Source: Mus. 987
- Archive
- Oxford, Christ Church
- Description
No online description for this MS is currently available.
If you would like to submit a description for this MS please send it to diamm@music.ox.ac.uk for consideration by the editorial board. Authorship will be acknowledged.
Please see <em>Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550</em>5 vols., Renaissance Manuscript Studies Vol. 1 (Neuhausen-Stuttgart: American Institute of Musicology, Hänssler Verlag, 1979-1988) for a full description.
- Date
- 1581-8
- Bibliography
Arkwright, G E P: Catalogue of Music in the Library of Christ Church Oxford (Oxford University Press, 1915-23), I, passim; II, 154-62 [CCM descriptor(s): LCpIp]
Atkinson, Charles M (ed.): Recent Researches in the Music of the Renaissance (New Haven, Connecticut and Madison, Wisconsin: A-R Editions, 1964-), III, ix, xviii, 85-7; XII, 15; XIII, 10-1; XIV, 9-12, 59-72 [CCM descriptor(s): LpCpTp]
Bent, Margaret; Bent, Ian; Trowell, Brian (eds.): John Dunstable complete works, Musica Britannica Vol. VIII (London, 1970) [2nd revised edn], IX, 223; XXII, xx, 2ff, passim; XLIV,74-5,184,186,188-9,191-3 [CCM descriptor(s): LpCpTpFpDis]
Bernstein, Jane A: 'Philip van Wilder and the Netherlandish Chanson in England' Musica Disciplina XXXIII (1979), 55-75, 66,71-2 [CCM descriptor(s): MLpCp]
Bernstein, Jane Agar: The Chanson in England 1530-1640: A Study of Sources and Styles, Unpublished Ph.D. dissertation, University of California at Berkeley (1974), 286-98 [CCM descriptor(s): DpLpCpDis]
Blume, Friedrich (ed.): Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (Kassel, 1949-79) [Cited by volume and column number], X, 515; XIII, 53-4 [CCM descriptor(s): DpLpFpDis]
Bradshaw, Morrison Comegys: Elizabethan Music and Musical Criticism (Philadelphia, 1940), 74-8, 81-2, 312-7 [CCM descriptor(s): DpLpDis]
Bray, Roger W: The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580, Unpublished Ph.D. dissertation, Oxford University (1969), I, 169-84, 234-6, passim; II, 80-9 [CCM descriptor(s): DpLpCpTpDis]
Brett, Philip; Dart, Thurston: 'Songs by William Byrd in Manuscripts at Harvard' Harvard Library Bulletin XIV (1960), 343-65, 360-4 [CCM descriptor(s): DpLpCp]
Brett, Philip: The Songs of William Byrd, Unpublished Ph.D. dissertation, Cambridge University (1965), 18-24, 110-1, 126-34, 228-31 [CCM descriptor(s): DpLpCpTpDis]
Charteris, Richard: Alfonso Ferrabosco the Elder (1543-1588): A Thematic Catalogue of his Music with a Biographical Calendar (New York, 1984), 83,91,192 [CCM descriptor(s): LpCp]
Daniel, Ralph T; Le Huray, Peter: The Sources of English Church Music 1549-1660., EECM Vol. Supplementary Volume 1 (London, 1972) [CCM descriptor(s): LpCp]
Fellowes, E H; et al, (eds.): Tudor Church Music (London, Oxford et al., 1923-48), I, xxx, lix; II, xxii, xxxiv-xxxvi, 242-7, 266-70, 277-81; III, xvi; V, xx-xxv, passim; VI, xxx-xxxii; IX, xii, xiv [CCM descriptor(s): DpLpCpTp]
Fellowes, Edmund H; et al, (eds.): The Collected Works of William Byrd (1937-50, 1962) [Revised edition: 1962], XV, passim; XVII, 155, 162 [CCM descriptor(s): LpCpTp]
Fellowes, Edmund H: William Byrd (London, New York, and Toronto, 1948), 99-100, 109, 112, 141-3, 170-1, 193, 235-6 [CCM descriptor(s): LpCpDis]
Harrison, Frank L L (ed.): Early English Church Music (London: Stainer & Bell, 1963-), XXVIII, 124,128,130,133-4,137-8; XXX,109-18,176,189-90 [CCM descriptor(s): DpLpCpTp]
Kerman, Joseph: 'Byrd's Motets: Chronology and Canon' Journal of the American Musicological Society XIV (1961), 359-82, 364-6, 368-9 [CCM descriptor(s): LpCpDis]
Kerman, Joseph: 'Review of Byrd' Journal of the American Musicological Society III (1950), 273-7, 277 [CCM descriptor(s): LpDis]
Bibliographical information displayed has been taken from RISM and/or the Census Catalogue and may therefore be out of date, though any more recent items notified to us have been included. We would be very grateful to be notified by e-mail of new items for inclusion in the bibliography lists and general information for any manuscript. All contributions to information about manuscripts are acknowledged.
- Provenance
- England
- Notation
- Black void mensural notation on orange staves; cantus firmus in some pieces in black mensural notation
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