GB-DRc Mus. E 11a (Clumber-Durham Manuscript)

Chapter Library, Durham, England

partbook: Late 1630s

Archive Chapter Library, Durham, England (GB-DRc)
Shelfmark Mus. E 11a (Clumber-Durham Manuscript)
Image Availability DIAMM does not have images of this source.
Surface Paper
Numbering System Pagination
Measurements 355 x 216 (ff. [iii-vi] measure 305 x 195) mm
Other Identifiers
  • CCM: DurC E11a
Copyists
Relationships
Provenance
Contents Contains 194 compositions from 39 composers.
General Description

A single Altus partbook. A book of service settings, the main corpus is organised as a collection of morning canticles (Venite-Te Deum-Jubilate-Benedictus) from various services; followed by a collection of Kyrie-Creeds, and then of the evening canticles (Magnificat-Nunc dimittis), mostly from the same services and in the same sequence. Some late 18th century additions in spaces left by earier copying; the inventory here excludes those late additions.

Because the pages have ben rebound in the wrong order, the Kyrie-Creed settings now come first, followed by the evening canticles and last the morning canticles.

Main corpus copied by Toby Brookinge, who also wrote most of DurC C2, DurC C11, DurC C13, DurC C16, and YorkM 29, parts of DurC C4, and some additions in DurC C8 (Brian Crosby); much later additions (some non-musical) by several other scribes, on pages left blank by Brookinge. Copied in Durham, perhaps for ecclesiastical official at Durham Cathedral. Owned in late 18th century by F. Dixon. Inscription on front flyleaf: 'Edward Forster e libris J. F. Forster.' Purchased by Edison Dick of Chicago at 1938 Sotheby's sale of the Clumber library of Henry Francis Hope, 8th Duke of Newcastle (1866-1941); subsequently presented by Mr. Dick to Dean and Chapter Library of Durham Cathedral, in accordance with suggestion of E. H. Fellowes.

DIAMM, 2024
Physical Description

Original sequence of pages disrupted by subsequent rebinding, resulting in present order: 253-314; 325-458; 461-532; 537-540; 1-36; 36a-1; 37-234

DIAMM, 2017
Binding

Original covers of brown leather over boards, gold tooled front and back with decorative designs.

DIAMM, 2017
Notation

not indicated

DIAMM, 2017
Ruling

Staff height 14.

DIAMM, 2017
Foliation

Original ink pagination in two hands, 1-540 (pp. 235-252, 315-324, 459-460, 533-536 now missing; 12 blank pages between pp. 36/37 not numbered by original hands, but labelled '36a-36i' in modern pencil). Original sequence of pages disrupted by subsequent rebinding, resulting in present order: 253-314; 325-458; 461-532; 537-540; 1-36; 36a-1; 37-234.

DIAMM, 2017
Decoration

Space left for decorative initials, but initials never added; after pages were bound in present order, a later hand added small red inked initials on pp. 253-287. Edges of folios painted red.

DIAMM, 2017
Index

Original covers of brown leather over boards, gold tooled front and back with decorative designs. Original index on ff. [ii'-iii, iv, v, vi] lists 'Mattins' Services in order of appearance; 'Highe Services' and 'Evensonge' Services by same composer generally listed adjacent to corresponding Mattins Services in index, although the three types of Services are copied in separate groups in the manuscript.

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

88 Services, 17 Service sections, 11 preces/psalm sets = 116*

*Above summary excludes series of much later additions in score on pp. 233, 305, 307, 309, 340-354, 446-458, and 462-463.

A. Batten-6, Blancks-1, T. Boyce-3, J. Brimley-4 + 2?, Byrd-8, Child-3, Coste-2, Derrick-2, J. Farrant II-2, R. Farrant-3, Foster-2, Gibbons-6, N. Giles-6, Hilton the Elder-2, Hooper-2, Hughes-1, G. Marson-2, Morley-4, W. Mundy [Mr: Mundy]-8, Palmer-2, Parsley-1, R. Parsons 1-2, W. Parsons [Mr: Parsons of Wells]-1, Patrick-2, Read-1, Shepherd-3, Edward Smith-1, Edward Smith/(J. Mundy)-1, W. Smith-16, Stevenson-3, Strogers -3, Tallis-3, Tomkins-4, Tye-1, Weelkes-2, T. Wilkinson-1

1 paper partbook (A-vi + 259 + ii folios), 355 x 216. (Ff. [iii-vi] measure 305 x 195). Original ink pagination in two hands, 1-540 (pp. 235-252, 315-324, 459-460, 533-536 now missing; 12 pages between pp. 36/37 not numbered by original hands, but labelled "303-361" iñ modern pencil). Original sequence of pages disrupted by subsequent rebinding, resulting in present order: 253-314; 325-458; 461-532; 537-540; 1-36; 36a-1; 37-234. Ff. [i-i', iii', iv', v', vi'] and back flyleaves blank; pp. 31-36, 36a-1, 180-204, 304, 306, 308, 339, 355-360, 461, 464-480, 520-532, and 537-540 have blank staves only.

Original covers of brown leather over boards, gold tooled front and back with decorative designs. Original index on ff. [ii'-iii, iv, v, vi] lists "Mattins" Ser-vices in order of appearance; "Highe Services" and "Evensonge" Services by same composer generally listed adjacent to corresponding Mattins Services in index, although the three types of Services are copied in separate groups in the manuscript. Main corpus copied by Toby Brookinge, who also wrote most of DurC C2, DurC Cll, DurC C13, DurC C16, and YorkM 29, parts of DurC C4, and some additions in DurC C8 (Brian Crosby); much later additions (some non-musical) by several other scribes, on pages left blank by Brookinge. Staff height 14. Space left for decorative initials, but initials never added; after pages were bound in present order, a later hand added small red inked initials on pp. 253-287. Edges of folios painted red.

Late 1630's (CrosbyD), with 18th-century additions. Copied in Durham, perhaps for ecclesiastical official at Durham Cathedral. Owned in late 18th century by F. Dixon. Inscription on front flyleaf: "Edward Forster e libris J. F. Forster." Purchased by Edison Dick of Chicago at 1938 Sotheby's sale of property of Henry Francis Hope, 8th Duke of Newcastle (1866-1941); subsequently presented by Mr. Dick to Dean and Chapter Library of Durham Cathedral, in accordance with suggestion of E. H. Fellowes.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Crosby, Brian. 1986. A Catalogue of Durham Cathedral Music Manuscripts.  Oxford. Pages: 65.

Aplin, John. 1982. Cyclic Techniques in the Earliest Anglican Services. Journal of the American Musicological Society, 35: 409ff. Pages: 416,421ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Crosby, Brian. 1974. Durham Cathedral's music manuscripts. The Musical Times, 115: 418-419, 421. Pages: 418. Notes: mention of MS.

Crosby, Brian. 1973-74. Durham Cathedral's Liturgical Music Manuscripts c. 1620-c. 1640. Durham University Journal, 46 [= New Series 35]: 40-51. Notes: physical description; mention of MS; discussion.

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1.  London. Notes: contents list; concordances.

Morehen, John. 1969. The Sources of English Cathedral Music, c. 1617-c. 1644. Cambridge University, Unpublished Ph.D. dissertation. Pages: 51-8. Notes: physical description; contents list; concordances (partial); discussion.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: XIII,203,205-6; XIX,339-40,349,351-2. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes.  London. Pages: 9-10. Notes: physical description (partial); contents list.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description