CH-SGs Cod. Sang. 463 [Discantus] (Tschudi Liederbuch)

Stiftsbibliothek, Saint Gall (Sankt Gallen), Switzerland

partbook: c. 1540

Archive	Stiftsbibliothek, Saint Gall (Sankt Gallen), Switzerland (CH-SGs)
Shelfmark	Cod. Sang. 463 [Discantus] (Tschudi Liederbuch)
Image Availability	The images on this record are linked using IIIF.
Surface	Paper
Numbering System	Foliation
Measurements	152 x 216 mm
Other Identifiers	CCM: SGallS 463
Copyists	Tschudi, Aegidius Text and Music
Relationships	Tschudi, Aegidius (compiler)
External Links	images CMME online edition IIIF Manifest
Provenance	Glarus, Switzerland
Contents	227 pieces from 69 composers

General Description

A Discantus and Altus partbook from a set originally of four volumes, now bound together (D book = ff. 1-76; A = ff. 77-142). Copied by Aegidius Tschudi (1505-72), soldier, statesman, and chronicler, who studied with the theorist Heinrich Glareanus at Basel; Tschudi also wrote portions of SGallS 464. Copied in Glarus or vicinity. Repertory systematically organised by (1) number of voices; (2) genre; and (3) mode (see LoachA I, 44ff, for detailed analysis). Belonged to Tschudi family members until 1767, then sold by Baron Leodegar Tschudi to Benedictine monastery at Saint Gall.

DIAMM, 2017

Binding

Rebound in modern cardboard covers.

DIAMM, 2017

Watermark

Briquet #876 and #878 (LoachA)

DIAMM, 2017

Notation

not indicated

DIAMM, 2017

Foliation

Other numberings: Original ink numbering of pieces, 1-215 (no music entered for #7, 10, 12, 28, 32, 35, 53-60, 181-189; music for #1-5 copied only into T or B books, now missing; #7-60, 154-158 missing from Altus)

DIAMM, 2023

Foliation

1-142

DIAMM, 2017

Foliation

Modern pencil foliation, 1-142

DIAMM, 2017

Decoration

Inked initials in plain block style.

DIAMM, 2017

Index

Original alphabetical roster of composers on f. 1'; original index of compositions on ff. 2-3' lists pieces alphabetically by title (one piece not listed; five pieces listed out of correct order)

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Gloria, 1 Agnus (without text), 3 hymns, 72 motets, 2 motet-chansons, 49 German secular pieces, 29 French secular pieces, 19 Italian secular pieces, 1 Latin/Italian secular piece (with Latin psalm text in this source), 4 Latin secular pieces, 1 Spanish secular piece, 1 dance, 4 textless pieces = 187

Adam von Fulda-3, (A. Agricola/Josquin)-1, Barra/(Elimon)-1, Biaumont-1, Bisgueria-1, (Brack)-1, Brumel-2, (Busnois-anon)-1, (Cara)-3, Clemens non Papa-1, Compère-4, Craen-1, Dietrich-1, (Ducis)-1, (Ducis/Masson)-1, Dulot-1, (Enrique/Wreede)-1, R. Fabri-1, C. Festa-1, (A. Févin)-2, Freydanck-1, Ghiselin-3, Ghiselin [Verbonet]/(A. Agricola)-1, (Grefinger)-1, (Hofhaimer) -3 + 1?, (Hofhaimer/Schönfelder)-1, Isaac-6, Isaac/(Rein)-1, (Janequin)-1, Japart-1, Josquin [Iosquinus Pratensis]-18, Josquin-Bidone-1, Josquin/(Carpentras)-1, Josquin/(N. Champion)-1, Josquin/(Isaac)-1, Josquin/(Ninot le Petit)-1, Josquin/(Pesenti)-1, Josquin/(Weerbecke)-1, La Rue/(Josquin)-1, Leo X-1, Löw-1, Luyr [Adamus Aquanus]-2, (Maio)-2, (Malchinger)-1, Moulu/(Josquin/Mouton/Verdelot)-1, Moulu/(Mouton)-1, Mouton-4, Mouton/(Lhéritier)-1, Mouton/(Josquin/Richafort)-1, Obrecht-4, Obrecht/(Barbireau/Isaac)-1, Obrecht/(Compère)-1, Obrecht/ (La Rue)-1, (Prioris)-2, Regis-1, Richafort-4, Richafort/(Werrecore)-1, (Santacroce?)-2, S. Schwartz-2, Senfl-3, Tinctoris-1, Tzamen [Thomas Aquarius]-1, Vaqueras-1, Vinea-1, Wannenmacher-2, Weerbecke [Gaspar]-2, Willaert-2, Willaert/(Mouton) -1, (Wolff)-1, anon-63*

*Attribution of "Cum pervenisset" (#207) to "Andreas Crütz" almost certainly an error; see LoachA I, 92.

2 paper partbooks of an original 4 (DA, now bound together to form single volume of i + 142 folios), 152 x 216. Modern pencil foliation, 1-142 (D book = ff. 1-76; A = ff. 77-142). Original ink numbering of pieces, 1-215 (no music entered for #7, 10, 12, 28, 32, 35, 53-60, 181-189; music for #1-5 copied only into T or B books, now missing). Blank folios, or blank staves only (except for piece numbers): 4, 15, 20-21', 62'-65, 66', 77-77', 78'-81, 120'-122, 142'. Rebound in modern cardboard covers. Original alphabetical roster of composers on f. 1'; original index of compositions on ff. 2-3' lists pieces alphabetically by title (one piece not listed; five pieces listed out of correct order). Copied by Aegidius Tschudi (see below), who also wrote portions of SGallS 464. Inked initials in plain block style. Watermarks are Briquet #876 and #878 (LoachA). Repertory systematically organized by (1) number of voices; (2) genre; and (3) mode (see LoachA I, 44ff, for detailed analysis).

Ca. 1540 or slightly later (LoachA, who refutes GeerV's proposed dating of ca. 1517-20). Copied in Glarus or vicinity. Compiled by the soldier, statesman, and chronicler Aegidius Tschudi (1505-72), who studied with the theorist Heinrich Glareanus at Basel; manuscript reflects Glareanus' concepts of modal theory. Belonged to Tschudi family members until 1767, then sold by Baron Leodegar Tschudi to Benedictine monastery at Saint Gall.

