D-Mbs Mus. MS B

Bayerische Staatsbibliothek, Munich, Germany

manuscript of polyphony: 1557-9

Archive	Bayerische Staatsbibliothek, Munich, Germany (D-Mbs)
Shelfmark	Mus. MS B
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Mixed Paper and Parchment
Numbering System	Mixed Foliation and Pagination
Measurements	610 x 435 mm
Other Identifiers	CCM: MunBS B olim (Former shelfmark): Cim. 52; MaiM 128
Notations	black void mensural
Copyists	Mielich, Hans Illuminator Quickelberg, Samuel Indexer Pollet, Jean/Johannes Music
Relationships	Albrecht V (1528–1579) (commissioned by) Ritter, Kaspar (binder) Schniep, Ulrich (binder) d'Este, Ercole II (1508–1559) (reference to person in text) Ippolito II d'Este (1509–1572) (reference to person in text)
External Links	images of B II images of B I
External Authorities	RISM Online (sources/456053591)
Provenance	Munich, Bavaria, Germany
Contents	Contains 38 compositions from 1 composer.

General Description

Copied by Johannes Pollet, who also wrote part of MunBS 46 and several other manuscripts. Latin secular piece 'Mirabar solito' (text by Nicolaus de Stoop) pays homage to Albrecht; 'Labore primus Hercules' honors Ercole II d'Este, Duke of Ferrara (1508-59); 'O qui populus suscipis' addressed to Cardinal Ippolito II d'Este (1509-72). Copied in Munich. Commissioned by Albrecht V, Duke of Bavaria (1528-79) (inscription on p. 6). Ducal court library formed foundation of present Bayerische Staatsbibliothek.

DIAMM, 2017

Binding

Original covers of red gold-stamped leather over wooden boards, with corners, clasps, coat of arms of Albrecht V, Duke of Bavaria, and initials 'A H' [= Albrecht Herzog] in gilded brass. Binding by Kaspar Ritter; metal ornaments by Ulrich Schniep. Restored in 1963.

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original foliation in gold, 1-149, begins on recto of fifth original folio ('105' applied to two consecutive folios); original ink pagination, 1-304, begins on verso of first original folio, omits verso of last original folio and opening comprising ff. 54'-55 (latter two pages now glued together). Some original page numbers partially obliterated by trimming, restored in pencil by modern hand.

DIAMM, 2017

Decoration

Initials and borders elaborately decorated with miniatures by Hans Mielich (1516-73), court painter for Duke Albrecht V. Bavarian coat of arms on p. 2; full-page portraits of Albrecht and his wife, Anna of Austria, on pp. 3-4; Austrian coat of arms on p. 5; self-portrait of Mielich on f. 148'; full-page portrait of Cipriano de Rore on f. 149.

DIAMM, 2017

Index

Original index on verso of first original folio (= p. 1) groups pieces by number of voices (with several errors), with subgrouping by order of appearance.

DIAMM, 2017

Surface

ii paper + iv parchment + 150 parchment + ii paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

20 motets, 6 Latin secular pieces = 26

Rore-25, Rore/(P. Animuccia)-1

ii paper + iv parchment + 150 parchment + ii paper folios, 610 x 435. Original foliation in gold, 1-149, begins on recto of fifth original folio ("105" applied to two consecutive folios); original ink pagination, 1-304, begins on verso of first original folio, omits verso of last original folio and opening comprising ff. 54'-55 (latter two pages now glued together). Some original page numbers partially obliterated by trimming, restored in pencil by modern hand. Original covers (restored in 1963) of red gold-stamped leather over wooden boards, with corners, clasps, coat of arms of Albrecht V, Duke of Bavaria, and initials "A H" [= Albrecht Herzog] in gilded brass. Binding by Kaspar Ritter; metal ornaments by Ulrich Schniep. Original index on verso of first original folio (= p. 1) groups pieces by number of voices (with several errors), with subgrouping by order of appearance. Copied by Johannes Pollet, who also wrote part of MunBS 46 and several other manuscripts not within scope of this catalogue. Initials and borders elaborately decorated with miniatures by Hans Mielich (1516-73), court painter for Duke Albrecht V. Bavarian coat of arms on p. 2; full-page portraits of Albrecht and his wife, Anna of Austria, on pp. 3-4; Austrian coat of arms on p. 5; self-portrait of Mielich on f. 148'; full-page portrait of Cipriano de Rore on f. 149. Latin secular piece "Mirabar solito" (text by Nicolaus de Stoop) pays homage to Albrecht; "Labore primus Hercules" honors Ercole II d'Este, Duke of Ferrara (1508-59); "O qui populus suscipis" addressed to Cardinal Ippolito II d'Este (1509-72).

