F-Pnm Français 15123 (Pixérécourt Chansonnier)

Bibliothèque nationale de France, Département des Manuscrits, Paris, France

manuscript of polyphony: c.1480-4

Archive Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm)
Shelfmark Français 15123 (Pixérécourt Chansonnier)
Image Availability The images on this record are linked using IIIF.
Surface Parchment
Numbering System Foliation
Measurements 180 x 120 mm
Other Identifiers
  • CCM: ParisBNF 15123
  • olim (Former shelfmark): Suppl. Fr 2637
  • olim (Former shelfmark): F-Pn fonds français 15123
Relationships
External Links
Provenance
  • Italy
Contents 170 pieces from 38 composers
General Description

Copied by a single scribe. Many texts corrupt. Copied in Florence. Later owned by the librettist and collector René-Charles Guilbert de Pixérécourt (1773-1844); passed to Bibliothèque Nationale following Pixérécourt's death.

Goldberg, 2013
Physical Description

Many folio numbers and attributions obliterated by later trimming

Goldberg, 2013
Binding

Modern covers of brown leather, stamped 'Bibliothèque de M. G. de Pixérécourt.'

Goldberg, 2013
Notation

not indicated

Goldberg, 2013
Foliation

Original ink foliation, 1-198 (f. 83 now missing; last three folios not numbered).

Goldberg, 2013
Foliation

1-200

Goldberg, 2013
Decoration

Illuminated miniatures, initials, and borders attributed by Paolo D'Ancona to workshop of Gherardo and Monte de Giovanni del Fora, active in Florence 1470-95; same workshop also decorated FlorBN BR 229 (PerkMC). Manuscript related to FlorBN BR 229, VatG XIII.27, RomeC 2856, and FlorBN Magi. 178.

Goldberg, 2013
Surface

parchment

Goldberg, 2013
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

2 motets, 143 French secular pieces, 20 Italian secular pieces, 3 Spanish secular pieces, 1 Dutch secular piece, 1 textless piece = 170

(A. Agricola)-1, (Barbingant/Fedé)-1, (Basin)-1, (Bedingham)-2, (Bedingham/Dufay)-1, (Bedingham/Dunstable)-1, (Bedingham/ Frye)-1, (Binchois)-1, Busnois-23, Busnois/(Caron)-2, (Busnois/ Compère/Mureau)-1, Busnois/(Hayne van Ghizeghem)-2, Busnois/(Ockeghem)-1, Caron-14, (Caron/Dusart)-1, Compère-1, (Congiet)-1, Cornago-1, (Domarto)-1, Dufay-5, (Dux Burgensis)-1, (Enrique/Wreede)-1, (Hayne van Ghizeghem)-3, (Isaac/Martini)-1, (Japart)-1, (Joye)-1, (J. Legrant)-1, (Molinet)-1, Morton-6, Ockeghem [Ochghen]-4, Ockeghem/(Dufay)-1, (Pullois)-2, (Tinctoris)-1, (Touront)-1, (Vincenet)-2, Ycart-1, anon-80

ii + 200 parchment folios, 180 x 120. Many folio numbers and attributions obliterated by later trimming. Original ink foliation, 1-198 (f. 83 now missing; last three folios not numbered). F. 198' and last three folios have blank staves only. Modern covers of brown leather, stamped "Bibliothèque de M. G. de Pixérécourt." No index. Copied by a single scribe. Illuminated miniatures, initials, and borders attributed by Paolo D'Ancona to workshop of Gherardo and Monte de Giovanni del Fora, active in Florence 1470-95; same workshop also decorated FlorBN BR 229 (PerkMC). Manuscript related to FlorBN BR 229, VatG XIII.27, RomeC 2856, and FlorBN Magi. 178. Many texts corrupt.

Probably ca. 1480-4 (AtlCG). Copied in Florence. Later owned by the librettist and collector René-Charles Guilbert de Pixérécourt (1773-1844); passed to Bibliothèque Nationale following Pixérécourt's death.

Vol 4

Composers: Add "(Plummer?)-1"; change "anon-80" to "anon-79."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages Composition / Item title Source attribution Composers (? Uncertain)
1–3 O pulcherrima mulierum -
Appears on: 1–3
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O pulcherrima mulierum surge propera
3v–4 O gloriosa regina mundi succurre nobis -
Appears on: 3v–4
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O gloriosa regina mundi succurre nobis
4v–5 Amor tu non me gabasti - Anonymous
Appears on: 4v–5
Voice: [no designation]
Languages: Latin
Voice Text: Amor tu non me gabasti
5v–6 A Florence la joeuse cite / Helas la fille / En ma chambre - Anonymous
Appears on: 5v–6
Genres: Ballade
Voice: [no designation]
Languages: French
Voice Text: A florence la ioeuse cite/Helas la fille/En ma chambre
6v–7 Accueillie ma la belle (A version) = Saoulé m'a la belle Caron
Appears on: 6v–7
Genres: Chanson
Source Attribution: Caron
Voice: [no designation]
Languages: French
Voice Text: Accueillie ma la belle
7v–8 Advegne que venir pourra Busnoys
Appears on: 7v–8
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Advegne que venir pourra
8v–9 Alla battaglia - Anonymous

Alla battaglia

Anonymous
Appears on: 8v–9
Voice: [no designation]
Languages: Italian
Voice Text: Alla battaglia
9v–10 Alla battaglia - Anonymous

