S-Uu Vokalmusik i Handskrift 76e

Universitetsbiblioteket, Uppsala, Sweden

partbook: First half of 16th century

Archive	Universitetsbiblioteket, Uppsala, Sweden (S-Uu)
Shelfmark	Vokalmusik i Handskrift 76e
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Measurements	156 x 217 mm
Other Identifiers	CCM: UppsU 76e
Notations	black void mensural
External Links	images
Provenance	Frauenburg? Bavaria, Germany
Contents	Contains 65 compositions from 3 composers.

General Description

A Discantus partbook from a set orginally of 5. Copied by a single scribe. Blank folios, or blank staves only: [i'-iii', 1', 13, 22', 33', 45, 56', 57', 67', 77, 86, 102'-104', 125', 139'-145]. Of east German origin (StaeO); perhaps copied in Frauenburg. Isaac Masses apparently copied from Petrucci print RISM 188; Weerbecke Masses apparently copied from Petrucci print RISM G450.

DIAMM, 2017

Physical Description

Verso of last folio now pasted to inside back cover.

DIAMM, 2017

Binding

Original covers of parchment cut from non-musical manuscript.

DIAMM, 2017

Watermark

crown with cross? (only fragments visible)

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Ruling

Staff height 13

DIAMM, 2017

Foliation

Other numberings: No

DIAMM, 2017

Foliation

No foliation or pagination

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

13 Masses

Isaac-5, Weerbecke [Gaspar]-5, (Obrecht)-3

1 paper partbook of an original 4 (D-iii +145 folios), 156 x 217. Verso of last folio now pasted to inside back cover. No foliation, pagination, or numbering of pieces. Blank folios, or blank staves only: [i'-iii', 1', 13, 22', 33', 45, 56', 57', 67', 77, 86, 102'-104', 125', 139'-145]. Original covers of parchment cut from non-musical manuscript. No index. Copied by a single scribe. Staff height 13. No initials or decoration. Watermark: crown with cross? (only fragments visible). Isaac Masses apparently copied from Petrucci print RISM 188; Weerbecke Masses apparently copied from Petrucci print RISM G450.

