| Archive | Universitätsbibliothek, Munich, Germany (D-Mu) |
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| Shelfmark | MS 8° 328 |
| Image Availability | DIAMM does not have images of this source. Please refer to the external links for image availability. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 139 x 214 mm |
| Other Identifiers |
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| Contents | Contains 142 compositions, 131 from 15 composers, 11 are anonymous. |
A Tenor partbook from a set originally of five volumes. Copied by a single scribe, identified by Rifkin & Fallows as Bernard Rem, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438. Perhaps written for Hieronymus Welser; a coat of arms with his name and the year 1527 (in A, T, and B partbooks) was discovered after a restoration in 1974. It seems that Welser sold the partbooks even before binding, probably to Glarean (Meconi 2009). Full texts for many pieces copied separately on rectos of Tenor book after each piece; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810. Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin & Fallows).
(Note: the first 18 pieces in the Tenor appear in none of the other books; and only from the 44th piece - In meinen Sinn - do parts appear in all the books.)
v + 156 + ii folios
Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties
Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898
black void mensural
Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals
Inked calligraphic initials
Original alphabetical indices on flyleaves I(r)-IV(v) at beginning of each book
Paper
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 motets, 13 German sacred pieces, 106 German secular pieces, 5 French secular pieces, 3 Dutch secular pieces, 2 Italian secular pieces, 14 textless pieces (most entitled "Carmen") = 145 (many incomplete)
(Barbireau/Isaac/Obrecht)-1, (Bauldeweyn/Grefinger)-1, (Bauldeweyn/La Rue)-1, (Brumel)-1, (Finck)-1, (Grefinger/Senfl)-2, (Hofhaimer)-6 + 2?, (Hofhaimer/Isaac)-2, (Isaac)-20 + 1?, (Josquin)-2, (La Rue)-2, (La Rue/Pietrequin)-1, (Rener)-2, (Senfl)-46 + 28?*, (Singer)-1, (Sygler)-1, anon-24
*See BenteNW, 253ff.
4 paper partbooks of an original 5 (D-vi + 100 + i folios, A-v + 73 + i, T-v + 156 + ii, B-v + 85 + ii), 139 x 214. Mostly original foliation, but indices at beginning of each book have modern foliation in Roman numerals. Original covers of brown leather over cardboard, tooled with ornamental designs and voice designations; remnants of leather ties. Original alphabetical indices on flyleaves at beginning of each book. Copied by a single scribe. Inked calligraphic initials. Main watermark resembles Briquet #490. Two additional watermarks on indices and flyleaves; one resembles Briquet #9898 (also appears in VienNB 18810). Full texts for many pieces copied separately on rectos of T book; otherwise, pieces have text incipits or titles only. Repertorial connections (39 concordances) with VienNB 18810.
After 1523 (BenteNW); 1526-30 (GottUM). Presumably copied in Munich (BenteNW); probably copied in Augsburg (Rifkin).
Vol 4
Composers: Change "(Bauldeweyn/La Rue)-1" to "(Bauldeweyn/Büchner/ La Rue)-1."
Physical: Copied by a single scribe, who also wrote VienNB Mus. 18745, VienNB Mus. 18810, and ZürZ 438.
The inventory could not be loaded.
Partbooks · 4 sources
‡ denotes primary source study
Meconi, Honey. 2009. The Ghost of Perfection: Some Thoughts on the Munich Partbooks. The Sounds and Sights of Performance in Early Music: Essays in Honour of Timothy J. McGee, 85-101. Farnham.
Fallows, David. 2006. The Copyist Formerly Known as Lucas Wagenrieder – Bernhard Rem and his Circle. Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext: Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, München 02.–04. August 2004, Phil.-Hist. Klasse, Abhandlungen, Neue Folge, vol. 128. 212-223. Munich: Bayerische Akademie der Wissenschaften.
Rifkin, Joshua. 2005. Jean Michel and 'Lucas Wagenrieder' : some new findings. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 55/2: 113-126. Notes: identifies scribe as Bernard Rem; proposes Augsburg origin.
Jonas, Luise. 1983. Das Augsburger Liederbuch: Die Musikhandschrift 2° Codex 142a der Staats- und Stadtbibliothek Augsburg. Edition und Kommentar. Berliner Musikwissenschaftliche Arbeiten, vol. Band 21 (2 vols.) . Munich and Salzburg. Pages: II,11, passim. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.
