Click an entry to see more information about that item.
| Folio / Pages | Composition / Item title | Number of voices | Source attribution | Composers (? Uncertain) |
|---|---|---|---|---|
| 1–1v | Deh poi che era ne' fati | 4 of 5 | - | |
|
Appears on:
1–1v
Genres:
Madrigal (Italian)
Number of voices:
4 of 5
General Notemissing folios from D2, with loss of the part for this piece |
||||
| 2–2v | O voi che sospirati | 4 of 5 | - | |
|
Appears on:
2–2v
Number of voices:
4 of 5
General Notemissing folios from D2, with loss of the part for this piece |
||||
| 3 | Che fa hoggi il mio sole che fa'l mio | 5 | - | |
|
Appears on:
3
Genres:
Chanson
Number of voices:
5
|
||||
| 3v | Giunto a la tomba - 1a pars (of 4): Giunto a la tomba | 5 | - | |
|
Appears on:
3v
Genres:
Madrigal (Italian)
Number of voices:
5
General NoteOnly the 1a pars is copied |
||||
| 4–4v | Dolorosi martir', fieri tormenti | 5 | - | |
|
Appears on:
4–4v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 5 | O crude pene mie | 5 | - | |
|
Appears on:
5
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 5v | Che se mentre | 5 | - | Anonymous |
Che se mentreAnonymous
Appears on:
5v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 6 | Al suon d'amata voce | 5 | - | |
|
Appears on:
6
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 6v–7v | O come e gran martire | 5 | - | |
|
Appears on:
6v–7v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 8 | Sovra tenere herbette | 5 | - | |
|
Appears on:
8
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 8v | La tra il sangue e le morti egro | 5 | - | |
|
Appears on:
8v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 9–9v | O dolce anima mia | 5 | - | |
|
Appears on:
9–9v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 10 | Ma dove lasso | 5 | - | |
|
Appears on:
10
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 10v–11 | La giovinetta pianta si fa | 5 | - | |
|
Appears on:
10v–11
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 11v | Corre la nave | (1 of ?) | - | Anonymous |
Corre la naveAnonymous
Appears on:
11v
Genres:
Madrigal (Italian)
Number of voices:
(1 of ?)
General NoteBeginning only, crossed through. Only copied in this book. |
||||
| 11v–12 | O rossignuol che in queste verdi fronde | 5 | - | |
|
Appears on:
11v–12
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 12v–13 | Stracciami pur il core | 5 | - | |
|
Appears on:
12v–13
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 13v | O primavera bella | 5 | - | |
|
Appears on:
13v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 14 | Il bianco e dolce cigno cantando more | 5 | - | |
|
Appears on:
14
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 14v | Non mi fuggir | 5 | - | |
|
Appears on:
14v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 15 | Non vedi oime | 5 | - | Anonymous |
Non vedi oimeAnonymous
Appears on:
15
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 15v | Donna s'io sono il sole | 5 | - | |
|
Appears on:
15v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 16 | Mentre ti fui si grato - 1a pars (of 6): Mentre ti fui si grato | 5 | - | |
|
Appears on:
16
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 16v | Mentre ti fui si grato - 2a pars (of 6): Mentre ti fui si caro | 5 | - | |
|
Appears on:
16v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 17 | Mentre ti fui si grato - 3a pars (of 6): Hor, pien d'alto desio | 5 | - | |
|
Appears on:
17
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 17v | Mentre ti fui si grato - 4a pars (of 6): Hor un laccio | 5 | - | |
|
Appears on:
17v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 18 | Arda pur sempre o mora | 5 | - | |
|
Appears on:
18
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 18v | Rimanti in pace, a la dolente e bella | 5 | - | |
|
Appears on:
18v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 19 | Ond'ei di morte la sua faccia | 5 | - | |
|
Appears on:
19
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 19 | O di rare eccellenze | 5 | - | |
|
Appears on:
19
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 19v | Pastorella gratiosella | 5 | - | |
|
Appears on:
19v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 20 | Cara mia Dafne | 5 | - | |
|
Appears on:
20
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 20v | Donna, se voi m'odiate | 5 | - | |
|
Appears on:
20v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 21 | Monte, selvi, fontane | 5 | - | |
|
Appears on:
21
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 21v | Di lauri e mirti il tuo bel tempio | 5 | - | |
|
Appears on:
21v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 22 | Non puo tanto l'amore | 5 | - | |
|
Appears on:
22
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 22v | Cinthia, el tuo dolce canto | 5 | - | |
|
Appears on:
22v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 23 | Donna, se quel ohime | 5 | - | |
|
Appears on:
23
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 23v | Baci amorosi e cari | 5 | - | |
|
Appears on:
23v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 24 | Vorrei lagnarmi - 1a pars (of 2): Vorrei lagnarmi a pieno | 5 | - | |
|
Appears on:
24