Musica MS B consists of two separate manuscripts, formerly designated as "Cim. 52" and "Cim. 209." Only Cim. 52, described here, contains music. Cim. 209 is a description of Cim. 52, with index and commentary, prepared in 1564 by the humanist Samuel Quickelberg (1529-67).

1557-9. Copied in Munich. Commissioned by Albrecht V, Duke of Bavaria (1528-79) (inscription on p. 6). Ducal court library formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
0v–6r (pp. 7-18)	Descendi in ortum meum ut viderem	-	Rore, Cipriano de (ca. 1515–1565)
Descendi in ortum meum ut viderem Rore, Cipriano de (ca. 1515–1565) Appears on: 0v–6r (pp. 7-18) Genres: Motet Number of voices: 7
6v–8r (pp. 19-22)	Dissimulare etiam sperasti - 1a pars (of 3): Dissimulare etiam sperasti perfide	-	Rore, Cipriano de (ca. 1515–1565)
Dissimulare etiam sperasti - 1a pars (of 3): Dissimulare etiam sperasti perfide Rore, Cipriano de (ca. 1515–1565) Appears on: 6v–8r (pp. 19-22) Genres: Motet Number of voices: 5
8v–10r (pp. 23-26)	Dissimulare etiam sperasti - 2a pars (of 3): Quin etiam hiberno moliris sidere	-	Rore, Cipriano de (ca. 1515–1565)
Dissimulare etiam sperasti - 2a pars (of 3): Quin etiam hiberno moliris sidere Rore, Cipriano de (ca. 1515–1565) Appears on: 8v–10r (pp. 23-26) Genres: Motet Number of voices: 6
10v–14r (pp. 27-34)	Dissimulare etiam sperasti - 3a pars (of 3): Mene fugis per ego has lacrimas	-	Rore, Cipriano de (ca. 1515–1565)
Dissimulare etiam sperasti - 3a pars (of 3): Mene fugis per ego has lacrimas Rore, Cipriano de (ca. 1515–1565) Appears on: 10v–14r (pp. 27-34) Genres: Motet Number of voices: 7
14v–22r (pp. 35-50)	Donec gratus eram tibi	-	Rore, Cipriano de (ca. 1515–1565)
Donec gratus eram tibi Rore, Cipriano de (ca. 1515–1565) Appears on: 14v–22r (pp. 35-50) Genres: Motet Number of voices: 8
23v–25r (pp. 53-56)	Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant	-	Rore, Cipriano de (ca. 1515–1565)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant Rore, Cipriano de (ca. 1515–1565) Appears on: 23v–25r (pp. 53-56) Genres: Motet Number of voices: 4
25v–27r (pp. 57-60)	Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet	-	Rore, Cipriano de (ca. 1515–1565)
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet Rore, Cipriano de (ca. 1515–1565) Appears on: 25v–27r (pp. 57-60) Genres: Motet Number of voices: 4
27v–30r (pp. 61-66)	Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus omnium	-	Rore, Cipriano de (ca. 1515–1565)
Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus omnium Rore, Cipriano de (ca. 1515–1565) Appears on: 27v–30r (pp. 61-66) Genres: Motet Number of voices: 4
30v–33r (pp. 67-72)	Miserere nostri Deus - 2a pars (of 2): Eleva manum tuam	-	Rore, Cipriano de (ca. 1515–1565)
Miserere nostri Deus - 2a pars (of 2): Eleva manum tuam Rore, Cipriano de (ca. 1515–1565) Appears on: 30v–33r (pp. 67-72) Genres: Motet Number of voices: 4
33v–36r (pp. 73-78)	Sub tuum praesidium [Munich ms.B]	-	Rore, Cipriano de (ca. 1515–1565)
Sub tuum praesidium [Munich ms.B] Rore, Cipriano de (ca. 1515–1565) Appears on: 33v–36r (pp. 73-78) Genres: Motet Number of voices: 4
36v–40r (pp. 79-86)	O crux benedicta que sola fuisti digna	-	Rore, Cipriano de (ca. 1515–1565)
O crux benedicta que sola fuisti digna Rore, Cipriano de (ca. 1515–1565) Appears on: 36v–40r (pp. 79-86) Genres: Motet Number of voices: 4
40v–44r (pp. 87-94)	Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum	-	Rore, Cipriano de (ca. 1515–1565)
