IIIF Manifest
This MS is of prime importance for the history of Trouvère song: it contains 481 songs by Thibaut de Navarre, Gilles le Vinier, Gillebert de Berneville, Richart de Fournival, Gace Brulé, etc. 358 of these works are preserved with music. The motet fascicle runs from f. 179-197 and consists of 3 gatherings. One work which appears outside the motet fascicle as a monodic song is taken into consideration here, since it is known as part-music in Mo and W2. The manuscript is neatly written in a typical chansonnier script, but not in the most refined hand. The music is missing for many songs but not for the motets, though the T are often erroneous. The part of the MS containing the songs is f. 1-176v and f. 224-233. Between f. 197 and f. 216 are some verses on Arras written in 2 columns, while between f. 218 and f. 222 is an unfinished poem on death, also in 2 columns. Although there are 1 four-part and 5 three-part motets in the collection, two-part works predominate, among which the Rondeaux with T published by Gennrich are of special interest.
F-Pnm Français 12615 (Chansonnier Noailles)
Bibliothèque nationale de France, Département des Manuscrits, Paris, France
manuscript of polyphony: c.1300
| Archive | Bibliothèque nationale de France, Département des Manuscrits, Paris, France (F-Pnm) |
|---|---|
| Shelfmark | Français 12615 (Chansonnier Noailles) |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Parchment |
| Numbering System | Foliation |
| Measurements | 307 x 118 mm |
| Other Identifiers |
|
| Notations |
|
| External Links | |
| Provenance |
|
| Contents | Contains 86 compositions, 86 are anonymous. |
General Description
Binding
light brown morocco over pulp boards with gilt tooling and title on the spine; probably 18th century.
Notation
undifferentiated longs and ligatures
Ruling
mostly on red five-line staves (songs); up 12 four-line staves per page (polyphony)
Foliation
Foliated at t.r.r. in 18th century ink.
Decoration
Initials use gold as well as blue and red simultaneously.
Index
The back two 18th century flyleaves contain an index of songs beginning either at L or P, together with a list of song-writers
Surface
parchment
RISM Description
RISM B/IV 1: A parchment manuscript dating from c. 1300 and meas. 307 x 118 mm., the so-called Chansonnier Noailles contains 233 folios numbered at t.r.r. in 18th century ink. There are at the front 1 and at the rear 2 18th century paper flyleaves, while 4 modern blank unnumbered paper flyleaves also appear at each end of the manuscript. The back two 18th century flyleaves contain an index of songs beginning either at L or P, together with a list of song-writers. The manuscript is of prime importance for the history of Trouvère song, for it contains 481 songs by Thibaut de Navarre, Gilles le Vinier, Gillebert de Berneville, Richart de Fournival, Gace Brulé, etc. 358 of these works are preserved with music. The motet fascicle extends from f. 179-197 and consists of 3 gatherings. One work which appears outside the motet fascicle as a monodic song is taken into consideration here, since it is known as part-music in Mo and W2. The manuscript is neatly written in a typical chansonnier script, but not in the most refined hand. Initials use gold as well as blue and red simultaneously. The music is notated in undifferentiated longs and ligatures, mostly on red five-line staves for the songs, while the polyphony takes up 12 four-line staves per page. The music is missing for many songs but not for the motets, though the T are often erroneous. The part of the ms containing the songs is f. 1-176v and f. 224-233. Between f. 197 and f. 216 are some verses on Arras written in 2 columns, while between f. 218 and f. 222 is an unfinished poem on death, also in 2 columns. The binding of light brown morocco over pulp boards with gilt tooling and title on the spine probably dates from the 18th century. Although there are 1 four-part and 5 three-part motets in the collection, two-part works predominate, among which the Rondeaux with T published by Gennrich are of special interest.
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.
The inventory could not be loaded.
‡ denotes primary source study
Dittmer, Luther A. 1960. Publications of Mediaeval Musical Manuscripts Il: Wolfenbüttel 1099. Publications of Mediaeval Music Manuscripts, vol. 2. Brooklyn: Institute of Mediaeval Music. Pages: facsimile of all N pieces in W2 after this source.
Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IV: Paris 13521 and 11411. Publications of Mediaeval Music Manuscripts, vol. 4. Brooklyn: Institute of Mediaeval Music.
Dittmer, Luther A. 1959. Publications of Mediaeval Musical Manuscripts IlI: Eine zentrale Quelle der Notre Dame-Musik. Publications of Mediaeval Musical Manuscripts, vol. 3. Brooklyn: Institute of Mediaeval Music. Pages: 182, 172 (transcriptions of N 6 and 44 after Mil A).
Gennrich, Friedrich. 1958. Bibliographie der ältesten französischen und lateinischen Motetten. Pages: XXXIII etc.
