Patrem omnipotentem [Credo] 'Cursor'
| Composer | |
|---|---|
| Genres | Credo (patrem omnipotentem), Mass Ordinary |
| Cycles |
|
General Note
Fischer/Gallo & BaccoP argue for the 'Micinella' Gloria & the 'Cursor' Credo being intended as a pair by Zacara, the latter pointing to the association of papal 'cursores' with the church of St Angelo de' Miccinelli - see bibliography.
Appears in
| Source | Source Date | Location | Source Attribution | Voices |
|---|---|---|---|---|
| GB-Odiamm Virtual Reconstruction of fragments from Nuremberg and Melk | late 14th or early 15th century | (Dv) D-Nst Fragm. lat. 9a, Dv [1v] | - | |
| D-Nst Fragm. lat. 9a | late 14th or early 15th century | Dv | - |
Voice:
[no designation]
Clef:
c2
Voice Text:
Patrem omnipotentem
|
| I-Bc Q.15 | 15th century, copying completed 1440 | 19v–21r | .Z. cursor |
Voice:
I
Clef:
c2
Voice Text:
(Credo) Patrem omnipotentem ...
Voice:
II
Clef:
c2
Voice Text:
(Credo) Patrem omnipotentem ...
Voice:
Contratenor
Clef:
c4
Voice:
Tenor
Clef:
c4
|
Bibliography
Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press. pp. 56-58.
Fischer, Kurt von, and Franco Alberto Gallo (editors). 1985. Italian Sacred and Ceremonical Music (II). Polyphonic Music of the Fourteenth Century, vol. 13. Monaco: Éditions de l'Oiseau-Lyre. pp. II:3-16, 263-264.