Noone, Michael John, and Graeme Skinner. 2013. The Cathedral, the Copyist, the Composer and the Canon: Revisiting Toledo Cathedral's Victoria Choirbook and the Liber Primus (1576). Estudios Tomas Luis de Victoria, 37-54. Madrid: Instituto Complutense de Ciencias Musicales (ICCMU).

Noone, Michael John. 2012. Fuentes de la polifonía de Tomás Luis de Victoria en la catedral de Toledo en el siglo XVII. Tomas Luis de Victoria y la cultura musical en la Espana de Felipe III, 353-376. Madrid: Centro de Estudios Europa Hispánica.

Noone, Michael John. 2011. A Sixteenth-Century Manuscript Choirbook of Polyphony for Vespers at Toledo Cathedral by Andrés de Torrentes (c. 1510-80). Pure Gold: Golden Age Sacred Music in the Iberial World. A Homage to Bruno Turner, 3-26. Kassel: Edition Reichenberger.

Noone, Michael John. 2006. Toledo Cathedral's lost "magnifique livre de messes" recovered, and 'new' works by Boluda, Palomares and Navarro. Early Music, 561-585.

Noone, Michael John. 2002. Cristóbal de Morales in Toledo, 1545-6: ToleBC 25 and 'New' Works by Morales, Guerrero, Lobo, Tejeda and Ambiela. Early Music, 341-363.

Noone, Michael John. 1994. Manuscript Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, p.278-282.

Noone, Michael John. 1994. Polyphonic Choirbooks from el Escorial: Physical Descriptions and Inventories. Revista de Musicología, p.266-273.

Noone, Michael John. 1993. Libros de coro de El Escorial en la Sociedad Hispánica de América. Reales Sitios, 41-45.

Noone, Michael John. 1993. Felipe II, Martín de Villanueva y el estilo desornamentado musical de El Escorial. La música en el Monasterio del Escorial: Actas del Simposium, .

Noone, Michael John. 1991. Music and Musicians at the Escorial 1563–1665. Cambridge (King's College), unpublished Ph. D. diss.

Noone, Michael John. 1982. Andrés de Torrentes (1510-1580), Spanish Polyphonist and Chapelmaster: Opera Omnia, Biography and Source Study. University of Sydney, Unpublished Masters dissertation.