D-Mbs Mus. MS 13

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: After 1552

Archive	Bayerische Staatsbibliothek, München (Munich), Germany (D-Mbs)
Shelfmark	Mus. MS 13
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Paper
Numbering System	Foliation
Measurements	510 x 365 mm
Other Identifiers	CCM: MunBS 13 olim (Former shelfmark): H.C. 8; MaiM 126
Notations	black void mensural
External Links	images
External Authorities	RISM Online (sources/456051201)
Provenance	Germany
Contents	27 pieces from 10 composers

General Description

Ff. 3'-25 and ff. 59'-108 probably copied by Ludwig Daser; ff. 27'-58 and ff. 129'-212 possibly copied by Peter Steydl; motet on ff. 111'-127 copied by unidentified scribe. Copied in Munich, for use by the court chapel of Albrecht V, Duke of Bavaria (1528-79).

DIAMM, 2017

Physical Description

Some folios damaged by ink corrosion, but most music still legible

DIAMM, 2017

Binding

Original covers of white leather over boards, stamped with ornamental designs; binding and covers probably the work of Kaspar Schinnagl (BenteNW)

DIAMM, 2017

Watermark

coat of arms of city of Kaufbeuren (generally resembles Briquet #1008ff).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Date

After 1552 (BenteNW)

DIAMM, 2017

Foliation

Modern pencil foliation, 1-212, by J. J. Maier.

DIAMM, 2017

Foliation

Other numberings: Modern numbering of pieces, 1-16.

DIAMM, 2017

Decoration

Inked calligraphic initials on ff. 111'-112; no other decoration.

DIAMM, 2017

Surface

paper

DIAMM, 2017

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Passion, 15 motets = 16

Bhoris-1, Clemens non Papa-5, Clemens non Papa/(Crecquillon)-2, Daser-4, (Longaval/Obrecht/Venture)-1, (Senfl)-1, anon-2

212 paper folios, 510 x 365. Some folios damaged by ink corrosion, but most music still legible. Modern pencil foliation, 1-212, by J. J. Maier. Modern numbering of pieces, 1-16. Original covers of white leather over boards, stamped with ornamental designs; binding and covers probably the work of Kaspar Schinnagl (BenteNW). No index. Ff. 3'-25 and ff. 59'-108 probably copied by Ludwig Daser; ff. 27'-58 and ff. 129'-212 possibly copied by Peter Steydl (see general index for other manuscripts copied by the same scribes); motet on ff. 111'-127 copied by unidentified scribe. Inked calligraphic initials on ff. 111'-112; no other decoration. Watermark is coat of arms of city of Kaufbeuren (generally resembles Briquet #1008ff).

