Fines amouretes ai, diex, si
| Composer | |
|---|---|
| Genre | Virelai |
Appears in
| Source | Location | Voices |
|---|---|---|
| F-CA MS B 1328 | 19 (L-V:1) |
Voice:
[no designation]
Voice Text:
Fines amouretes ai, diex, si
|
Bibliography
Lerch, Irmgard. 1987. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Göttinger Musikwissenschaftliche Arbeiten. 2 vols. Kassel: Bärenreiter. pp. 122, 149, 191, 194-195.
Hasselman, Margaret Paine. 1970. The French Chanson in the Fourteenth Century. UC Berkeley, PhD. dissertation. pp. (2), 173.
Stäblein-Harder, Hanna. 1962. Fourteenth-Century Mass Music in France. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. pp. 139.
Schrade, Leo (editor). 1956-. Polyphonic Music of the Fourteenth Century. 24 vols. Monaco. pp. (5), 78-79; (23B), 352-355; V, 84-87.
Johnson, M. 1955. The Motets of the Codex Ivrea. Indiana University, Ph. D. pp. II, 137-140.
Auda, Antoine. 1953. Les "Motets Wallons" du manuscrit de Turin: Vari 42. 2 vols. pp. I, f. 34r-35 and II.
Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. pp. II, 55.
Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. pp. III, p. XII.