GB-WO Add. 68 (Worcester fragments)

Dean and Chapter Library, Worcester, England

Codex fragment (polyphony), removed from host manuscript: 3rd quarter 13th century

Archive Dean and Chapter Library, Worcester, England (GB-WO)
Shelfmark Add. 68 (Worcester fragments)
Surface Parchment
Numbering System Foliation
Format portrait
Measurements xii: 345 x 230 mm, xviii: 305 x 210 mm, xix: 276 x 202 mm, xx: 260 x 197 mm, xxix: 228 x 168 mm, xxx: 100 x 140 mm, xxxii: 238 x 206 mm, xxxiv: 109 x 51 mm, xxxix/1: 64 x 275 mm
Other Identifiers
  • RISM: Worc
Notations
  • English mensural
Relationships
Provenance
  • England
Contents Contains 122 compositions, 122 are anonymous.
General Description

A collection of fragments from volumes in Worcester Cathedral library, from manuscripts which were subsequently re-used as flyleaves.Additional fragments are in the Bodleian Library and the British Library.

The original manuscripts were probably broken up in the 1520s; fragments have been recovered from volumes bound c. 1527-31, most surviving in Worcester Cathedral.

Fragments of 57 folios survive: fr. ix (2 leaves); x (2); xi (2); xii (1); xiii (4); xviii (2); xix (6); xx (2); xxviii (4); xxix (4); xxx (6); xxxi (1); xxxii (1); xxxiv (4); xxxv (6); xxxix (2); xl (2); xli (1); xlii (1). These come from 10 different manuscripts.

Fragments x, xi, xiii, xxviii, xxxi, xl, xli & xlii form part of 'Worcester 1' (the 'motet book'); fragments ix & xxxv form part of 'Worcester 2' (the 'large-format book'); and fragments xix & xxxii form part of 'Worcester 3' (the 'conductus book') - qq.v.

The remaining fragments (xii, xviii, xx, xxix, xxx, xxxiv & xxxix/1) are each the remains of different manuscripts. Of these, fr. xii is mostly palimpsest & illegible; fr. xxix is 2 bifolia which, though now sewn together, are not consecutive and may be in the wrong order; fr. xxx, b-recto has the old numeration 'IIII'; fr. xxxivA, which contains fragments of polyphony, was recovered from the same book as fr. xxviii but unlike fr. xxviii does not come from 'Worcester 1' (EECM57 contrary to Thomson 2001); fr. xxxivB is from a different source, and monophonic: and fr. xxxix/1 is in Franconian notation.

DIAMM, 2020
Notation

longs and breves, and the lozenge-shaped notes of the so-called English mensural notation

JCM, 2011
Ruling

9-12 red or brown five-line staves per page

DIAMM, 2020
Foliation

ix (2); x (2); xi (2); xii (1); xiii (4); xviii (2); xix (6); xx (2); xxviii (4); xxix (4); xxx (6); xxxi (1); xxxii (1); xxxiv (4); xxxv (6); xxxix (2); xl (2); xli (1); xlii (1)

JCM, 2011
Decoration

red-blue initials

DIAMM, 2020
Surface

Parchment

JCM, 2011
RISM Description

RISM B/IV 1: A collection of fragments, mostly polyphonic, which were formerly flyleaves in a number of Worcester manuscripts and are now kept in a plain cloth binder. Fragments ix, x, xi, xiii, xxviii, xxxi and xxxv have been dealt with under the ms Oxford, Bodleian Library, Lat. liturg. d. 20. The remaining fragments are xii, xviii, xix, xx, xxix, xxx, xxxii, and xxxiv, meas. respectively 345 x 230 mm, 305 x 210 mm., 276 x 202 mm., 260 x 197 mm., 228 x 168 mm., 100 x 140 mm., 238 x 206 mm., and 109 x 51 mm. at the maximum. In addition, there are 3 binding strips meas. 212 x 33 mm., 286 x 34 mm., and 141 x 36 mm., which are numbered xxxiv a, b and c. Of these three, c is little use and a is not much better; b is a horizontal strip beg.: "te dicat nova tibi promens cantica" on the recto and "-a resultet plectro laudu leta carmine" on the verso. Fragment xxxiv itself is another binding strip of the late 13th century, like the preceding: only 2 voices are visible on the verso and one on the recto. These pieces alone are not transcribed in DittmerWF, perhaps owing to their fragmentary state. They are in English mensural notation. Fragment xii is early 14th century: the recto contains long-breve notation, the verso has groups of semibreves but no minims. Fragment xviii is from the first half of the 13th century according to Dittmer, but perhaps a date in the second half of that century would be more realistic. The notation is of English mensural type again. Fragment xix is more substantial and consists of 3 bifolios, though only half of f. al, bl and cl remains. It dates from the Ars Nova period c. 1330 or a little earlier, but the notation is mainly of long-breve or Petronian type. There is, however, a faded piece in Ars Nova notation on f. al verso, and f. cl verso and c 2 contain odd minims. Fragment xx dates from c. 1300 and again uses long-breve or, on f. 2, English mensural notation. Fragment xxix, which contains several monodies, could well be as early as the mid-13th century, like fragment xxx. An old folio number XIIII appears at t.m.r. on f. a 2. There are 15 staves per page and the notation is of Notre Dame type, except that English mensural traits appear particularly in no. 4. Fragment xxx may in fact belong to the first half of the 13th century with its undifferentiated longs for single notes and its four-line staves. Fragment xxxii dates from the same period as xix and may be from the same original ms.