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum Rore, Cipriano de (ca. 1515–1565) Appears on: 40v–44r (pp. 87-94) Genres: Motet Number of voices: 4
44v–48r (pp. 95-102)	Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	-	Rore, Cipriano de (ca. 1515–1565)
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit Rore, Cipriano de (ca. 1515–1565) Appears on: 44v–48r (pp. 95-102) Genres: Motet Number of voices: 4
48v–51r (pp. 103-108)	Gratia vobis et pax	-	Rore, Cipriano de (ca. 1515–1565)
Gratia vobis et pax Rore, Cipriano de (ca. 1515–1565) Appears on: 48v–51r (pp. 103-108) Genres: Motet Number of voices: 4
51v–54r (pp. 109-114)	Deus pacis qui reduxit a mortuis	-	Rore, Cipriano de (ca. 1515–1565)
Deus pacis qui reduxit a mortuis Rore, Cipriano de (ca. 1515–1565) Appears on: 51v–54r (pp. 109-114) Genres: Motet Number of voices: 5
55r	[unknown title] '... et in secula seculorum Amen'	-	Rore, Cipriano de (ca. 1515–1565) (?)
[unknown title] '... et in secula seculorum Amen' Rore, Cipriano de (ca. 1515–1565) (?) Appears on: 55r Genres: Motet Number of voices: 5? General Note incomplete - last side (3 voices) only, formerly glued to previous folio Item Bibliography Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: 27-30.
55v–59r (pp. 115-122)	Illuxit nunc sacra dies celebranda	-	Rore, Cipriano de (ca. 1515–1565)
Illuxit nunc sacra dies celebranda Rore, Cipriano de (ca. 1515–1565) Appears on: 55v–59r (pp. 115-122) Genres: Motet Number of voices: 5
59v–64r (pp. 123-132)	Confitebor tibi Domine quoniam iratus es	-	Rore, Cipriano de (ca. 1515–1565)
Confitebor tibi Domine quoniam iratus es Rore, Cipriano de (ca. 1515–1565) Appears on: 59v–64r (pp. 123-132) Genres: Motet Number of voices: 5
64v–66r (pp. 133-136)	Agimus tibi gratias	-	Rore, Cipriano de (ca. 1515–1565)
Agimus tibi gratias Rore, Cipriano de (ca. 1515–1565) Appears on: 64v–66r (pp. 133-136) Genres: Motet Number of voices: 5
66v–72r (pp. 137-148)	Pater noster qui es in caelis	-	Rore, Cipriano de (ca. 1515–1565)
Pater noster qui es in caelis Rore, Cipriano de (ca. 1515–1565) Appears on: 66v–72r (pp. 137-148) Genres: Motet Number of voices: 5
72v–76r (pp. 149-156)	Labore primus Hercules	-	Rore, Cipriano de (ca. 1515–1565)
Labore primus Hercules Rore, Cipriano de (ca. 1515–1565) Appears on: 72v–76r (pp. 149-156) Genres: Motet Number of voices: 5
76v–79r (pp. 157-162)	Benedictum est nomen tuum - 1a pars (of 2): Benedictum est nomen tuum	-	Rore, Cipriano de (ca. 1515–1565)
Benedictum est nomen tuum - 1a pars (of 2): Benedictum est nomen tuum Rore, Cipriano de (ca. 1515–1565) Appears on: 76v–79r (pp. 157-162) Genres: Motet Number of voices: 5
79v–83r (pp. 163-170)	Benedictum est nomen tuum - 2a pars (of 2): Ad te Domine faciem meam converto	-	Rore, Cipriano de (ca. 1515–1565)
Benedictum est nomen tuum - 2a pars (of 2): Ad te Domine faciem meam converto Rore, Cipriano de (ca. 1515–1565) Appears on: 79v–83r (pp. 163-170) Genres: Motet Number of voices: 5
83v–87r (pp. 171-178)	Justus es domine et omnia juditia	-	Rore, Cipriano de (ca. 1515–1565)
Justus es domine et omnia juditia Rore, Cipriano de (ca. 1515–1565) Appears on: 83v–87r (pp. 171-178) Genres: Motet Number of voices: 5
87v–92r (pp. 179-188)	Laudem dicite Deo nostro	-	Rore, Cipriano de (ca. 1515–1565)
Laudem dicite Deo nostro Rore, Cipriano de (ca. 1515–1565) Appears on: 87v–92r (pp. 179-188) Genres: Motet Number of voices: 5