After 1552 (BenteNW). Copied in Munich, for use by the court chapel of Albrecht V, Duke of Bavaria (1528-79). Kept in Hofkapelle library until end of 18th century, then transferred to ducal court library, whose holdings formed foundation of present Bayerische Staatsbibliothek.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
3v–25	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	-	Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?)
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 3v–25 Genres: Liturgical work, Motet, Passion Voice: [no designation] Languages: Latin Voice Text: Passio Domini nostri [1a pars] General Note Obrecht GA (Wolf) Passionen, p. 1
3v–25	Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	-	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 3v–25 Genres: Passion Voice: [no designation] Languages: Latin Voice Text: Apprehendit ergo eum
3v–25	Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	-	Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?)
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 3v–25 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Orabat autem Jesus [3a pars]
27v–58	In exitu Israel (in 29 sections) (M48)	-	Senfl, Ludwig (ca. 1486–ca. 1543) (?)
In exitu Israel (in 29 sections) (M48) Senfl, Ludwig (ca. 1486–ca. 1543) (?) Appears on: 27v–58 Genres: Psalm Voice: [no designation] Languages: Latin Voice Text: In exitu israhel
59v–68	Ad te levavi oculos meos - 1a pars (of 2): Ad te levavi oculos meos	-	Daser, Ludwig
Ad te levavi oculos meos - 1a pars (of 2): Ad te levavi oculos meos Daser, Ludwig Appears on: 59v–68 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ad te levavi oculos General Note EdM XLVII, p. 29
59v–68	Ad te levavi oculos meos - 2a pars (of 2): Miserere nostri Domine	-	Daser, Ludwig
Ad te levavi oculos meos - 2a pars (of 2): Miserere nostri Domine Daser, Ludwig Appears on: 59v–68 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Miserere nostri domine General Note EdM XLVII, p. 29
71v–74	Et verbum caro	-	Daser, Ludwig
Et verbum caro Daser, Ludwig Appears on: 71v–74 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Et verbum caro General Note EdM XLVII, p. 21
75v–85	Beati omnes qui timent - 1a pars (of 2): Beati omnes qui timent	-	Bhoris, Antonius
Beati omnes qui timent - 1a pars (of 2): Beati omnes qui timent Bhoris, Antonius Appears on: 75v–85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Beati omnes qui timent
75v–85	Beati omnes qui timent - 2a pars (of 2): Ecce sic benedicetur	-	Bhoris, Antonius
Beati omnes qui timent - 2a pars (of 2): Ecce sic benedicetur Bhoris, Antonius Appears on: 75v–85 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ecce sic benedicetur
89v–93	Hodie Deus homo	-	Daser, Ludwig
Hodie Deus homo Daser, Ludwig Appears on: 89v–93 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Hodie deus homo General Note EdM XLVII, p. 22
95v–100	Ascendo ad patrem meum et patrem vestrum	-	Anonymous
Ascendo ad patrem meum et patrem vestrum Anonymous Appears on: 95v–100 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ascendo ad patrem
103v–108	Salvum me fac	-	Daser, Ludwig
Salvum me fac Daser, Ludwig Appears on: 103v–108 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Salvum me fac General Note EdM XLVII, p. 25
111v–127	Confiteor Deo - 1a pars (of 3): Confiteor Deo patri omnipotenti	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Confiteor Deo - 1a pars (of 3): Confiteor Deo patri omnipotenti Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 111v–127 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Confiteor deo patri
111v–127	Confiteor Deo - 2a pars (of 3): Ideo precor virginem Mariam	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Confiteor Deo - 2a pars (of 3): Ideo precor virginem Mariam Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 111v–127 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ideo precor filium
111v–127	Confiteor Deo - 3a pars (of 3): Misereatur nostri omnipotens Deus	-	Ferrara, Maistre Jhan of (ca. 1485–1538)
Confiteor Deo - 3a pars (of 3): Misereatur nostri omnipotens Deus Ferrara, Maistre Jhan of (ca. 1485–1538) Appears on: 111v–127 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Misereatur nostri
129v–142	Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 129v–142 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Jerusalem surge et sta [1a pars] General Note CMM 4/XIII, p. 62
129v–142	Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 129v–142 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Leva un circuitu General Note CMM 4/XIII, p. 62
142v–155	Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes Clemens non Papa, Jacob (ca. 1510–ca. 1556) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 142v–155 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Super ripam Jordanis General Note CMM 4/XIV, p. 26
142v–155	Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris Clemens non Papa, Jacob (ca. 1510–ca. 1556) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 142v–155 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Vox de coelo General Note CMM 4/XIV, p. 26
155v–169	Discite a me - 1a pars (of 2): Discite a me quia mitis sum	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)
Discite a me - 1a pars (of 2): Discite a me quia mitis sum Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Appears on: 155v–169 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Discite a me General Note CMM 4/XIII, p. 11
155v–169	Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur]	-	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)
Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Appears on: 155v–169 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Quia qui se exaltat General Note CMM 4/XIII, p. 11
169v–182	Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 169v–182 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Venit vox de coelo General Note CMM 4/XIV, p. 8
169v–182	Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 169v–182 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Respondit miles quis es General Note CMM 4/XIV, p. 8
182v–192	In te Domine speravi non confundar	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
In te Domine speravi non confundar Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 182v–192 Genres: Motet, Te Deum Voice: [no designation] Languages: Latin Voice Text: In te domine General Note CMM 4/XIII, p. 39
192v–199	Ego me diligentes diligo et qui mane	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Ego me diligentes diligo et qui mane Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 192v–199 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Ego me diligentes General Note CMM 4/XIV, p. 61
201v–212	Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 201v–212 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Dixerunt discipuli ad beatum General Note CMM 4/XIV, p. 85
201v–212	Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo	-	Clemens non Papa, Jacob (ca. 1510–ca. 1556)
Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo Clemens non Papa, Jacob (ca. 1510–ca. 1556) Appears on: 201v–212 Genres: Motet Voice: [no designation] Languages: Latin Voice Text: Domine si adhuc