Gennrich, Friedrich. 1958. Ein altfranzösischer Motetten-Kodex. Faksimile-Ausgabe der Handschrift La Clayette, Paris, Bibliothèque Nationale, nouvelle acquisition francaise 13521. Pages: f. 374v, 371, 374, 390v,380-380v, 384-384v, 378, 373v-374, 382v-383 (facsimiles of N 5, 12, 14-16, 21,32, 34, 38 after Cl).
Gennrich, Friedrich. 1953. Sankt Victor Clausulae und ihre Motetten. Pages: 21-25 (diplomatic copy of N 41, 42, 47, 50, 53, 56, 58, 59, 65, 69, 74, 82-84).
Bukofzer, Manfred F. 1944. "Sumer is icumen in": A Revision. . Pages: 83.
Apel, Willi. 1942. (4th ed., 1949). The Notation of Polyphonic Music 900-1600. Cambridge, Massachusetts. Pages: 277 (facsimile of N 60-61).
Beck, J. B. 1938. Corpus cantilenarum medii aevi, Ser. 2, Le Chansonnier du Roi. 2 vols. Pages: facsimile of 1? motets, which are all in N except R 2.
Kujlmann, G. 1938. Die zweistimmigen französischen Motetten des Kodex Montpellier, Faculté de Médecine H196. 2 vols. Pages: II, 15, 76, 96, 90, 121, 61, 141, 17, 38, 74, 48, 105, 126 (transcription of N 1, 3, 7, 9, 10, 18, 28, 31, 37, 40, 72, 75, 77); II, 175, 177, 181, 184, 191, 199f, 204, 207, 212, 223, 227, 233.
Husmann, Heinrich. 1937. Die Motetten der Madrider Handschrift und deren geschichtliche Stellung. Archiv für Musikforschung, 2: 173ff. Pages: 177.
Rokseth, Y. 1935+1939. Les Polyphonies du XIVe siecle. 4 vols. Pages: I-III (facsimile and transcription of all TV motets in Mo after this source); IV, 69, 168, 172, 176f, 185, 191, 256f, 259, 262, 266, 268, 270, 272, 276, 280-287, 298.
Anglès, Higinio. 1931. El Còdex musical de las Huelgas. 3 vols. Pages: II-III, nos. 124, 85, 126 and 113 (facsimile and transcription of N14,15, 32 and 33 after Hu); I, 241, 274, 285; ApelN, 201, 271, 274, 277 ff.
Schering, Arnold. 1931. Geschichte der Musik in Beispielen. Liepzig. Pages: p. 7 (transcription of N 69).
Gennrich, Friedrich. 1926. Trouvère-Lieder und Motettenrepertoire. Zeitschrift für Musikwissenschaft, 9: 8and65. Pages: 22, 17, 34, 11 (transcription of N 1, 2, 27 and 63; l0f, 16, 34.
Kossman, E F, and Friedrich Ludwig. 1926. Ein Fragment einer neuen altfranzösischen Motettenhandschrift. Zeitschrift für Musikwissenschaft, 8: 193ff. Pages: 193f.
Ludwig, Friedrich. 1923. Die Quellen der Motetten ältesten Stils. Archiv für Musikwissenschaft, 5: 185-222, Vol. 5 (1924) 273-315. Pages: 190, 198f, 205, 209-212, 290, 293.
Gennrich, Friedrich. 1921, 1927. Rondeaux, Virelais und Balladen aus dem Ende des 12., dem 13. und dem ersten Drittel des 14. Jahrhunderts. 2 vols. Pages: I, nos. 28 -33 and 35; II, p. 21,21,22, 23, 23 (transcription of iV22-26,60,79, 59,61-63,66); II, 20ff.
Ludwig, Friedrich. 1910. Repertorium organorum recentioris et motetorum vetustissimi stili. I. Catalogue raisonné. 1. Handschriften in Quadratnotation. Halle: Niemayer.
Ludwig, Friedrich. 1909. Die liturgischen Organa Léonins und Perotins. Riemann-Festschrift: Gesammelte Studien--Hugo Riemann zum sechzigsten Geburtstage überreicht von Freunden und Schülern, 200ff. Leipzig. Pages: 210-213.
Aubry, Pierre. 1908. Cent Motets du XIIIe siècle. 3 vols. Pages: I-II, nos. 89, 4, 36, 64, 97, 60, 87, 16 (facsimile and transcription of N 5, 14, 15, 20, 32-34, and 71 after Ba; N 71 also transcribed in III, p. 52); III, 68, 79, 91, 93,104,108.
Beck, J. B. 1908. Die Melodien der Troubadours. Pages: 62.
Raynaud, Gaston. 1884. Bibliographie des Chansonniers français des XlIIe et XlVe siècles. 2 vols. Pages: I, 153ff.
Raynaud, Gaston. 1881, 1883. Recueil de Motets français des Xile et XIIle siècles. 2 vols. Pages: I and II (N motet texts).
This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.
No comments have been made.
Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.
DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description