92v–96r (pp. 189-196)	Da pacem domine in diebus nostris	-	Rore, Cipriano de (ca. 1515–1565)
Da pacem domine in diebus nostris Rore, Cipriano de (ca. 1515–1565) Appears on: 92v–96r (pp. 189-196) Genres: Motet Number of voices: 5
96v–99r (pp. 197-202)	O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientie et scientie	-	Rore, Cipriano de (ca. 1515–1565)
O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientie et scientie Rore, Cipriano de (ca. 1515–1565) Appears on: 96v–99r (pp. 197-202) Genres: Motet Number of voices: 5
99v–103r (pp. 203-210)	O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini	-	Rore, Cipriano de (ca. 1515–1565)
O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini Rore, Cipriano de (ca. 1515–1565) Appears on: 99v–103r (pp. 203-210) Genres: Motet Number of voices: 5
103v–106r (pp. 211-218)	O qui populos suscipis	-	Rore, Cipriano de (ca. 1515–1565)
O qui populos suscipis Rore, Cipriano de (ca. 1515–1565) Appears on: 103v–106r (pp. 211-218) Genres: Motet Number of voices: 5
106v–110r (pp. 219-226)	O fortuna potens - 1a pars (of 2): O fortuna potens	-	Rore, Cipriano de (ca. 1515–1565)
O fortuna potens - 1a pars (of 2): O fortuna potens Rore, Cipriano de (ca. 1515–1565) Appears on: 106v–110r (pp. 219-226) Genres: Motet Number of voices: 5
110v–113r (pp. 227-232)	O fortuna potens - 2a pars (of 2): Haec auffert iuvenes	-	Rore, Cipriano de (ca. 1515–1565)
O fortuna potens - 2a pars (of 2): Haec auffert iuvenes Rore, Cipriano de (ca. 1515–1565) Appears on: 110v–113r (pp. 227-232) Genres: Motet Number of voices: 5
113v–117r (pp. 233-240)	Ecce odor filii mei - 1a pars (of 2): Ecce odor filii mei sicut odor agri	-	Rore, Cipriano de (ca. 1515–1565)
Ecce odor filii mei - 1a pars (of 2): Ecce odor filii mei sicut odor agri Rore, Cipriano de (ca. 1515–1565) Appears on: 113v–117r (pp. 233-240) Genres: Motet Number of voices: 5
117v–120r (pp. 241-246)	Ecce odor filii mei - 2a pars (of 2): Esto Dominus fratrum tuorum	-	Rore, Cipriano de (ca. 1515–1565)
Ecce odor filii mei - 2a pars (of 2): Esto Dominus fratrum tuorum Rore, Cipriano de (ca. 1515–1565) Appears on: 117v–120r (pp. 241-246) Genres: Motet Number of voices: 5
120v–125r (pp. 247-256)	Hodie natus est nobis [=Hodie Christus natus est]	-	Rore, Cipriano de (ca. 1515–1565)
Hodie natus est nobis [=Hodie Christus natus est] Rore, Cipriano de (ca. 1515–1565) Appears on: 120v–125r (pp. 247-256) Genres: Motet
125v–130r (pp. 257-266)	Mirabar solito - 1a pars (of 2): Mirabar solito	-	Rore, Cipriano de (ca. 1515–1565)
Mirabar solito - 1a pars (of 2): Mirabar solito Rore, Cipriano de (ca. 1515–1565) Appears on: 125v–130r (pp. 257-266) Genres: Motet Number of voices: 6
130v–134r (pp. 267-274)	Mirabar solito - 2a pars (of 2): Virtutum ante alios	-	Rore, Cipriano de (ca. 1515–1565)
Mirabar solito - 2a pars (of 2): Virtutum ante alios Rore, Cipriano de (ca. 1515–1565) Appears on: 130v–134r (pp. 267-274) Genres: Motet Number of voices: 6
135v–142r (pp. 277-290)	Ave regina caelorum	-	Rore, Cipriano de (ca. 1515–1565)
Ave regina caelorum Rore, Cipriano de (ca. 1515–1565) Appears on: 135v–142r (pp. 277-290) Genres: Ave regina caelorum, BVM, Motet Number of voices: 7
142v–148r (pp. 291-302)	Quem vidistis pastores	-	Rore, Cipriano de (ca. 1515–1565)
Quem vidistis pastores Rore, Cipriano de (ca. 1515–1565) Appears on: 142v–148r (pp. 291-302) Genres: Motet Number of voices: 7