Alla battaglia

Anonymous
Appears on: 9v–10
Voice: [no designation]
Languages: Italian
Voice Text: Alla caccia
10v–11 Cent mille escus quand je voldroie Busnoys
Appears on: 10v–11
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Cent mille escus
11v–12 Creature la plus belle - Anonymous
Appears on: 11v–12
Voice: [no designation]
Languages: French
Voice Text: Creature la plus belle
12v–13 Se de vous ie nay recouvrance - Anonymous
Appears on: 12v–13
Voice: [no designation]
Languages: French
Voice Text: Se de vous ie nay recouvrance
13v–14 Con tutta gentilezza Busnoys
Appears on: 13v–14
Genres: Italian secular
Source Attribution: Busnoys
Voice: [no designation]
Languages: Italian
Voice Text: Con tutta gentilecca
14v–15 Chiamo merce -
Appears on: 14v–15
Voice: [no designation]
Languages: Italian
Voice Text: Chiamo merce
15v–17 Corps contre corps-Ramboure lui Caron
Appears on: 15v–17
Source Attribution: Caron
Voice: [no designation]
Languages: French
Voice Text: Corps contre corps-Ramboure lui
17v–18 Cousine trop vous abusés -
Appears on: 17v–18
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Cousine trop vous ne vous abuses
18v–19 Confortez moi - Anonymous

Confortez moi

Anonymous
Appears on: 18v–19
Voice: [no designation]
Languages: French
Voice Text: Confortez moi
19v–20 Que poit plus faire une maistresse - Anonymous
Appears on: 19v–20
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Que puet plus faire
20v–21 Le souvenir de vous me tue mon seul bien -
Appears on: 20v–21
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Le souvenir de vous me tue
21v–22 J'ai pris amours - Anonymous

J'ai pris amours

Anonymous
Appears on: 21v–22
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Jay pris amours a ma devise
22v–23 Se ung peu desperance avoye -
Appears on: 22v–23
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Sum bien peu desperanche avoye
23v–24 Seulette suis - Anonymous

Seulette suis

Anonymous
Appears on: 23v–24
Voice: [no designation]
Languages: French
Voice Text: Seulette suis
24v–25 Pour toutes fleurs -
Appears on: 24v–25
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour toutes fleurs
25v–26 Wie sach oit blider dach - Anonymous
Appears on: 25v–26
Voice: [no designation]
Languages: German
Voice Text: Wie sach oit blider dach
26v–27 Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie -
Appears on: 26v–27
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je vous pri/Tant que/Ma tres douce
27v–28 Seigneur Leon - Benedictus qui venit -
Appears on: 27v–28
Genres: Chanson, Contrafactum, Motet
Voice: [no designation]
Languages: French
Voice Text: Signeur Lion
28v–29 Sancta Barbara pour le trait - Anonymous
Appears on: 28v–29
Voice: [no designation]
Languages: French
Voice Text: Sancta Barbara pour le trait
29v–30 L'homme banny de sa plaisance -
Appears on: 29v–30
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Lomme banny
30v–32 Ma bouche rit et ma pensée pleure -
Appears on: 30v–32
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma bouche rit
32v–33 L'aultre d'antan -
Appears on: 32v–33
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Lautre dantan
33v–34 Helas que pourra devenir -
Appears on: 33v–34
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Helas que pourra advenir
34v–35 Ce qu'on fait a quatimini -
Appears on: 34v–35
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ce quon fait a catimini
35v–36 Morir me fault se n'ai secours de ma princesse -
Appears on: 35v–36
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Morir me fault
36v–37 Cui diem [Cuidies] vous (A version) = Fuggir non posso -
Appears on: 36v–37
Genres: Chanson, Contrafactum
Voice: [no designation]
Languages: Italian
Voice Text: Fuggir non posso
37v–38 D'un tout ainsy que vous plair a -
Appears on: 37v–38
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Dun tout ainsi
38v–39 Je ne prise point tels baisers - Anonymous
Appears on: 38v–39
Voice: [no designation]
Languages: French
Voice Text: Je ne prise point tels baisers
39v–40 Par le regard de vos beaux yeux -
Appears on: 39v–40
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: French
Voice Text: Par le regard
40v–41 Tenez moi en vos bras - Anonymous
Appears on: 40v–41
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tenez moy en vos bras
41v–43 Entre Paris et Saint Quentin - Anonymous
Appears on: 41v–43
Voice: [no designation]
Languages: French
Voice Text: Entre Paris et St. Quentin
43v–45 Resjois toy terre de France / Rex pacificus magnificatus -
Appears on: 43v–45
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Resiouy toi terre de France
General Note

Author identified as 'Busnois' by Andrea Lindmayr-Brandl, 199.

45v–46 En un gent et joly pourpris - Anonymous
Appears on: 45v–46
Voice: [no designation]
Languages: French
Voice Text: En ung gent et joly pourpris
46v–47 Doye je languir - Anonymous

Doye je languir

Anonymous
Appears on: 46v–47
Voice: [no designation]
Languages: French
Voice Text: Doye je languir
47v–48 La fiance que j'ai en vous - Anonymous
Appears on: 47v–48
Voice: [no designation]
Languages: French
Voice Text: La fiance que jay en vous
48v–49 Vive madame par amours -
Appears on: 48v–49
Voice: [no designation]
Languages: French
Voice Text: Vive madame par amours
49v–50 Depuis ce jour - Anonymous

Depuis ce jour

Anonymous
Appears on: 49v–50
Voice: [no designation]
Languages: French
Voice Text: Depuis ce iour
50v–51 Que pourroit plus faire -
Appears on: 50v–51
Genres: Chanson, Contrafactum
Voice: [no designation]
Languages: French
Voice Text: Que pouroit faire une dame
51v–53 Donne vidue/Tarrach/Jeus diray - Anonymous
Appears on: 51v–53
Voice: [no designation]
Languages: French
Voice Text: Donne vidue/Tarrach/Jeus diray
53v–54 Galans et bons compagnons - Anonymous
Appears on: 53v–54
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Galans bons compagnons
54–55 Moro perche non dai fede Cornago
Appears on: 54–55
Genres: Italian secular
Source Attribution: Cornago
Voice: [no designation]
Languages: Italian
Voice Text: Moro perche non dai fede
55v–57 Pour une suis desconforté [= So ys emprentid] -
Appears on: 55v–57
Genres: Chanson, Contrafactum
Voice: [no designation]
Languages: French
Voice Text: Pour une suis desconfortee [So ys emprentid]
57v–59 Grant temps ay eu -
Appears on: 57v–59
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Grant temps ay eu [Myn hert is lust]
59v–60 Ay je rien fait contre vous = J'ay vyenes -
Appears on: 59v–60
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ai je rien fait
60v–61 Cy gist celle - Anonymous