Vol 4

Composers: Change "(Ducis/Masson)-1" to "(Ducis/Maffoni)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
4v	Wer mut well han	Anon.	Anonymous
Wer mut well han Anonymous Appears on: 4v Genres: Doxology Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wer mut well han
5	Domine Jesu Christe rex salutis nostrae (2p. Ergo O mundi rector saeculi)	Thomas Aquanus [= Tzamen]	Tzamen, Thomas (fl. 1508)
Domine Jesu Christe rex salutis nostrae (2p. Ergo O mundi rector saeculi) Tzamen, Thomas (fl. 1508) Appears on: 5 Genres: Motet Source Attribution: Thomas Aquanus [= Tzamen] Voice: [no designation] Languages: Latin Voice Text: [Domine Jesu Christe rex salutis nostrae] II: [Ergo O mundi rector seculi]
5v	Ave Maria gratia plena Dominus tecum	Regis	Regis, Johannes (ca. 1425–ca. 1496)
Ave Maria gratia plena Dominus tecum Regis, Johannes (ca. 1425–ca. 1496) Appears on: 5v Genres: Ave Maria, Motet Source Attribution: Regis Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena dominus tecum
6–6v	Salve regina misericordie Vita dulcedo (2p. Ad te clamamus exsules filii Evae; 3p. Ad te suspiramus gementes et flentes; 4p. Eia ergo advocata nostra illos tuos; 5p. Et Jesum benedictum fructum ventris; 6p. O clemens; 7p. O pia; 8p. O dulcis virgo Maria)	Wannenmacher .i. Vannius	Wannenmacher, Johannes (ca. 1485–1551)
Salve regina misericordie Vita dulcedo (2p. Ad te clamamus exsules filii Evae; 3p. Ad te suspiramus gementes et flentes; 4p. Eia ergo advocata nostra illos tuos; 5p. Et Jesum benedictum fructum ventris; 6p. O clemens; 7p. O pia; 8p. O dulcis virgo Maria) Wannenmacher, Johannes (ca. 1485–1551) Appears on: 6–6v Genres: Motet, Salve Regina Source Attribution: Wannenmacher .i. Vannius Voice: [no designation] Languages: Latin Voice Text: [Salve regina misericordie] Vita dulcedo II: [Ad te clamamus exsules filii Eve] III: Ad te suspiramus gementes et flentes IV: [Eia ergo advocata nostra illos tuos] V: Et Iesum benedictum fructum ventris VI: [O clemens] VII: O pia VIII: [O dulcis virgo Maria]
7	Deus meus ad te levavi animam meam	Anon.	Anonymous
Deus meus ad te levavi animam meam Anonymous Appears on: 7 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Deus meus ad te levavi animam meam]
7	Virgo Dei throno digna	Tinctoris	Tinctoris, Johannes (ca. 1435–1511)
Virgo Dei throno digna Tinctoris, Johannes (ca. 1435–1511) Appears on: 7 Genres: Motet Source Attribution: Tinctoris Voice: [no designation] Languages: Latin Voice Text: Virgo dei trono digna
7v–8	Missa Beata Virgine = Missa Coronata 3.3: Gloria	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Missa Beata Virgine = Missa Coronata 3.3: Gloria Despres, Josquin (ca. 1450–1521) Appears on: 7v–8 Genres: Gloria (et in terra pax), Mass Ordinary Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: [Gloria De beata Virgine]: Et in terra pax 13.8
8v	Si dedero somnum oculis meis	Verbonet [= Ghiselin]/[A. Agricola]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 8v Genres: Motet Source Attribution: Verbonet [= Ghiselin]/[A. Agricola] Voice: [no designation] Languages: Latin Voice Text: Si dedero [somnum oculis meis]
8v–9	Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 4 Oramus Domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime	Anon.	Anonymous
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 4 Oramus Domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime Anonymous Appears on: 8v–9 Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Festum nunc celebre magnaque gaudia] 2 Conscendit iubilans laetus ad aethera 4 Oramus domine conditor inclite deus 6 Presta hoc genitor optime maxime
9v–10	O florens rosa mater Domini speciosa	Ioannes Ghiselin	Ghiselin (Verbonnet), Johannes
O florens rosa mater Domini speciosa Ghiselin (Verbonnet), Johannes Appears on: 9v–10 Genres: Marian antiphon Source Attribution: Ioannes Ghiselin Voice: [no designation] Languages: Latin Voice Text: O florens rosa [mater domini]
10	O vos omnes qui transitis / O devots coeurs	Iacobus Obrecht/[Compère]	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
O vos omnes qui transitis / O devots coeurs Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 10 Genres: Chanson, Contrafactum, Motet Source Attribution: Iacobus Obrecht/[Compère] Voice: [no designation] Languages: Latin Voice Text: O vos omnes qui transitis per viam/ [O devotz cueurs amans d'amour]
10v	Ecce video caelos apertos 19.2	Craen/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?)
Ecce video caelos apertos 19.2 Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?) Appears on: 10v Genres: Motet Source Attribution: Craen/[Josquin] Voice: [no designation] Languages: Latin Voice Text: Ecce video coelos apertos 19.2
11	[untexted]	Anon.	-
[untexted] - Appears on: 11 Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
11v	[untexted]	Anon.	-
[untexted] - Appears on: 11v Genres: textless Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Textless
11v	Si bona suscepimus de manu Domini	Iacobus Obrecht	Obrecht, Jacobus (ca. 1457–1505)
Si bona suscepimus de manu Domini Obrecht, Jacobus (ca. 1457–1505) Appears on: 11v Genres: Motet Source Attribution: Iacobus Obrecht Voice: [no designation] Languages: Latin Voice Text: Si bona suscepimus de manu domini
12	Si sumpsero pennas meas diluculo	[Obrecht]	Obrecht, Jacobus (ca. 1457–1505)
Si sumpsero pennas meas diluculo Obrecht, Jacobus (ca. 1457–1505) Appears on: 12 Genres: Psalm motet Source Attribution: [Obrecht] Voice: [no designation] Languages: Latin Voice Text: Si sumpsero [pennas meas diluculo]
12v	In te Domine speravi non confundar 28.18	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
In te Domine speravi non confundar 28.18 Despres, Josquin (ca. 1450–1521) Appears on: 12v Genres: Contrafactum, Motet Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: In te domine speravi non confundar 28.17
12v	Jupiter omnipotens numeris concede canoris	Adamus Aquanus [= Luyr]	Aquanus, Adam (ca. 1492–)
Jupiter omnipotens numeris concede canoris Aquanus, Adam (ca. 1492–) Appears on: 12v Genres: Secular Source Attribution: Adamus Aquanus [= Luyr] Voice: [no designation] Languages: Latin Voice Text: Juppiter omnipotens numeris concede canoris
13	Ave verum corpus 21.2 (3vv) - 1a pars (of 3): Ave verum corpus natum ex Maria - Vere passum immo	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Ave verum corpus 21.2 (3vv) - 1a pars (of 3): Ave verum corpus natum ex Maria - Vere passum immo Despres, Josquin (ca. 1450–1521) Appears on: 13 Genres: Motet Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: Ave verum corpus natum ex Maria virgine 21.2 II: Cuius latus perforatum sacro fluxit III: O dulcis O pie O Iesu fili
13	Ave verum corpus 21.2 (3vv) - 2a pars (of 3): Cuius latus perforatum sacro fluxit - Esto nobis	-	Despres, Josquin (ca. 1450–1521)
Ave verum corpus 21.2 (3vv) - 2a pars (of 3): Cuius latus perforatum sacro fluxit - Esto nobis Despres, Josquin (ca. 1450–1521) Appears on: 13 Genres: Motet
13	Ave verum corpus 21.2 (3vv)- 3a pars (of 3): O dulcis O pie - O Jesu fili	-	Despres, Josquin (ca. 1450–1521)
Ave verum corpus 21.2 (3vv)- 3a pars (of 3): O dulcis O pie - O Jesu fili Despres, Josquin (ca. 1450–1521) Appears on: 13 Genres: Motet
13v	Fortuna desperata quae te dementia	Anon.	Anonymous
Fortuna desperata quae te dementia Anonymous Appears on: 13v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata quae te dementia
13v	Dulces exuviae dum fata Deusque (3vv)	Adrianus Villaert/[Mouton]	Willaert, Adrian (ca. 1490–1562)
Dulces exuviae dum fata Deusque (3vv) Willaert, Adrian (ca. 1490–1562) Appears on: 13v Genres: Motet Source Attribution: Adrianus Villaert/[Mouton]
14	Que vous madame / In pace in idipsum 27.33	[A. Agricola/Josquin]	Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521)
Que vous madame / In pace in idipsum 27.33 Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521) Appears on: 14 Genres: Motet Source Attribution: [A. Agricola/Josquin] Voice: [no designation] Languages: Latin Voice Text: In pace in idipsum/[Que vous madame] 27.33
14v	Mon père m'a donne mari le quel	Anon.	Anonymous
Mon père m'a donne mari le quel Anonymous Appears on: 14v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Mon pere ma donne mary a qui la barbe
14v	Jamais n'aimerai machon je suis trop belle	[Mouton]	Mouton, Jean (ca. 1459–1522)
Jamais n'aimerai machon je suis trop belle Mouton, Jean (ca. 1459–1522) Appears on: 14v Genres: Chanson Source Attribution: [Mouton] Voice: [no designation] Languages: French Voice Text: Iamais naÿmeraÿ machon ie suis trop belle
15v	Or sus vous dormez trop madame joliette	[Janequin]	Janequin, Clement (ca. 1485–ca. 1558) (?)
Or sus vous dormez trop madame joliette Janequin, Clement (ca. 1485–ca. 1558) (?) Appears on: 15v Genres: Chanson Source Attribution: [Janequin] Voice: [no designation] Languages: French Voice Text: Orsus orsus vous dormes trop madame General Note Altus, in second part book, is fragmentary
16	Je suis tant ayse quand baise Iacolle	Anon.	Anonymous
Je suis tant ayse quand baise Iacolle Anonymous Appears on: 16 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ie suis tant ayse quant baise Iacolle
16	Gentilz gallans confreres du raisin	Anon.	Anonymous
Gentilz gallans confreres du raisin Anonymous Appears on: 16 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Gentilz gallans confreres du raisin
16v	Il ni a ici celui qui naît sa belle amie	Anon.	Anonymous
Il ni a ici celui qui naît sa belle amie Anonymous Appears on: 16v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Il ni a icÿ celuÿ qui naÿt sa belle amÿe
16v	Pour avoir fait au grez de mon ami	Anon.	Anonymous
Pour avoir fait au grez de mon ami Anonymous Appears on: 16v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Pour avoir fait au gre de mon amÿ
16v	Sus l'herbe brunete sus l'herbe m'attendes	Anon.	Anonymous
Sus l'herbe brunete sus l'herbe m'attendes Anonymous Appears on: 16v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Sus lherbe brunete sus lherbe mattendes
17	En retournant dung iour iouer des camps	Anon.	Anonymous
En retournant dung iour iouer des camps Anonymous Appears on: 17 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: En retournant dung iour iouer des camps
17	On [Tu] a mal dit de mon amy	[A. Févin]	Fevin, Antoine de (ca. 1470–ca. 1512)
On [Tu] a mal dit de mon amy Fevin, Antoine de (ca. 1470–ca. 1512) Appears on: 17 Genres: Chanson Source Attribution: [A. Févin] Voice: [no designation] Languages: French Voice Text: On a mal dit de mon amÿ
17v	Je vois je viens mon coeur s'en volle	Anon.	Anonymous
Je vois je viens mon coeur s'en volle Anonymous Appears on: 17v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Ie voÿs ie viens mon cueur sen volle
17v	Nous estions troÿs nonnettes toutes trois	Anon.	Anonymous
Nous estions troÿs nonnettes toutes trois Anonymous Appears on: 17v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Nous estions troÿs nonnettes toutes trois
18	Fors seulement l'attente que je meure 27.10	[A. Févin/Josquin]	Despres, Josquin (ca. 1450–1521) (?) Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)
Fors seulement l'attente que je meure 27.10 Despres, Josquin (ca. 1450–1521) (?) Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?) Appears on: 18 Genres: Chanson Source Attribution: [A. Févin/Josquin] Voice: [no designation] Languages: French Voice Text: Fors seulement la mort sans nul aultre 27.10 [= Fors seulement lvattente que je meure]
18v	Ich stund an einem morgen heimlich [S165 - 3vv]	Ludovicus Senfli Helvetius Tigurinus	Senfl, Ludwig (ca. 1486–ca. 1543)
Ich stund an einem morgen heimlich [S165 - 3vv] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 18v Genres: Song Source Attribution: Ludovicus Senfli Helvetius Tigurinus Voice: [no designation] Languages: German Voice Text: Ich stund an einem morgen heimlich
18v	O Venus bant = O vierich brant 27.29	Iosquinus Pratensis/[Weerbecke]	Despres, Josquin (ca. 1450–1521)
O Venus bant = O vierich brant 27.29 Despres, Josquin (ca. 1450–1521) Appears on: 18v Genres: Song Source Attribution: Iosquinus Pratensis/[Weerbecke] Voice: [no designation] Languages: Latin, German Voice Text: O Venus band [O vierich brant] 27.29
19	Nie noch niemer so ruwet min gemüt	Anon.	Anonymous
Nie noch niemer so ruwet min gemüt Anonymous Appears on: 19 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Nie noch niemer so ruwet min gemüt
19	Unser meister hat ein magt die ist frisch	Anon.	Anonymous
Unser meister hat ein magt die ist frisch Anonymous Appears on: 19 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Unser meister hat ein magt die ist frisch
19	Vostre a jamais / Je n'ai dueul que je ne suis mort	[Ghiselin]	Ghiselin (Verbonnet), Johannes
Vostre a jamais / Je n'ai dueul que je ne suis mort Ghiselin (Verbonnet), Johannes Appears on: 19 Genres: Chanson Source Attribution: [Ghiselin] Voice: [no designation] Languages: French Voice Text: Nostra jamais [= Vostre a jamays/Je n'ay dueul que je ne suis mort]
19v	Tandernacken liegt an dem Rhein	Iacobus Obrecht	Obrecht, Jacobus (ca. 1457–1505)
Tandernacken liegt an dem Rhein Obrecht, Jacobus (ca. 1457–1505) Appears on: 19v Genres: Song Source Attribution: Iacobus Obrecht Voice: [no designation] Languages: German Voice Text: [T]Andernacken ligt an dem Rhin
22	Wegwart din art mit tugend ist	Anon.	Anonymous
Wegwart din art mit tugend ist Anonymous Appears on: 22 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wegwart din art [mit tugend ist]
22v	Zwischen Berg und tiefe Tal, da liegt	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Zwischen Berg und tiefe Tal, da liegt Isaac, Heinrich (ca. 1450–1517) Appears on: 22v Genres: Song Source Attribution: [Isaac] Voice: [no designation] Languages: German Voice Text: Zwischend berg und tieffe tal [da ligt]
22v	Wort darff es nit das weist du wol	Anon.	Anonymous
Wort darff es nit das weist du wol Anonymous Appears on: 22v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wort darff es nit das weist du wol
22v	Il schnell gelück gen disem nüw	Anon.	Anonymous
Il schnell gelück gen disem nüw Anonymous Appears on: 22v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Il schnell gelück gen disem nüw
23	Cupido hat ihm jetzt erdacht ein Elend	Anon.	Anonymous
Cupido hat ihm jetzt erdacht ein Elend Anonymous Appears on: 23 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Cupido hat in mir erdacht [= Cupido hat im yetz erdacht ein ellendt man]
23	Ich reu und klag dass ich mein tag	[Brack]	Brack, Georg
Ich reu und klag dass ich mein tag Brack, Georg Appears on: 23 Genres: Song Source Attribution: [Brack] Voice: [no designation] Languages: German Voice Text: Ich ruw und klag [das ich mein tag]
23	Unfal wie tust must du allein mein	Anon.	Anonymous
Unfal wie tust must du allein mein Anonymous Appears on: 23 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Unfal wie tust [must du allein mein]
23v	Ach werter Mund, von dir ist wund	Anon.	Anonymous
Ach werter Mund, von dir ist wund Anonymous Appears on: 23v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ach werder mund [von dir ist wund]
23v	Ach werter Mund, von dir ist wund	Anon.	Anonymous
Ach werter Mund, von dir ist wund Anonymous Appears on: 23v Genres: Lied Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ach werder mund von dir ist wund
23v	Ade mit leid ich von dir scheid	[Hofhaimer]	Hofhaimer, Paul
Ade mit leid ich von dir scheid Hofhaimer, Paul Appears on: 23v Genres: Song Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Voice Text: Ade mit leid ich von dir scheid
23v	Der unfal reit mich gantz und gar	Anon.	Anonymous
Der unfal reit mich gantz und gar Anonymous Appears on: 23v Genres: Sacred Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Der unfal rit mich gantz und gar
24	Müterli ich bin uff der bulschafft gelegen	Anon.	Anonymous
Müterli ich bin uff der bulschafft gelegen Anonymous Appears on: 24 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Müterli ich bin uff der bulschafft gelegen
24	Mijn herz altijt heeft verlanghen	Iacobus Obrecht/[La Rue]	Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Mijn herz altijt heeft verlanghen Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 24 Genres: Italian secular Source Attribution: Iacobus Obrecht/[La Rue] Voice: [no designation] Languages: German Voice Text: Min hertz tut sich altzit verlanghen
24	Wollt Gott, dass ich zu dienen mich	Anon.	Anonymous
Wollt Gott, dass ich zu dienen mich Anonymous Appears on: 24 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wolt Gott das ich zu dienen mich
24v	Aus Herzen Grund bin ich verwund (Uss Herzen grund bin ich verwundt)	Anon.	Anonymous
Aus Herzen Grund bin ich verwund (Uss Herzen grund bin ich verwundt) Anonymous Appears on: 24v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Uss hertzen grund bin ich verwundt
24v	Wie möcht ich fröhlich werden kein trost	Anon.	Anonymous
Wie möcht ich fröhlich werden kein trost Anonymous Appears on: 24v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Wie möcht ich frölich werden [kein trost]
24v	Wer säch [sehe] dich für ein solche an	[Malchinger]	Malchinger
