IIIF Manifest
David Chappuis
Friday, 8 July, 2022
The ballad "Je ne cuit pas" appears only in Machaut G (F-Pnm Français 22546), folio 139.
In two volumes. F contains little music (pieces in this volume are prefixed by an 'F' in the inventory).
F-Pnm Français 22545-22546 (Machaut F-G)
Bibliothèque nationale de France, Département des Manuscrits, Paris, France
manuscript of polyphony: 14th century
| Archive | Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm) |
|---|---|
| Shelfmark | Français 22545-22546 (Machaut F-G) |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Parchment |
| Measurements | 355 x 260 mm |
| Other Identifiers |
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| Provenance |
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| Contents | Contains 149 compositions from 1 composer. |
General Description
Notation
Ars Nova
Ruling
red five-line staves; 11 staves per page
Foliation
1-164
Surface
Parchment
RISM Description
RISM B/IV 2: A 14th century parchment manuscript in two volumes meas. 355 x 260 mm. Pn 22545 contains 200 folios plus 3 unnumbered paper flyleaves at the front and 2 at the back. The paper leaves belong to the 18th century binding of red morocco, which has gilt tooling and title on the spine. There is no old foliation, but a probably 18th century ink foliation appears at t.r.r. The writing is mainly in 2 columns with many illuminated miniatures and blue-red or red-blue initials. The notation is of Ars Nova type on red five-line staves. Pn 22546 contains 164 folios plus the same number of paper flyleaves as Pn 22545. The binding too is the same as for Pn 22545. This most complete source of the musical works of Guillaume de Machaut, and the two volumes contain only Machaut's works, musical and non-musical, at one time belonged to the Paris Carmelite convent, where it still was at the time the Abbé Lebeuf wrote his description of the ms in 1746. Later it entered the library of J. Gaignat (1697-1768) and then of the Duc de la Valliere, where it bore the signature 25. Finally it was deposited in the Bibliothèque Nationale after the duke's death in 1780. All the music except items 1-3 is in codex Pn 22546, again in 2 columns with the exception of the lays, which as usual are in continuous lines across the page. There are 11 staves per page; red notes are infrequent. The polyphonic compositions in Pn 22545-22546 amount to 2 lays, 23 motets, 40 Ballades, 20 Rondeaux, 8 Virelais, the mass and the hocket. Written accidentals are frequent in this source. Polyphonic works occupy folios 54v-56v; 62v; 93-96; 102v-154; 160-164.
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Sets
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Machaut MSS
Linked by Origin or Contents · 18 sources
F-Pnm Français 22545-22546 (Machaut F-G)
Current source
‡ denotes primary source study
Maxwell, Sheila Kate. 2009. Guillaume de Machaut and the mise en page of medieval French sung verse. University of Glasgow, PhD.
Earp, Lawrence M. 1995. Guillaume de Machaut: A Guide to Research. New York and London: Garland.
Reaney, Gilbert. 1959. Musica Ficta in the Music of Guillaume de Machaut. Les Colloques de Wegimont II-1955, L'Ars nova: Recueil d'études sur la musiquedu XIVe siècle , 196ff. Paris: Les Belles Lettres.
Günther, Ursula. 1958. The fourteenth-century motet and its development. Musica Disciplina, 12: 27-58. Pages: 27ff.
Günther, Ursula. 1957. Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts, dargestellt an Virelais, Balladen und Rondeaux von Guillaume de Machaut sowie datierbaren Kantilenensätzen seiner Zeitgenossen und dierekten Nachfolger. University of Hamburg, Ph.D. dissertation.
Parrish, Carl. 1957. The Notation of Medieval Music. Pages: pl. L—LIII (facsimiles of Pn 22546 f. 131v-132 and 124v-125).
Reaney, Gilbert. 1956. Voices and Instruments in the Music of Guillaume de Machaut. Revue belge de musicologie, 10: 3-17and93-104.
Reaney, Gilbert. 1955-56. The Lais of Guillaume de Machaut and Their Background. Proceedings of the Royal Musical Association, 82: 15-31,discussion31-32.
Machabey, Armand. 1955. Guillaume de Machault. 2 vols.
Reaney, Gilbert. 1955. The Ballades, Rondeaux and Virelais of Guillaume de Machaut: Melody, Rhythm and Form. Acta Musicologica, 27: 40ff.
Hughes, Dom Anselm, and Gerald Abraham (editors). 1954, 1957-. New Oxford History of Music II, III & IV. 3 vols. London/New York/Toronto. Pages: Reaney, 1-15.
Schrade, Leo (editor). 1954 -1956. The Polyphonic Music of the Fourteenth Century. 3 vols. Pages: II—III (complete transcription of Machaut's musical works).
Reaney, Gilbert. 1953. Fourteenth Century Harmony and the Ballades, Rondeaux and Virelais of Guillaume de Machaut. Musica Disciplina, 7: 129ff.
Reaney, Gilbert. 1952. A Chronology of the Ballades, Rondeaux and Virelais Set to Music by Guillaume de Machaut. Musica Disciplina, 6: 33ff.
Gombosi, Otto Johannes. 1950. Machaut's Messe Notre-Dame. Musical Quarterly, 36: 204ff.
Machabey, Armand (editor). 1948. Guillaume de Machault: Messe Notre-Dame. Pages: transcription of the mass.
Perle, G. 1948. Integrative Devices in the Music of Machaut. Musical Quarterly, 34: 169ff.
Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 343 ff.
Reese, Gustave. 1940. Music in the Middle Ages: With an introduction on the music of ancient times. New York: W.W. Norton & Co. Pages: Ch. 12.
Ludwig, Friedrich. 1929. Die geistliche nichtliturgische, weltliche einstimmige und die mehrstimmige Musik des Mittelalters bis zum Anfang des 15. Jahrhunderts. Handbuch der Musikgeschichte I, edited by Friedrich Ludwig, Pages: 267ff.
Ludwig, Friedrich (editor). 1926-9. Guillaume de Machaut: Musikalische Werke, 1-3. Leipzig: Publikationen älterer Musik. Pages: I, III and IV.
Ludwig, Friedrich. 1910), 101ff; Die mehrstimmige Musik des 14. Jahrhunderts in <em>SIMG</em> IV (1902. Die mehrstimmige Musik des 11. und 12. Jahrhunderts. Bericht über den III. Kongreß der IMG, 1909: 16ff. Pages: 21, 27ff, 33f, 36ff.
Hoepffner, Ernest. 1908-1921. Oeuvres de Guillaume de Machaut. 3 vols. Pages: II, appendix (Ludwig's critical transcription of the music from the Remede de Fortune = Pn 22545 1-3).
Wolf, Johannes. 1904; Reprinted: Hildesheim, 1965. Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen. 3 vols. Leipzig. Pages: I, 156ff, 167ff; II, nos. XIII-XXVI (diplomatic facsimiles of Pn 22546 6, 8, 9, 28, 29, 31, 74, 81, 83, 87, 35, 52, 65, 98).
Chichmaref, V (editor). [1909]. Guillaume de Machaut: Poésies lyriques. Edition compléte en deux parties, avec introduction, glossaire et fac-similés publiée sous les auspices de la Faculté d'Histoire et de Philologie de Saint-Pétersbourg. Paris: Champion. Pages: complete edition of Machaut's lyric poems with and without music.
Van, Guillaume de. None. Guglielmi de Mascaudio: Messe Notre Dame. Pages: transcription of the mass.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Ruling Note; Foliation Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description