Cy gist celle

Anonymous
Appears on: 60v–61
Voice: [no designation]
Languages: French
Voice Text: Cy gist celle
61v–62 Charge de dueil - Anonymous

Charge de dueil

Anonymous
Appears on: 61v–62
Voice: [no designation]
Languages: French
Voice Text: Charge de dueil
62v–64 Non toches a moy B. Ycart
Appears on: 62v–64
Source Attribution: B. Ycart
Voice: [no designation]
Languages: French
Voice Text: Non toches a moi
64v–65 Do mal villano - Anonymous

Do mal villano

Anonymous
Appears on: 64v–65
Voice: [no designation]
Languages: Italian
Voice Text: Do mal villano
65v–66 La donna che molto mira - Anonymous
Appears on: 65v–66
Voice: [no designation]
Languages: Italian
Voice Text: La donna che molto mira
66v–67 Tart ara mon coeur sa plaisance -
Appears on: 66v–67
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Tart ara mon cueur
67v–68 Puisqu' Atropos a ravi Diopee - Anonymous
Appears on: 67v–68
Voice: [no designation]
Languages: French
Voice Text: Puisqu'Atropos a ravi
68v–69 Mon espoir et ma souvenance - Anonymous
Appears on: 68v–69
Voice: [no designation]
Languages: French
Voice Text: Mon espoir et ma souvenance
69v–70 Mon seul plaisir, ma douce joie -
Appears on: 69v–70
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mon seul plaisir
70v–71 Puisque je vis le regard gratieux - Anonymous
Appears on: 70v–71
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Puisque je vis
71v–72 Ung plus que tous est en mon souvenir -
Appears on: 71v–72
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ung plus que tous
72v–74 Combien le joyeux je fasse - Anonymous
Appears on: 72v–74
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Combien que le ioyeulx je fasse
74v–75 Se je garde bien vostre honneur - Anonymous
Appears on: 74v–75
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Si je garde bien vostre honneur
75v–76 Depuis le congé que je pris -
Appears on: 75v–76
Voice: [no designation]
Languages: French
Voice Text: Depuis le conge que je pris
General Note

Ascription to Caron in Gallagher 2008, p. 87

76v–78 Mon coeur gemist - Anonymous

Mon coeur gemist

Anonymous
Appears on: 76v–78
Voice: [no designation]
Languages: French
Voice Text: Mon cueur gemist
78v–79 O vie fortunee (O vive fortune) de diverses atemptans - Adieu fortune -
Appears on: 78v–79
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: O vie fortunee
79v–81 Et hola hola - Anonymous

Et hola hola

Anonymous
Appears on: 79v–81
Voice: [no designation]
Languages: French
Voice Text: Et hola hola
81v–82 Mon coeur de doleur partira - Anonymous
Appears on: 81v–82
Voice: [no designation]
Languages: French
Voice Text: Mon cuer de douleur partira
83v L'aultre jour, par un matin esbatre m'en aloye - Anonymous
Appears on: 83v
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Lautre iour par ung matin
84v–85 Amours amours trop me fiers de tes dars -
Appears on: 84v–85
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Amors amors trop me fiers
85v–86 Pour vous ne fay que souspirer - Anonymous
Appears on: 85v–86
Voice: [no designation]
Languages: French
Voice Text: Pour vous ne fais que soupirer
86v–87 Ci dit on benedicite = Laudem demus parvulo Busnoys
Appears on: 86v–87
Genres: Chanson, Contrafactum, Motet
Source Attribution: Busnoys
Voice: [no designation]
Languages: Latin
Voice Text: Cy dist on benedicite
87v–88 Pour prison ne pour maladie -
Appears on: 87v–88
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pour prison ne pour maladie
88v–89 Las je ne puis oir nouvelle = Unicus Dei filius Jo. Legrant
Appears on: 88v–89
Source Attribution: Jo. Legrant
Voice: [no designation]
Languages: French
Voice Text: Las ie ne puis oir nouvelle
89v–90 Gentil madona de no me habandonare -
Appears on: 89v–90
Genres: Italian secular
Voice: [no designation]
Languages: Italian
Voice Text: Gentil madonna
90v–92 O rosa bella, o Deitatis cella (= O quam suavis est domina) -
Appears on: 90v–92
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: O rosa bella
92v–93 Le serviteur hault guerdonné assovy -
Appears on: 92v–93
Genres: Chanson, Rondeau
Voice: [no designation]
Languages: Italian
Voice Text: I' so' 'l tuo servitor
93v–94 Madame faites moi savoir = Madame m'amie = Quanto magnus est -
Appears on: 93v–94
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Madame faites moy savoir
Concordances

Text in Pixerecourt & Banco Rari 229 "Madame faites moi savoir "; in Roma BC 2856 "Madame, m'amie"; in SA-Ca 12 "Quanto magnus est". Roma BC 2856 attributes to Basin