First half of 16th century. Of east German origin (StaeO); perhaps copied in Frauenburg. Taken from Frauenburg to Uppsala during Thirty Years War in 17th century.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
1–1v	[blank pages]	-	-
[blank pages] Appears on: 1–1v General Note f. 1 is the title page for the Isaac masses: "Discantus / Missae Henrici Izac / Charge de deul / Misericordia domini / Quant yay au cor / La spagna / Comme feme"
2–3	Missa Chargé de deuil: Kyrie eleison	Henrici Izac	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Kyrie eleison Isaac, Heinrich (ca. 1450–1517) Appears on: 2–3 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henrici Izac
3–5v	Missa Chargé de deuil: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 3–5v Genres: Gloria (et in terra pax), Mass Ordinary
5v–8v	Missa Chargé de deuil: Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 5v–8v Genres: Credo (patrem omnipotentem), Mass Ordinary
9–11v	Missa Chargé de deuil: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 9–11v Genres: Mass Ordinary, Sanctus [& Benedictus]
11v–12v	Missa Chargé de deuil: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Chargé de deuil: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 11v–12v Genres: Agnus Dei, Mass Ordinary
13	[blank staves]	-	-
[blank staves] Appears on: 13
13v–14v	Missa Misericordias Domini: Kyrie	Henrici Izac	Isaac, Heinrich (ca. 1450–1517)
Missa Misericordias Domini: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 13v–14v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henrici Izac
14v–16	Missa Misericordias Domini: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Misericordias Domini: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 14v–16 Genres: Gloria (et in terra pax), Mass Ordinary
16v–18v	Missa Misericordias Domini: Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Misericordias Domini: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 16v–18v Genres: Credo (patrem omnipotentem), Mass Ordinary
19–20v	Missa Misericordias Domini: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Misericordias Domini: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 19–20v Genres: Mass Ordinary, Sanctus [& Benedictus]
20v–22	Missa Misericordias Domini: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Misericordias Domini: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 20v–22 Genres: Agnus Dei, Mass Ordinary
22v	[blank staves]	-	-
[blank staves] Appears on: 22v
23–23v	Missa Quant j'ai au coeur: Kyrie	Henrici Izac	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 23–23v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henrici Izac
24–25v	Missa Quant j'ai au coeur: Gloria: 3 partes.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Gloria: 3 partes. Isaac, Heinrich (ca. 1450–1517) Appears on: 24–25v Genres: Gloria (et in terra pax), Mass Ordinary
26–28v	Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 26–28v Genres: Credo (patrem omnipotentem), Mass Ordinary
28v–31	Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. Isaac, Heinrich (ca. 1450–1517) Appears on: 28v–31 Genres: Mass Ordinary, Sanctus [& Benedictus]
31–33	Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	-	Isaac, Heinrich (ca. 1450–1517)
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. Isaac, Heinrich (ca. 1450–1517) Appears on: 31–33 Genres: Agnus Dei, Mass Ordinary
33v	[blank staves]	-	-
[blank staves] Appears on: 33v
34–35	Missa La bassadanza = Missa La Spagna: Kyrie	Henrici Izac	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 34–35 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henrici Izac
35v–37	Missa La bassadanza = Missa La Spagna: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 35v–37 Genres: Gloria (et in terra pax), Mass Ordinary
37–39v	Missa La bassadanza = Missa La Spagna: Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 37–39v Genres: Credo (patrem omnipotentem), Mass Ordinary
39v–42	Missa La bassadanza = Missa La Spagna: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 39v–42 Genres: Mass Ordinary, Sanctus [& Benedictus]
42–44v	Missa La bassadanza = Missa La Spagna: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa La bassadanza = Missa La Spagna: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 42–44v Genres: Agnus Dei, Mass Ordinary
45	[blank staves]	-	-
[blank staves] Appears on: 45
45v–46v	Missa Comme femme desconfortée: Kyrie	Henrici Izac	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Kyrie Isaac, Heinrich (ca. 1450–1517) Appears on: 45v–46v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Henrici Izac