Composer	Compositions
Rore, Cipriano de (ca. 1515-1565)	Agimus tibi gratias – 64v–66r (pp. 133-136) Ave regina caelorum – 135v–142r (pp. 277-290) Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant – 23v–25r (pp. 53-56) Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet – 25v–27r (pp. 57-60) Benedictum est nomen tuum - 1a pars (of 2): Benedictum est nomen tuum – 76v–79r (pp. 157-162) Benedictum est nomen tuum - 2a pars (of 2): Ad te Domine faciem meam converto – 79v–83r (pp. 163-170) Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum – 40v–44r (pp. 87-94) Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit – 44v–48r (pp. 95-102) Confitebor tibi Domine quoniam iratus es – 59v–64r (pp. 123-132) Da pacem domine in diebus nostris – 92v–96r (pp. 189-196) Descendi in ortum meum ut viderem – 0v–6r (pp. 7-18) Deus pacis qui reduxit a mortuis – 51v–54r (pp. 109-114) Dissimulare etiam sperasti - 1a pars (of 3): Dissimulare etiam sperasti perfide – 6v–8r (pp. 19-22) Dissimulare etiam sperasti - 2a pars (of 3): Quin etiam hiberno moliris sidere – 8v–10r (pp. 23-26) Dissimulare etiam sperasti - 3a pars (of 3): Mene fugis per ego has lacrimas – 10v–14r (pp. 27-34) Donec gratus eram tibi – 14v–22r (pp. 35-50) Ecce odor filii mei - 1a pars (of 2): Ecce odor filii mei sicut odor agri – 113v–117r (pp. 233-240) Ecce odor filii mei - 2a pars (of 2): Esto Dominus fratrum tuorum – 117v–120r (pp. 241-246) Gratia vobis et pax – 48v–51r (pp. 103-108) Hodie natus est nobis [=Hodie Christus natus est] – 120v–125r (pp. 247-256) Illuxit nunc sacra dies celebranda – 55v–59r (pp. 115-122) Justus es domine et omnia juditia – 83v–87r (pp. 171-178) Labore primus Hercules – 72v–76r (pp. 149-156) Laudem dicite Deo nostro – 87v–92r (pp. 179-188) Mirabar solito - 1a pars (of 2): Mirabar solito – 125v–130r (pp. 257-266) Mirabar solito - 2a pars (of 2): Virtutum ante alios – 130v–134r (pp. 267-274) Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus omnium – 27v–30r (pp. 61-66) Miserere nostri Deus - 2a pars (of 2): Eleva manum tuam – 30v–33r (pp. 67-72) O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientie et scientie – 96v–99r (pp. 197-202) O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini – 99v–103r (pp. 203-210) O crux benedicta que sola fuisti digna – 36v–40r (pp. 79-86) O fortuna potens - 1a pars (of 2): O fortuna potens – 106v–110r (pp. 219-226) O fortuna potens - 2a pars (of 2): Haec auffert iuvenes – 110v–113r (pp. 227-232) O qui populos suscipis – 103v–106r (pp. 211-218) Pater noster qui es in caelis – 66v–72r (pp. 137-148) Quem vidistis pastores – 142v–148r (pp. 291-302) Sub tuum praesidium [Munich ms.B] – 33v–36r (pp. 73-78) (?) [unknown title] '... et in secula seculorum Amen' – 55r