94v–96 Pace non trovo - Anonymous

Pace non trovo

Anonymous
Appears on: 94v–96
Voice: [no designation]
Languages: Italian
Voice Text: Pace non trovo
96v–97 Ce que ma bouche nose dire - Anonymous
Appears on: 96v–97
Voice: [no designation]
Languages: French
Voice Text: Ce que ma bouche nose dire
97v–98 J'ay pris ung plus a ma chemise - Anonymous
Appears on: 97v–98
Voice: [no designation]
Languages: French
Voice Text: Jay pris ung plus a ma chemise
98v–99 Poi che vivo sopra la terra - Anonymous
Appears on: 98v–99
Voice: [no designation]
Languages: Italian
Voice Text: Poi che vivo sopra la terra
99v–100 Nunca fue pena mayor / Numquam fuit pena magior -
Enrique (?)
Appears on: 99v–100
Genres: Motet
Voice: [no designation]
Languages: Latin
Voice Text: Nunca fue pena maior
100v–101 Doncella non me culpeis -
Appears on: 100v–101
Voice: [no designation]
Languages: Latin
Voice Text: Donzella non me culpeis
101v–103 Mirando el grande splendore - Anonymous
Appears on: 101v–103
Voice: [no designation]
Languages: Italian
Voice Text: Mirando el grande splendore
103v–104 Mes filles qui tenesz du vent - Anonymous
Appears on: 103v–104
Voice: [no designation]
Languages: French
Voice Text: Mes filles qui tenes du vent
104v–105 Trois filles estoient -
Appears on: 104v–105
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Trois filles
105v–106 De tous biens plaine est ma maîtresse -
Appears on: 105v–106
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: De tous biens plaine
106v–107 Pour regard d'oeul somble. Caron
Appears on: 106v–107
Genres: Chanson
Source Attribution: Caron
Voice: [no designation]
Languages: French
Voice Text: Pour le regard deoul
107v–109 Or udite el buono horare - Anonymous
Appears on: 107v–109
Voice: [no designation]
Languages: Italian
Voice Text: Or udite el buono horare
109v–110 N'aray je jamais mieux que j'ai -
Appears on: 109v–110
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Naray je jamais mieulx
110v–112 Damer lamy - Faisant chapeau - Quand je suis la nuyt - Anonymous
Appears on: 110v–112
Voice: [no designation]
Languages: French
Voice Text: Faisant chapeau

Voice: [no designation]
Languages: French
Voice Text: Damer lamy
112v–113 He fortune pourquoi suis fortunée - Anonymous
Appears on: 112v–113
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: He fortune
113v–114 La douleur que je recoy - Anonymous
Appears on: 113v–114
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: La doleur que ie recoy
114v–115 Je suis d'Allemagne - Anonymous
Appears on: 114v–115
Voice: [no designation]
Languages: French
Voice Text: Je suis d'Allemagne
115v–116 Damer je my voel entremettre - Anonymous
Appears on: 115v–116
Voice: [no designation]
Languages: French
Voice Text: Damer ie my voeul
116v–117 Fatte bene asto meschino - Anonymous
Appears on: 116v–117
Voice: [no designation]
Languages: Italian
Voice Text: Fate bene
117v–118 textless [= Dung plus amer; recte Dun autre amer by Ockeghem] - -

textless [= Dung plus amer; recte Dun autre amer by Ockeghem]

Appears on: 117v–118
Voice: [no designation]
Languages: none
Voice Text: textless [= Dung plus amer]
General Note

This piece is a fantasy on Ockeghem's 'Dun autre mer'.

118v–120 Fortune a tort - Anonymous

Fortune a tort

Anonymous
Appears on: 118v–120
Voice: [no designation]
Languages: French
Voice Text: Fortune a tort
120v–121 Vostre regard si treffort m'a feru -
Appears on: 120v–121
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Vostre regart si treffort ma feru
121v–122 Vostre regard tant fort m'enflamme - Anonymous
Appears on: 121v–122
Voice: [no designation]
Languages: French
Voice Text: Vostre regart tant fort menflamme
122v–123 Sa peine pert qui sert - Anonymous
Appears on: 122v–123
Voice: [no designation]
Languages: French
Voice Text: Sa peine perd
123v–124 Du tout m'estoye abandonné. Dufay
Appears on: 123v–124
Genres: Chanson, Rondeau
Source Attribution: Dufay
Voice: [no designation]
Languages: French
Voice Text: Du tout mestoit abandonne
124v–125 Mon seul et cele souvenir = Mon seul et sangle souvenir Busnoys
Appears on: 124v–125
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Mon seul et celle souvenir
125v–126 J'ay bien choisi - 1a pars (of 2): J'ay bien choisi a mon voloir Busnoys
Appears on: 125v–126
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Jay bien choisy
126v–127 O Fortune, trop tu es dure Busnoys
Appears on: 126v–127
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Fortune trop tu es dure
127v–128 Je suis venue vers mon amy Busnoys
Appears on: 127v–128
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Je suis venue vers mon amy
128v–129 Se brief je puis voir ma dame. Busnoys
Appears on: 128v–129
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Se brief je puis ma dame voir
129v–130 Vive le roy -
Appears on: 129v–130
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Vive le roy
General Note

'The crude counterpoint contradicts the idea that this could be a piece by Busnois.' (Goldberg, 2013)

130v–131 Un grand pauvre homme insanne = Se yense an mains [Se j'eusse en mains?] Busnoys
Appears on: 130v–131
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Un grand povre home insane
131v–132v Ma tres souveraine princesse Busnoys
Appears on: 131v–132v
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Ma tressouveraine princesse
132v–133 Faites de moi tout ce qui vous plaira -
Appears on: 132v–133
Genres: Italian secular
Voice: [no designation]
Languages: French
Voice Text: Faites de moy tout
133v–134 Départes vous male bouche. Ochghen
Appears on: 133v–134
Genres: Chanson, Rondeau
Source Attribution: Ochghen
Voice: [no designation]
Languages: French
Voice Text: Departes vous
134v–135 S'il convient que je preigne congie - Anonymous
Appears on: 134v–135
Voice: [no designation]
Languages: French
Voice Text: Sil convient que ie preigne conge
135v–136 Se doulx penser -
Appears on: 135v–136
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se doulx penser
136v–137 Ma dame qui tant est en mon coeur -
Appears on: 136v–137
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ma dame que tant est en mon ceur
137v–138v Je n'ay ni ioie ni liesse - Anonymous
Appears on: 137v–138v
Voice: [no designation]
Languages: French
Voice Text: Je nay ni ioie ne liesse
138–139v Un amoureux vieux - Anonymous

Un amoureux vieux

Anonymous
Appears on: 138–139v
Voice: [no designation]
Languages: French
Voice Text: Ung amoureux vieux
139v–140 Le despourveu infortune = Tanto e l'affanno -
Appears on: 139v–140
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Le despourvu infortune
140v–142 Accordes moy -
Appears on: 140v–142
Voice: [no designation]
Languages: French
Voice Text: Accordes moy
142v–143 Avironne de deul - Anonymous