46v–48v	Missa Comme femme desconfortée: Gloria	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Gloria Isaac, Heinrich (ca. 1450–1517) Appears on: 46v–48v Genres: Gloria (et in terra pax), Mass Ordinary
48v–51	Missa Comme femme desconfortée: Credo	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Credo Isaac, Heinrich (ca. 1450–1517) Appears on: 48v–51 Genres: Credo (patrem omnipotentem), Mass Ordinary
51v–53v	Missa Comme femme desconfortée: Sanctus	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 51v–53v Genres: Mass Ordinary, Sanctus [& Benedictus]
54–56	Missa Comme femme desconfortée: Agnus Dei	-	Isaac, Heinrich (ca. 1450–1517)
Missa Comme femme desconfortée: Agnus Dei Isaac, Heinrich (ca. 1450–1517) Appears on: 54–56 Genres: Agnus Dei, Mass Ordinary
56v	[blank staves]	-	-
[blank staves] Appears on: 56v
57–57v	[blank pages]	-	-
[blank pages] Appears on: 57–57v General Note f. 56 is the title page for the Weerbecke masses: "Discantus / Gaspar / Ave regina coelorum / O Venus banth / E trop penser / Octavi toni / Se mieulx ne vient"
58–59	Missa Ave regina caelorum: Kyrie	Gaspar	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Ave regina caelorum: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 58–59 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Gaspar
59–60v	Missa Ave regina caelorum: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Ave regina caelorum: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 59–60v Genres: Gloria (et in terra pax), Mass Ordinary
60v–63	Missa Ave regina caelorum: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Ave regina caelorum: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 60v–63 Genres: Credo (patrem omnipotentem), Mass Ordinary
63–65	Missa Ave regina caelorum: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Ave regina caelorum: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 63–65 Genres: Mass Ordinary, Sanctus [& Benedictus]
65–67	Missa Ave regina caelorum: Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Ave regina caelorum: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 65–67 Genres: Agnus Dei, Mass Ordinary
67v	[blank staves]	-	-
[blank staves] Appears on: 67v
68–69	Missa O Venus bant: Kyrie	Gaspar	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 68–69 Genres: Gloria (et in terra pax), Kyrie eleison, Mass Ordinary Source Attribution: Gaspar General Note Here, a variant on the title page spelling, "O Venus bandt"
69–71	Missa O Venus bant: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 69–71 Genres: Gloria (et in terra pax), Mass Ordinary
71–73	Missa O Venus bant: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 71–73 Genres: Credo (patrem omnipotentem), Mass Ordinary
73–75	Missa O Venus bant: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 73–75 Genres: Mass Ordinary, Sanctus [& Benedictus]
75–76v	Missa O Venus bant: Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa O Venus bant: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 75–76v Genres: Agnus Dei, Mass Ordinary
77	[blank staves]	-	-
[blank staves] Appears on: 77
77v–78v	Missa Trop penser: Kyrie	Gaspar	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Trop penser: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 77v–78v Genres: Kyrie eleison, Mass Ordinary Source Attribution: Gaspar
78v–80v	Missa Trop penser: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Trop penser: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 78v–80v Genres: Gloria (et in terra pax), Mass Ordinary
80v–83	Missa Trop penser: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Trop penser: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 80v–83 Genres: Credo (patrem omnipotentem), Mass Ordinary
83–84v	Missa Trop penser: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Trop penser: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 83–84v Genres: Mass Ordinary, Sanctus [& Benedictus]
84v–85v	Missa Trop penser: Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Trop penser: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 84v–85v Genres: Agnus Dei, Mass Ordinary
86	[blank staves]	-	-
[blank staves] Appears on: 86
86v–87	Missa Papalis (Octavi toni): Kyrie	Gaspar	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 86v–87 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Gaspar