Wer säch [sehe] dich für ein solche an Malchinger Appears on: 24v Genres: Lied Source Attribution: [Malchinger] Voice: [no designation] Languages: German Voice Text: Wer sech dich für ein solche an
25	Was wird es doch des wunders noch [S329 - 4vv/7vv]	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Was wird es doch des wunders noch [S329 - 4vv/7vv] Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 25 Genres: Song Source Attribution: [Senfl] Voice: [no designation] Languages: German Voice Text: Was wil es doch des wunders noch
25	Ich wil und muss ein bulen haben	Anon.	Anonymous
Ich wil und muss ein bulen haben Anonymous Appears on: 25 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ich wil und muss ein bulen haben
25	Nach Willen Dein mich dir allein in treuen	[Hofhaimer]	Hofhaimer, Paul
Nach Willen Dein mich dir allein in treuen Hofhaimer, Paul Appears on: 25 Genres: Sacred Song Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Voice Text: Nach willen din allein bi dir [= Nach willen dein mich dir allein]
25v	Zu Trost erwählt lieblich gesellt in Freud	Anon.	Anonymous
Zu Trost erwählt lieblich gesellt in Freud Anonymous Appears on: 25v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Zuo trost erwelt [lieblich gesellt in freud]
25v	Auf diesr Erd mein Herz begehrt (Uff diser erd min herz begert)	Anon.	Anonymous
Auf diesr Erd mein Herz begehrt (Uff diser erd min herz begert) Anonymous Appears on: 25v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Uff diser erd min hertz begert
25v	Lieb mag nit lang on leid bestan	Felix Löw	Low, Felix
Lieb mag nit lang on leid bestan Low, Felix Appears on: 25v Genres: Song Source Attribution: Felix Löw Voice: [no designation] Languages: German Voice Text: Lieb mag nit lang on leid bestan
26	Ich stell leicht ab von solcher hab	[Grefinger]	Grefinger, Wolfgang
Ich stell leicht ab von solcher hab Grefinger, Wolfgang Appears on: 26 Genres: Song Source Attribution: [Grefinger] Voice: [no designation] Languages: German Voice Text: Ich stell liecht ab von solcher hab
26	Apollo aller Kunst ein hort, vernimm mein Wort	Adam de Fulda	von Fulda, Adam (ca. 1445–1505)
Apollo aller Kunst ein hort, vernimm mein Wort von Fulda, Adam (ca. 1445–1505) Appears on: 26 Source Attribution: Adam de Fulda Voice: [no designation] Languages: German Voice Text: Apollo aller kunst ein hort [vernim min wort]
26v	Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	[Ducis/Maffoni]	Maffoni, Hieronymus (?) Ducis, Benedictus (?)
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem Maffoni, Hieronymus (?) Ducis, Benedictus (?) Appears on: 26v Genres: Motet Source Attribution: [Ducis/Maffoni] Voice: [no designation] Languages: Latin Voice Text: Dilexi quoniam exaudiet dominus vocem II: O domine libera animam meam
26v–27	Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	-	Ducis, Benedictus (?) Maffoni, Hieronymus (?)
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam Ducis, Benedictus (?) Maffoni, Hieronymus (?) Appears on: 26v–27 Genres: Motet
27	Ob aller schön ir wiblich er tut mir	Anon.	Anonymous
Ob aller schön ir wiblich er tut mir Anonymous Appears on: 27 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ob aller schön [ir wiblich er tut mir]
27v	Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo Despres, Josquin (ca. 1450–1521) Appears on: 27v Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: Memor esto verbi tui servo tuo 17.14 II: Portio mea domine dixi custodire
28	Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire	-	Despres, Josquin (ca. 1450–1521)
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire Despres, Josquin (ca. 1450–1521) Appears on: 28 Genres: Motet
28v	Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine	Iosquinus Pratensis/[Carpentras]	Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?)
Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?) Appears on: 28v Genres: Motet Source Attribution: Iosquinus Pratensis/[Carpentras] Voice: [no designation] Languages: Latin Voice Text: Bonitatem [fecisti cum servo tuo domine] 15.5 II: Manus tuae domine fecerunt me
29	Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me	-	Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?)
Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?) Appears on: 29 Genres: Motet
29v	So wünsch ich irn! ein gute nacht	[Wolff]	Heintz, Wolff
So wünsch ich irn! ein gute nacht Heintz, Wolff Appears on: 29v Genres: Song Source Attribution: [Wolff] Voice: [no designation] Languages: German Voice Text: So wünsch ich irn(!) ein gute nacht
29v	Salve mater salvatoris vas electum	Ioannes Mouton	Mouton, Jean (ca. 1459–1522)
Salve mater salvatoris vas electum Mouton, Jean (ca. 1459–1522) Appears on: 29v Genres: Motet Source Attribution: Ioannes Mouton Voice: [no designation] Languages: Latin Voice Text: Salve mater salvatoris vas electum
30	O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam Despres, Josquin (ca. 1450–1521) Appears on: 30 Genres: Motet Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: O bone et dulcissime Iesu per tuam 21.9 II: Si ego commisi per quod dannare
30	O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare	-	Despres, Josquin (ca. 1450–1521)
O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare Despres, Josquin (ca. 1450–1521) Appears on: 30 Genres: Motet
30v	Confundantur superbi quia injuste inquitatem	Anon.	Anonymous
Confundantur superbi quia injuste inquitatem Anonymous Appears on: 30v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Confundantur superbi quia iniuste inquitatem
30v–31	Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium	Compere	Compère, Loyset (ca. 1445–1518)
Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium Compère, Loyset (ca. 1445–1518) Appears on: 30v–31 Genres: Motet Source Attribution: Compere Voice: [no designation] Languages: Latin Voice Text: Crux triumphans decus potentium crux II: Iesus nomen dignum triumphale
31	Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale	-	Compère, Loyset (ca. 1445–1518)
Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale Compère, Loyset (ca. 1445–1518) Appears on: 31 Genres: Motet
31v	Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) Despres, Josquin (ca. 1450–1521) Appears on: 31v Genres: Motet Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: Tu solus qui facis mirabilia 22.5 II: In te solum confidimus nec alium III: Dung aultre amer nobis esset fallacia
32	Nuptiae factae sunt in Chana Gallileae	Hotinet Bara/[Elimon]	Barra, Hotinet (fl. 1510-23) (?) Elimon (Elimot) (?)
Nuptiae factae sunt in Chana Gallileae Barra, Hotinet (fl. 1510-23) (?) Elimon (Elimot) (?) Appears on: 32 Genres: Motet Source Attribution: Hotinet Bara/[Elimon] Voice: [no designation] Languages: Latin Voice Text: Nuptiae factae sunt in Cana Galileae
32v	Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra Despres, Josquin (ca. 1450–1521) Appears on: 32v Genres: Tract Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: (Domine) Non secundum peccata nostra 16.10 II: Domine ne memineris iniquitatum III: Quia pauperes facti sumus nimis IV: Adiuva nos deus salutaris noster V: Et propitius esto peccatis nostris
32v	Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris	-	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris Despres, Josquin (ca. 1450–1521) Appears on: 32v Genres: Tract General Note Tacet in this pars (also in Altus)
32v	Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis	-	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis Despres, Josquin (ca. 1450–1521) Appears on: 32v Genres: Tract
33	Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto	-	Despres, Josquin (ca. 1450–1521)
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto Despres, Josquin (ca. 1450–1521) Appears on: 33 Genres: Tract
33v	Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	Vaqueras	Vacqueras, Bertrandus (ca. 1450–1507)
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 33v Genres: Tract Source Attribution: Vaqueras Voice: [no designation] Languages: Latin Voice Text: [Domine non secundum peccata nostra] II: Domine ne memineris iniquitatum III: Adiuva nos deus salutaris noster General Note Tacet in this part (and in Altus)
33v	Domine non secundum - 2a pars (of 3): Domine ne memineris	-	Vacqueras, Bertrandus (ca. 1450–1507)
Domine non secundum - 2a pars (of 3): Domine ne memineris Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 33v Genres: Tract
33v–34	Domine non secundum - 3a pars (of 3): Adjuva nos Deus	-	Vacqueras, Bertrandus (ca. 1450–1507)
Domine non secundum - 3a pars (of 3): Adjuva nos Deus Vacqueras, Bertrandus (ca. 1450–1507) Appears on: 33v–34 Genres: Tract
34	Virgo prudentissima quo progrederis 25.12	Iosquinus Pratensis/[Isaac]	Despres, Josquin (ca. 1450–1521)
Virgo prudentissima quo progrederis 25.12 Despres, Josquin (ca. 1450–1521) Appears on: 34 Genres: Motet Source Attribution: Iosquinus Pratensis/[Isaac] Voice: [no designation] Languages: Latin Voice Text: Virgo prudentissima quo progrederis 25.12
34v	Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer Despres, Josquin (ca. 1450–1521) Appears on: 34v Genres: Motet Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: Victime pascali laudes immolent Christiani 22.6 II: Dic nobis Maria quid vidisti in via
34v	Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens	-	Despres, Josquin (ca. 1450–1521)
Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens Despres, Josquin (ca. 1450–1521) Appears on: 34v Genres: Motet
35	Aus Herzen Grund für ich mein Klag (Uss Herzen grund für ich min klag)	Anon.	Anonymous
Aus Herzen Grund für ich mein Klag (Uss Herzen grund für ich min klag) Anonymous Appears on: 35 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Uss hertzen grund für ich min klag
35	Anima mea liquefacta est ut dilectus meus	[Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Anima mea liquefacta est ut dilectus meus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 35 Genres: Motet Source Attribution: [Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Anima mea liquefacta est ut dilectus meus
35v	Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti	Antonius de Vinea	Vinea, Antonius de
Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti Vinea, Antonius de Appears on: 35v Genres: Motet Source Attribution: Antonius de Vinea Voice: [no designation] Languages: Latin Voice Text: Ego dormio et cor meum vigilat vox
36	Ego dormio et cor - 2a pars (of 2): Misit manum meam	-	Vinea, Antonius de
Ego dormio et cor - 2a pars (of 2): Misit manum meam Vinea, Antonius de Appears on: 36 Genres: Motet
35v	Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam)	Gaspar [van Weerbecke]	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam) Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 35v Genres: Motet Source Attribution: Gaspar [van Weerbecke] Voice: [no designation] Languages: Latin Voice Text: Adonaÿ sanctissime domine deus [omnipotens]
36	Ave sanctissima mater Dei regina caeli	Anon.	Anonymous
Ave sanctissima mater Dei regina caeli Anonymous Appears on: 36 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Ave sanctissima mater dei regina coeli
36v	Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo	Anon.	Anonymous
Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo Anonymous Appears on: 36v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [Urbs beata Jerusalem dicta pacis visio] 2 Nova veniens e coelo nuptiali thalamo
36v	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi	Anon.	Anonymous
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi Anonymous Appears on: 36v Genres: Hymn Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: [A solis ortus cardine ad usque terrae] 2 Beatus auctor seculi servile corpus
37	Rex autem David cooperto capite incedens	Adrianus Villaert	Willaert, Adrian (ca. 1490–1562) (?)
Rex autem David cooperto capite incedens Willaert, Adrian (ca. 1490–1562) (?) Appears on: 37 Genres: Motet Source Attribution: Adrianus Villaert Voice: [no designation] Languages: Latin Voice Text: Rex autem David cooperto capite incedens
37	Do ich min herz dir eigen gab	[Hofhaimer?]	Hofhaimer, Paul (?)
Do ich min herz dir eigen gab Hofhaimer, Paul (?) Appears on: 37 Genres: Song Source Attribution: [Hofhaimer?] Voice: [no designation] Languages: German Voice Text: Do ich min hertz dir eigen gab
37v	Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Heinricus Isaac	Isaac, Heinrich (ca. 1450–1517)
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula Isaac, Heinrich (ca. 1450–1517) Appears on: 37v Genres: Motet Source Attribution: Heinricus Isaac Voice: [no designation] Languages: Latin Voice Text: Tota pulchra es amica mea et macula II: Flores apparuerunt vineae florentes
37v–38	Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes	-	Isaac, Heinrich (ca. 1450–1517)
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes Isaac, Heinrich (ca. 1450–1517) Appears on: 37v–38 Genres: Motet
38	Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi	Iosquinus Pratensis/[Pesenti]	Despres, Josquin (ca. 1450–1521)
Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi Despres, Josquin (ca. 1450–1521) Appears on: 38 Genres: Motet Source Attribution: Iosquinus Pratensis/[Pesenti] Voice: [no designation] Languages: Latin Voice Text: Tulerunt dominum meum et nescio ubi 20.14 II: Scio enim quod redemptor meus III: Reposita est haec spes mea
38v	Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit	-	Despres, Josquin (ca. 1450–1521)
Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit Despres, Josquin (ca. 1450–1521) Appears on: 38v Genres: Motet
38v	Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea	-	Despres, Josquin (ca. 1450–1521)
Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea Despres, Josquin (ca. 1450–1521) Appears on: 38v Genres: Motet
39	Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen	Iosquinus Pratensis	Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521)
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521) Appears on: 39 Genres: Motet Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: Magnus es tu domine et magnum nomen 21.6 II: Tu pauperum refugium tu languorum
39	Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum	-	Despres, Josquin (ca. 1450–1521) Finck, Heinrich (?)
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum Despres, Josquin (ca. 1450–1521) Finck, Heinrich (?) Appears on: 39 Genres: Motet
39v	Surge virgo et nostras sponso preces (2p. Pulchra Sion filia pro mortali tunica)	Anon.	Anonymous
Surge virgo et nostras sponso preces (2p. Pulchra Sion filia pro mortali tunica) Anonymous Appears on: 39v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Surge virgo et nostra sponso preces II: Pulchra Syon filia pro mortali tunica
40	Requiem aeternam. Dona eis domine	Antonius Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Requiem aeternam. Dona eis domine Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 40 Genres: Requiem Source Attribution: Antonius Brumel Voice: [no designation] Languages: Latin Voice Text: [Requiem] Eternam dona eis domine
40	Von edler Art, auch rein und zart bist du	[Schönfelder]	Schönfelder, Jörg
Von edler Art, auch rein und zart bist du Schönfelder, Jörg Appears on: 40 Genres: Song Source Attribution: [Schönfelder] Voice: [no designation] Languages: German Voice Text: Von edler art [auch rein und zart]
40v	Viderunt Omnes fines terrae salutare Dei	Stephanus Swartz Sedunensis	Swartz, Stephanus Sedunensis
Viderunt Omnes fines terrae salutare Dei Swartz, Stephanus Sedunensis Appears on: 40v Genres: Motet Source Attribution: Stephanus Swartz Sedunensis Voice: [no designation] Languages: Latin Voice Text: [Viderunt] Omnes fines terrae salutare dei
40v–41	Sub tuum praesidium confugimus sancta Dei	Adamus Aquanus [= Luyr]	Aquanus, Adam (ca. 1492–)
Sub tuum praesidium confugimus sancta Dei Aquanus, Adam (ca. 1492–) Appears on: 40v–41 Genres: Motet Source Attribution: Adamus Aquanus [= Luyr] Voice: [no designation] Languages: Latin Voice Text: Sub tuum praesidium confugimus sancta dei
41	Descendi in ortum meum ut viderem	Anon.	Anonymous
Descendi in ortum meum ut viderem Anonymous Appears on: 41 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Descendi in hortum meum ut viderem
41v	Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea	Petrus Moulu/[Josquin/Mouton/Verdelot]	Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?)
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 41v Genres: Motet Source Attribution: Petrus Moulu/[Josquin/Mouton/Verdelot] Voice: [no designation] Languages: Latin Voice Text: Quam pulchra es amica mea quam pulchra 14.10 II: [Labia tua] lilia distillantia
41v	Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia	-	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Appears on: 41v Genres: Motet
42–42v	Texts without music	-	-
Texts without music Appears on: 42–42v Voice: [no designation] Languages: insufficient Voice Text: Texts without music