Avironne de deul

Anonymous
Appears on: 142v–143
Voice: [no designation]
Languages: French
Voice Text: Avironne de deul
143v–145 Jone [=Bone] dame plaisante et belle - Anonymous
Appears on: 143v–145
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Jone dame
145v–147 Ave spes et salus infirmorum revocatrix = La martinella -
Appears on: 145v–147
Genres: Contrafactum
Voice: [no designation]
Languages: none
Voice Text: La Martinella
147v–148 Vrai dieu d'amours - Anonymous

Vrai dieu d'amours

Anonymous
Appears on: 147v–148
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Vray dieu damors
148v–149 Par ung tout seul escondire - Anonymous
Appears on: 148v–149
Voice: [no designation]
Languages: French
Voice Text: Par ung tout seul escondire
149v–150 Se une fois puis recouvrir joie -
Appears on: 149v–150
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se une fois
150v–151 Se mon service vous plaisoit - Anonymous
Appears on: 150v–151
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se mon service vous plaisoit
151v–152 De votre amour suis tant empris - Anonymous
Appears on: 151v–152
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: De vostre amour suis empris
152v–153 Vostre rigeur trop importune - Anonymous
Appears on: 152v–153
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Vostre rigueur trop importune
153v–154 Benedicta semper = Je ne demande - 1a pars (of 2): Benedicta semper sancta sit trinitas = Je ne demande autre degre Busnoys
Appears on: 153v–154
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Je ne demande autre degre
104v–105 Benedicta semper = Je ne demande - 2a pars (of 2): [motet text] = O d'estre avec vous -
Appears on: 104v–105
Genres: Chanson
155v–156 La despourvue et la bannie J. Ochghen
Appears on: 155v–156
Genres: Chanson
Source Attribution: J. Ochghen
Voice: [no designation]
Languages: French
Voice Text: La despourveue
156v–157 Seule a par moy Busnoys Anonymous

Seule a par moy

Anonymous
Appears on: 156v–157
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Seule a par moy
157v–158 Je vis toujours en esperance -
Appears on: 157v–158
Voice: [no designation]
Languages: French
Voice Text: Je vis toujours en esperance
158v–159 Se vostre coeur éloigne de moi J. Okeghen
Appears on: 158v–159
Genres: Chanson
Source Attribution: J. Okeghen
Voice: [no designation]
Languages: French
Voice Text: Se vostre cuer eslongne
159v–160 Terrible dame Busnoys
Appears on: 159v–160
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Terrible dame
160v–162 Le poirier que charge - Anonymous
Appears on: 160v–162
Voice: [no designation]
Languages: French
Voice Text: Le poirier que change
162v–163 Bonne chere Busnoys
Appears on: 162v–163
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Bone chere
163v–164 Joie me fuit = Je me sans Busnoys
Appears on: 163v–164
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Joie me fuit
164v–165 Quelque pauvre homme Busnoys
Appears on: 164v–165
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Quelque povre homme
165v–166 Vous n'avés poient le coeur certain Caron
Appears on: 165v–166
Genres: Chanson
Source Attribution: Caron
Voice: [no designation]
Languages: French
Voice Text: Vous naves point le cueur certain
166v–167 Fortune par ta cruaulte -
Appears on: 166v–167
Genres: Chanson, Contrafactum, Motet
Voice: [no designation]
Languages: French
Voice Text: Fortune par ta cruaulte [= Sancte speculum trinitatis]
167v–168 S'il faut que ie perde madame - Anonymous
Appears on: 167v–168
Voice: [no designation]
Languages: French
Voice Text: Sil faut que je perde
168v–169 Ou dois-je secours querir -
Appears on: 168v–169
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Ou doy ie secours querir
169v–170 Mes pensées ne me laissent une heure 27.26 -
Appears on: 169v–170
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mes pensees
170v–171 Amours nous traite /Je m'envoy Busnoys
Appears on: 170v–171
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Amors nous traite / Je men voy
171v–172 Au pauvre par necessité Busnoys
Appears on: 171v–172
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Au povre par necessite
172v–173 Ce n'est pas moi, c'est vous madame Busnoys
Appears on: 172v–173
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Ce nest pas moy
173v–175 Veu que tant de vous -
Appears on: 173v–175
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Veu que tant de vous me souvient
175v–177 Je te veulx desavouer - Anonymous
Appears on: 175v–177
Voice: [no designation]
Languages: French
Voice Text: Je te veulx desavouer
177v–178 Je ne fais plus je ne dis ne escris = Au joli mois de may -
Appears on: 177v–178
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Je ne fais plus
178v–179 J'ai mains de biens - 1a pars (of 2): J'ai mains de biens que s'il n'en estoit nuls Busnoys
Appears on: 178v–179
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Jay mains de biens
179v–181 S'il est ainsi -
Appears on: 179v–181
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Sil est ainsy
181v–182 Je suis par desloyal amy - Anonymous
Appears on: 181v–182
Voice: [no designation]
Languages: French
Voice Text: Je suis par deloyal amy
182v–183 L'homme qui vit en esperance - Anonymous
Appears on: 182v–183
Voice: [no designation]
Languages: French
Voice Text: Lomme qui vit en esperance
183v–184 Se je fay = La plus grant chière de jamais - Anonymous
Appears on: 183v–184
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Se iay des maux oultre mesure [La plus grant chiere]
184v–185 Quant j'ay au coeur Busnoys
Appears on: 184v–185
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Quant iay au cueur
185v–186 Rose playsant odorant comme grant = Ave rex regum ditissime salva nos -
Appears on: 185v–186
Genres: Chanson, Contrafactum
Voice: [no designation]
Languages: French
Voice Text: Rose plaisante
186v–187 Pucellotte que dieu vos guart -
Appears on: 186v–187
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Pucellete
187v–188 Mort ou merci -
Appears on: 187v–188
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Mort ou mercy
188v–189 Mon bien ma joyeux [= Mon bien mamour] Morton
Appears on: 188v–189
Source Attribution: Morton
Voice: [no designation]
Languages: French
Voice Text: Mon bien mamour
189v–190 D'un aultre aimer mon coeur s'abesseroit Busnoys
Appears on: 189v–190
Genres: Chanson
Source Attribution: Busnoys
Voice: [no designation]
Languages: French
Voice Text: Dun autre amer
190v–191 Faulx mesdisans -
Appears on: 190v–191
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Faulx mesdisans
191v–192 Madame hélas = Très amoureux -
Appears on: 191v–192
Genres: Chanson
Voice: [no designation]
Languages: French
Voice Text: Trays amoureulx
192v–193 Or est mon bien [Madame trop vous mesprenes] -
Appears on: 192v–193
Voice: [no designation]
Languages: French
Voice Text: Or est mon bien [Madame trop vous mesprenes]
193v–194 Les maulx que j'ai dure - Anonymous
Appears on: 193v–194
Voice: [no designation]
Languages: French
Voice Text: Les maulx que iai dure
General Note

