Stoessel, Jason, and Denis Collins. 2019. New light on the mid fourteenth-century chace: canons hidden in the Tournai manuscript. Music Analysis, .

Stoessel, Jason. 2016. Introduction: [the masses of Guillaume Faugues]. The complete extant transmissions of the masses by Guillaume Faugues (by Rex Eakins),  Lions Bay, Canada: Institute of Mediaeval Music.

Stoessel, Jason. 2012. Armchair philology – Musical treasures from the Austrian National Library. . https://jjstoessel.blog/2012/05/23/armchair-philology-treasures-from-the-austrian-national-library/#more-137(Accessed: 16 Jul 2020).

Stoessel, Jason. 2010. Looking Back Over The 'Missa L'Ardant Desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music. Music & Letters, 311-342.

Stoessel, Jason. 2009. The Interpretation of Unusual Mensuration Signs in the Ars subtilior. A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564), 179-202. Turnhout: Brepols.

Stoessel, Jason. 2009. Music and Moral Philosophy in Early Fifteenth-Century Padua. Identity and Locality in Early European Music 1028-1740, edited by Jason Stoessel,  Aldershot.

Stoessel, Jason. 2002. The Captive Scribe: The Context and Culture of Scribal and Notational Process in the Music of the Ars Subtilior. University of New England, Ph.D. dissertation.

Stoessel, Jason. 1999. Symbolic Innovation: The Notation of Jacob de Senleches. Acta Musicologica , 136-164.