Ff. 1'-72, 73'-135, and 191'-253 possibly copied by Peter Steydl; ff. 137-189 and 255'-295 copied by Johannes Pollet, who also wrote MunBS B. Copied in Munich, for use by the court chapel of Albrecht V, Duke of Bavaria (1528-79). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.
| Archive | Bayerische Staatsbibliothek, Munich, Germany (D-Mbs) |
|---|---|
| Shelfmark | Mus. MS 46 |
| Image Availability | The images on this record are linked using IIIF. |
| Surface | Paper |
| Numbering System | Foliation |
| Measurements | 509 x 373 mm |
| Other Identifiers |
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| Contents | Contains 27 compositions from 6 composers. |
General Description
Binding
Original covers of discoloured white leather over wooden boards, stamped with ornamental designs.
Watermark
coat of arms of city of Kaufbeuren (generally resembles Briquet #10080).
Notation
black void mensural
Date
Ca. 1555-63 (BenteNW).
Ruling
Staff height 30
Foliation
Modern pencil foliation, 1-295, by J. J. Maier.
Foliation
Other numberings: Original numbering of pieces, 1-5.
Decoration
Voice designations and attributions in red ink; space left for initials, but initials never added.
Index
Original index pasted inside front cover.
Surface
paper
Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
4 Masses, 1 Requiem Mass = 5
Crecquillon-1, Guyot [Johannes Castileti; earlier attribution to "Thomas Crequilon" deleted by original scribe]-1, Palestrina [Gianetto]-1, Richafort/(Josquin)-1, Rore-1
295 paper folios, 509 x 373. Modern pencil foliation, 1-295, by J. J. Maier. Original numbering of pieces, 1-5. Blank folios: 1, 72'-73, 135'-136', 189'-191, 253'-254', 295'. Original covers of discolored white leather over wooden boards, stamped with ornamental designs. Original index pasted inside front cover. Ff. 1'-72, 73'-135, and 191'-253 possibly copied by Peter Steydl (see general index for other manuscripts copied by the same scribe); ff. 137-189 and 255'-295 copied by Johannes Pollet, who also wrote MunBS B and several other manuscripts not within scope of this catalogue. Staff height 30. Voice designations and attributions in red ink; space left for initials, but initials never added. Watermark is coat of arms of city of Kaufbeuren (generally resembles Briquet #10080).
Ca. 1555-63 (BenteNW). Copied in Munich, for use by the court chapel of Albrecht V, Duke of Bavaria (1528-79). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.
The inventory could not be loaded.
‡ denotes primary source study
Owens, Jessie Ann. 1979. An Illuminated Manuscript of Motets by Cipriano de Rore (München, Bayerische Staatsbibliothek, Mus. Ms. B). Princeton University, Unpublished Ph.D. dissertation. Pages: I, 175. Notes: mention of MS; contents list (partial).
Even, Bénédicte. 1974-6. Jean Guyot de Chatelet, Musicien Liégeois du XVIème Siècle, Synthèse et Perspectives de Recherche. Revue Belge de Musicologie, 28-30: 112-27. Pages: 123-4. Notes: contents list; discussion.
Hudson, Barton (editor). 1974. Thomas Crecquillon: Collected Works. Corpus mensurabilis musicae, vol. 63. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xi; IV, x-xii, 43-91. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.
Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33, 39, 218. Notes: physical description (partial).
Elders, Willem. 1968. Studien zur Symbolik in der Musik der alten Niederländer. Bilthoven. Pages: 46, 112, 204. Notes: contents list (partial); mention of MS; discussion.
Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing. Pages: II, 73, 288, 328. Notes: contents list (partial); concordances (partial).
Meier, Bernhard (editor). 1959-. Cipriani Rore: Opera Omnia. Corpus mensurabilis musicae, vol. 14. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: VII, iii, [viii], 55-90. Notes: contents list (partial); transcription (partial); facsimile (partial).
Kabis, Mary Elise. 1957. The Works of Jean Richafort, Renaissance Composer (1480?-c. 1548). New York University, Unpublished Ph.D. dissertation. Pages: I, 47. Notes: contents list (partial); concordances (partial).
Johnson, Alvin Harold. 1954. The Liturgical Music of Cipriano de Rore. Yale University, Unpublished Ph.D. dissertation. Pages: 188-208. Notes: physical description; contents list; discussion.
Johnson, Alvin Harold. 1953. The Masses of Cipriano de Rore. Journal of the American Musicological Society, 6: 227-39. Pages: 232-6. Notes: contents list (partial); mention of MS; discussion.
Rubsamen, Walter H. 1951. Music Research in Italian Libraries: An Anecdotal Account of Obstacles and Discoveries. Los Angeles. Pages: 52. Notes: contents list (partial); concordances (partial).
Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik. Kassel. Pages: XI, 439-40. Notes: facsimile (partial).
Doorslaer, G van. 1929. Jean Richafort, Maître de chapelle-compositeur, 1480? -+ 1548. Bulletin de Académie Royale d'Archéologie de Belgique, 103-61. Pages: 151. Notes: contents list (partial).
Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 10. Notes: physical description; contents list; concordances.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Binding Note; Watermark Note; Notation Note; Date Note; Ruling Note; Foliation Note; Foliation Note; Decoration Note; Contents Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
IIIF manifest