Abstract
This dissertation examines Cambridge, University Library, Peterhouse mss 471–474, four partbooks from a set of five copied late in the reign of Henry VIII, which contain seventy-two pieces of Latin church music.
This dissertation examines Cambridge, University Library, Peterhouse mss 471–474, four partbooks from a set of five copied late in the reign of Henry VIII, which contain seventy-two pieces of Latin church music.