43	Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium	[Senfl]	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 43 Genres: Motet Source Attribution: [Senfl] Voice: [no designation] Languages: Latin Voice Text: Collegerunt pontifices et Pharisaei II: Unus autem ex ipsis Caiphas nomine
43v	Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine	-	Senfl, Ludwig (ca. 1486–ca. 1543)
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine Senfl, Ludwig (ca. 1486–ca. 1543) Appears on: 43v Genres: Motet
44	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Stephanus Swartz Valesianus	Swartz, Stephanus Sedunensis
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit Swartz, Stephanus Sedunensis Appears on: 44 Genres: Motet Source Attribution: Stephanus Swartz Valesianus Voice: [no designation] Languages: Latin Voice Text: [Puer natus est nobis] Et filius datus est Vs: [Cantate domino] Quia mirabilia fecit
44v–45	Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major	Antonius Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 44v–45 Genres: Motet Source Attribution: Antonius Brumel Voice: [no designation] Languages: Latin Voice Text: Lauda Sÿon salvatorem lauda ducem
45v	Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis)	Anon.	Anonymous
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) Anonymous Appears on: 45v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Grates nunc omnes reddamus domino deo II: Huic oportet ut canamus cum angelis
45v–46	Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes	Ioannes Mouton/[Lhéritier]	Lheritier, Jean (ca. 1480–ca. 1551) (?) Mouton, Jean (ca. 1459–1522) (?)
Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes Lheritier, Jean (ca. 1480–ca. 1551) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 45v–46 Genres: Motet Source Attribution: Ioannes Mouton/[Lhéritier] Voice: [no designation] Languages: Latin Voice Text: Salvator mundi salva nos omnes sancta dei II: Eia ergo advocemus gloriosa virginem
46	Salvator mundi - 2a pars (of 2): Eya ergo advocemus	-	Mouton, Jean (ca. 1459–1522) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)
Salvator mundi - 2a pars (of 2): Eya ergo advocemus Mouton, Jean (ca. 1459–1522) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?) Appears on: 46 Genres: Motet
46v	Benedicta sit creatrix et gubernatrix	Anon.	Anonymous
Benedicta sit creatrix et gubernatrix Anonymous Appears on: 46v Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Benedicta sit creatrix et gubernatrix
46v	Freundlicher grüss mit buss ward mir heimlich	Anon.	Anonymous
Freundlicher grüss mit buss ward mir heimlich Anonymous Appears on: 46v Genres: Lied Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Früntlicher grus zu aller stund [si dir]
47	De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine	Iosquinus Pratensis/[Champion]	Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?)
De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?) Appears on: 47 Genres: Motet Source Attribution: Iosquinus Pratensis/[Champion] Voice: [no designation] Languages: Latin Voice Text: De profundis clamavi ad te domine 15.11 II: [A custodia matutina] usque ad noctem
47	De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	-	Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?)
De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?) Appears on: 47 Genres: Motet
47v	Parce Domine populo tuo quia pius es	Iacobus Obrecht	Obrecht, Jacobus (ca. 1457–1505)
Parce Domine populo tuo quia pius es Obrecht, Jacobus (ca. 1457–1505) Appears on: 47v Genres: Motet Source Attribution: Iacobus Obrecht Voice: [no designation] Languages: Latin Voice Text: Parce domine populo tuo quia pius es
47v	Parce Domine populo tuo et ne des hereditatem	Heinricus Isaac	Isaac, Heinrich (ca. 1450–1517)
Parce Domine populo tuo et ne des hereditatem Isaac, Heinrich (ca. 1450–1517) Appears on: 47v Genres: Motet Source Attribution: Heinricus Isaac Voice: [no designation] Languages: Latin Voice Text: Parce domine populo tuo et ne des haereditatem
47v–48	In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum	Petrus Moulu/[Mouton]	Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?)
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 47v–48 Genres: Motet Source Attribution: Petrus Moulu/[Mouton] Voice: [no designation] Languages: Latin Voice Text: In illo tempore accesserunt ad Iesum II: Propter hoc dimittet homo patrem
48	In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem	-	Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?)
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 48 Genres: Motet
48v	Fama malum quo non aliud velocius 28.14	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Fama malum quo non aliud velocius 28.14 Despres, Josquin (ca. 1450–1521) Appears on: 48v Genres: Motet Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: Fama malum quo non aliud velocius 28.14
48v	Es lit so hart = Es leit so hart on wart fast all	Sixt Dietrich Constantiensis	Dietrich, Sixt (ca. 1493–1548)
Es lit so hart = Es leit so hart on wart fast all Dietrich, Sixt (ca. 1493–1548) Appears on: 48v Genres: Song Source Attribution: Sixt Dietrich Constantiensis Voice: [no designation] Languages: German Voice Text: Es lit so hart [= Es leit so hart on wart fast all]
49	Dulces exuviae dum fata Deusque	[Ghiselin]	Ghiselin (Verbonnet), Johannes
Dulces exuviae dum fata Deusque Ghiselin (Verbonnet), Johannes Appears on: 49 Genres: Motet Source Attribution: [Ghiselin] Voice: [no designation] Languages: Latin Voice Text: Dulces exuviae dum fata deusque
49v	Aspice Domine quia factus est desolata	Petrus Biamont	Biaumont, Petrus
Aspice Domine quia factus est desolata Biaumont, Petrus Appears on: 49v Genres: Motet Source Attribution: Petrus Biamont Voice: [no designation] Languages: Latin Voice Text: Aspice domine quia facta est desolata
49v–50	Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	Ioannes Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter Richafort, Jean (ca. 1480–ca. 1550) Appears on: 49v–50 Genres: Motet Source Attribution: Ioannes Richafort Voice: [no designation] Languages: Latin Voice Text: Emendemus in melius que ignoranter II: Peccavimus cum patribus nostris
50	Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris	-	Richafort, Jean (ca. 1480–ca. 1550)
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris Richafort, Jean (ca. 1480–ca. 1550) Appears on: 50 Genres: Motet
50v	Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei	Ioannes Mouton/[Josquin/Richafort]	Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)
Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Appears on: 50v Genres: Motet Source Attribution: Ioannes Mouton/[Josquin/Richafort] Voice: [no designation] Languages: Latin Voice Text: Miseremini mei saltem vos amici mei 14.8 II: Cutis mea aruit et contracta est
50v	Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est	-	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)
Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 50v Genres: Motet
51	Fille vous have mal guarde / Ave sanctissima Maria	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Fille vous have mal guarde / Ave sanctissima Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 51 Genres: Contrafactum, Marian antiphon, Song Source Attribution: [Isaac] Voice: [no designation] Languages: French Voice Text: Ave sanctissima Maria [= Fille vous aves mal gardé le pan]
51	Einiger trost uff erden	Anon.	Anonymous
Einiger trost uff erden Anonymous Appears on: 51 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Einiger trost uff erden
51v	Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Ioannes Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines Richafort, Jean (ca. 1480–ca. 1550) Appears on: 51v Genres: Motet Source Attribution: Ioannes Richafort Voice: [no designation] Languages: Latin Voice Text: Quem dicunt homines esse filium hominis II: Petre diligis me qui respondit
51v–52	Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	-	Richafort, Jean (ca. 1480–ca. 1550)
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit Richafort, Jean (ca. 1480–ca. 1550) Appears on: 51v–52 Genres: Motet
52	Dulcis amica Dei rosa vernans stella	[Prioris]	Prioris, Johannes (Denis, Dionisius) (–1515)
Dulcis amica Dei rosa vernans stella Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 52 Genres: Lauda Source Attribution: [Prioris] Voice: [no designation] Languages: Latin Voice Text: Dulcis amica dei rosa vernans stella
52	Gwalt gunst und gelt herrscht in der welt	Anon.	Anonymous
Gwalt gunst und gelt herrscht in der welt Anonymous Appears on: 52 Genres: Gloria (et in terra pax) Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Gwalt gunst und gelt [herrscht in der welt]
52v	Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	Ioannes Mouton/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522)
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522) Appears on: 52v Genres: Motet Source Attribution: Ioannes Mouton/[Josquin] Voice: [no designation] Languages: Latin Voice Text: Queramus cum pastoribus verbum 26.10 II: Ubi pascas ubi cubas
53	Descendi in ortum meum ut viderem	Anon.	Anonymous
Descendi in ortum meum ut viderem Anonymous Appears on: 53 Genres: Motet Source Attribution: Anon. Voice: [no designation] Languages: Latin Voice Text: Descendi in hortum meum ut viderem
53	Fortuna desperata quae te dementia cepit	[Busnois-anon.]	Busnoys, Antoine (ca. 1430–1492) (?)
Fortuna desperata quae te dementia cepit Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 53 Genres: Italian secular Source Attribution: [Busnois-anon.] Voice: [no designation] Languages: Italian Voice Text: Fortuna desperata quae te dementia cepit
53v	O quam metuendus est locus iste vere	Alexander Frÿdanck	Frydanck, Alexander
O quam metuendus est locus iste vere Frydanck, Alexander Appears on: 53v Genres: Motet Source Attribution: Alexander Frÿdanck Voice: [no designation] Languages: Latin Voice Text: O quam metuendus est locus iste vere
53v–54	Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi	Iosquinus Pratensis/[Ninot le Petit]	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 53v–54 Genres: Motet Source Attribution: Iosquinus Pratensis/[Ninot le Petit] Voice: [no designation] Languages: Latin Voice Text: Planxit autem David planctum huiuscemodi 14.9 II: Sagitta Ionathae nunquam abiit
54	Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia	-	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 54 Genres: Motet
54v	Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit	-	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?) Appears on: 54v Genres: Motet
54v–55	Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha	-	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?) Appears on: 54v–55 Genres: Motet
55	Pasca nostrum Immolatus est Christus	Heinricus Isaac/[Rein]	Rein, Conrad (ca. 1475–1522) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Pasca nostrum Immolatus est Christus Rein, Conrad (ca. 1475–1522) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 55 Genres: Motet Source Attribution: Heinricus Isaac/[Rein] Voice: [no designation] Languages: Latin Voice Text: (Pasca nostrum) Immolatus est Christus
55v	Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena Despres, Josquin (ca. 1450–1521) Appears on: 55v Genres: Ave Maria, Motet Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia plena dominus tecum 23.6
55v	Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	-	Despres, Josquin (ca. 1450–1521)
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas Despres, Josquin (ca. 1450–1521) Appears on: 55v Genres: Ave Maria, Motet
56	Signora un che ve adora e'l vostro nome	[Cara]	Cara, Marchetto
Signora un che ve adora e'l vostro nome Cara, Marchetto Appears on: 56 Genres: Italian secular Source Attribution: [Cara] Voice: [no designation] Languages: Italian Voice Text: Signora un che ve adora [e'l vostro nome]
56	Un cavalier di Spagna cavalcha per la via	[Santacroce]	Azzaiolo, Filippo (fl. 1557-69) (?) Hostia, Pietro da (?) Patavino, Francesco (ca. 1487–ca. 1556) (?)
Un cavalier di Spagna cavalcha per la via Azzaiolo, Filippo (fl. 1557-69) (?) Hostia, Pietro da (?) Patavino, Francesco (ca. 1487–ca. 1556) (?) Appears on: 56 Genres: Italian secular Source Attribution: [Santacroce] Voice: [no designation] Languages: Italian Voice Text: Un cavalliere de Spagna cavalca per la via
56	Se la de laqua sta la mia morosa	[Santacroce]	Patavino, Francesco (ca. 1487–ca. 1556)
Se la de laqua sta la mia morosa Patavino, Francesco (ca. 1487–ca. 1556) Appears on: 56 Genres: Italian secular Source Attribution: [Santacroce] Voice: [no designation] Languages: Italian Voice Text: Se la de laqua sta la mia morosa
56v	Io non posso piu soffrire Text incipit only no music in D	[Maio]	Majo, Gian Francesco de (di)
Io non posso piu soffrire Text incipit only no music in D Majo, Gian Francesco de (di) Appears on: 56v Genres: Italian secular Source Attribution: [Maio] Voice: [no designation] Languages: Italian Voice Text: Io non posso piu soffrire (Text incipit only (no music) in D)
56v	Ein frölich wesen hab ich erlesen	Iacobus Obrecht/[Barbireau/Isaac]	Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?)
Ein frölich wesen hab ich erlesen Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?) Appears on: 56v Genres: Song Source Attribution: Iacobus Obrecht/[Barbireau/Isaac] Voice: [no designation] Languages: German Voice Text: Ein frölich wesen hab ich userlesen [= Een vroelic wesen myn oogskins saghen, Quen dites vous feres vous rien, Se une fois]
57	Sono per ti gionto a mal porto	Anon.	Anonymous
Sono per ti gionto a mal porto Anonymous Appears on: 57 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Sono per ti gionto a mal porto
57	Elend bringt Pein dem Herzen mein	[Ducis]	Ducis, Benedictus
Elend bringt Pein dem Herzen mein Ducis, Benedictus Appears on: 57 Genres: Song Source Attribution: [Ducis] Voice: [no designation] Languages: German Voice Text: Ellend bringt pin [dem hertzen mein]
57	La non vole perche non me ama	[Cara]	Cara, Marchetto
La non vole perche non me ama Cara, Marchetto Appears on: 57 Genres: Italian secular Source Attribution: [Cara] Voice: [no designation] Languages: Italian Voice Text: La non vole perche non me ama
57v	Sel fusse tal el mio ristoro	Anon.	Anonymous
Sel fusse tal el mio ristoro Anonymous Appears on: 57v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Sel fusse tal el mio ristoro
57v	Su su su lave le man ogni cosa e parechia	Anon.	Anonymous
Su su su lave le man ogni cosa e parechia Anonymous Appears on: 57v Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Su su su lave le man ogni cosa e parechia
57v–58	Pavanna	Anon.	Anonymous
Pavanna Anonymous Appears on: 57v–58 Genres: Dance Source Attribution: Anon. Voice: [no designation] Languages: none Voice Text: Pavanna
58	Nie noch niemer verrüwet min gemüt	Anon.	Anonymous
Nie noch niemer verrüwet min gemüt Anonymous Appears on: 58 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Nie noch niemer verrüwet min gemüt
58	Nunca fue pena mayor / Numquam fuit pena magior	[Enrique/Wreede]	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)
Nunca fue pena mayor / Numquam fuit pena magior Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?) Appears on: 58 Genres: Motet Source Attribution: [Enrique/Wreede] Voice: [no designation] Languages: Latin Voice Text: Nunqua fue pena maior [nin tormento]
58v	De dulce mia signora che m'hai cotanto	[Cara]	Cara, Marchetto
De dulce mia signora che m'hai cotanto Cara, Marchetto Appears on: 58v Genres: Italian secular Source Attribution: [Cara] Voice: [no designation] Languages: Italian Voice Text: De dulce mia signora [che m'hai cotanto]
58v	Ach hilf mich leid und sehnlich klag	Adam de Fulda	von Fulda, Adam (ca. 1445–1505)
Ach hilf mich leid und sehnlich klag von Fulda, Adam (ca. 1445–1505) Appears on: 58v Genres: Song Source Attribution: Adam de Fulda Voice: [no designation] Languages: German Voice Text: Ach hulff mich leid [und senlich klag]
59	La bella Francescina la sede sot un pin	Anon.	Anonymous
La bella Francescina la sede sot un pin Anonymous Appears on: 59 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: La bella Francescina la sede sot un pin
59	Con tempesta e con vele strazate Text incipit only no music in D	Anon.	Anonymous
Con tempesta e con vele strazate Text incipit only no music in D Anonymous Appears on: 59 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Con tempesta e con vele strazate (Text incipit only (no music) in D)
59	Poi che in tanti affanni e guaÿ	Anon.	Anonymous
Poi che in tanti affanni e guaÿ Anonymous Appears on: 59 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Poi che in tanti affanni e guaÿ
59v	Tu mi lassi io non ti lasso	[Maio]	Majo, Gian Francesco de (di)
Tu mi lassi io non ti lasso Majo, Gian Francesco de (di) Appears on: 59v Genres: Italian secular Source Attribution: [Maio] Voice: [no designation] Languages: Italian Voice Text: Tu mi lassi io non ti lasso
59v	Ach Jupiter hetzt du gewalt so manigfalt	Adamus de Fulda	von Fulda, Adam (ca. 1445–1505)
