et l'ingegno	Arcadelt, Jacques (ca. 1507–1568)	16v
Qual'hor massal'amore venir per grave duol	Arcadelt, Jacques (ca. 1507–1568)	45v–46
Quand' avran fin' amore gli affanni	Verdelot, Philippe (ca. 1480–ca. 1532)	44v–45
Quand' io pens' al martire amor che tu	Arcadelt, Jacques (ca. 1507–1568)	4v–5
Quant' in mill' anni il ciel dovea mostrarne	Nollet	101v–102
Quel si grave dolore ch'io sentiro	Arcadelt, Jacques (ca. 1507–1568)	27v–28
S'io credessi per mort'esser' scarco	Reulx, Anselmo de (?) Naich, Hubert (?)	22v–23
S'io esca vivo de dubbiosi scogli	Aretino, Paolo (1508–1584) (?)	1v–2
S'io potessi voler quel ch'io vorrei	Anonymous	57v–58
Sancta Maria virgo virginum 25.7	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Despres, Josquin (ca. 1450–1521) (?)	93v–94
Se misprona la voglia donna thalor	Anonymous	46v–47
Se per ventura io veggio dapress'il mio	Anonymous	43v–44
Se'l mio grav duol misforza	Anonymous	50v–51
Si bona suscepimus de manu Domini	Verdelot, Philippe (ca. 1480–ca. 1532) (?) Richafort, Jean (ca. 1480–ca. 1550) (?)	87v–88
Si bona suscepimus de manu Domini	Anonymous	92v–93
Ultimi miei sospiri che mi lasciate	Ferrabosco, Alfonso (the elder) (1543–1588) (?) Verdelot, Philippe (ca. 1480–ca. 1532)	100v–101
Vita dunque amor cagion dogni mio bene	Anonymous	50
Voi mi ponest'in foco per farm'anzvl mio	Palestrina, Giovanni Pierluigi da (1525–1594)	21

Set: Civitanova Silvio Zavatti partbooks

Type: Partbooks

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I-CNM Mus MS 1 [Altus]

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I-CNM Mus MS 1 [Bassus]

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I-CNM Mus MS 1 [Discantus]

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I-CNM Mus MS 1 [Tenor]

‡ denotes primary source study

Fenlon, Iain, and James Haar. 1980. A New Source for the Early Madrigal. Journal of the American Musicological Society, 164-80. Pages: 177-8.

Fenlon, Iain, and James Haar. 1978. Fonti e Cronologia dei Madrigali di Costanzo Festa. Revista Italiana di Musicologia, 212-42. Pages: 228.

Jackson, Philip T, and George Edward Nugent (editors). 1971-. Jachet of Mantua: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V, xxi [incorrectly cited as "Mus. MS 1" in Civico Museo Bibliografico Musicale, Bologna].

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

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