Staehelin, Martin. 1981. Aus 'Lukas Wagenrieders' Werkstatt: ein unbekanntes Lieder-Manuskript des frühen 16. Jahrhunderts in Zürich. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen, vol. 6. 71-94. Munich. Pages: 72,75-9,90-1. Notes: facsimile (partial); mention of MS; discussion.
Marx, Hans Joachim. 1980. Neues zur Tabulatur-Handschrift St. Gallen, Stiftsbibliothek, Cod. 530. Archiv für Musikwissenschaft, 37: 264-91. Pages: 269-70, 280-1. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xxxiii-xxxiv, 27-8, 30, 49, 78; III, 49, 57, 201. Notes: physical description; contents list (partial); concordances (partial).
Atlas, Allan W. 1975-6. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G.XIII.27). Musicological Studies, vol. 27. Brooklyn. Pages: I, 65ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
‡ Smithers, Don. 1970. A Textual-Musical Inventory and Concordance of Munich University MS 328-331. Royal Musical Association Research Chronicle, 8: 34-89. Notes: physical description; contents list; concordances.
Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 72-4, 267, 295, 313. Notes: contents list (partial); concordances (partial); mention of MS; discussion.
Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 83-4. Notes: physical description (partial); contents list (partial); concordances (partial).
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 253-70. Notes: physical description; contents list; concordances; facsimile (partial); mention of MS; discussion.
Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München, vol. 2. Wiesbaden. Pages: 83-97. Notes: physical description; contents list; concordances.
Parker, Robert LeRoy. 1966. The Polyphonic Lieder of Adam Rener: A Postscript to Recent Studies of the Composer's Works. Paul A Pisk: Essays in His Honor, 38-56. Austin, Texas. Pages: 43, 46. Notes: contents list (partial); concordances (partial); facsimile (partial).
Picker, Martin. 1960. The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 363-4. Notes: physical description (partial); contents list (partial); concordances (partial).
Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: V, 163-4, 175 [sometimes erroneously referred to as MSS 228-231]. Notes: contents list (partial); concordances (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: IX, 903. Notes: physical description (partial).
Geering, Arnold (editor). 1949-. Ludwig Senfl: Sämtliche Werke. Wolfenbüttel and Zürich. Pages: V, 109; VI, 56-7, 94, 99. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
Geering, Arnold (editor). 1935. Das Erbe Deutscher Musik. Leipzig, Kassel, Wolfenbüttel, and Wiesbaden. Pages: X, xi, 82-106, 124ff; XV, 142ff, LXX, 184-8, 193,209. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); facsimile (partial); texts (partial).
Moser, Hans Joachim. 1929. Paul Hofhaimer: Ein Lied- und Orgelmeister des Deutschen Humanismus. Stuttgart and Berlin. Pages: I, 121ff, passim; II, 184-7. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 455. Notes: physical description (partial).
Bernoulli, Eduard. 1910. Aus Liederbüchern der Humanistenzeit: Eine Bibliographische und Notentypographische Studie. Leipzig. Pages: 16ff, 33ff. Notes: contents list (partial); concordances (partial); transcriptions (partial).
Wolf, Johannes (editor). 1908-21. Reprint: Farnborough, England, 1968. Werken van Jacob Obrecht. Leipzig and Amsterdam,. Pages: XV/XVI, xi, xxii. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.
Eitner, Robert. 1900. Ein deutsches Liederbuch im Manuscript. Monatshefte für Musikgeschichte, 32: 97-109,113-5. Notes: physical description (partial); contents list; concordances (partial); texts (partial).
Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: XXVIII, 172, passim; LXXII, 101ff. Notes: physical description; contents list (partial); concordances (partial); transcriptions (partial).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
Spotted the above comment: thank you! Inventory and foliation is now corrected in all volumes. (NB 'contribute a change' generates a notification to DIAMM editors so we can follow up; 'comments' do not.) -- David Wyatt, for DIAMM
The inventory seems copied from the tenor book. Foliation varies in the other volumes, and the Altus MS 8° 330 lacks Innsbruck and Bruder Conrat altogether.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description