Possibly copied by Ludwig Senfl (BenteNW). Presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl c. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Munich Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.
| Archive | Bayerische Staatsbibliothek, Munich, Germany (D-Mbs) |
|---|---|
| Shelfmark | Mus. MS 53 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 465 x 325 mm |
| Other Identifiers |
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| Notations |
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| Provenance |
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| Contents | Contains 18 compositions from 5 composers. |
General Description
Binding
Original covers of white leather over boards, stamped with ornamental designs.
Watermark
Watermark generally resembles Briquet #6884, #6890, and #6892
Notation
black void mensural
Date
Ca. 1510 (BenteNW).
Foliation
Modern pencil foliation, 1-217, by J. J. Maier
Foliation
Other numberings: Original numbering of pieces, 1-18; modern pencil numbering of pieces, 1-18.
Decoration
Painted initials
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
18 Credos
Brumel-1, Brumel/(Josquin)-2, (Compère)-1, Isaac-13, La Rue-1
217 paper folios, 465 x 325. Modern pencil foliation, 1-217, by J. J. Maier. Original numbering of pieces, 1-18; modern pencil numbering of pieces, 1-18. Original covers of white leather over boards, stamped with ornamental designs. No index. Possibly copied by Ludwig Senfl (BenteNW); see general index for other manuscripts copied by the same scribe. Painted initials. Watermark generally resembles Briquet #6884, #6890, and #6892.
Ca. 1510 (BenteNW). Presumably copied in Vienna, for use by the imperial court chapel of Maximilian I (1459-1519). Probably taken to Munich by Ludwig Senfl ca. 1523, when he began serving at the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Munich Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.
Vol 4
Composers: Change "Lockenburg-1" to "Lockenburg/(Lassus)-l."
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‡ denotes primary source study
Marx, Hans Joachim. 1980. Neues zur Tabulatur-Handschrift St. Gallen, Stiftsbibliothek, Cod. 530. Archiv für Musikwissenschaft, 37: 264-91. Pages: 279. Notes: contents list (partial); concordances (partial).
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxiii, 42-4, 75, 84, 47*-51*; III, 119, 142-51. Notes: physical description; contents list (partial); concordances (partial); incipits (partial).
Crawford, David Eugene. 1975. Sixteenth Century Choirbooks in the Archivio Capitolare at Casale Monferrato. RMS, vol. 2. American Institute of Musicology. Pages: 56, 116. Notes: contents list (partial); concordances (partial).
Josephson, Nors S. 1975. Kanon und Parodie: Zu einigen JosquinNachahmungen. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25/2: 23-32. Pages: 29. Notes: mention of MS.
Lerner, Edward R (editor). 1974-. Henrici Isaac (ca. 1450-1517): Opera Omnia. Corpus mensurabilis musicae, vol. 65. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: V. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Kindermann, Jürgen. 1974. Verzeichnis von Konkordanzen zu Kompositionen aus den Annaberger Chorbüchern Ms. 1126 and Ms. 1248. Die Musikforschung, 27: 86-92. Notes: contents list (partial); concordances (partial).
Noblitt, Thomas L. 1974. Manuscript Mus. l/D/506 of the Sächsische Landesbibliothek, Dresden {olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1126). Musica Disciplina, 28: 81-127. Pages: 102. Notes: contents list (partial); concordances (partial).
Staehelin, Martin. 1971. Der Grüne Codex der Viadrina: Eine wenig beachtete Quelle zur Musik des späten 15. und frühen 16. Jahrhunderts in Deutschland. Abhandlungen der Akademie der Wissenschaften und der Literatur (Geistes- und Sozialwissenschaftlichen Klasse) Jahrgang 1970, vol. 10. Mainz. Pages: 32, 56. Notes: contents list (partial); concordances (partial).
Hudson, Barton (editor). 1969-72. Antoine Brumel: Collected Works. Corpus mensurabilis musicae, vol. 5. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: IV, xvii-xviii, 87-91, 99-105. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Noblitt, Thomas L. 1969. Das Chorbuch des Nikolaus Leopold (München, Staatsbibliothek, Mus. Ms. 3154): Repertorium. Archiv für Musikwissenschaft, 26: 169-208. Pages: 183. Notes: contents list (partial); concordances (partial).
Staehelin, Martin. 1969. Zu einigen unter Josquins Namen gehenden Ordinariumskompositionen. Die Musikforschung, 22: 195-7. Pages: 197. Notes: mention of MS.
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33ff, 42, 49, 62-3, 227. Notes: physical description; contents list; discussion.
Crawford, David Eugene. 1967. Vespers Polyphony at Modem's Cathedral in the First Half of the Sixteenth Century. University of Illinois, Unpublished Ph.D. dissertation. Pages: 97. Notes: contents list (partial); concordances (partial); incipits (partial).
Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents, vol. 12. American Institute of Musicology. Pages: 33, 43. Notes: contents list (partial); concordances (partial).
Finscher, Ludwig (editor). 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae, vol. 15. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, viii. Notes: facsimile (partial).
Hermelink, Siegfried (editor). 1956-. Orlando di Lasso: Sämtliche Werke, Neue Reihe. Kassel and Basel. Pages: XI.xii.xvi, 113-32. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
Schmitz, Arnold (editor). 1955-. Musikalische Denkmäler. Mainz. Pages: VII, 80-7, 91, 97. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie. Brussels. Pages: 48, 164. Notes: contents list (partial).
Biggie, Lloyd Jr. 1953. The Masses of Antoine Brumel. University of Michigan, Unpublished Ph.D. dissertation. Pages: I, 294. Notes: contents list (partial); concordances (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: VI, Tafel 63. Notes: facsimile (partial).
Loge, Eckhard. 1931. Eine Messen- und Motettenhandschrift des Kantors Matthias Krüger aus der Musikbibliothek Herzog Albrechts von Preussen. Königsberger Studien zur Musikwissenschaft, vol. 12. Kassel. Pages: 32-3. Notes: contents list (partial); concordances (partial).
Wagner, Peter. 1913. Geschichte der Messe. Pages: 309-11. Notes: transcription (partial); mention of MS; discussion.
Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 7. Notes: physical description; contents list; concordances (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description