Composer

Compositions

Rore, Cipriano de (ca. 1515-1565)

Agimus tibi gratias – 64v–66r (pp. 133-136)
Ave regina caelorum – 135v–142r (pp. 277-290)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant – 23v–25r (pp. 53-56)
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet – 25v–27r (pp. 57-60)
Benedictum est nomen tuum - 1a pars (of 2): Benedictum est nomen tuum – 76v–79r (pp. 157-162)
Benedictum est nomen tuum - 2a pars (of 2): Ad te Domine faciem meam converto – 79v–83r (pp. 163-170)
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum – 40v–44r (pp. 87-94)
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit – 44v–48r (pp. 95-102)
Confitebor tibi Domine quoniam iratus es – 59v–64r (pp. 123-132)
Da pacem domine in diebus nostris – 92v–96r (pp. 189-196)
Descendi in ortum meum ut viderem – 0v–6r (pp. 7-18)
Deus pacis qui reduxit a mortuis – 51v–54r (pp. 109-114)
Dissimulare etiam sperasti - 1a pars (of 3): Dissimulare etiam sperasti perfide – 6v–8r (pp. 19-22)
Dissimulare etiam sperasti - 2a pars (of 3): Quin etiam hiberno moliris sidere – 8v–10r (pp. 23-26)
Dissimulare etiam sperasti - 3a pars (of 3): Mene fugis per ego has lacrimas – 10v–14r (pp. 27-34)
Donec gratus eram tibi – 14v–22r (pp. 35-50)
Ecce odor filii mei - 1a pars (of 2): Ecce odor filii mei sicut odor agri – 113v–117r (pp. 233-240)
Ecce odor filii mei - 2a pars (of 2): Esto Dominus fratrum tuorum – 117v–120r (pp. 241-246)
Gratia vobis et pax – 48v–51r (pp. 103-108)
Hodie natus est nobis [=Hodie Christus natus est] – 120v–125r (pp. 247-256)
Illuxit nunc sacra dies celebranda – 55v–59r (pp. 115-122)
Justus es domine et omnia juditia – 83v–87r (pp. 171-178)
Labore primus Hercules – 72v–76r (pp. 149-156)
Laudem dicite Deo nostro – 87v–92r (pp. 179-188)
Mirabar solito - 1a pars (of 2): Mirabar solito – 125v–130r (pp. 257-266)
Mirabar solito - 2a pars (of 2): Virtutum ante alios – 130v–134r (pp. 267-274)
Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus omnium – 27v–30r (pp. 61-66)
Miserere nostri Deus - 2a pars (of 2): Eleva manum tuam – 30v–33r (pp. 67-72)
O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientie et scientie – 96v–99r (pp. 197-202)
O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini – 99v–103r (pp. 203-210)
O crux benedicta que sola fuisti digna – 36v–40r (pp. 79-86)
O fortuna potens - 1a pars (of 2): O fortuna potens – 106v–110r (pp. 219-226)
O fortuna potens - 2a pars (of 2): Haec auffert iuvenes – 110v–113r (pp. 227-232)
O qui populos suscipis – 103v–106r (pp. 211-218)
Pater noster qui es in caelis – 66v–72r (pp. 137-148)
Quem vidistis pastores – 142v–148r (pp. 291-302)
Sub tuum praesidium [Munich ms.B] – 33v–36r (pp. 73-78)
(?) [unknown title] '... et in secula seculorum Amen' – 55r