Ach Jupiter hetzt du gewalt so manigfalt von Fulda, Adam (ca. 1445–1505) Appears on: 59v Genres: Song Source Attribution: Adamus de Fulda Voice: [no designation] Languages: German Voice Text: Ach Juppiter [hetst du gewalt so mannigfalt]
60	Se ben soletto vado el tristo core	Anon.	Anonymous
Se ben soletto vado el tristo core Anonymous Appears on: 60 Genres: Italian secular Source Attribution: Anon. Voice: [no designation] Languages: Italian Voice Text: Se ben soletto vado el tristo core
60	Consumo la mia vita a poco a poco	[Prioris]	Prioris, Johannes (Denis, Dionisius) (–1515)
Consumo la mia vita a poco a poco Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 60 Genres: Motet Source Attribution: [Prioris] Voice: [no designation] Languages: Italian Voice Text: Consumo la mia vita poco a poco
60	Viel Hinterlist jetzt üben ist Venus	Anon.	Anonymous
Viel Hinterlist jetzt üben ist Venus Anonymous Appears on: 60 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Vil hinderlist ietz üben ist [Venus]
60	F. du mein schatz Dein süsser schwatz	Anon.	Anonymous
F. du mein schatz Dein süsser schwatz Anonymous Appears on: 60 Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: F. du min schatz [dein süsser schwatz]
60v	Ich bin ir langzit hold gesin	Anon.	Anonymous
Ich bin ir langzit hold gesin Anonymous Appears on: 60v Genres: Song Source Attribution: Anon. Voice: [no designation] Languages: German Voice Text: Ich bin ir langzit hold gesin
60v	Zucht Ehr und Lob ihr wohnet bei	[Hofhaimer]	Hofhaimer, Paul
Zucht Ehr und Lob ihr wohnet bei Hofhaimer, Paul Appears on: 60v Genres: Secular Source Attribution: [Hofhaimer] Voice: [no designation] Languages: German Voice Text: Zucht eer und lob ir wonet bÿ
61	Je ris et si ay larme a l'oeil 28.18	[Josquin]	Despres, Josquin (ca. 1450–1521)
Je ris et si ay larme a l'oeil 28.18 Despres, Josquin (ca. 1450–1521) Appears on: 61 Genres: Chanson Source Attribution: [Josquin] Voice: [no designation] Languages: French Voice Text: Ie ris et si aÿ larme a loeyl 28.18
61	La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Heinricus Isaac	Isaac, Heinrich (ca. 1450–1517)
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) Isaac, Heinrich (ca. 1450–1517) Appears on: 61 Genres: Italian secular Source Attribution: Heinricus Isaac Voice: [no designation] Languages: Italian Voice Text: La morra
61v	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Iosquinus Pratensis	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 61v Genres: Chanson Source Attribution: Iosquinus Pratensis Voice: [no designation] Languages: French Voice Text: Adieu mes amours [on m'atent] 28.3
61v	Alons fere nus barbes	Compere	Compère, Loyset (ca. 1445–1518)
Alons fere nus barbes Compère, Loyset (ca. 1445–1518) Appears on: 61v Genres: Chanson Source Attribution: Compere Voice: [no designation] Languages: French Voice Text: Alons ferons barbe [= Alons fere nos barbes alons gentil galans]
62	Hé logierons nous céans l'hôtesse.	[Isaac]	Isaac, Heinrich (ca. 1450–1517)
Hé logierons nous céans l'hôtesse. Isaac, Heinrich (ca. 1450–1517) Appears on: 62 Genres: Chanson Source Attribution: [Isaac] Voice: [no designation] Languages: French Voice Text: He logeron nous [seans hostesse]
62	Helas que il est a mon gré	Iapart	Japart, Jean
Helas que il est a mon gré Japart, Jean Appears on: 62 Genres: Italian secular Source Attribution: Iapart Voice: [no designation] Languages: French Voice Text: Helas que il est a mon gre
65v–66	Ego me diligentes diligo et qui mane	Clemens non Papa	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego me diligentes diligo et qui mane Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 65v–66 Genres: Motet Source Attribution: Clemens non Papa Voice: [no designation] Languages: Latin Voice Text: Ego me diligentes diligo et qui mane
67	Ne vous chaille mon coeur si vous aves	Richafort/[Werrecore]	Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?)
Ne vous chaille mon coeur si vous aves Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?) Appears on: 67 Genres: Chanson Source Attribution: Richafort/[Werrecore] Voice: [no designation] Languages: French Voice Text: Ne vous chaille [mon cueur si vous aves]
67	Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine	Compere	Compère, Loyset (ca. 1445–1518)
Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine Compère, Loyset (ca. 1445–1518) Appears on: 67 Genres: Motet Source Attribution: Compere Voice: [no designation] Languages: English Voice Text: Quis numerare queat bellorum seva II: Audivit ipse tamen populi gemitus III: Fundant preces Itali exorent
67	Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine	-	Compère, Loyset (ca. 1445–1518)
Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine Compère, Loyset (ca. 1445–1518) Appears on: 67 Genres: Motet Voice: Discantus Languages: Latin Voice Text: Da pacem Domine in diebus nostris General Note "Resolutum ex hoc Discanto Vagans per Subdiatessaron"; c.f. entirely in breves and longas, texted Da pacem Domine
67v	Quis numerare - 3a pars (of 3): Fundant preces Itali exorent	-	Compère, Loyset (ca. 1445–1518)
Quis numerare - 3a pars (of 3): Fundant preces Itali exorent Compère, Loyset (ca. 1445–1518) Appears on: 67v Genres: Motet
67v	Fors seulement lattente que ie meure	Anon.	Anonymous
Fors seulement lattente que ie meure Anonymous Appears on: 67v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seulement lattente que ie meure
68	Fors seulement lattente que ie meure (2 partes)	Anon.	Anonymous
Fors seulement lattente que ie meure (2 partes) Anonymous Appears on: 68 Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Fors seulement lattente que ie meure
68	Virgo caelesti decorata partu semper	Compere	Compère, Loyset (ca. 1445–1518)
Virgo caelesti decorata partu semper Compère, Loyset (ca. 1445–1518) Appears on: 68 Genres: Motet Source Attribution: Compere Voice: [no designation] Languages: Latin Voice Text: Virgo coelesti decorata partu semper
68v	Je l'ai aimée bien sept ans et demi	Adrian Villaert	Willaert, Adrian (ca. 1490–1562)
Je l'ai aimée bien sept ans et demi Willaert, Adrian (ca. 1490–1562) Appears on: 68v Genres: Chanson Source Attribution: Adrian Villaert Voice: [no designation] Languages: French Voice Text: Ie laÿ aymee bien sept ans e dimÿ
68v	Incessamment mon pouvre coeur lamente 29.9	Petrus de la Rue/[Josquin]	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)
Incessamment mon pouvre coeur lamente 29.9 Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?) Appears on: 68v Genres: Chanson Source Attribution: Petrus de la Rue/[Josquin] Voice: [no designation] Languages: French Voice Text: Incessament mon povre cuer lamente 29.9
69	Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis)	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis) Richafort, Jean (ca. 1480–ca. 1550) Appears on: 69 Genres: Motet Source Attribution: Richafort Voice: [no designation] Languages: Latin Voice Text: Pater noster qui es in celis II: Panem nostrum quotidianum da nobis
69–69v	Confirma hoc Deus quod operatus es (2p. Gloria patri et filio et spiritui)	Bisgueria	Bisgueria
Confirma hoc Deus quod operatus es (2p. Gloria patri et filio et spiritui) Bisgueria Appears on: 69–69v Genres: Motet Source Attribution: Bisgueria Voice: [no designation] Languages: Latin Voice Text: Confirma hoc deus quod operatus es II: Gloria patri et filio et spiritui
69v	Adieu solas tout plaisir et liesse	Anon.	Anonymous
Adieu solas tout plaisir et liesse Anonymous Appears on: 69v Genres: Chanson Source Attribution: Anon. Voice: [no designation] Languages: French Voice Text: Adieu solas tout plaisir et liesse
70	Maria virgo praescripta genitrix deo	Constantius Festa	Festa, Costanzo (ca. 1485–1545)
Maria virgo praescripta genitrix deo Festa, Costanzo (ca. 1485–1545) Appears on: 70 Genres: Motet Source Attribution: Constantius Festa Voice: [no designation] Languages: Latin Voice Text: Maria virgo praescripta genitrix deo
70v	Je recommance mes douleurs en plains	F. Dulot	Dulot, Francois
Je recommance mes douleurs en plains Dulot, Francois Appears on: 70v Genres: Chanson Source Attribution: F. Dulot Voice: [no designation] Languages: French Voice Text: Ie recommance mes douleurs en plains
70v	Cela sans plus et plus hola	Leo Papa Decimus [= Leo X]	Leo X (Medici) (1475–1521)
Cela sans plus et plus hola Leo X (Medici) (1475–1521) Appears on: 70v Genres: Chanson Source Attribution: Leo Papa Decimus [= Leo X] Voice: [no designation] Languages: French Voice Text: Cela sans plus [et plus hola]
70v	D'amour je suis desherite et plaindre	Richafort	Richafort, Jean (ca. 1480–ca. 1550)
D'amour je suis desherite et plaindre Richafort, Jean (ca. 1480–ca. 1550) Appears on: 70v Genres: Chanson Source Attribution: Richafort Voice: [no designation] Languages: French Voice Text: Damour ie suÿs desheritee et plaindre
71	Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria	Iosquin	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria Despres, Josquin (ca. 1450–1521) Appears on: 71 Genres: Motet Source Attribution: Iosquin Voice: [no designation] Languages: Latin Voice Text: Inviolata integra et casta es Maria 24.4 II: [Nostra ut pura pectora sint] III: O benigna O regina O Maria
71	Inviolata integra et casta 24.4 - 2a pars (of 3): Que nunc flagitant devota corda	-	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 2a pars (of 3): Que nunc flagitant devota corda Despres, Josquin (ca. 1450–1521) Appears on: 71 Genres: Motet
71	Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria	-	Despres, Josquin (ca. 1450–1521)
Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria Despres, Josquin (ca. 1450–1521) Appears on: 71 Genres: Motet
71v	Adoramus te Domine Jesu Christe et benedicimus (2p. Hoc signum crucis erit in caelo)	Wannenmacher	Wannenmacher, Johannes (ca. 1485–1551)
Adoramus te Domine Jesu Christe et benedicimus (2p. Hoc signum crucis erit in caelo) Wannenmacher, Johannes (ca. 1485–1551) Appears on: 71v Genres: Motet Source Attribution: Wannenmacher Voice: [no designation] Languages: Latin Voice Text: Adoramus te domine Iesu Christe et benedicimus II: Hoc signum crucis erit in coelo
71v–72	Cum pervenisset beatus Andreas ad locum (2p. O bona crux diu desiderata; 3p. Ita et tu exultans suscipe me)	Anon. (Tschudi apparently copied this piece from SGallS 464, in which "Andres Crutz" appears over the music. The piece "Adoramus te domine" on the facing page in SGallS 464 bears the title "Schwiczer Crutz", the scribe then wrote the heading "Andres Crutz" for "Cum pervenisset" (whose text recounts the crucifixion of St. Andrew), to distinguish it from the other "cross" piece. "Andres" (German for "another") perhaps intended also as a witty pun on St. Andrew's name. Tschudi, misinterpreting this title, copied a composer attribution to a non-existent composer = "Andreas Crütz" on f. 71v of SGallS 463)	Anonymous
Cum pervenisset beatus Andreas ad locum (2p. O bona crux diu desiderata; 3p. Ita et tu exultans suscipe me) Anonymous Appears on: 71v–72 Genres: Motet Source Attribution: Anon. (Tschudi apparently copied this piece from SGallS 464, in which "Andres Crutz" appears over the music. The piece "Adoramus te domine" on the facing page in SGallS 464 bears the title "Schwiczer Crutz", the scribe then wrote the heading "Andres Crutz" for "Cum pervenisset" (whose text recounts the crucifixion of St. Andrew), to distinguish it from the other "cross" piece. "Andres" (German for "another") perhaps intended also as a witty pun on St. Andrew's name. Tschudi, misinterpreting this title, copied a composer attribution to a non-existent composer = "Andreas Crütz" on f. 71v of SGallS 463) Voice: [no designation] Languages: Latin Voice Text: Cum pervenisset beatus Andreas ad locum II: O bona crux diu desiderata III: Ita et tu exultans suscipe me General Note Tschudi apparently copied this piece from SGallS 464, in which "Andres Crutz" appears over the music. The piece "Adoramus te domine" on the facing page in SGallS 464 bears the title "Schwiczer Crutz", the scribe then wrote the heading "Andres Crutz" for "Cum pervenisset" (whose text recounts the crucifixion of St. Andrew), to distinguish it from the "other cross" piece, "Andres" (German for "another") perhaps intended also as a witty pun on St. Andrew"s name. Tschudi, misinterpreting this title, copied a composer attribution to the non-existent "Andreas Crütz" on f. 71v of SGallS 463.
72v	Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia	Heinricus Isaac	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia Isaac, Heinrich (ca. 1450–1517) Appears on: 72v Genres: Motet Source Attribution: Heinricus Isaac Voice: [no designation] Languages: Latin Voice Text: Virgo prudentissima quae pia gaudia II: Vos Michael Gabriel Raphael
73	Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur	-	Isaac, Heinrich (ca. 1450–1517)
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur Isaac, Heinrich (ca. 1450–1517) Appears on: 73 Genres: Motet
73v	Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Iosquin	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus Despres, Josquin (ca. 1450–1521) Appears on: 73v Genres: Motet Source Attribution: Iosquin Voice: [no designation] Languages: Latin Voice Text: Preter rerum seriem paris(!) deum 24.12 II: Virtus sancti spiritus opus illud
73v	Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	-	Despres, Josquin (ca. 1450–1521)
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud Despres, Josquin (ca. 1450–1521) Appears on: 73v Genres: Motet
74	Missa Hercules dux Ferrariae 11.1: Agnus Dei	Iosquin	Despres, Josquin (ca. 1450–1521)
Missa Hercules dux Ferrariae 11.1: Agnus Dei Despres, Josquin (ca. 1450–1521) Appears on: 74 Genres: Agnus Dei, Mass Ordinary Source Attribution: Iosquin Voice: [no designation] Languages: Latin Voice Text: Hercules dux Ferrariae [= Agnus III from Missa Hercules dux Ferrariae] 11.1 General Note Dedicatee: Hercules, Duc of Ferrara
74	Se congié prens de mes belles amours 30.11	Iosquin	Despres, Josquin (ca. 1450–1521)
Se congié prens de mes belles amours 30.11 Despres, Josquin (ca. 1450–1521) Appears on: 74 Genres: Chanson Source Attribution: Iosquin Voice: [no designation] Languages: French Voice Text: Se conge prens de mes belles amours 30.11
74v	Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Iosquin	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo Despres, Josquin (ca. 1450–1521) Appears on: 74v Genres: Motet Source Attribution: Iosquin Voice: [no designation] Languages: Latin Voice Text: Huc me sÿdereo descendere iussit Olÿmpo (Sexta vox in this source is unique) 21.5 II: Felle sitim magni regis satiavit General Note Unique sexta vox added in Altus
74v	Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit	-	Despres, Josquin (ca. 1450–1521)
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit Despres, Josquin (ca. 1450–1521) Appears on: 74v Genres: Motet
75	Miserere mei Deus 18.3 (with added sexta vox) - 1a pars (of 3): Miserere mei Deus secundum magnam	Iosquin-Bidon	Bidon (Colebault), Antoine (–ca. 1525) Despres, Josquin (ca. 1450–1521)
Miserere mei Deus 18.3 (with added sexta vox) - 1a pars (of 3): Miserere mei Deus secundum magnam Bidon (Colebault), Antoine (–ca. 1525) Despres, Josquin (ca. 1450–1521) Appears on: 75 Genres: Miserere mei Deus, Motet Source Attribution: Iosquin-Bidon Voice: [no designation] Languages: Latin Voice Text: Miserere mei deus secundum magnam 18.3 II: Audi auditui meo dabis gaudium III: Domine labia mea aperies et os General Note UNique sexta vox in Altus, added by Bidon
75v	Miserere mei Deus 18.3 (with added sexta vox) - 2a pars (of 3): Auditui meo dabis gaudium	-	Despres, Josquin (ca. 1450–1521) Bidon (Colebault), Antoine (–ca. 1525)
Miserere mei Deus 18.3 (with added sexta vox) - 2a pars (of 3): Auditui meo dabis gaudium Despres, Josquin (ca. 1450–1521) Bidon (Colebault), Antoine (–ca. 1525) Appears on: 75v Genres: Miserere mei Deus, Motet
76	Miserere mei Deus 18.3 (with added sexta vox) - 3a pars (of 3): Domine labia mea aperies et os	-	Despres, Josquin (ca. 1450–1521) Bidon (Colebault), Antoine (–ca. 1525)
Miserere mei Deus 18.3 (with added sexta vox) - 3a pars (of 3): Domine labia mea aperies et os Despres, Josquin (ca. 1450–1521) Bidon (Colebault), Antoine (–ca. 1525) Appears on: 76 Genres: Miserere mei Deus, Motet
76v	Fortuna desperata que te dementia vertit	Robertus Fabri	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fabri, Robertus
Fortuna desperata que te dementia vertit Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fabri, Robertus Appears on: 76v Genres: Italian secular Source Attribution: Robertus Fabri Voice: [no designation] Languages: Latin Voice Text: Fortuna desperata que te dementia vertit
76v	Nesciens mater virgo virum peperit	Ioannes Mouton	Mouton, Jean (ca. 1459–1522)
Nesciens mater virgo virum peperit Mouton, Jean (ca. 1459–1522) Appears on: 76v Genres: Motet Source Attribution: Ioannes Mouton Voice: [no designation] Languages: Latin Voice Text: Nesciens mater virgo virum peperit