(leider zu fehlerhaft)

194v–195 Puisque vous / Je ne vous aimeray plus Marionete - Anonymous
Appears on: 194v–195
Voice: [no designation]
Languages: French
Voice Text: Puis que – Je ne vous- Marion
195v–196 Amar vos con leauldad - Anonymous
Appears on: 195v–196
Voice: [no designation]
Languages: French
Voice Text: Amar vos con leauldad
197v–198 Textless piece - Anonymous

Textless piece

Anonymous
Appears on: 197v–198
Composer Compositions
Agricola, Alexander (ca. 1445–1506)
Anonymous
Barbingant, Pierre (fl. c1445-60)
Basin, Adrien (–ca. 1498)
Basiron, Philippe (ca. 1449–1491)
Bedingham, John (–ca. 1460)
Binchois, Gilles (ca. 1400–1460)
Busnoys, Antoine (ca. 1430–1492)
Caron, Firminus (ca. 1460–ca. 1475)
Compère, Loyset (ca. 1445–1518)
Congiet, Petrus
Cornago, Juan de
Despres, Josquin (ca. 1450–1521)
Domarto, Petrus de
Du Fay, Guillaume (1397–1474)
Dunstaple, John (ca. 1390–1453)
Enrique
Fede, Johannes
Frye, Walter (–ca. 1475)
Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Japart, Jean
Joye, Gilles
Karl der Kühne
Lantins, Hugo de (fl. 1420-30)
Legrant, Johannes
Martini, Johannes (ca. 1430–1497)
Molinet, Jehan
Morton, Robert
Mureau, Gilles
Ockeghem, Jean de (ca. 1410–1497)
Pullois, Johannes
Raulin / Roelkin (1443–1485)
Sart, Jean du
Tinctoris, Johannes (ca. 1435–1511)
Touront, Johannes (ca. 1450–ca. 1475)
Urrede (Wrede), Juan de (fl. 1451-c1482)
Vincenet, Johannes (–ca. 1480)
Ycart, Bernhard
Composition Composers (? Uncertain) Folios / Pages
A Florence la joeuse cite / Helas la fille / En ma chambre Anonymous 5v–6
Accordes moy 140v–142
Accueillie ma la belle (A version) = Saoulé m'a la belle 6v–7
Advegne que venir pourra 7v–8
Alla battaglia Anonymous 8v–9
Alla battaglia Anonymous 9v–10
Amar vos con leauldad Anonymous 195v–196
Amor tu non me gabasti Anonymous 4v–5
Amours amours trop me fiers de tes dars 84v–85
Amours nous traite /Je m'envoy 170v–171
Au pauvre par necessité 171v–172
Ave spes et salus infirmorum revocatrix = La martinella 145v–147
Avironne de deul Anonymous 142v–143
Ay je rien fait contre vous = J'ay vyenes 59v–60
Benedicta semper = Je ne demande - 1a pars (of 2): Benedicta semper sancta sit trinitas = Je ne demande autre degre 153v–154
Benedicta semper = Je ne demande - 2a pars (of 2): [motet text] = O d'estre avec vous 104v–105
Bonne chere 162v–163
Ce n'est pas moi, c'est vous madame 172v–173
Ce qu'on fait a quatimini 34v–35
Ce que ma bouche nose dire Anonymous 96v–97
Cent mille escus quand je voldroie 10v–11
Charge de dueil Anonymous 61v–62
Chiamo merce 14v–15
Ci dit on benedicite = Laudem demus parvulo 86v–87
Combien le joyeux je fasse Anonymous 72v–74
Con tutta gentilezza 13v–14
Confortez moi Anonymous 18v–19
Corps contre corps-Ramboure lui 15v–17
Cousine trop vous abusés 17v–18
Creature la plus belle Anonymous 11v–12
Cui diem [Cuidies] vous (A version) = Fuggir non posso 36v–37
Cy gist celle Anonymous 60v–61
D'un aultre aimer mon coeur s'abesseroit 189v–190
D'un tout ainsy que vous plair a 37v–38
Damer je my voel entremettre Anonymous 115v–116
Damer lamy - Faisant chapeau - Quand je suis la nuyt Anonymous 110v–112
De tous biens plaine est ma maîtresse 105v–106
De votre amour suis tant empris Anonymous 151v–152
Depuis ce jour Anonymous 49v–50
Depuis le congé que je pris 75v–76
Do mal villano Anonymous 64v–65
Doncella non me culpeis 100v–101
Donne vidue/Tarrach/Jeus diray Anonymous 51v–53
Doye je languir Anonymous 46v–47
Du tout m'estoye abandonné. 123v–124
Départes vous male bouche. 133v–134
En un gent et joly pourpris Anonymous 45v–46
Entre Paris et Saint Quentin Anonymous 41v–43
Et hola hola Anonymous 79v–81
Faites de moi tout ce qui vous plaira 132v–133
Fatte bene asto meschino Anonymous 116v–117
Faulx mesdisans 190v–191
Fortune a tort Anonymous 118v–120
Fortune par ta cruaulte 166v–167
Galans et bons compagnons Anonymous 53v–54
Gentil madona de no me habandonare 89v–90
Grant temps ay eu 57v–59
He fortune pourquoi suis fortunée Anonymous 112v–113
Helas que pourra devenir 33v–34
J'ai mains de biens - 1a pars (of 2): J'ai mains de biens que s'il n'en estoit nuls 178v–179
J'ai pris amours Anonymous 21v–22
J'ay bien choisi - 1a pars (of 2): J'ay bien choisi a mon voloir 125v–126
J'ay pris ung plus a ma chemise Anonymous 97v–98
Je n'ay ni ioie ni liesse Anonymous 137v–138v
Je ne fais plus je ne dis ne escris = Au joli mois de may 177v–178
Je ne prise point tels baisers Anonymous 38v–39
Je suis d'Allemagne Anonymous 114v–115
Je suis par desloyal amy Anonymous 181v–182
Je suis venue vers mon amy 127v–128