87–88v	Missa Papalis (Octavi toni): Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 87–88v Genres: Gloria (et in terra pax), Mass Ordinary
88v–90v	Missa Papalis (Octavi toni): Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 88v–90v Genres: Credo (patrem omnipotentem), Mass Ordinary
90v–91v	Missa Papalis (Octavi toni): Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 90v–91v Genres: Mass Ordinary, Sanctus [& Benedictus]
92–93	Missa Papalis (Octavi toni): Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Papalis (Octavi toni): Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 92–93 Genres: Agnus Dei, Mass Ordinary
93v–94	Missa Se mieux ne vient: Kyrie	Gaspar	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Kyrie Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 93v–94 Genres: Kyrie eleison, Mass Ordinary Source Attribution: Gaspar
94v–96	Missa Se mieux ne vient: Gloria	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Gloria Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 94v–96 Genres: Gloria (et in terra pax), Mass Ordinary
96v–98v	Missa Se mieux ne vient: Credo	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Credo Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 96v–98v Genres: Credo (patrem omnipotentem), Mass Ordinary
98v–100v	Missa Se mieux ne vient: Sanctus	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Sanctus Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 98v–100v Genres: Mass Ordinary, Sanctus [& Benedictus]
100v–102	Missa Se mieux ne vient: Agnus Dei	-	Weerbecke, Gaspar van (ca. 1445–ca. 1516)
Missa Se mieux ne vient: Agnus Dei Weerbecke, Gaspar van (ca. 1445–ca. 1516) Appears on: 100v–102 Genres: Agnus Dei, Mass Ordinary
102v–104v	[blank staves]	-	-
[blank staves] Appears on: 102v–104v
105–106v	Missa Si dedero: Kyrie	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 105–106v Genres: Kyrie eleison, Mass Ordinary
106v–108	Missa Si dedero: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 106v–108 Genres: Gloria (et in terra pax), Mass Ordinary
108v–110v	Missa Si dedero: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 108v–110v Genres: Credo (patrem omnipotentem), Mass Ordinary
110v–113v	Missa Si dedero: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 110v–113v Genres: Mass Ordinary, Sanctus [& Benedictus]
113v–115	Missa Si dedero: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa Si dedero: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 113v–115 Genres: Agnus Dei, Mass Ordinary
115v–116	Missa L'homme armé: Kyrie	-	Obrecht, Jacobus (ca. 1457–1505)
Missa L'homme armé: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 115v–116 Genres: Kyrie eleison, Mass Ordinary
116v–118v	Missa L'homme armé: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
Missa L'homme armé: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 116v–118v Genres: Gloria (et in terra pax), Mass Ordinary
118v–121v	Missa L'homme armé: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
Missa L'homme armé: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 118v–121v Genres: Credo (patrem omnipotentem), Mass Ordinary
121v–124	Missa L'homme armé: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
Missa L'homme armé: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 121v–124 Genres: Mass Ordinary, Sanctus [& Benedictus]
124–125	Missa L'homme armé: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
Missa L'homme armé: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 124–125 Genres: Agnus Dei, Mass Ordinary
125v	[blank staves]	-	-
[blank staves] Appears on: 125v
126–126v	[Mass]: Kyrie	-	Obrecht, Jacobus (ca. 1457–1505)
[Mass]: Kyrie Obrecht, Jacobus (ca. 1457–1505) Appears on: 126–126v Genres: Kyrie eleison, Mass Ordinary
127–129	[Mass]: Gloria	-	Obrecht, Jacobus (ca. 1457–1505)
[Mass]: Gloria Obrecht, Jacobus (ca. 1457–1505) Appears on: 127–129 Genres: Gloria (et in terra pax), Mass Ordinary
129–134	[Mass]: Credo	-	Obrecht, Jacobus (ca. 1457–1505)
[Mass]: Credo Obrecht, Jacobus (ca. 1457–1505) Appears on: 129–134 Genres: Credo (patrem omnipotentem), Mass Ordinary
134–137	[Mass]: Sanctus	-	Obrecht, Jacobus (ca. 1457–1505)
[Mass]: Sanctus Obrecht, Jacobus (ca. 1457–1505) Appears on: 134–137 Genres: Mass Ordinary, Sanctus [& Benedictus]
137–139	[Mass]: Agnus Dei	-	Obrecht, Jacobus (ca. 1457–1505)
[Mass]: Agnus Dei Obrecht, Jacobus (ca. 1457–1505) Appears on: 137–139 Genres: Agnus Dei, Mass Ordinary
139v–145	[blank staves]	-	-
[blank staves] Appears on: 139v–145 General Note (f. 145 is the rear flyleaf, pasted to the back cover.)