Composer	Compositions
Agricola, Alexander (ca. 1445–1506)	(?) Que vous madame / In pace in idipsum 27.33 – 14 Si dedero somnum oculis meis – 8v
Anonymous	A solis ortus cardine ad usque terrae 2 Beatus autor saeculi – 36v Ach werter Mund, von dir ist wund – 23v Ach werter Mund, von dir ist wund – 23v Adieu solas tout plaisir et liesse – 69v Auf diesr Erd mein Herz begehrt (Uff diser erd min herz begert) – 25v Aus Herzen Grund bin ich verwund (Uss Herzen grund bin ich verwundt) – 24v Aus Herzen Grund für ich mein Klag (Uss Herzen grund für ich min klag) – 35 Ave sanctissima mater Dei regina caeli – 36 Benedicta sit creatrix et gubernatrix – 46v Con tempesta e con vele strazate Text incipit only no music in D – 59 Confundantur superbi quia injuste inquitatem – 30v Cum pervenisset beatus Andreas ad locum (2p. O bona crux diu desiderata; 3p. Ita et tu exultans suscipe me) – 71v–72 Cupido hat ihm jetzt erdacht ein Elend – 23 Der unfal reit mich gantz und gar – 23v Descendi in ortum meum ut viderem – 53 Descendi in ortum meum ut viderem – 41 Deus meus ad te levavi animam meam – 7 Einiger trost uff erden – 51 En retournant dung iour iouer des camps – 17 F. du mein schatz Dein süsser schwatz – 60 Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 4 Oramus Domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime – 8v–9 Fors seulement lattente que ie meure – 67v Fors seulement lattente que ie meure (2 partes) – 68 Fortuna desperata quae te dementia – 13v Freundlicher grüss mit buss ward mir heimlich – 46v Gentilz gallans confreres du raisin – 16 Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis) – 45v Gwalt gunst und gelt herrscht in der welt – 52 Ich bin ir langzit hold gesin – 60v Ich wil und muss ein bulen haben – 25 Il ni a ici celui qui naît sa belle amie – 16v Il schnell gelück gen disem nüw – 22v Je suis tant ayse quand baise Iacolle – 16 Je vois je viens mon coeur s'en volle – 17v La bella Francescina la sede sot un pin – 59 Mon père m'a donne mari le quel – 14v Müterli ich bin uff der bulschafft gelegen – 24 Nie noch niemer so ruwet min gemüt – 19 Nie noch niemer verrüwet min gemüt – 58 Nous estions troÿs nonnettes toutes trois – 17v Ob aller schön ir wiblich er tut mir – 27 Pavanna – 57v–58 Poi che in tanti affanni e guaÿ – 59 Pour avoir fait au grez de mon ami – 16v Se ben soletto vado el tristo core – 60 Sel fusse tal el mio ristoro – 57v Sono per ti gionto a mal porto – 57 Su su su lave le man ogni cosa e parechia – 57v Surge virgo et nostras sponso preces (2p. Pulchra Sion filia pro mortali tunica) – 39v Sus l'herbe brunete sus l'herbe m'attendes – 16v Unfal wie tust must du allein mein – 23 Unser meister hat ein magt die ist frisch – 19 Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo – 36v Viel Hinterlist jetzt üben ist Venus – 60 Wegwart din art mit tugend ist – 22 Wer mut well han – 4v Wie möcht ich fröhlich werden kein trost – 24v Wollt Gott, dass ich zu dienen mich – 24 Wort darff es nit das weist du wol – 22v Zu Trost erwählt lieblich gesellt in Freud – 25v [untexted] – 11 [untexted] – 11v [No description] – 42–42v
Aquanus, Adam (ca. 1492–)	Jupiter omnipotens numeris concede canoris – 12v Sub tuum praesidium confugimus sancta Dei – 40v–41
Azzaiolo, Filippo (fl. 1557-69)	(?) Un cavalier di Spagna cavalcha per la via – 56
Barbireau, Jacobus (1455–1491)	(?) Ein frölich wesen hab ich erlesen – 56v
Barra, Hotinet (fl. 1510-23)	(?) Nuptiae factae sunt in Chana Gallileae – 32
Biaumont, Petrus	Aspice Domine quia factus est desolata – 49v
Bidon (Colebault), Antoine (–ca. 1525)	Miserere mei Deus 18.3 (with added sexta vox) - 1a pars (of 3): Miserere mei Deus secundum magnam – 75 Miserere mei Deus 18.3 (with added sexta vox) - 2a pars (of 3): Auditui meo dabis gaudium – 75v Miserere mei Deus 18.3 (with added sexta vox) - 3a pars (of 3): Domine labia mea aperies et os – 76
Bisgueria	Confirma hoc Deus quod operatus es (2p. Gloria patri et filio et spiritui) – 69–69v
Brack, Georg	Ich reu und klag dass ich mein tag – 23
Brumel, Antoine (ca. 1460–ca. 1513)	Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major – 44v–45 Requiem aeternam. Dona eis domine – 40
Busnoys, Antoine (ca. 1430–1492)	(?) Fortuna desperata quae te dementia cepit – 53
Cara, Marchetto	De dulce mia signora che m'hai cotanto – 58v La non vole perche non me ama – 57 Signora un che ve adora e'l vostro nome – 56
Carpentras, Elzear Genet (ca. 1470–1548)	(?) Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine – 28v (?) Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me – 29
Champion, Nicolas (ca. 1475–1533)	(?) De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine – 47 (?) De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem – 47
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	Ego me diligentes diligo et qui mane – 65v–66
Compère, Loyset (ca. 1445–1518)	Alons fere nus barbes – 61v Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium – 30v–31 Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale – 31 (?) O vos omnes qui transitis / O devots coeurs – 10 Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine – 67 Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine – 67 Quis numerare - 3a pars (of 3): Fundant preces Itali exorent – 67v Virgo caelesti decorata partu semper – 68
Craen, Nicolaus (ca. 1440–1502)	(?) Ecce video caelos apertos 19.2 – 10v
Despres, Josquin (ca. 1450–1521)	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 61v Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena – 55v Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas – 55v Ave verum corpus 21.2 (3vv)- 3a pars (of 3): O dulcis O pie - O Jesu fili – 13 Ave verum corpus 21.2 (3vv) - 1a pars (of 3): Ave verum corpus natum ex Maria - Vere passum immo – 13 Ave verum corpus 21.2 (3vv) - 2a pars (of 3): Cuius latus perforatum sacro fluxit - Esto nobis – 13 (?) Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine – 28v (?) Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me – 29 De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine – 47 De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem – 47 Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra – 32v Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris – 32v Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis – 32v Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto – 33 (?) Ecce video caelos apertos 19.2 – 10v Fama malum quo non aliud velocius 28.14 – 48v (?) Fors seulement l'attente que je meure 27.10 – 18 Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo – 74v Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit – 74v In te Domine speravi non confundar 28.18 – 12v (?) Incessamment mon pouvre coeur lamente 29.9 – 68v Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria – 71 Inviolata integra et casta 24.4 - 2a pars (of 3): Que nunc flagitant devota corda – 71 Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria – 71 Je ris et si ay larme a l'oeil 28.18 – 61 Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen – 39 Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum – 39 Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo – 27v Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire – 28 (?) Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei – 50v (?) Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est – 50v Miserere mei Deus 18.3 (with added sexta vox) - 1a pars (of 3): Miserere mei Deus secundum magnam – 75 Miserere mei Deus 18.3 (with added sexta vox) - 2a pars (of 3): Auditui meo dabis gaudium – 75v Miserere mei Deus 18.3 (with added sexta vox) - 3a pars (of 3): Domine labia mea aperies et os – 76 Missa Beata Virgine = Missa Coronata 3.3: Gloria – 7v–8 Missa Hercules dux Ferrariae 11.1: Agnus Dei – 74 O Venus bant = O vierich brant 27.29 – 18v O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam – 30 O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare – 30 (?) Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi – 53v–54 (?) Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia – 54 (?) Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit – 54v (?) Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha – 54v–55 Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus – 73v Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud – 73v (?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 41v (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 41v Que vous madame / In pace in idipsum 27.33 – 14 (?) Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 52v Se congié prens de mes belles amours 30.11 – 74 Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris) – 31v Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi – 38 Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit – 38v Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea – 38v Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer – 34v Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens – 34v Virgo prudentissima quo progrederis 25.12 – 34
Dietrich, Sixt (ca. 1493–1548)	Es lit so hart = Es leit so hart on wart fast all – 48v
Ducis, Benedictus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 26v (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 26v–27 Elend bringt Pein dem Herzen mein – 57
Dulot, Francois	Je recommance mes douleurs en plains – 70v
Elimon (Elimot)	(?) Nuptiae factae sunt in Chana Gallileae – 32
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 58
Fabri, Robertus	Fortuna desperata que te dementia vertit – 76v
Festa, Costanzo (ca. 1485–1545)	Maria virgo praescripta genitrix deo – 70
Fevin, Antoine de (ca. 1470–ca. 1512)	(?) Fors seulement l'attente que je meure 27.10 – 18 (?) Fortuna desperata que te dementia vertit – 76v On [Tu] a mal dit de mon amy – 17
Fevin, Robert de (fl. 1500-1515)	(?) Fors seulement l'attente que je meure 27.10 – 18
Finck, Heinrich	(?) Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen – 39 (?) Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum – 39
Frydanck, Alexander	O quam metuendus est locus iste vere – 53v
Ghiselin (Verbonnet), Johannes	Dulces exuviae dum fata Deusque – 49 O florens rosa mater Domini speciosa – 9v–10 Vostre a jamais / Je n'ai dueul que je ne suis mort – 19
Grefinger, Wolfgang	Ich stell leicht ab von solcher hab – 26
Heintz, Wolff	So wünsch ich irn! ein gute nacht – 29v
Hofhaimer, Paul	Ade mit leid ich von dir scheid – 23v (?) Do ich min herz dir eigen gab – 37 Nach Willen Dein mich dir allein in treuen – 25 Zucht Ehr und Lob ihr wohnet bei – 60v
Hostia, Pietro da	(?) Un cavalier di Spagna cavalcha per la via – 56
Isaac, Heinrich (ca. 1450–1517)	(?) Ein frölich wesen hab ich erlesen – 56v Fille vous have mal guarde / Ave sanctissima Maria – 51 Hé logierons nous céans l'hôtesse. – 62 La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina) – 61 Parce Domine populo tuo et ne des hereditatem – 47v (?) Pasca nostrum Immolatus est Christus – 55 Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula – 37v Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes – 37v–38 Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia – 72v Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur – 73 Zwischen Berg und tiefe Tal, da liegt – 22v
Janequin, Clement (ca. 1485–ca. 1558)	(?) Or sus vous dormez trop madame joliette – 15v
Japart, Jean	Helas que il est a mon gré – 62
Leo X (Medici) (1475–1521)	Cela sans plus et plus hola – 70v
Lheritier, Jean (ca. 1480–ca. 1551)	(?) Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes – 45v–46 (?) Salvator mundi - 2a pars (of 2): Eya ergo advocemus – 46
Low, Felix	Lieb mag nit lang on leid bestan – 25v
Maffoni, Hieronymus	(?) Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem – 26v (?) Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam – 26v–27
Majo, Gian Francesco de (di)	Io non posso piu soffrire Text incipit only no music in D – 56v Tu mi lassi io non ti lasso – 59v
Malchinger	Wer säch [sehe] dich für ein solche an – 24v
Moulu, Pierre (ca. 1484–ca. 1550)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 47v–48 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 48 (?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 41v (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 41v
Mouton, Jean (ca. 1459–1522)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 47v–48 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 48 Jamais n'aimerai machon je suis trop belle – 14v (?) Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei – 50v (?) Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est – 50v Nesciens mater virgo virum peperit – 76v (?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 41v (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 41v Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas) – 52v (?) Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes – 45v–46 (?) Salvator mundi - 2a pars (of 2): Eya ergo advocemus – 46 Salve mater salvatoris vas electum – 29v
Obrecht, Jacobus (ca. 1457–1505)	(?) Ein frölich wesen hab ich erlesen – 56v (?) Mijn herz altijt heeft verlanghen – 24 (?) O vos omnes qui transitis / O devots coeurs – 10 Parce Domine populo tuo quia pius es – 47v Si bona suscepimus de manu Domini – 11v Si sumpsero pennas meas diluculo – 12 Tandernacken liegt an dem Rhein – 19v
Patavino, Francesco (ca. 1487–ca. 1556)	Se la de laqua sta la mia morosa – 56 (?) Un cavalier di Spagna cavalcha per la via – 56
Petit, Nino le (fl. c1500)	(?) Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi – 53v–54 (?) Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia – 54 (?) Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit – 54v (?) Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha – 54v–55
Prioris, Johannes (Denis, Dionisius) (–1515)	Consumo la mia vita a poco a poco – 60 Dulcis amica Dei rosa vernans stella – 52
Regis, Johannes (ca. 1425–ca. 1496)	Ave Maria gratia plena Dominus tecum – 5v
Rein, Conrad (ca. 1475–1522)	(?) Pasca nostrum Immolatus est Christus – 55
Richafort, Jean (ca. 1480–ca. 1550)	D'amour je suis desherite et plaindre – 70v Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter – 49v–50 Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris – 50 (?) Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei – 50v (?) Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est – 50v (?) Ne vous chaille mon coeur si vous aves – 67 Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis) – 69 Quem dicunt homines - 1a pars (of 2): Quem dicunt homines – 51v Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit – 51v–52
Rue, Pierre de la (ca. 1452–1518)	(?) Incessamment mon pouvre coeur lamente 29.9 – 68v (?) Mijn herz altijt heeft verlanghen – 24
Schönfelder, Jörg	Von edler Art, auch rein und zart bist du – 40
Senfl, Ludwig (ca. 1486–ca. 1543)	Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium – 43 Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine – 43v Ich stund an einem morgen heimlich [S165 - 3vv] – 18v Was wird es doch des wunders noch [S329 - 4vv/7vv] – 25
Swartz, Stephanus Sedunensis	Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit – 44 Viderunt Omnes fines terrae salutare Dei – 40v
Tinctoris, Johannes (ca. 1435–1511)	Virgo Dei throno digna – 7
Tzamen, Thomas (fl. 1508)	Domine Jesu Christe rex salutis nostrae (2p. Ergo O mundi rector saeculi) – 5
Urrede (Wrede), Juan de (fl. 1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 58
Vacqueras, Bertrandus (ca. 1450–1507)	Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra – 33v Domine non secundum - 2a pars (of 3): Domine ne memineris – 33v Domine non secundum - 3a pars (of 3): Adjuva nos Deus – 33v–34
Verdelot, Philippe (ca. 1480–ca. 1532)	(?) Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea – 41v (?) Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia – 41v
Vinders, Jheronimus (fl. c1525-1526)	(?) In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum – 47v–48 (?) In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem – 48
Vinea, Antonius de	Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti – 35v Ego dormio et cor - 2a pars (of 2): Misit manum meam – 36
Wannenmacher, Johannes (ca. 1485–1551)	Adoramus te Domine Jesu Christe et benedicimus (2p. Hoc signum crucis erit in caelo) – 71v Salve regina misericordie Vita dulcedo (2p. Ad te clamamus exsules filii Evae; 3p. Ad te suspiramus gementes et flentes; 4p. Eia ergo advocata nostra illos tuos; 5p. Et Jesum benedictum fructum ventris; 6p. O clemens; 7p. O pia; 8p. O dulcis virgo Maria) – 6–6v
Weerbecke, Gaspar van (ca. 1445–ca. 1516)	Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam) – 35v Anima mea liquefacta est ut dilectus meus – 35
Werrecore, Matthias Hermann	(?) Ne vous chaille mon coeur si vous aves – 67
Willaert, Adrian (ca. 1490–1562)	Dulces exuviae dum fata Deusque (3vv) – 13v Je l'ai aimée bien sept ans et demi – 68v (?) Rex autem David cooperto capite incedens – 37
von Fulda, Adam (ca. 1445–1505)	Ach Jupiter hetzt du gewalt so manigfalt – 59v Ach hilf mich leid und sehnlich klag – 58v Apollo aller Kunst ein hort, vernimm mein Wort – 26

