DIAMM

Digital Image Archive of Medieval Music

Source: GB-Llp MS 1

complete MS choirbook , Late 1520's; provenance: England, 'Lambeth Choirbook; Arundel Choirbook'

Archive
Lambeth Palace Library [GB-Llp]
Shelfmark
MS 1
Date
Late 1520's
Description

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External/additional data sources:

CMME online edition

Census Catalogue Description:

FromCensus-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550 5 vols., Renaissance Manuscript Studies (Neuhausen-Stuttgart: American Institute of Musicology, Hänssler Verlag, 1979-1988) Vol. 2, p. 112

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

7 Masses, 4 Magnificats, 8 motets = 19

Fayrfax-8, (Lambe)-1, (Ludford)-2, Sturton [Stourton]-1, anon-7

ii paper + 95 parchment + ii paper folios, 665-8 x 465-70. Modern ink foliation, 2-93 (omits first original folio; numbers on f. 1 and f. 94 no longer visible). Pagination begins on verso of first original folio, but stops with "6." Modern covers of tan leather on wooden boards, with five metal bosses front and back; on spine, in gold letters, is inscription "ANTHEM BOOK." No index. Black mensural notation with red and black void coloration, except for piece on ff. 50'-53, in white mensural notation.

The scribe was probably Edward Higgons, who also copied CambriU Caius 667 (ChewP). Initials and decorative marginalia illuminated in gold, with backgrounds of pink, blue, orange, red, yellow, and pale green. Similar illumination style and same pictorial and heraldic motifs also found in CambriU Caius 667 (possible relationships between the two manuscripts discussed in ChewP).

Late 1520's. Probably copied and used at St. Stephen's, Westminster, though alternative origins have been proposed (ChewP). Came to Lambeth Palace Library in 17th century. Collection transferred to Cambridge in 1648; returned to Lambeth Palace in 1664.

Please send corrections or new information to diamm[at]music.ox.ac.uk for consideration by the editorial board

Provenance
England , Westminster? , St. Stephen's?
Notation
Black full mensural notation with red and black void colouration

Bibliography

  • View Skinner, David: The Arundel Choirbook (London, Lambeth Palace Library, MS 1): a Facsimile and Introduction (London: Roxburghe Club, 2003)
  • View Curtis, Gareth; Wathey, Andrew: 'Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory' Royal Musical Association Research Chronicle 27 (1994), 1-69
  • View Benham, Hugh: Latin Church Music in England c. 1460-1575 (London, 1977) , 22-4, passim [Notes: none]
  • View Chew, Geoffrey: 'The Provenance and Date of the Caius and Lambeth Choir-Books' Music and Letters 51 (1970), 107-17
  • View Bray, Roger W: The Interpretation of Musica Ficta in English Music, C. 1490-C. 1580, Unpublished Ph.D. dissertation, Oxford University (1969) , I, 115ff; II, 43-68 [Notes: none]
  • View Warren, Edwin B: Life and Works of Robert Fayrfax, Musicological Studies and Documents Vol. 22 (American Institute of Musicology, 1969) , 42,59-60, passim [Notes: none]
  • View Kirsch, Winfried: Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts (Tutzing, 1966) , 145 [Notes: none]
  • View Bergsagel, John D (ed.): Nicholas Ludford (e. 1485-C.1557): Collected Works, Corpus mensurabilis musicae Vol. 27 (Neuhausen nr. Stuttgart: American Institute of Musicology, 1963-) , Il,xiv-xv,1-38,130-79 [Notes: none]
  • View Harrison, Frank L L (ed.): Early English Church Music (London: Stainer & Bell, 1963-) , IV, 1-48,130-1 [Notes: none]
  • View Warren, Edwin B (ed.): Robert Fayrfax (ca. 1464-1521): Collected Works, Corpus mensurabilis musicae Vol. 17 (Neuhausen nr. Stuttgart: American Institute of Musicology, 1959-66) , I-II [Notes: none]
  • View Harrison, Frank LI.: Music in Medieval Britain (London: Routledge, 1958, second ed. 1963) , 263-9,307,329-30,335 [Notes: none]
  • View Lyon, Margaret Elizabeth: Early Tudor Church Music: The Lambeth and Caius Manuscripts, Unpublished Ph.D. dissertation, University of California at Berkeley (1957) , I-II [Notes: none]
  • View Westrup, J A; et al, (eds.): New Oxford History of Music (London, New York, and Toronto, 1954-) , III,308, 321ff [Notes: none]
  • View Blume, Friedrich (ed.): Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklop√§die der Musik (Kassel, 1949-79) [Specific citations give volume and column number] , II, 1347; VI,378; VIII,1173 [Notes: none]
  • View James, Montague Rhodes; Jenkins, Claude: A Descriptive Catalogue of the Manuscripts in the Library of Lambeth Palace (Cambridge, 1930-2) , I [Notes: none]
  • View Collins, H B: 'Latin Church Music by Early English Composers' Proceedings of the Royal Musical Association 39 & 43 (1912-3 (XXXIX)-1916-7 (XLIII)), 55-83(XXXIX)-97-121(XLIII) , 98-101,104-6 [Notes: none]
  • View Frere, Walter Howard: Bibliotheca Musico-Liturgica: A Descriptive Handlist of the Musical and Latin-Liturgical Mss. of the Middle Ages Preserved in the Libraries of Great Britain and Ireland 2 vols. (London, 1894-1932, repr. Hildesheim, 1967) , I, 4 [Notes: none]
  • View Todd, Henry J.: A Catalogue of the Archiepiscopal Manuscripts in the Library at Lambeth Palace (London, 1812, reprint 1965) , I [Notes: none]