Composer	Compositions
Anonymous	[No description] – 139v–145 [No description] – 125v [No description] – 56v [No description] – 45 [No description] – 102v–104v [No description] – 33v [No description] – 77 [No description] – 57–57v [No description] – 13 [No description] – 67v [No description] – 22v [No description] – 1–1v [No description] – 86
Isaac, Heinrich (ca. 1450-1517)	Missa Chargé de deuil: Agnus Dei – 11v–12v Missa Chargé de deuil: Credo – 5v–8v Missa Chargé de deuil: Gloria – 3–5v Missa Chargé de deuil: Kyrie eleison – 2–3 Missa Chargé de deuil: Sanctus – 9–11v Missa Comme femme desconfortée: Agnus Dei – 54–56 Missa Comme femme desconfortée: Credo – 48v–51 Missa Comme femme desconfortée: Gloria – 46v–48v Missa Comme femme desconfortée: Kyrie – 45v–46v Missa Comme femme desconfortée: Sanctus – 51v–53v Missa La bassadanza = Missa La Spagna: Agnus Dei – 42–44v Missa La bassadanza = Missa La Spagna: Credo – 37–39v Missa La bassadanza = Missa La Spagna: Gloria – 35v–37 Missa La bassadanza = Missa La Spagna: Kyrie – 34–35 Missa La bassadanza = Missa La Spagna: Sanctus – 39v–42 Missa Misericordias Domini: Agnus Dei – 20v–22 Missa Misericordias Domini: Credo – 16v–18v Missa Misericordias Domini: Gloria – 14v–16 Missa Misericordias Domini: Kyrie – 13v–14v Missa Misericordias Domini: Sanctus – 19–20v Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III. – 31–33 Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces. – 26–28v Missa Quant j'ai au coeur: Gloria: 3 partes. – 24–25v Missa Quant j'ai au coeur: Kyrie – 23–23v Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces. – 28v–31
Obrecht, Jacobus (ca. 1457-1505)	Missa L'homme armé: Agnus Dei – 124–125 Missa L'homme armé: Credo – 118v–121v Missa L'homme armé: Gloria – 116v–118v Missa L'homme armé: Kyrie – 115v–116 Missa L'homme armé: Sanctus – 121v–124 Missa Si dedero: Agnus Dei – 113v–115 Missa Si dedero: Credo – 108v–110v Missa Si dedero: Gloria – 106v–108 Missa Si dedero: Kyrie – 105–106v Missa Si dedero: Sanctus – 110v–113v [Mass]: Agnus Dei – 137–139 [Mass]: Credo – 129–134 [Mass]: Gloria – 127–129 [Mass]: Kyrie – 126–126v [Mass]: Sanctus – 134–137
Weerbecke, Gaspar van (ca. 1445-ca. 1516)	Missa Ave regina caelorum: Agnus Dei – 65–67 Missa Ave regina caelorum: Credo – 60v–63 Missa Ave regina caelorum: Gloria – 59–60v Missa Ave regina caelorum: Kyrie – 58–59 Missa Ave regina caelorum: Sanctus – 63–65 Missa O Venus bant: Agnus Dei – 75–76v Missa O Venus bant: Credo – 71–73 Missa O Venus bant: Gloria – 69–71 Missa O Venus bant: Kyrie – 68–69 Missa O Venus bant: Sanctus – 73–75 Missa Papalis (Octavi toni): Agnus Dei – 92–93 Missa Papalis (Octavi toni): Credo – 88v–90v Missa Papalis (Octavi toni): Gloria – 87–88v Missa Papalis (Octavi toni): Kyrie – 86v–87 Missa Papalis (Octavi toni): Sanctus – 90v–91v Missa Se mieux ne vient: Agnus Dei – 100v–102 Missa Se mieux ne vient: Credo – 96v–98v Missa Se mieux ne vient: Gloria – 94v–96 Missa Se mieux ne vient: Kyrie – 93v–94 Missa Se mieux ne vient: Sanctus – 98v–100v Missa Trop penser: Agnus Dei – 84v–85v Missa Trop penser: Credo – 80v–83 Missa Trop penser: Gloria – 78v–80v Missa Trop penser: Kyrie – 77v–78v Missa Trop penser: Sanctus – 83–84v