Je te veulx desavouer Anonymous 175v–177
Je vis toujours en esperance 157v–158
Je vous prie mon tres douce amie / Tant que mon argent dura / Ma tres douce amie 26v–27
Joie me fuit = Je me sans 163v–164
Jone [=Bone] dame plaisante et belle Anonymous 143v–145
L'aultre d'antan 32v–33
L'aultre jour, par un matin esbatre m'en aloye Anonymous 83v
L'homme banny de sa plaisance 29v–30
L'homme qui vit en esperance Anonymous 182v–183
La despourvue et la bannie 155v–156
La donna che molto mira Anonymous 65v–66
La douleur que je recoy Anonymous 113v–114
La fiance que j'ai en vous Anonymous 47v–48
Las je ne puis oir nouvelle = Unicus Dei filius 88v–89
Le despourveu infortune = Tanto e l'affanno 139v–140
Le poirier que charge Anonymous 160v–162
Le serviteur hault guerdonné assovy 92v–93
Le souvenir de vous me tue mon seul bien 20v–21
Les maulx que j'ai dure Anonymous 193v–194
Ma bouche rit et ma pensée pleure 30v–32
Ma dame qui tant est en mon coeur 136v–137
Ma tres souveraine princesse 131v–132v
Madame faites moi savoir = Madame m'amie = Quanto magnus est 93v–94
Madame hélas = Très amoureux 191v–192
Mes filles qui tenesz du vent Anonymous 103v–104
Mes pensées ne me laissent une heure 27.26 169v–170
Mirando el grande splendore Anonymous 101v–103
Mon bien ma joyeux [= Mon bien mamour] 188v–189
Mon coeur de doleur partira Anonymous 81v–82
Mon coeur gemist Anonymous 76v–78
Mon espoir et ma souvenance Anonymous 68v–69
Mon seul et cele souvenir = Mon seul et sangle souvenir 124v–125
Mon seul plaisir, ma douce joie 69v–70
Morir me fault se n'ai secours de ma princesse 35v–36
Moro perche non dai fede 54–55
Mort ou merci 187v–188
N'aray je jamais mieux que j'ai 109v–110
Non toches a moy 62v–64
Nunca fue pena mayor / Numquam fuit pena magior
Enrique (?)
99v–100
O Fortune, trop tu es dure 126v–127
O gloriosa regina mundi succurre nobis 3v–4
O pulcherrima mulierum 1–3
O rosa bella, o Deitatis cella (= O quam suavis est domina) 90v–92
O vie fortunee (O vive fortune) de diverses atemptans - Adieu fortune 78v–79
Or est mon bien [Madame trop vous mesprenes] 192v–193
Or udite el buono horare Anonymous 107v–109
Ou dois-je secours querir 168v–169
Pace non trovo Anonymous 94v–96
Par le regard de vos beaux yeux 39v–40
Par ung tout seul escondire Anonymous 148v–149
Poi che vivo sopra la terra Anonymous 98v–99
Pour prison ne pour maladie 87v–88
Pour regard d'oeul somble. 106v–107
Pour toutes fleurs 24v–25
Pour une suis desconforté [= So ys emprentid] 55v–57
Pour vous ne fay que souspirer Anonymous 85v–86
Pucellotte que dieu vos guart 186v–187
Puisqu' Atropos a ravi Diopee Anonymous 67v–68
Puisque je vis le regard gratieux Anonymous 70v–71
Puisque vous / Je ne vous aimeray plus Marionete Anonymous 194v–195
Quant j'ay au coeur 184v–185
Que poit plus faire une maistresse Anonymous 19v–20
Que pourroit plus faire 50v–51
Quelque pauvre homme 164v–165
Resjois toy terre de France / Rex pacificus magnificatus 43v–45
Rose playsant odorant comme grant = Ave rex regum ditissime salva nos 185v–186
S'il convient que je preigne congie Anonymous 134v–135
S'il est ainsi 179v–181
S'il faut que ie perde madame Anonymous 167v–168
Sa peine pert qui sert Anonymous 122v–123
Sancta Barbara pour le trait Anonymous 28v–29
Se brief je puis voir ma dame. 128v–129
Se de vous ie nay recouvrance Anonymous 12v–13
Se doulx penser 135v–136
Se je fay = La plus grant chière de jamais Anonymous 183v–184
Se je garde bien vostre honneur Anonymous 74v–75
Se mon service vous plaisoit Anonymous 150v–151
Se une fois puis recouvrir joie 149v–150
Se ung peu desperance avoye 22v–23
Se vostre coeur éloigne de moi 158v–159
Seigneur Leon - Benedictus qui venit 27v–28
Seule a par moy Anonymous 156v–157
Seulette suis Anonymous 23v–24
Tart ara mon coeur sa plaisance 66v–67
Tenez moi en vos bras Anonymous 40v–41
Terrible dame 159v–160
Textless piece Anonymous 197v–198
Trois filles estoient 104v–105
Un amoureux vieux Anonymous 138–139v
Un grand pauvre homme insanne = Se yense an mains [Se j'eusse en mains?] 130v–131
Ung plus que tous est en mon souvenir 71v–72
Veu que tant de vous 173v–175
Vive le roy 129v–130
Vive madame par amours 48v–49
Vostre regard si treffort m'a feru 120v–121
Vostre regard tant fort m'enflamme Anonymous 121v–122
Vostre rigeur trop importune Anonymous 152v–153
Vous n'avés poient le coeur certain 165v–166
Vrai dieu d'amours Anonymous 147v–148
Wie sach oit blider dach Anonymous 25v–26
These images are from an external IIIF service and are not hosted by DIAMM.

