GB-Ojc MS Mus. 180

St John’s College, Oxford, England

partbook: c. 1633-6

Archive St John’s College, Oxford, England (GB-Ojc)
Shelfmark MS Mus. 180
Image Availability The images on this record are linked using IIIF.
Surface Paper
Numbering System Foliation
Measurements 187 x 142 mm
Other Identifiers
  • CCM: OxfJ 180
Notations
  • black void mensural
Copyists
Relationships
External Links
Provenance
Contents Contains 124 compositions from 22 composers.
General Description

A single Bassus partbook. Copied by John Stevens (d. 1636), who also wrote OxfJ 181 (MorehS). Copied in London, for use by Chapel Royal (MorehS, who disputes LehurT's suggestion that manuscript was prepared for St. George's Chapel, Windsor). Owned by William Juxon (1582-1663), president of St. John's College, Oxford, 1621-33; Dean of Chapel Royal and Bishop of London from 1633; later Archbishop of Canterbury. Probably presented to St. John's College by Juxon.

DIAMM, 2017
Binding

Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs.

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Date

Ca. 1633-6 (MorehS).

DIAMM, 2017
Ruling

Staff height 14.

DIAMM, 2017
Foliation

Original ink foliation, 1-179

DIAMM, 2017
Decoration

Folios gilt-edged; no other decoration.

DIAMM, 2017
Index

Original index on ff. [ii-iv] groups pieces in four sections: (1) Preces and Psalms; (2) Services; (3) Full Anthems; (4) Verse Anthems. In first two sections, pieces listed alphabetically by composer (with a few discrepancies). In third and fourth sections, anthems listed in approximate alphabetical order by title or rubric.

DIAMM, 2017
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

21 Services or Service sections, 53 anthems = 74

Bevin-1, (Bull)-2, Byrd-12, (Byrd/Coste)-1, (Byrd/T. Mudd II)-1, (Byrd/R. Parsons I/R. White)-1, (Byrd/Tallis)-1, (Fox/Hooper)1, Gibbons-13, (Gibbons/N. Giles)-1, N. Giles-2, Hooper-4, (Hooper/ J. or W.? Mundy)-1, (Hooper/R. White/W. White)-1, (M. Jeffries)-1, Morley-2, (J. Mundy/W. Mundy/Tallis)-1, R. Parsons I-3, (P. Philips/Wilder)-1, Tallis-6, J. Tomkins-1, (J. Tomkins/Tomkins)-1, Tomkins-13, (Weelkes)-2, (R. White/W. White)-1

1 paper partbook (B-i + iv + 179 + i + i folios), 187 x 142. Original ink foliation, 1-179. Original covers of dark brown leather on cardboard, tooled in gold with ornamental designs. Original index on ff. [ii-iv] groups pieces in four sections: (1) Preces and Psalms; (2) Services; (3) Full Anthems; (4) Verse Anthems. In first two sections, pieces listed alphabetically by composer (with a few discrepancies). In third and fourth sections, anthems listed in approximate alphabetical order by title or rubric. Copied by John Stevens (d. 1636), who also wrote OxfJ 181 (MorehS). Staff height 14. Folios gilt-edged; no other decoration.

Ca. 1633-6 (MorehS). Copied in London, for use by Chapel Royal (MorehS, who disputes LehurT's suggestion that manuscript was prepared for St. George's Chapel, Windsor). Owned by William Juxon (1582-1663), president of St. John's College, Oxford, 1621-33; Dean of Chapel Royal and Bishop of London from 1633; later Archbishop of Canterbury. Probably presented to St. John's College by Juxon.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Loading inventory…

The inventory could not be loaded.

denotes primary source study

Monson, Craig. 1979. The Preces, Psalms and Litanies of Byrd and Tallis: Another 'Virtuous Contention in Love'. The Music Review, 40: 257-71. Pages: 257. Notes: mention of MS.

Morris, Christopher (compiler). 1978. The Oxford Book of Tudor Anthems.  London. Pages: 21, 112. Notes: contents list (partial); concordances (partial).

Daniel, Ralph T, and Peter Le Huray. 1972. The Sources of English Church Music 1549-1660. Early English Church Music, vol. Supplementary Volume 1.  London. Notes: contents list; concordances.

Morehen, John. 1969. The Sources of English Cathedral Music, c. 1617-c. 1644. Cambridge University, Unpublished Ph.D. dissertation. Pages: 391-407. Notes: physical description; contents list; concordances (partial); discussion.

Le Huray, Peter. 1967. Music and the Reformation in England 1549-1660.  London. Pages: 92. Notes: mention of MS.

Harrison, Frank Llewellyn (editor). 1963-. Early English Church Music.  London: Stainer & Bell. Pages: III, 216-9, 222; V, 121-3; IX, 164-5, 169, 171-2; XII, 120; XIII, 201-9, 211, passim; XIV, 262; XXI, 198-201, 206; XXIII, 146, 149. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Le Huray, Peter. 1960. Towards A Definitive Study of Pre-Restoration Anglican Service Music. Musica Disciplina, 14: 167-95. Pages: 171, 178-9. Notes: physical description (partial); contents list (partial); mention of MS; discussion.

Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music.  London. Pages: XXIII, 129. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H. 1948. William Byrd.  London, New York, and Toronto. Pages: 130-l, 141-4. Notes: contents list (partial); concordances (partial).

Fellowes, Edmund H. 1948. Tudor Church Music: Appendix with Supplementary Notes.  London. Pages: 33. Notes: transcription (partial).

Fellowes, Edmund H (editor). 1923-48. Tudor Church Music.  London, Oxford et al. Pages: II, xxv, xxx, xxxii-xxxvii; IV xxxvii-xxxviii. Notes: physical description (partial); contents list (partial); concordances (partial).

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Date Note; Ruling Note; Foliation Note; Decoration Note; Contents Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description