Composition	Composers (? Uncertain)	Folios / Pages
[untexted]	-	11
[untexted]	-	11v
A solis ortus cardine ad usque terrae 2 Beatus autor saeculi	Anonymous	36v
Ach hilf mich leid und sehnlich klag	von Fulda, Adam (ca. 1445–1505)	58v
Ach Jupiter hetzt du gewalt so manigfalt	von Fulda, Adam (ca. 1445–1505)	59v
Ach werter Mund, von dir ist wund	Anonymous	23v
Ach werter Mund, von dir ist wund	Anonymous	23v
Ade mit leid ich von dir scheid	Hofhaimer, Paul	23v
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	61v
Adieu solas tout plaisir et liesse	Anonymous	69v
Adonai sanctissime domine Deus omnipotens (2p. Misit manum suam)	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	35v
Adoramus te Domine Jesu Christe et benedicimus (2p. Hoc signum crucis erit in caelo)	Wannenmacher, Johannes (ca. 1485–1551)	71v
Alons fere nus barbes	Compère, Loyset (ca. 1445–1518)	61v
Anima mea liquefacta est ut dilectus meus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	35
Apollo aller Kunst ein hort, vernimm mein Wort	von Fulda, Adam (ca. 1445–1505)	26
Aspice Domine quia factus est desolata	Biaumont, Petrus	49v
Auf diesr Erd mein Herz begehrt (Uff diser erd min herz begert)	Anonymous	25v
Aus Herzen Grund bin ich verwund (Uss Herzen grund bin ich verwundt)	Anonymous	24v
Aus Herzen Grund für ich mein Klag (Uss Herzen grund für ich min klag)	Anonymous	35
Ave Maria ... virgo serena 23.6 - 1a pars (of 2): Ave Maria ... virgo serena	Despres, Josquin (ca. 1450–1521)	55v
Ave Maria ... virgo serena 23.6 - 2a pars (of 2): Ave vera virginitas	Despres, Josquin (ca. 1450–1521)	55v
Ave Maria gratia plena Dominus tecum	Regis, Johannes (ca. 1425–ca. 1496)	5v
Ave sanctissima mater Dei regina caeli	Anonymous	36
Ave verum corpus 21.2 (3vv)- 3a pars (of 3): O dulcis O pie - O Jesu fili	Despres, Josquin (ca. 1450–1521)	13
Ave verum corpus 21.2 (3vv) - 1a pars (of 3): Ave verum corpus natum ex Maria - Vere passum immo	Despres, Josquin (ca. 1450–1521)	13
Ave verum corpus 21.2 (3vv) - 2a pars (of 3): Cuius latus perforatum sacro fluxit - Esto nobis	Despres, Josquin (ca. 1450–1521)	13
Benedicta sit creatrix et gubernatrix	Anonymous	46v
Bonitatem fecisti 15.5 - 1a pars (of 2): Bonitatem fecisti cum servo tuo Domine	Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?)	28v
Bonitatem fecisti 15.5 - 2a pars (of 2): Manus tuae Domine faecerunt me	Despres, Josquin (ca. 1450–1521) (?) Carpentras, Elzear Genet (ca. 1470–1548) (?)	29
Cela sans plus et plus hola	Leo X (Medici) (1475–1521)	70v
Collegerunt pontifices - 1a pars (of 2): Collegerunt pontifices et Pharisaei concilium	Senfl, Ludwig (ca. 1486–ca. 1543)	43
Collegerunt pontifices - 2a pars (of 2): Unus autem ex ipsis Caiphas nomine	Senfl, Ludwig (ca. 1486–ca. 1543)	43v
Con tempesta e con vele strazate Text incipit only no music in D	Anonymous	59
Confirma hoc Deus quod operatus es (2p. Gloria patri et filio et spiritui)	Bisgueria	69–69v
Confundantur superbi quia injuste inquitatem	Anonymous	30v
Consumo la mia vita a poco a poco	Prioris, Johannes (Denis, Dionisius) (–1515)	60
Crux triumphans - 1a pars (of 2): Crux triumphans decus potentium	Compère, Loyset (ca. 1445–1518)	30v–31
Crux triumphans - 2a pars (of 2): Jesus nomen dignum triumphale	Compère, Loyset (ca. 1445–1518)	31
Cum pervenisset beatus Andreas ad locum (2p. O bona crux diu desiderata; 3p. Ita et tu exultans suscipe me)	Anonymous	71v–72
Cupido hat ihm jetzt erdacht ein Elend	Anonymous	23
D'amour je suis desherite et plaindre	Richafort, Jean (ca. 1480–ca. 1550)	70v
De dulce mia signora che m'hai cotanto	Cara, Marchetto	58v
De profundis clamavi 15.11 (4vv) - 1a pars (of 2): De profundis clamavi ad te domine	Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?)	47
De profundis clamavi 15.11 (4vv) - 2a pars (of 2): A custodia Matutina usque ad noctem	Despres, Josquin (ca. 1450–1521) Champion, Nicolas (ca. 1475–1533) (?)	47
Der unfal reit mich gantz und gar	Anonymous	23v
Descendi in ortum meum ut viderem	Anonymous	41
Descendi in ortum meum ut viderem	Anonymous	53
Deus meus ad te levavi animam meam	Anonymous	7
Dilexi quoniam - 1a pars (of 2): Dilexi quoniam exaudiet Dominus vocem	Maffoni, Hieronymus (?) Ducis, Benedictus (?)	26v
Dilexi quoniam - 2a pars (of 2): O Domine libera animam meam	Ducis, Benedictus (?) Maffoni, Hieronymus (?)	26v–27
Do ich min herz dir eigen gab	Hofhaimer, Paul (?)	37
Domine Jesu Christe rex salutis nostrae (2p. Ergo O mundi rector saeculi)	Tzamen, Thomas (fl. 1508)	5
Domine non secundum - 1a pars (of 3): Domine non secundum peccata nostra	Vacqueras, Bertrandus (ca. 1450–1507)	33v
Domine non secundum - 2a pars (of 3): Domine ne memineris	Vacqueras, Bertrandus (ca. 1450–1507)	33v
Domine non secundum - 3a pars (of 3): Adjuva nos Deus	Vacqueras, Bertrandus (ca. 1450–1507)	33v–34
Domine non secundum 16.10 - 1a pars (of 4): Domine non secundum peccata nostra	Despres, Josquin (ca. 1450–1521)	32v
Domine non secundum 16.10 - 2a pars (of 4): Domine ne memineris	Despres, Josquin (ca. 1450–1521)	32v
Domine non secundum 16.10 - 3a pars (of 4): Quia pauperes facti sumus nimis	Despres, Josquin (ca. 1450–1521)	32v
Domine non secundum 16.10 - 4a pars (of 4): Adjuva nos Deus salutaris noster - Et propitius esto	Despres, Josquin (ca. 1450–1521)	33
Dulces exuviae dum fata Deusque	Ghiselin (Verbonnet), Johannes	49
Dulces exuviae dum fata Deusque (3vv)	Willaert, Adrian (ca. 1490–1562)	13v
Dulcis amica Dei rosa vernans stella	Prioris, Johannes (Denis, Dionisius) (–1515)	52
Ecce video caelos apertos 19.2	Despres, Josquin (ca. 1450–1521) (?) Craen, Nicolaus (ca. 1440–1502) (?)	10v
Ego dormio et cor - 1a pars (of 2): Ego dormio et cor meum vigilat vox dilecti	Vinea, Antonius de	35v
Ego dormio et cor - 2a pars (of 2): Misit manum meam	Vinea, Antonius de	36
Ego me diligentes diligo et qui mane	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	65v–66
Ein frölich wesen hab ich erlesen	Barbireau, Jacobus (1455–1491) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Isaac, Heinrich (ca. 1450–1517) (?)	56v
Einiger trost uff erden	Anonymous	51
Elend bringt Pein dem Herzen mein	Ducis, Benedictus	57
Emendemus in melius - 1a pars (of 2): Emendemus in melius quae ignoranter	Richafort, Jean (ca. 1480–ca. 1550)	49v–50
Emendemus in melius - 2a pars (of 2): Peccavimus cum patribus nostris	Richafort, Jean (ca. 1480–ca. 1550)	50
En retournant dung iour iouer des camps	Anonymous	17
Es lit so hart = Es leit so hart on wart fast all	Dietrich, Sixt (ca. 1493–1548)	48v
F. du mein schatz Dein süsser schwatz	Anonymous	60
Fama malum quo non aliud velocius 28.14	Despres, Josquin (ca. 1450–1521)	48v
Festum nunc celebre magnaque gaudia 2 Conscendit jubilans laetus ad aethera 4 Oramus Domine conditor inclite devotos 6 Praesta hoc genitor optimi maxime	Anonymous	8v–9
Fille vous have mal guarde / Ave sanctissima Maria	Isaac, Heinrich (ca. 1450–1517)	51
Fors seulement l'attente que je meure 27.10	Despres, Josquin (ca. 1450–1521) (?) Fevin, Robert de (fl. 1500-1515) (?) Fevin, Antoine de (ca. 1470–ca. 1512) (?)	18
Fors seulement lattente que ie meure	Anonymous	67v
Fors seulement lattente que ie meure (2 partes)	Anonymous	68
Fortuna desperata quae te dementia	Anonymous	13v
Fortuna desperata quae te dementia cepit	Busnoys, Antoine (ca. 1430–1492) (?)	53
Fortuna desperata que te dementia vertit	Fevin, Antoine de (ca. 1470–ca. 1512) (?) Fabri, Robertus	76v
Freundlicher grüss mit buss ward mir heimlich	Anonymous	46v
Gentilz gallans confreres du raisin	Anonymous	16
Grates nunc omnes reddamus Domino Deo (2p. Huic oportet ut canamus cum angelis)	Anonymous	45v
Gwalt gunst und gelt herrscht in der welt	Anonymous	52
Helas que il est a mon gré	Japart, Jean	62
Huc me sidereo 21.5 (with added sexta vox) - 1a pars (of 2): Huc me sidereo descendere jussit Olimpo	Despres, Josquin (ca. 1450–1521)	74v
Huc me sidereo 21.5 (with added sexta vox) - 2a pars (of 2): Felle sitim magni regis satiavit	Despres, Josquin (ca. 1450–1521)	74v
Hé logierons nous céans l'hôtesse.	Isaac, Heinrich (ca. 1450–1517)	62
Ich bin ir langzit hold gesin	Anonymous	60v
Ich reu und klag dass ich mein tag	Brack, Georg	23
Ich stell leicht ab von solcher hab	Grefinger, Wolfgang	26
Ich stund an einem morgen heimlich [S165 - 3vv]	Senfl, Ludwig (ca. 1486–ca. 1543)	18v
Ich wil und muss ein bulen haben	Anonymous	25
Il ni a ici celui qui naît sa belle amie	Anonymous	16v
Il schnell gelück gen disem nüw	Anonymous	22v
In illo tempore accesserunt - 1a pars (of 2): In illo tempore accesserunt ad Jesum	Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?)	47v–48
In illo tempore accesserunt - 2a pars (of 2): Propter hoc dimittet homo patrem	Moulu, Pierre (ca. 1484–ca. 1550) (?) Vinders, Jheronimus (fl. c1525-1526) (?) Mouton, Jean (ca. 1459–1522) (?)	48
In te Domine speravi non confundar 28.18	Despres, Josquin (ca. 1450–1521)	12v
Incessamment mon pouvre coeur lamente 29.9	Despres, Josquin (ca. 1450–1521) (?) Rue, Pierre de la (ca. 1452–1518) (?)	68v
Inviolata integra et casta 24.4 - 1a pars (of 3): Inviolata integra et casta es Maria	Despres, Josquin (ca. 1450–1521)	71
Inviolata integra et casta 24.4 - 2a pars (of 3): Que nunc flagitant devota corda	Despres, Josquin (ca. 1450–1521)	71
Inviolata integra et casta 24.4 - 3a pars (of 3): O benigna o regina o Maria	Despres, Josquin (ca. 1450–1521)	71
Io non posso piu soffrire Text incipit only no music in D	Majo, Gian Francesco de (di)	56v
Jamais n'aimerai machon je suis trop belle	Mouton, Jean (ca. 1459–1522)	14v
Je l'ai aimée bien sept ans et demi	Willaert, Adrian (ca. 1490–1562)	68v
Je recommance mes douleurs en plains	Dulot, Francois	70v
Je ris et si ay larme a l'oeil 28.18	Despres, Josquin (ca. 1450–1521)	61
Je suis tant ayse quand baise Iacolle	Anonymous	16
Je vois je viens mon coeur s'en volle	Anonymous	17v
Jupiter omnipotens numeris concede canoris	Aquanus, Adam (ca. 1492–)	12v
La bella Francescina la sede sot un pin	Anonymous	59
La morra dona gentile (= Veni sancte spiritus Reple tuorum corda fidelium) (= Elaes) (= O regina)	Isaac, Heinrich (ca. 1450–1517)	61
La non vole perche non me ama	Cara, Marchetto	57
Lauda Sion salvatorem lauda ducem Quantum potes tantum aude quia major	Brumel, Antoine (ca. 1460–ca. 1513)	44v–45
Lieb mag nit lang on leid bestan	Low, Felix	25v
Magnus es tu Domine 21.6 - 1a pars (of 2): Magnus es tu Domine et magnum nomen	Finck, Heinrich (?) Despres, Josquin (ca. 1450–1521)	39
Magnus es tu Domine 21.6 - 2a pars (of 2): Tu pauperum refugium tu languorum	Despres, Josquin (ca. 1450–1521) Finck, Heinrich (?)	39
Maria virgo praescripta genitrix deo	Festa, Costanzo (ca. 1485–1545)	70
Memor esto 17.14 - 1a pars (of 2): Memor esto verbi tui servo tuo	Despres, Josquin (ca. 1450–1521)	27v
Memor esto 17.14 - 2a pars (of 2): Portio mea Domine dixi custodire	Despres, Josquin (ca. 1450–1521)	28
Mijn herz altijt heeft verlanghen	Obrecht, Jacobus (ca. 1457–1505) (?) Rue, Pierre de la (ca. 1452–1518) (?)	24
Miseremini mei 14.8 - 1a pars (of 2): Miseremini mei saltem vos amici mei	Despres, Josquin (ca. 1450–1521) (?) Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?)	50v
Miseremini mei 14.8 - 2a pars (of 2): Cutis mea aruit et contracta est	Richafort, Jean (ca. 1480–ca. 1550) (?) Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?)	50v
Miserere mei Deus 18.3 (with added sexta vox) - 1a pars (of 3): Miserere mei Deus secundum magnam	Bidon (Colebault), Antoine (–ca. 1525) Despres, Josquin (ca. 1450–1521)	75
Miserere mei Deus 18.3 (with added sexta vox) - 2a pars (of 3): Auditui meo dabis gaudium	Despres, Josquin (ca. 1450–1521) Bidon (Colebault), Antoine (–ca. 1525)	75v
Miserere mei Deus 18.3 (with added sexta vox) - 3a pars (of 3): Domine labia mea aperies et os	Despres, Josquin (ca. 1450–1521) Bidon (Colebault), Antoine (–ca. 1525)	76
Missa Beata Virgine = Missa Coronata 3.3: Gloria	Despres, Josquin (ca. 1450–1521)	7v–8
Missa Hercules dux Ferrariae 11.1: Agnus Dei	Despres, Josquin (ca. 1450–1521)	74
Mon père m'a donne mari le quel	Anonymous	14v
Müterli ich bin uff der bulschafft gelegen	Anonymous	24
Nach Willen Dein mich dir allein in treuen	Hofhaimer, Paul	25
Ne vous chaille mon coeur si vous aves	Richafort, Jean (ca. 1480–ca. 1550) (?) Werrecore, Matthias Hermann (?)	67
Nesciens mater virgo virum peperit	Mouton, Jean (ca. 1459–1522)	76v
Nie noch niemer so ruwet min gemüt	Anonymous	19
Nie noch niemer verrüwet min gemüt	Anonymous	58
Nous estions troÿs nonnettes toutes trois	Anonymous	17v
Nunca fue pena mayor / Numquam fuit pena magior	Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Enrique (?)	58
Nuptiae factae sunt in Chana Gallileae	Barra, Hotinet (fl. 1510-23) (?) Elimon (Elimot) (?)	32
O bone et dulcissime 21.9 - 1a pars (of 2): O bone et dulcissime Jesu Christe per tuam	Despres, Josquin (ca. 1450–1521)	30
O bone et dulcissime 21.9 - 2a pars (of 2): Si ego commisi per quod dannare	Despres, Josquin (ca. 1450–1521)	30
O florens rosa mater Domini speciosa	Ghiselin (Verbonnet), Johannes	9v–10
O quam metuendus est locus iste vere	Frydanck, Alexander	53v
O Venus bant = O vierich brant 27.29	Despres, Josquin (ca. 1450–1521)	18v
O vos omnes qui transitis / O devots coeurs	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	10
Ob aller schön ir wiblich er tut mir	Anonymous	27
On [Tu] a mal dit de mon amy	Fevin, Antoine de (ca. 1470–ca. 1512)	17
Or sus vous dormez trop madame joliette	Janequin, Clement (ca. 1485–ca. 1558) (?)	15v
Parce Domine populo tuo et ne des hereditatem	Isaac, Heinrich (ca. 1450–1517)	47v
Parce Domine populo tuo quia pius es	Obrecht, Jacobus (ca. 1457–1505)	47v
Pasca nostrum Immolatus est Christus	Rein, Conrad (ca. 1475–1522) (?) Isaac, Heinrich (ca. 1450–1517) (?)	55
Pater noster qui es in caelis (2p. Panem nostrum quotidianum da nobis)	Richafort, Jean (ca. 1480–ca. 1550)	69
Pavanna	Anonymous	57v–58
Planxit autem David 14.9 - 1a pars (of 4): Planxit autem David planctu huiuscemodi	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)	53v–54
Planxit autem David 14.9 - 2a pars (of 4): Montes Gelboe nec ros nec pluvia	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)	54
Planxit autem David 14.9 - 3a pars (of 4): Sagitta Jonathe nunquam rediit	Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) (?)	54v
Planxit autem David 14.9 - 4a pars (of 4): Doleo super te frater mi Jonatha	Petit, Nino le (fl. c1500) (?) Despres, Josquin (ca. 1450–1521) (?)	54v–55
Poi che in tanti affanni e guaÿ	Anonymous	59
Pour avoir fait au grez de mon ami	Anonymous	16v
Praeter rerum seriem 24.12 - 1a pars (of 2): Praeter rerum seriem parit Deus	Despres, Josquin (ca. 1450–1521)	73v
Praeter rerum seriem 24.12 - 2a pars (of 2): Virtus sancti spiritus opus illud	Despres, Josquin (ca. 1450–1521)	73v
Puer natus est nobis Et filius datus est Vs: Cantate Domino Quia mirabilia fecit	Swartz, Stephanus Sedunensis	44
Quam pulchra es 14.10 - 1a pars (of 2): Quam pulchra es amica mea	Despres, Josquin (ca. 1450–1521) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Mouton, Jean (ca. 1459–1522) (?)	41v
Quam pulchra es 14.10 - 2a pars (of 2): Labia tua lilia distillantia	Mouton, Jean (ca. 1459–1522) (?) Despres, Josquin (ca. 1450–1521) (?) Verdelot, Philippe (ca. 1480–ca. 1532) (?) Moulu, Pierre (ca. 1484–ca. 1550) (?)	41v
Que vous madame / In pace in idipsum 27.33	Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521)	14
Quem dicunt homines - 1a pars (of 2): Quem dicunt homines	Richafort, Jean (ca. 1480–ca. 1550)	51v
Quem dicunt homines - 2a pars (of 2): Petre diligis me qui respondit	Richafort, Jean (ca. 1480–ca. 1550)	51v–52
Queramus cum pastoribus verbum 26.11 (2p. Ubi pascas ubi cubas)	Despres, Josquin (ca. 1450–1521) (?) Mouton, Jean (ca. 1459–1522)	52v
Quis numerare - 1a pars (of 3): Quis numerare queat bellorum saeva peracta / Da pacem Domine	Compère, Loyset (ca. 1445–1518)	67
Quis numerare - 2a pars (of 3): Audivit ipse tamen populi gemitus / Da pacem Domine	Compère, Loyset (ca. 1445–1518)	67
Quis numerare - 3a pars (of 3): Fundant preces Itali exorent	Compère, Loyset (ca. 1445–1518)	67v
Requiem aeternam. Dona eis domine	Brumel, Antoine (ca. 1460–ca. 1513)	40
Rex autem David cooperto capite incedens	Willaert, Adrian (ca. 1490–1562) (?)	37
Salvator mundi - 1a pars (of 2): Salvator mundi salva nos omnes	Lheritier, Jean (ca. 1480–ca. 1551) (?) Mouton, Jean (ca. 1459–1522) (?)	45v–46
Salvator mundi - 2a pars (of 2): Eya ergo advocemus	Mouton, Jean (ca. 1459–1522) (?) Lheritier, Jean (ca. 1480–ca. 1551) (?)	46
Salve mater salvatoris vas electum	Mouton, Jean (ca. 1459–1522)	29v
Salve regina misericordie Vita dulcedo (2p. Ad te clamamus exsules filii Evae; 3p. Ad te suspiramus gementes et flentes; 4p. Eia ergo advocata nostra illos tuos; 5p. Et Jesum benedictum fructum ventris; 6p. O clemens; 7p. O pia; 8p. O dulcis virgo Maria)	Wannenmacher, Johannes (ca. 1485–1551)	6–6v
Se ben soletto vado el tristo core	Anonymous	60
Se congié prens de mes belles amours 30.11	Despres, Josquin (ca. 1450–1521)	74
Se la de laqua sta la mia morosa	Patavino, Francesco (ca. 1487–ca. 1556)	56
Sel fusse tal el mio ristoro	Anonymous	57v
Si bona suscepimus de manu Domini	Obrecht, Jacobus (ca. 1457–1505)	11v
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	8v
Si sumpsero pennas meas diluculo	Obrecht, Jacobus (ca. 1457–1505)	12
Signora un che ve adora e'l vostro nome	Cara, Marchetto	56
So wünsch ich irn! ein gute nacht	Heintz, Wolff	29v
Sono per ti gionto a mal porto	Anonymous	57
Su su su lave le man ogni cosa e parechia	Anonymous	57v
Sub tuum praesidium confugimus sancta Dei	Aquanus, Adam (ca. 1492–)	40v–41
Surge virgo et nostras sponso preces (2p. Pulchra Sion filia pro mortali tunica)	Anonymous	39v
Sus l'herbe brunete sus l'herbe m'attendes	Anonymous	16v
Tandernacken liegt an dem Rhein	Obrecht, Jacobus (ca. 1457–1505)	19v
Tota pulchra es - 1a pars (of 2): Tota pulchra es amica mea et macula	Isaac, Heinrich (ca. 1450–1517)	37v
Tota pulchra es - 2a pars (of 2): Flores apparuerunt vineae florentes	Isaac, Heinrich (ca. 1450–1517)	37v–38
Tu mi lassi io non ti lasso	Majo, Gian Francesco de (di)	59v
Tu solus qui facis mirabilia 22.5 (2p. In te solum confidimus nec alium; 3p. D'ung aultre amer nobis esset fallacia / O mater Dei et hominis mater creatoris)	Despres, Josquin (ca. 1450–1521)	31v
Tulerunt Dominum (4vv) 20.14 - 1a pars (of 3): Tulerunt Dominum meum et nescio ubi	Despres, Josquin (ca. 1450–1521)	38
Tulerunt Dominum (4vv) 20.14 - 2a pars (of 3): Scio enim quod redemptor meus vivit	Despres, Josquin (ca. 1450–1521)	38v
Tulerunt Dominum (4vv) 20.14 - 3a pars (of 3): Reposita est haec spes mea	Despres, Josquin (ca. 1450–1521)	38v
Un cavalier di Spagna cavalcha per la via	Azzaiolo, Filippo (fl. 1557-69) (?) Hostia, Pietro da (?) Patavino, Francesco (ca. 1487–ca. 1556) (?)	56
Unfal wie tust must du allein mein	Anonymous	23
Unser meister hat ein magt die ist frisch	Anonymous	19
Urbs beata Jerusalem dicta pacis visio 2 Nova veniens e caelo nuptiali thalamo	Anonymous	36v
Victimae paschali 22.6 - 1a pars (of 2): Victimae paschali laudes immolent Christiani / D'ung aultre aimer	Despres, Josquin (ca. 1450–1521)	34v
Victimae paschali 22.6 - 2a pars (of 2): Dic nobis Maria quid vidisti / De tous biens	Despres, Josquin (ca. 1450–1521)	34v
Viderunt Omnes fines terrae salutare Dei	Swartz, Stephanus Sedunensis	40v
Viel Hinterlist jetzt üben ist Venus	Anonymous	60
Virgo caelesti decorata partu semper	Compère, Loyset (ca. 1445–1518)	68
Virgo Dei throno digna	Tinctoris, Johannes (ca. 1435–1511)	7
Virgo prudentissima - 1a pars (of 2): Virgo prudentissima quae pia gaudia	Isaac, Heinrich (ca. 1450–1517)	72v
Virgo prudentissima - 2a pars (of 2): Vos Michael Gabriel Raphael testamur	Isaac, Heinrich (ca. 1450–1517)	73
Virgo prudentissima quo progrederis 25.12	Despres, Josquin (ca. 1450–1521)	34
Von edler Art, auch rein und zart bist du	Schönfelder, Jörg	40
Vostre a jamais / Je n'ai dueul que je ne suis mort	Ghiselin (Verbonnet), Johannes	19
Was wird es doch des wunders noch [S329 - 4vv/7vv]	Senfl, Ludwig (ca. 1486–ca. 1543)	25
Wegwart din art mit tugend ist	Anonymous	22
Wer mut well han	Anonymous	4v
Wer säch [sehe] dich für ein solche an	Malchinger	24v
Wie möcht ich fröhlich werden kein trost	Anonymous	24v
Wollt Gott, dass ich zu dienen mich	Anonymous	24
Wort darff es nit das weist du wol	Anonymous	22v
Zu Trost erwählt lieblich gesellt in Freud	Anonymous	25v
Zucht Ehr und Lob ihr wohnet bei	Hofhaimer, Paul	60v
Zwischen Berg und tiefe Tal, da liegt	Isaac, Heinrich (ca. 1450–1517)	22v