RISM Supplement:

WORCESTER, CATHEDRAL LIBRARY, ADD. MS 68, FRAGMENT XXXIX/1

s. xiii/xiv

2 fols, (fragmentary; foliated A and B). Parchment. Now 64 X 275 mm. Written space at least 122 mm wide. Ruling: freely-ruled red five-line staves (16-16.5 mm). Collation: a strip cut from the top of a bifolium; the evidence of the gutter is inconclusive, and although the modern foliation of the leaves has been followed here, it may be that B was originally the first of the two leaves. The bifolium has two original sewing-holes, 32 mm apart. Script: an erratic mixture of gothica textualis quadrata, semi-quadrata and sine pedibus. Notation: unstemmed semibreves, without dot of division, used melismatically. Decoration: capitals in text splashed in red, and a red ornament used to fill the gaps in the text underlay. Written in England, probably at Worcester. Used to bind WOc, MS F. 45, a s. xiv copy of Jacobus de Voragine, Legenda sanctorum, in which it was probably the turnover of the front pastedown (now lost). A fragment of the front flyleaf (frag, xxxix/2) survives, on which some notes and stave lines have been offset, together with some fragments of an account, s. xiii. Both fragments were removed in July 1940, when MS F. 45 was rebound by Baylis, Lewis and Co., and were placed in Add. MS 68 in August 1990. MS F. 45 was bound at Worcester, probably s. xv med., in white whittawed leather over bevelled oak boards (see Floyer and Hamilton), with two clasps; this binding was removed in 1940, although the boards, bearing marks from the clasp-pins, were retained. This manuscript may have been written at Worcester, and was in the possession of the Cathedral Priory by s. xv in; fol. lv, 'Liber ecclesie cathedralis beate Marie Wygorn' quem' [breaks off], s. xiv/xv; the verso of the last written folio bears the words 'Iste liber constat dompno Rogero Leyntall monacho Wigorn' ', followed by a list of payments, s. xv in. Other names scribbled s. xv ex. and s. xvi: 'Dompnus Willel-mus Alson', and 'Michael Dangour' (fol. lv); 'Thomas Bocoke', 'William Louyd', 'Thomas Betoll', 'Johannis Morgan', 'Wyllelmus Flacchere' (rear flyleaves). Other scribbles include: 'Nota quod istud adverbium alterutrum singnificat [sic] societatem sive bona fuerit sive mala, per Ion', s. xiv/xv (fol. lv); 'Putt it to no grefe it ys as mucc as to sae as thall a be in the telche', and 'Quam scripsit hoc carmen sit benedictus. amen', s. xv, and a short narrative of a horse theft [?], 'Will b.e here of this ferely. fare how Johanne Reveil tomyde his mare margarit hyllde be halter ...', s. xiv/xv (rear flyleaves). No. 247 in the catalogue of the Cathedral's books made c. 1622 by Patrick Young. I am grateful to Professor William Summers for drawing my attention to this source.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

xix 4v

Loading inventory…

The inventory could not be loaded.

Sets

Select a set to see its sources.

denotes primary source study

Summers, William John, and Peter M Lefferts (editors). 2016. English 13th-Century Polyphony (EECM 57). Pages: pp. 32-39 & plates 179-309. Notes: physical description, contents, bibliography.

Sanders, Ernest H. 2001. Worcester Polyphony. New Grove Dictionary of Music and Musicians, 560-563.

Sanders, Ernest H, and Peter M Lefferts. 2001. English Polyphony, 1270-1400, The Worcester Fragments. New Grove Dictionary of Music and Musicians, 878-879.

Thomson, Rodney. 2001. A Descriptive Catalogue of the Medieval Manuscripts in Worcester Cathedral Library.  Woodbridge, Suffolk, & Rochester, NY: D.S. Brewer, for the Dean and Chapter of Worcester Cathedral. Pages: xlvi, 22, 24, 27-9, 40, 73-4, 103-4, 133, 149, 167-8.

