Copied by two scribes, probably Ludwig Senfl and Lucas Wagenrieder (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550).
| Archive | Bayerische Staatsbibliothek, Munich, Germany (D-Mbs) |
|---|---|
| Shelfmark | Mus. MS 12 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 505 x 370 mm |
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| Contents | Contains 21 compositions from 2 composers. |
General Description
Binding
Original covers of white leather over boards, stamped with ornamental designs.
Watermark
No watermark.
Notation
black void mensural
Foliation
Other numberings: Original numbering of pieces, 1-10. Ff. 19'-20, 31'-32, 54', 69'-70, 95'-96, 111'-112, 132'133, 147'148, and 163' blank except for piece numbers
Foliation
Modem pencil foliation, 1-163, by J. J. Maier ('80-89' omitted; many folios lack numbers, but all included in enumeration).
Decoration
Inked calligraphic initials, some coloured.
Index
Original index ('Registrum Motettorum') on f. 1 lists all pieces in order of appearance
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
10 motets
Josquin-2, Senfl-8
153 paper folios, 505 x 370. Modem pencil foliation, 1-163, by J. J. Maier ("80-89" omitted; many folios lack numbers, but all included in enumeration). Original numbering of pieces, 1-10. Ff. 19'-20, 31'-32, 54', 69'-70, 95'-96, 111'-112, 132'133, 147'148, and 163' blank except for piece numbers. Original covers of white leather over boards, stamped with ornamental designs. Original index ("Registrum Motettorum") on f. 1 lists all pieces in order of appearance. Copied by two scribes, probably Ludwig Senfl and Lucas Wagenrieder (BenteNW); see general index for other manuscripts copied by the same scribes. Inked calligraphic initials, some colored. No watermark.
1525-30 (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.
The inventory could not be loaded.
‡ denotes primary source study
Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 713. Notes: contents list (partial); concordances (partial).
Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 272. Notes: contents list (partial).
Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 68-9. Notes: contents list (partial); concordances (partial).
Elders, Willem. 1969. Zur Aufführungspraxis der Altniederländischen Musik. Renaissance-Muziek 1400-1600: Donum Natalicium René Bernard Lenaerts, Louvain. Pages: 98-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33ff, 63-70, 227, passim. Notes: physical description; contents list; concordances (partial); discussion.
Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer. Bilthoven. Pages: 60, 206. Notes: contents list (partial).
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2. Wiesbaden. Pages: 80, 102. Notes: contents list (partial); concordances (partial).
Crawford, David Eugene. 1967. Vespers Polyphony at Modem's Cathedral in the First Half of the Sixteenth Century. University of Illinois, Unpublished Ph.D. dissertation. Pages: 116. Notes: contents list (partial); concordances (partial).
Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 47-8, 77. Notes: contents list (partial); concordances (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: XI, vii, 1-86, 123-5. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).
Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LXII. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten. Amsterdam. Pages: VIII, vi, vi, viii-xii XII, xxiv-xxvii. Notes: physical description; contents list (partial); concordances (partial).
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 456. Notes: mention of MS.
Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 61-2. Notes: physical description; contents list; concordances (partial).
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description