D-Mbs Mus. MS 12

Bayerische Staatsbibliothek, Munich, Germany

manuscript of polyphony: 1525-30

Archive Bayerische Staatsbibliothek, Munich, Germany (D-Mbs)
Shelfmark Mus. MS 12
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 505 x 370 mm
Other Identifiers
  • CCM: MunBS 12
  • olim (Former shelfmark): H.C. 7; MaiM 90
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents Contains 21 compositions from 2 composers.
General Description

Copied by two scribes, probably Ludwig Senfl and Lucas Wagenrieder (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550).

DIAMM, 2017
Binding

Original covers of white leather over boards, stamped with ornamental designs.

DIAMM, 2017
Watermark

No watermark.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Foliation

Other numberings: Original numbering of pieces, 1-10. Ff. 19'-20, 31'-32, 54', 69'-70, 95'-96, 111'-112, 132'133, 147'148, and 163' blank except for piece numbers

DIAMM, 2017
Foliation

Modem pencil foliation, 1-163, by J. J. Maier ('80-89' omitted; many folios lack numbers, but all included in enumeration).

DIAMM, 2017
Decoration

Inked calligraphic initials, some coloured.

DIAMM, 2017
Index

Original index ('Registrum Motettorum') on f. 1 lists all pieces in order of appearance

DIAMM, 2017
Surface

paper

DIAMM, 2017
Census Catalogue of Music Description

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10 motets

Josquin-2, Senfl-8

153 paper folios, 505 x 370. Modem pencil foliation, 1-163, by J. J. Maier ("80-89" omitted; many folios lack numbers, but all included in enumeration). Original numbering of pieces, 1-10. Ff. 19'-20, 31'-32, 54', 69'-70, 95'-96, 111'-112, 132'133, 147'148, and 163' blank except for piece numbers. Original covers of white leather over boards, stamped with ornamental designs. Original index ("Registrum Motettorum") on f. 1 lists all pieces in order of appearance. Copied by two scribes, probably Ludwig Senfl and Lucas Wagenrieder (BenteNW); see general index for other manuscripts copied by the same scribes. Inked calligraphic initials, some colored. No watermark.

1525-30 (BenteNW). Copied in Munich, for use by the court chapel of Wilhelm IV, Duke of Bavaria (1493-1550). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 713. Notes: contents list (partial); concordances (partial).

Kirsch, Winfried. 1976. Josquin's Motets in the German Tradition. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 261-78. London, New York, and Toronto. Pages: 272. Notes: contents list (partial).

Constant, John George. 1975. Renaissance Manuscripts of Polyphony at the Cathedral of Padua. University of Michigan, Unpublished Ph.D. dissertation. Pages: 68-9. Notes: contents list (partial); concordances (partial).

Elders, Willem. 1969. Zur Aufführungspraxis der Altniederländischen Musik. Renaissance-Muziek 1400-1600: Donum Natalicium René Bernard Lenaerts,  Louvain. Pages: 98-9. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls.  Wiesbaden. Pages: 25ff, 33ff, 63-70, 227, passim. Notes: physical description; contents list; concordances (partial); discussion.

Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer.  Bilthoven. Pages: 60, 206. Notes: contents list (partial).

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2.  Wiesbaden. Pages: 80, 102. Notes: contents list (partial); concordances (partial).

Crawford, David Eugene. 1967. Vespers Polyphony at Modem's Cathedral in the First Half of the Sixteenth Century. University of Illinois, Unpublished Ph.D. dissertation. Pages: 116. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1.  Wiesbaden. Pages: 47-8, 77. Notes: contents list (partial); concordances (partial).

Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke.  Wolfenbüttel and Zürich. Pages: XI, vii, 1-86, 123-5. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk.  Berlin/Wolfenbüttel. Pages: LXII. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: VIII, vi, vi, viii-xii XII, xxiv-xxvii. Notes: physical description; contents list (partial); concordances (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde.  Leipzig. Pages: I, 456. Notes: mention of MS.

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen.  Munich. Pages: 61-2. Notes: physical description; contents list; concordances (partial).

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description