Cum autem venissem

Composer
Quadris, Johannes de
Genre Lauda
Cycles
Cum autem venissem (Motet cycle)
Cum autem venissem: 5a pars of Jerusalem luge re-used as opening verse of Cum autem (Concordance?)

Appears in

Source Location Source Attribution Voices
US-Wc ML171.J6 Case 122v–126 -
Voice: [no designation]
Voice Text: Cum autem venissem ...
I-VEc MS DCXC 53v–57v -
Voice: Supranus
Clef: c4
Voice Text: Cum autem venissem ad locum ubi crucifigendus erat ...
Voice: Tenor
Clef: c4
Voice Text: Cum autem venissem ad locum ubi crucifigendus erat ...
ZA-Csa 3.b.12 (Codex Grey) 19v–25r [NB the opening verse is the same as the setting in "Jerusalem luge" by Quadris]
Voice: [no designation]
Voice Text: Cum autem venissem ad locum

Bibliography

Diederichs, Elisabeth. 1986. Die Anfänge der mehrstimmigen Lauda vom Ende des 14. bis zur Mitte des 15. Jahrhunderts. Münchner Veröffentlichungen zur Musikgeschichte, vol. 41.  Tutzing. pp. 412-413 (Fn 27), 414-415 (Csa), 416-417 (Pr), 418-420 (Mont), 412-413 (Jepp).

Pope, Isabel, and Masakata Kanazawa (editors). 1978. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Musk of the Late Fifteenth Century.  Oxford. pp. 479-482.

Cattin, Giulio. 1974. Un Processionale Fiorentino per la Settimana Santa: Studio Liturgico-Musicale sul Ms. 21 dell'Opera di S. Maria del Fiore. Quadrivium, 15/2: 53-204. pp. 92.

Cattin, Giulio (editor). 1972. Johannis de Quadris: Opera. Antiquat Musicae Italicae, Monumenta Veneta Sacra, vol. 2.  Bologna. pp. 71-72 (2vv).

Perz, Miroslaw (editor). 1963-. Antiquitates Musicae in Polonia.  Warsaw and Graz. pp. (14), 467-468.

Jeppesen, Knud. 1935. Die Mehrstimmige Italienische Laude um 1500.  Leipzig and Copenhagen. pp. 8-9 (4vv).