Composition	Composers (? Uncertain)	Folios / Pages
[Mass]: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	137–139
[Mass]: Credo	Obrecht, Jacobus (ca. 1457–1505)	129–134
[Mass]: Gloria	Obrecht, Jacobus (ca. 1457–1505)	127–129
[Mass]: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	126–126v
[Mass]: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	134–137
Missa Ave regina caelorum: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	65–67
Missa Ave regina caelorum: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	60v–63
Missa Ave regina caelorum: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	59–60v
Missa Ave regina caelorum: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	58–59
Missa Ave regina caelorum: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	63–65
Missa Chargé de deuil: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	11v–12v
Missa Chargé de deuil: Credo	Isaac, Heinrich (ca. 1450–1517)	5v–8v
Missa Chargé de deuil: Gloria	Isaac, Heinrich (ca. 1450–1517)	3–5v
Missa Chargé de deuil: Kyrie eleison	Isaac, Heinrich (ca. 1450–1517)	2–3
Missa Chargé de deuil: Sanctus	Isaac, Heinrich (ca. 1450–1517)	9–11v
Missa Comme femme desconfortée: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	54–56
Missa Comme femme desconfortée: Credo	Isaac, Heinrich (ca. 1450–1517)	48v–51
Missa Comme femme desconfortée: Gloria	Isaac, Heinrich (ca. 1450–1517)	46v–48v
Missa Comme femme desconfortée: Kyrie	Isaac, Heinrich (ca. 1450–1517)	45v–46v
Missa Comme femme desconfortée: Sanctus	Isaac, Heinrich (ca. 1450–1517)	51v–53v
Missa L'homme armé: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	124–125
Missa L'homme armé: Credo	Obrecht, Jacobus (ca. 1457–1505)	118v–121v
Missa L'homme armé: Gloria	Obrecht, Jacobus (ca. 1457–1505)	116v–118v
Missa L'homme armé: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	115v–116
Missa L'homme armé: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	121v–124
Missa La bassadanza = Missa La Spagna: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	42–44v
Missa La bassadanza = Missa La Spagna: Credo	Isaac, Heinrich (ca. 1450–1517)	37–39v
Missa La bassadanza = Missa La Spagna: Gloria	Isaac, Heinrich (ca. 1450–1517)	35v–37
Missa La bassadanza = Missa La Spagna: Kyrie	Isaac, Heinrich (ca. 1450–1517)	34–35
Missa La bassadanza = Missa La Spagna: Sanctus	Isaac, Heinrich (ca. 1450–1517)	39v–42
Missa Misericordias Domini: Agnus Dei	Isaac, Heinrich (ca. 1450–1517)	20v–22
Missa Misericordias Domini: Credo	Isaac, Heinrich (ca. 1450–1517)	16v–18v
Missa Misericordias Domini: Gloria	Isaac, Heinrich (ca. 1450–1517)	14v–16
Missa Misericordias Domini: Kyrie	Isaac, Heinrich (ca. 1450–1517)	13v–14v
Missa Misericordias Domini: Sanctus	Isaac, Heinrich (ca. 1450–1517)	19–20v
Missa O Venus bant: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	75–76v
Missa O Venus bant: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	71–73
Missa O Venus bant: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	69–71
Missa O Venus bant: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	68–69
Missa O Venus bant: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	73–75
Missa Papalis (Octavi toni): Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	92–93
Missa Papalis (Octavi toni): Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	88v–90v
Missa Papalis (Octavi toni): Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	87–88v
Missa Papalis (Octavi toni): Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	86v–87
Missa Papalis (Octavi toni): Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	90v–91v
Missa Quant j'ai au coeur: Agnus I. Agnus II: 3 voces. Agnus III.	Isaac, Heinrich (ca. 1450–1517)	31–33
Missa Quant j'ai au coeur: Credo: 3 partes Et iterum: 3 voces.	Isaac, Heinrich (ca. 1450–1517)	26–28v
Missa Quant j'ai au coeur: Gloria: 3 partes.	Isaac, Heinrich (ca. 1450–1517)	24–25v
Missa Quant j'ai au coeur: Kyrie	Isaac, Heinrich (ca. 1450–1517)	23–23v
Missa Quant j'ai au coeur: Sanctus with: Pleni: 3 voces, Benedictus: 4 voces.	Isaac, Heinrich (ca. 1450–1517)	28v–31
Missa Se mieux ne vient: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	100v–102
Missa Se mieux ne vient: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	96v–98v
Missa Se mieux ne vient: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	94v–96
Missa Se mieux ne vient: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	93v–94
Missa Se mieux ne vient: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	98v–100v
Missa Si dedero: Agnus Dei	Obrecht, Jacobus (ca. 1457–1505)	113v–115
Missa Si dedero: Credo	Obrecht, Jacobus (ca. 1457–1505)	108v–110v
Missa Si dedero: Gloria	Obrecht, Jacobus (ca. 1457–1505)	106v–108
Missa Si dedero: Kyrie	Obrecht, Jacobus (ca. 1457–1505)	105–106v
Missa Si dedero: Sanctus	Obrecht, Jacobus (ca. 1457–1505)	110v–113v
Missa Trop penser: Agnus Dei	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	84v–85v
Missa Trop penser: Credo	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	80v–83
Missa Trop penser: Gloria	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	78v–80v
Missa Trop penser: Kyrie	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	77v–78v
Missa Trop penser: Sanctus	Weerbecke, Gaspar van (ca. 1445–ca. 1516)	83–84v

‡ denotes primary source study

Maas, Chris J (editor). 1983-. New Obrecht Edition. Utrecht. Pages: III.xi-ff. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Noblitt, Thomas L. 1981. Textual Criticism of Selected Works Published by Petrucci. Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez, Wolfenbütteler Forschungen, vol. 6. 201-42. Munich. Pages: 239. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1978. Review of Just M. Die Musikforschung, 31: 212-5. Pages: 215. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I, xli-xlii, 29-34, 69 III, 37, 76, 81, 87-9, 103. Notes: physical description; contents list (partial); concordances (partial); mention of MS; discussion.

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 26: 84-108. Notes: contents list (partial); concordances (partial).

Staehelin, Martin. 1975. Obrechtiana. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 25/1: 1-37. Pages: 18-9, 33-4. Notes: physical description (partial); contents list (partial); concordances (partial); mention of MS; discussion.

Stevenson, Robert. 1973. The Toledo Manuscript Polyphonic Choirbooks and some other lost or little known Flemish Sources. Fontes Artis Musicae, 20: 87-107. Pages: 97, 102, 107. Notes: contents list (partial).

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

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