Composition	Composers (? Uncertain)	Folios / Pages
[unknown title] '... et in secula seculorum Amen'	Rore, Cipriano de (ca. 1515–1565) (?)	55r
Agimus tibi gratias	Rore, Cipriano de (ca. 1515–1565)	64v–66r (pp. 133-136)
Ave regina caelorum	Rore, Cipriano de (ca. 1515–1565)	135v–142r (pp. 277-290)
Beati omnes - 1a pars (of 2): Beati omnes qui timent Dominum qui ambulant	Rore, Cipriano de (ca. 1515–1565)	23v–25r (pp. 53-56)
Beati omnes - 2a pars (of 2): Ecce sic benedicetur homo qui timet	Rore, Cipriano de (ca. 1515–1565)	25v–27r (pp. 57-60)
Benedictum est nomen tuum - 1a pars (of 2): Benedictum est nomen tuum	Rore, Cipriano de (ca. 1515–1565)	76v–79r (pp. 157-162)
Benedictum est nomen tuum - 2a pars (of 2): Ad te Domine faciem meam converto	Rore, Cipriano de (ca. 1515–1565)	79v–83r (pp. 163-170)
Caro mea vere est - 1a pars (of 2): Caro mea vere est cibus in aeternum	Rore, Cipriano de (ca. 1515–1565)	40v–44r (pp. 87-94)
Caro mea vere est - 2a pars (of 2): Hic est panis qui de caelo descendit	Rore, Cipriano de (ca. 1515–1565)	44v–48r (pp. 95-102)
Confitebor tibi Domine quoniam iratus es	Rore, Cipriano de (ca. 1515–1565)	59v–64r (pp. 123-132)
Da pacem domine in diebus nostris	Rore, Cipriano de (ca. 1515–1565)	92v–96r (pp. 189-196)
Descendi in ortum meum ut viderem	Rore, Cipriano de (ca. 1515–1565)	0v–6r (pp. 7-18)
Deus pacis qui reduxit a mortuis	Rore, Cipriano de (ca. 1515–1565)	51v–54r (pp. 109-114)
Dissimulare etiam sperasti - 1a pars (of 3): Dissimulare etiam sperasti perfide	Rore, Cipriano de (ca. 1515–1565)	6v–8r (pp. 19-22)
Dissimulare etiam sperasti - 2a pars (of 3): Quin etiam hiberno moliris sidere	Rore, Cipriano de (ca. 1515–1565)	8v–10r (pp. 23-26)
Dissimulare etiam sperasti - 3a pars (of 3): Mene fugis per ego has lacrimas	Rore, Cipriano de (ca. 1515–1565)	10v–14r (pp. 27-34)
Donec gratus eram tibi	Rore, Cipriano de (ca. 1515–1565)	14v–22r (pp. 35-50)
Ecce odor filii mei - 1a pars (of 2): Ecce odor filii mei sicut odor agri	Rore, Cipriano de (ca. 1515–1565)	113v–117r (pp. 233-240)
Ecce odor filii mei - 2a pars (of 2): Esto Dominus fratrum tuorum	Rore, Cipriano de (ca. 1515–1565)	117v–120r (pp. 241-246)
Gratia vobis et pax	Rore, Cipriano de (ca. 1515–1565)	48v–51r (pp. 103-108)
Hodie natus est nobis [=Hodie Christus natus est]	Rore, Cipriano de (ca. 1515–1565)	120v–125r (pp. 247-256)
Illuxit nunc sacra dies celebranda	Rore, Cipriano de (ca. 1515–1565)	55v–59r (pp. 115-122)
Justus es domine et omnia juditia	Rore, Cipriano de (ca. 1515–1565)	83v–87r (pp. 171-178)
Labore primus Hercules	Rore, Cipriano de (ca. 1515–1565)	72v–76r (pp. 149-156)
Laudem dicite Deo nostro	Rore, Cipriano de (ca. 1515–1565)	87v–92r (pp. 179-188)
Mirabar solito - 1a pars (of 2): Mirabar solito	Rore, Cipriano de (ca. 1515–1565)	125v–130r (pp. 257-266)
Mirabar solito - 2a pars (of 2): Virtutum ante alios	Rore, Cipriano de (ca. 1515–1565)	130v–134r (pp. 267-274)
Miserere nostri Deus - 1a pars (of 2): Miserere nostri Deus omnium	Rore, Cipriano de (ca. 1515–1565)	27v–30r (pp. 61-66)
Miserere nostri Deus - 2a pars (of 2): Eleva manum tuam	Rore, Cipriano de (ca. 1515–1565)	30v–33r (pp. 67-72)
O altitudo divitiarum - 1a pars (of 2): O altitudo divitiarum sapientie et scientie	Rore, Cipriano de (ca. 1515–1565)	96v–99r (pp. 197-202)
O altitudo divitiarum - 2a pars (of 2): Quis enim cognovit sensum Domini	Rore, Cipriano de (ca. 1515–1565)	99v–103r (pp. 203-210)
O crux benedicta que sola fuisti digna	Rore, Cipriano de (ca. 1515–1565)	36v–40r (pp. 79-86)
O fortuna potens - 1a pars (of 2): O fortuna potens	Rore, Cipriano de (ca. 1515–1565)	106v–110r (pp. 219-226)
O fortuna potens - 2a pars (of 2): Haec auffert iuvenes	Rore, Cipriano de (ca. 1515–1565)	110v–113r (pp. 227-232)
O qui populos suscipis	Rore, Cipriano de (ca. 1515–1565)	103v–106r (pp. 211-218)
Pater noster qui es in caelis	Rore, Cipriano de (ca. 1515–1565)	66v–72r (pp. 137-148)
Quem vidistis pastores	Rore, Cipriano de (ca. 1515–1565)	142v–148r (pp. 291-302)
Sub tuum praesidium [Munich ms.B]	Rore, Cipriano de (ca. 1515–1565)	33v–36r (pp. 73-78)