Composer	Compositions
Anonymous	Ascendo ad patrem meum et patrem vestrum – 95v–100
Bhoris, Antonius	Beati omnes qui timent - 1a pars (of 2): Beati omnes qui timent – 75v–85 Beati omnes qui timent - 2a pars (of 2): Ecce sic benedicetur – 75v–85
Clemens non Papa, Jacob (ca. 1510–ca. 1556)	(?) Discite a me - 1a pars (of 2): Discite a me quia mitis sum – 155v–169 (?) Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] – 155v–169 Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum – 201v–212 Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo – 201v–212 Ego me diligentes diligo et qui mane – 192v–199 In te Domine speravi non confundar – 182v–192 Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide – 129v–142 Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide – 129v–142 Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes – 142v–155 Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris – 142v–155 Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna – 169v–182 Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine – 169v–182
Crecquillon, Thomas (ca. 1505–ca. 1557)	(?) Discite a me - 1a pars (of 2): Discite a me quia mitis sum – 155v–169 (?) Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur] – 155v–169 (?) Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes – 142v–155 (?) Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris – 142v–155
Daser, Ludwig	Ad te levavi oculos meos - 1a pars (of 2): Ad te levavi oculos meos – 59v–68 Ad te levavi oculos meos - 2a pars (of 2): Miserere nostri Domine – 59v–68 Et verbum caro – 71v–74 Hodie Deus homo – 89v–93 Salvum me fac – 103v–108
Ferrara, Maistre Jhan of (ca. 1485–1538)	Confiteor Deo - 1a pars (of 3): Confiteor Deo patri omnipotenti – 111v–127 Confiteor Deo - 2a pars (of 3): Ideo precor virginem Mariam – 111v–127 Confiteor Deo - 3a pars (of 3): Misereatur nostri omnipotens Deus – 111v–127
Longueval, Antoine de (fl. 1498-1525)	Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 3v–25 Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 3v–25 Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 3v–25
Obrecht, Jacobus (ca. 1457–1505)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 3v–25 (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 3v–25 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 3v–25
Senfl, Ludwig (ca. 1486–ca. 1543)	(?) In exitu Israel (in 29 sections) (M48) – 27v–58
Venture, Johannes a la (fl. c1500)	(?) Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum – 3v–25 (?) Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus – 3v–25 (?) Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus – 3v–25

Composition	Composers (? Uncertain)	Folios / Pages
Ad te levavi oculos meos - 1a pars (of 2): Ad te levavi oculos meos	Daser, Ludwig	59v–68
Ad te levavi oculos meos - 2a pars (of 2): Miserere nostri Domine	Daser, Ludwig	59v–68
Ascendo ad patrem meum et patrem vestrum	Anonymous	95v–100
Beati omnes qui timent - 1a pars (of 2): Beati omnes qui timent	Bhoris, Antonius	75v–85
Beati omnes qui timent - 2a pars (of 2): Ecce sic benedicetur	Bhoris, Antonius	75v–85
Confiteor Deo - 1a pars (of 3): Confiteor Deo patri omnipotenti	Ferrara, Maistre Jhan of (ca. 1485–1538)	111v–127
Confiteor Deo - 2a pars (of 3): Ideo precor virginem Mariam	Ferrara, Maistre Jhan of (ca. 1485–1538)	111v–127
Confiteor Deo - 3a pars (of 3): Misereatur nostri omnipotens Deus	Ferrara, Maistre Jhan of (ca. 1485–1538)	111v–127
Discite a me - 1a pars (of 2): Discite a me quia mitis sum	Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	155v–169
Discite a me - 2a pars (of 2): Quia qui se exaltat humiliabitur]	Crecquillon, Thomas (ca. 1505–ca. 1557) (?) Clemens non Papa, Jacob (ca. 1510–ca. 1556) (?)	155v–169
Dixerunt discipuli - 1a pars (of 2): Dixerunt discipuli ad beatum Martinum	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	201v–212
Dixerunt discipuli - 2a pars (of 2): Domine si adhuc populo tuo	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	201v–212
Ego me diligentes diligo et qui mane	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	192v–199
Et verbum caro	Daser, Ludwig	71v–74
Hodie Deus homo	Daser, Ludwig	89v–93
In exitu Israel (in 29 sections) (M48)	Senfl, Ludwig (ca. 1486–ca. 1543) (?)	27v–58
In te Domine speravi non confundar	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	182v–192
Jerusalem surge - 1a pars (of 2): Jerusalem surge et sta in excelso et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	129v–142
Jerusalem surge - 2a pars (of 2): Leva in circuitu oculos tuos et vide	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	129v–142
Passio Domini secundum Matthaeum - 1a pars (of 3): Passio Domini nostri Jesu Christi secundum Mattheum	Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?)	3v–25
Passio Domini secundum Matthaeum - 2a pars (of 3): Apprehendit ergo eum Pilatus	Longueval, Antoine de (fl. 1498-1525) Venture, Johannes a la (fl. c1500) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	3v–25
Passio Domini secundum Matthaeum - 3a pars (of 3): Orabat autem Jesus pro crucifigentibus	Venture, Johannes a la (fl. c1500) (?) Longueval, Antoine de (fl. 1498-1525) Obrecht, Jacobus (ca. 1457–1505) (?)	3v–25
Salvum me fac	Daser, Ludwig	103v–108
Super ripam Jordanis - 1a pars (of 2): Super ripam Jordanis stabat beatus Johannes	Clemens non Papa, Jacob (ca. 1510–ca. 1556) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	142v–155
Super ripam Jordanis - 2a pars (of 2): Vox de caelo sonuit et vox patris	Clemens non Papa, Jacob (ca. 1510–ca. 1556) Crecquillon, Thomas (ca. 1505–ca. 1557) (?)	142v–155
Venit vox de caelo - 1a pars (of 2): Venit vox de caelo cum luce superna	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	169v–182
Venit vox de caelo - 2a pars (of 2): Respondit miles quis es tu Domine	Clemens non Papa, Jacob (ca. 1510–ca. 1556)	169v–182