Images © Bibliothèque Nationale, Paris

denotes primary source study

Goldberg, Clemens (editor). None. Chansonnier Pixérécourt: Paris, Bibliothèque Nationale, fonds français 15123.  publ. with support of the Goldbergstiftung on http://www.goldbergstiftung.de/forum/index_de.php?a=topic&t=81.

Curtis, Gareth R K, and Andrew B Wathey. 1994. Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory. Royal Musical Association Research Chronicle, 1-69.

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music.  Chicago and London. Pages: 14-5,192,211ff, Plates XVI-XVII, XXXII. Notes: contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Atlas, Allan W. 1981. Conflicting Attributions in Italian Sources of the Franco-Netherlandish Chanson, c. 1465-c. 1505: A Progress Report on a New Hypothesis. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts,  Cambridge. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Atlas, Allan W (editor). 1981. Robert Morton: The Collected Works. Masters and Monuments of the Renaissance.  New York. Pages: xxiii, xxvii, xxx, xxxvi, 25-7, 37-9, 64-6, 70-85, 89-92, 95-101. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Boorman, Stanley. 1981. Limitations and Extensions of Filiation Technique. Music in Medieval and Early Modern Europe: Patronage, Sources and Texts, edited by Stanley Boorman, 319-46. Cambridge: Cambridge University Press. Pages: 330ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Perkins, Leeman L, and Howard Garey (editors). 1979. The Mellon Chansonnier.  New Haven and London. Pages: I, 10-9,28,30; II, 167-8,193ff, passim. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial); mention of MS; discussion.

Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I,31-2,115; II.xv-xvii. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii-xviii,xxvi,xxxv-xlix. Notes: contents list (partial); concordances (partial); facsimile (partial); texts (partial).

Plamenac, Dragan. 1977. On Reading Fifteenth-Century Chanson Texts. Journal of the American Musicological Society, 320-4. Notes: facsimile (partial); texts (partial); mention of MS; discussion.

Thompson, James (editor). 1976. Les Oeuvres Completes de Philippe (?) Caron. Transcription et Notes Critiques de James Thomson.  Brooklyn: Institute of Mediaeval Music. Pages: II, passim. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies.  Brooklyn. Pages: I,73ff,254-5, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Riemann, Hugo. 1972. Handbuch der Musikgeschichte.  Leipzig, 1904-13. Reprint of the 2nd edition New York and London. Notes: II/1,279 [incorrectly referred to as MS 15103].

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica. 3 vols. Copenhagen. Pages: II,xxxiv,87,184-5, passim. Notes: physical description; contents list (partial); concordances (partial); facsimile (partial).

Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte.  Tutzing. Pages: 66,84-5,309-13, Tafel VIII. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Gülke, Peter (editor). 1967. Johannis Pullois: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii,38. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Thomson, James. 1964. An Introduction to Philippe(?) Caron. Musicological Studies.  Brooklyn. Pages: 14-6,18-22,44. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Lerner, Edward R (editor). 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V,xliv-xlv,45-6. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial).

Davis, Bertran Earl. 1960. The Works of Johannes Vincenet. University of North Carolina, Unpublished Ph.D. dissertation. Pages: I,G,9,13,15,150-1. Notes: contents list (partial); concordances (partial); facsimile (partial).

Pease, Edward Joseph (editor). 1960. Music from the Pixérécourt Manuscript: A Modern Edition of Twelve Compositions from Paris, Bibliothèque Nationale, Ms. fonds français 15123.  Ann Arbor. Notes: physical description (partial); contents list; incipits; transcription (partial); mention of MS; discussion.

Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Notes: physical description; contents list; concordances; texts; discussion.

Parrish, Carl. 1957. A Curious Use of Coloration in the Pixérécourt Codex. Essays on Music in honor of Archibald Thompson Davison by his Associates, 83-90. Cambridge, Massachusetts. Notes: physical description; contents list (partial); transcriptions (partial); mention of MS; discussion.

Plamenac, Dragan. 1954. An Unknown Composition by Dufay? The Musical Quarterly, 190-200. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Plamenac, Dragan. 1954. Une Composition Inconnue de Dufay? Revue Belge de Musicologie, 75-83. Pages: 76-83. Notes: contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: II, Tafel 35; X,800,1315-7. Notes: physical description (partial); facsimile (partial); mention of MS; discussion.

de Van, Guillaume, and Heinrich Besseler (editors). 1948-66. Guillaume Dufay: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, passim. Notes: physical description (partial); contents list (partial); concordances (partial).

Plamenac, Dragan. 1948. Review of MME I. The Musical Quarterly, 289-93. Pages: 292-3 [discusses erroneous information in RieH and MME concerning call number and contents of this manuscript]. Notes: physical description; mention of MS; discussion.

Anglès, Higinio (editor). 1941-1971. Monumentos de la Mùsica Espanola.  Madrid (later Barcelona, later Rome). Pages: I,118, passim; XIV,27; XXXIII.26. Notes: physical description; contents list (partial); concordances (partial).

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig.  Copenhagen and Leipzig. Pages: xxí-ff, passim. Notes: physical description; contents list (partial); concordances (partial).

Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht.  Leipzig and Amsterdam,. Pages: I,iii, Anhang, i-iii. Notes: transcription (partial).

Omont, Henri (editor). 1868-1902. Bibliothèque Nationale: Catalogue Général des Manuscrits Français.  Paris. Pages: VIII,319. Notes: physical description.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Jesse Rodin

Friday, 19 July, 2024

removed incorrect attribution to ?Josquin on the chanson "Tenez moi" (f.40v-41); this is a different setting, not concordant with the one sometimes attributed to Josquin

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description