Wibberley, Roger. 2000. Ave virgo mater dei: towards a Reconstruction. Plainsong and Medieval Music, 9: 41-49.

Malyshko, Olga E. 1998. Three Newly-Discovered Fragments at Worcester Cathedral: Another “Magnus Liber Organi” Flyleaf. Scriptorium, 52: 66-88.

Page, Christopher. 1996. Marian Texts and Themes in an English Manuscript; a Miscellany in Two Parts. Plainsong and Medieval Music, 5: 23-44. Pages: 34.

Caldwell, John. 1994. Worcester-Fragmente. Musik in Geschichte und Gegenwart,  Bärenreiter. Pages: cols. 2058-2063.

Losseff, Nicky. 1994. The Best Concords: Polyphonic Music in Thirteenth-Century Britain.  New York: Garland. Pages: 148-156.

Büttner, Fred. 1990. Klang und Konstruktion in der englischen Mehrstimmigkeit des 13. Jahrhunderts: Ein Beitrag zur Erforschung der Stimmtauschmotetten in den Worcester-Fragmenten.  Tutzing. Pages: 188-191.

Crocker, Richard L. 1990. XIV. Polyphony in England in the Thirteenth Century. The New Oxford History of Music, II: The Early Middle Ages to 1300, edited by Richard L Crocker, 679-720. Oxford. Pages: 679-720.

Lefferts, Peter M. 1990. Cantilena and Antiphon: Music for Marian Services in Late Medieval England. Studies in Medieval Music: Festschrift for Ernest H. Sanders, 247-82. Columbia University. Pages: 278, 282.

Summers, William John. 1983-1985. Unknown and unidentified English polyphonic music from the fourteenth century. Royal Musical Association Research Chronicle, 19: 57-67.

Lefferts, Peter M. 1983. The Motet in England in the Fourteenth Century. Columbia University, New York, Ph.D. https://digitalcommons.unl.edu/musicfacpub/29/(Accessed: 4 June 2019).

Sanders, Ernest H (editor). 1979. English Music of the 13th and Early 14th Centuries. Polyphonic Music of the Fourteenth Century, vol. 14.  Monaco: Éditions de l'Oiseau-Lyre.

Reaney, Gilbert (editor). 1977. Two Anonymous Alleluias from the Worcester Fragments,.  Newton Abbot: Antico Edition.

Wibberley, Roger. 1977. English Polyphonic Music of the late-thirteenth and early-fourteenth centuries: a reconstruciton, transcription and commentary. University of Oxford, DPhil thesis, 2 vols.

Ker, Neil R. 1969-1992. Medieval Manuscripts in British Libraries. 4 vols. Oxford. Pages: IV.

Ker, Neil R. 1964. Medieval Libraries of Great Britain: A List of Surviving Books. Royal Historical Society Guides and Handbooks, vol. 3.  London.

Apfel, Ernst. 1959. Studien zur Satztechnik der mittelalterlichen englischen Musik. 2 vols. Pages: I, chapter 1, and chapter 2 up to p. 63.

Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts V: Worcester Add. 68, Westminster Abbey 33327, Madrid Bibl. Nac. 192. Publications of Mediaeval Music Manuscripts, vol. 5.  Brooklyn: Institute of Mediaeval Music.

Harrison, Frank Llewellyn. 1958, second ed. 1963. Music in Medieval Britain.  London: Routledge. Pages: 132ff.

Dittmer, Luther A. 1957. The Dating and the Notation of the Worcester Fragments. Musica Disciplina, 11: 5-11.

Dittmer, Luther A (editor). 1957. The Worcester Fragments: A Catalogue Raisonné and Transcription, s.l. Musicological Studies and Documents, vol. 2.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: introduction, 48ff.

Dittmer, Luther A. 1953. Binary Rhythm, Musical Theory and the Worcester Fragments. Musica Disciplina, 7: 39-57.

Levy, K J. 1951. New material on the early motet in England. A Report on the Princeton MS. Garrett 119. Journal of the American Musicological Society, 4: 220-239.

Atkins, I, and Neil R Ker. 1944. Catalogus librorum manuscriptorum bibliothecae Wigorniensis, made in 1622-1623 by Patrick Young. 52. Cambridge.

Hughes, Dom Anselm. 1928. Worcester Mediaeval Harmony of the Thirteenth and Fourteenth Centuries.  Burnham: Plainsong and Mediaeval Music Society.

Floyer, J K, and S G Hamilton. 1906. Catalogue of Manuscripts Preserved in the Chapter Library of Worcester Cathedral. Pages: 17, 20-1, 30-1, 52, 81-2, 110-1, 120-1, 159-163.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

David Wyatt

Wednesday, 19 November, 2025

Incorrect image rotations corrected

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description