‡ denotes primary source study

Lewis, Mary Stuart. 1979. Antonio Gardane and His Publications of Sacred Music, 1538-55. Brandeis University, Unpublished Ph.D. dissertation. Pages: 476-7, 803. Notes: contents list (partial); concordances (partial).

Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: I-II. Notes: physical description; contents list; concordances; transcription (partial); facsimile (partial); texts (partial); mention of MS; discussion.

Mischiati, Oscar. 1975. Un' Antologia Manoscritta in Partitura del Secolo XVI: II Ms. Bourdeney della Bibliothèque Nationale di Parigi. Revista Italiana di Musicologia, 10: 265-328. Pages: 321. Notes: contents list (partial); concordances (partial).

Nugent, George Edward. 1973. The Jacquet Motets and Their Authors. Princeton University, Unpublished Ph.D. dissertation. Pages: I, 135, 146, 382. Notes: contents list (partial); concordances (partial).

Vander Straeten, Edmond. 1969. La Musique aux Pays-Bas Avant le XIX' Siècle. Brussels, 1867-88. Reprinted New York. Pages: VI, 172-3. Notes: mention of MS; facsimile (partial).

Wangermée, Robert. 1968. Flemish Music and Society in the Fifteenth and Sixteenth Centuries. New York. Pages: 241, 319. Notes: physical description (partial); facsimile (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart, vol. Reihe I, Band 1. Wiesbaden. Pages: 27. Notes: contents list (partial); concordances (partial).

Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae, vol. 14. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VI, ix-ff, 1-105. Notes: physical description (partial); contents list; concordances (partial); transcription (partial); facsimile (partial); mention of MS; discussion.

Reese, Gustave. 1959. Music in the Renaissance. New York. Pages: 376. Notes: mention of MS; contents list (partial).

Westrup, Jack A (editor). 1954-. New Oxford History of Music. London, New York, and Toronto. Pages: IV, 287, 291-2. Notes: mention of MS; contents list (partial).

Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 249, 284-300, 332ff. Notes: physical description; contents list; concordances (partial); discussion.

Osthoff, Helmuth. 1954. Vergils Aeneis in der Musik von Josquin des Prez bis Orlando di Lasso. Archiv für Musikwissenschaft, 11: 85-102. Pages: 97-8. Notes: contents list (partial); mention of MS; discussion.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XI, Tafel 47-8. Notes: facsimile (partial).

Einstein, Alfred. 1949. The Italian Madrigal. 3 vols. Princeton. Pages: I, opp. 383 385-6; II, opp. 500. Notes: physical description (partial); contents list (partial); facsimile (partial).

Smijers, Albert. 1947. Algemeene Muziekgeschiedenis: Geïllustreerd Overzicht der Europeesche Muziek van de Oudheid tot Heden. Utrecht. Pages: Afb. 40, opp. 160. Notes: facsimile (partial).

Blume, Friedrich (editor). 1929-. Das Chorwerk. Berlin/Wolfenbüttel. Pages: LIV, iv-v, 17-31. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wolf, Johannes. 1913-9; Reprinted: Hildesheim, 1963. Handbuch der Notationskunde. Leipzig. Pages: I, 456. Notes: mention of MS.

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

No comments have been made.

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Notation Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Mbs Mus. MS B

Bayerische Staatsbibliothek, Munich, Germany

manuscript of polyphony: 1557-9

General Description

Binding

Notation

Foliation

Decoration

Index

Surface

Census Catalogue of Music Description

General Note

Item Bibliography

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017