Table of contents

  • View 1 0v-8 Mass Tecum principium   - Robert Fayrfax (Fayrefax, Fairfax)
  • View 2 08v-16 Mass O quam glorifica   - Robert Fayrfax (Fayrefax, Fairfax)
  • View 3 16v-24 Mass Albanus   - Robert Fayrfax (Fayrefax, Fairfax)
  • View 4 24v-32 Mass Benedicta et venerabilis   - Nicholas Ludford (Ludforde, Ludforth)
  • View 5 32v-35 Salve regina mater misericordiae
  • View 6 35v-38 Ave Dei patris filia
  • View 7 38v-41 Magnificat anima mea Dominum
  • View 8 41v-44 Magnificat anima mea Dominum
  • View 9 44v-45 Vidi aquam egredientem de templo
  • View 10 45v-49 Ave mundi spes Maria
  • View 11 49v-52 Gaude flore virginali
  • View 12 52v-56 O Maria plena gratiae   - Walter Lambe
  • View 13 56v-59 Aeternae laudis lilium   - Robert Fayrfax (Fayrefax, Fairfax)
  • View 14 59v-63 Ave Maria ancilla trinitatis   - Sturton (Stourton)
  • View 15 63v-66 Magnificat O bone Jesu   - Robert Fayrfax (Fayrefax, Fairfax)
  • View 16 66v-69 Magnificat Regali   - Robert Fayrfax (Fayrefax, Fairfax)
  • View 17 70v-78 Mass O Bone Jesu   - Robert Fayrfax (Fayrefax, Fairfax)
  • View 18 78v-86 Mass Regali ex progenie   - Robert Fayrfax (Fayrefax, Fairfax)
  • View 19 86v-94 Mass Lapidaverunt Stephanum   - Nicholas Ludford (Ludforde, Ludforth)

Relationships

Linked Manuscripts
  • Copyist/scribal concordance possible scribal concordance
    • View GB-Cgc MS 667/760
Copyists
  • Copyist:? Edward Higgons (text and music)
Persons and places
  • ? copied at: St. Stephen's, Westminster

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