‡ denotes primary source study

Moorefield, Arthur Albert. None. An Introduction to Johannes Galliculus. Musicological Studies. Brooklyn. Pages: 117. Notes: contents list (partial).

Youens, Laura. 1978. Music for the Lutheran Mass in Leipzig, Universitätsbibliothek, MS. Thomaskirche 49/50. Indiana University, Unpublished Ph.D. dissertation. Pages: 752-3. Notes: contents list (partial); concordances (partial).

Maas, Chris J. 1976. Towards A New Obrecht Edition. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 84-108. Notes: contents list (partial); concordances (partial).

Walter, George R. 1975. The Five-Voice Motets of Thomas Crecquillon. University of West Virginia, Unpublished Ph.D. dissertation. Pages: I, 320-1. Notes: contents list (partial); concordances (partial).

Noblitt, Thomas L. 1973. Manuscript Mus. l/D/505 of the Sächsische Landesbibliothek Dresden (olim Annaberg, Bibliothek der St. Annenkirche, Ms. 1248). Archiv für Musikwissenschaft, 275-310. Pages: 299. Notes: contents list (partial); concordances (partial).

Loach, Donald Glenn. 1969. Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean. University of California at Berkeley, Unpublished Ph.D. dissertation. Pages: I, 325. Notes: contents list (partial); concordances (partial).

Bente, Martin. 1968. Neue Wege der Quellenkritik und die Biographie Ludwig Senfls. Wiesbaden. Pages: 25ff, 33ff, 182-4, 228, passim. Notes: physical description; contents list; discussion.

Gottwald, Clytus. 1968. Die Musikhandschriften der Universitätsbibliothek München. Die Handschriften der Universitätsbibliothek München. Wiesbaden. Pages: 76. Notes: contents list (partial); concordances (partial).

Krautwurst, Franz. 1965: (XXV) 1967: (XXVII). Die Heilsbronner Chorbücher der Universitätsbibliothek Erlangen (Ms. 473, 1-4). Jahrbuch für Fränkische Landesforschung, 273-324:(XXV)253-82:(XXVII). Pages: XXV, 306. Notes: contents list (partial); concordances (partial).

Gottwald, Clytus. 1964. Codices Musici (Cod. Mus. Fol. I 1-71). . Die Handschriften der Württembergischen Landesbibliothek Stuttgart. Wiesbaden. Pages: 20. Notes: contents list (partial); concordances (partial).

Kempers, Karel Philippus Bernet. 1964. Bibliography of the Sacred Works of Jacobus Clemens non Papa. Musica Disciplina, 85-150. Pages: 122-31. Notes: contents list (partial); concordances (partial).

Schmidt, Günther. 1960. Grundsätzliche Bemerkungen zur Geschichte der Passionshistorie. Archiv für Musikwissenschaft, 100-25. Pages: 103. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Hoffmann-Erbrecht, Lothar. 1956. Das Opus musicum des Jacob Praetorius von 1566. Acta Musicologica, 96-121. Pages: 113. Notes: contents list (partial); concordances (partial).

Maier, Jul Jos. 1879. Die Musikalischen Handschriften der K. Hof-und Staatsbibliothek in Muenchen. Munich. Pages: 88. Notes: physical description; contents list; concordances (partial).

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Edward Tambling

Saturday, 4 June, 2022

Confiteor deo patri identified as by Maistre Jhan, confirmed in RISM 1549/3

DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Date Note; Foliation Note; Foliation Note; Decoration Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

D-Mbs Mus. MS 13

Bayerische Staatsbibliothek, München (Munich), Germany

manuscript of polyphony: After 1552

General Description

Physical Description

Binding

Watermark

Notation

Date

Foliation

Foliation

Decoration

Surface

Census Catalogue of Music Description

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

General Note

Edward Tambling

Saturday, 4 June, 2022

DIAMM, 2016

Monday, 23 January, 2017

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017