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Set: MS 463

Type: Partbooks

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CH-SGs Cod. Sang. 463 [Altus] (Tschudi Liederbuch)

No images available

CH-SGs Cod. Sang. 463 [Discantus] (Tschudi Liederbuch)

‡ denotes primary source study

Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten. Munich and Salzburg. Pages: II,9, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xi-xii,xix-xx, 129-30. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Böker-Heil, Norbert, Harald Heckmann, and Ilse Kindermann. 1982. Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580. (Band 2: Handschriften). Catalogus Musicus. Kassel, Basel, and London. Pages: 273-88. Notes: contents list; incipits.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier. New Haven and London. Pages: II,176,424. Notes: physical description (partial); contents list (partial); concordances (partial).

Dunning, Albert. 1969. Die Staatsmotette 1480-1555. Utrecht. Pages: 44-5,340. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Notes: physical description; contents list; concordances (partial); transcription (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xxiii,xliv,li, liii-liv. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II,62,150-1, passim. Notes: physical description; contents list (partial); concordances (partial).

Perkins, Leeman L. 1965. The Motets of Jean Lhéritier. Yale University, Unpublished Ph.D. dissertation. Pages: I,49-50,152-3,224. Notes: physical description (partial); contents list (partial); concordances (partial).

Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 369-70. Notes: physical description; contents list (partial); concordances (partial).

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XIII,928-9. Notes: physical description (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 110, 116; VI,95; VII,xiv-xvi. Notes: physical description (partial); contents list (partial); concordances (partial).

Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: XV,143ff; XXXIV,398,402-3. Notes: physical description; contents list (partial); concordances (partial).

Geering, Arnold. 1933. Die Vokalmusik in der Schweiz zur Zeit der Reformation. Schweizerisches Jahrbuch für Musikwissenschaft, . Pages: 91-2,227-32. Notes: contents list; discussion.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: I, ix-x,xiii; II, vii,1x-x; III, ix,xiv-xv; V,vii,ix; VI,v,viii-xii; VII,vii-xi; VIII,xiii-xv; X.vi-vii; XI,xiii-xiv; XXV, xliv. Notes: physical description; contents list (partial); concordances (partial).

Smijers, Albert (editor). 1925-68. Werken van Josquin des Prez: Wereldlijke Werken. Amsterdam. Pages: I,v,xv; IV, vii-x,xv-xviii; V,vii,l-4. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: IV, viii,x-xi; XV/XVI,viii-ff; XXX, viii-x [source for "Si sumpsero" incorrectly listed as SGallS 462 motet actually in SGallS 463]). Notes: physical description; contents list (partial); concordances (partial).

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 173-4,191-3; XXXII, 239; LXXII, 102ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).

Scherrer, Gustav. 1875. Verzeichniss der Handschriften der Stiftsbibliothek von St. Gallen. Halle. Pages: 152. Notes: physical description (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description