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 24v | Vorrei lagnarmi - 2a pars (of 2): S' io taccio il duol s'avanza | 5 | - | |
|
Appears on:
24v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 25 | Occhi, mirando mi togliest' il cor | 5 | - | |
|
Appears on:
25
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 25v | Quell' aura che spirand'a | 5 | - | |
|
Appears on:
25v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 26 | Si un sguardo un fa beato | 5 | - | |
|
Appears on:
26
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 26v | Fuggi se sai fuggire | 5 | - | |
|
Appears on:
26v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 27 | Candide perle e care | 5 | - | |
|
Appears on:
27
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 27v | Quella che in mille | 5 | - | |
|
Appears on:
27v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 28 | Tu nascesti di furto | 5 | - | |
|
Appears on:
28
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 28v | Se da voi m'allontano, cor mio | 5 | - | |
|
Appears on:
28v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 29 | Se la virtu ch' in voi | 5 | - | |
|
Appears on:
29
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 29v–30 | Tra le dolcezze e l' ire | - | - | |
|
Appears on:
29v–30
Genres:
Madrigal (Italian)
|
||||
| 30v | Non fingo, egli e pur (C106) | 5 | - | |
|
Appears on:
30v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 31–31v | Zefiro torna e 'l bel tempo rimena | 5 | - | |
|
Appears on:
31–31v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 32 | Creschin a gara sin al ciel | 5 | - | |
|
Appears on:
32
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 32v | Non vi bastava | 5 | - | |
|
Appears on:
32v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 33 | Soavissimo ardore | 5 | - | |
|
Appears on:
33
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 33v | Occhi cari | 5 | - | |
|
Appears on:
33v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 34 | Ah disleale | 5 | - | |
|
Appears on:
34
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 34v | A che tormi il ben mio | 5 | - | |
|
Appears on:
34v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 35 | A la dolce ombra - 6a pars (of 6): Tanto mi piacque | 5 | - | |
|
Appears on:
35
Genres:
Madrigal (Italian)
Number of voices:
5
General NoteIn the other books these 2 partes are copied in the reverse order |
||||
| 35v | A la dolce ombra - 2a pars (of 6): Non vide il mondo | 5 | - | |
|
Appears on:
35v
Genres:
Madrigal (Italian)
Number of voices:
5
General NoteIn the other books these 2 partes are copied in the reverse order |
||||
| 36–36v | Donna l'ardente fiamma - 1a pars (of 2): Donna l'ardente fiamma | 5 | - | |
|
Appears on:
36–36v
Genres:
Madrigal (Italian)
Number of voices:
5
General NoteOnly the 1a pars is copied |
||||
| 37 | Clorinda hai vinto | 5 | - | |
|
Appears on:
37
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 37v | Non e lasso martire | 5 | - | |
|
Appears on:
37v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 38 | Dolce alpestre parola | 5 | - | |
|
Appears on:
38
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 38v | Natura non mi fe | 5 | - | |
|
Appears on:
38v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 39–39v | Hor veggio - 2a pars (of 2): Ne lo star ne 'l fuggir | 5 | - | |
|
Appears on:
39–39v
Genres:
Madrigal (Italian)
Number of voices:
5
General NoteCopied in all books, but cancelled (crossed out). The 1a pars is copied a few folios later |
||||
| 40 | Con che soavita - 1a pars (of 2): Con che soavita | 5 | - | |
|
Appears on:
40
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 40 | Con che soavita - 2a pars (of 2): Perche i vostri diletti | 5 | - | |
|
Appears on:
40
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 40v–41 | Quelle rose che colt' in paradiso | 5 | - | |
|
Appears on:
40v–41
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 41v | Hor veggio - 1a pars (of 2): Hor veggio chiar che recoperte | 5 | - | |
|
Appears on:
41v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 42 | Perfidissimo volto | 5 | - | |
|
Appears on:
42
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 42v–43 | Dolce mia cara mano | 5 | - | |
|
Appears on:
42v–43
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 43v | Amor se i bei rubini | 5 | - | Anonymous |
Amor se i bei rubiniAnonymous
Appears on:
43v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 44 | Alte parole | 5 | - | |
|
Appears on:
44
Genres:
Dance
Number of voices:
5
|
||||
| 44v | O che vezzosa | 5 | - | |
|
Appears on:
44v
Genres:
Madrigal (Italian)
Number of voices:
5
|
||||
| 45 | If women can be courteous | 5 | - | |
|
Appears on:
45
Genres:
Madrigal (English)
Number of voices:
5
|
||||
| 45v–46 | Peace I hear a voice / Hold up / My masters all / At Betham time | 4 | Gibbons [crossed through] |
Gibbons, Ellis
(?)
|
|
Appears on:
45v–46
Genres:
Consort song
Source Attribution:
Gibbons [crossed through]
Number of voices:
4
General NoteTitled 'A strange songe' (à 4). D1 begins 'Peace! I hear a voyce '; the Altus 'Hold up, hold up'; the Tenor (Quintus), 'My masters all'; and the Bass, 'Att betham tyme.' The name 'Gibbons' originally given in the Altus has been struck out. |
||||
| 46v–47 | The cries of London - 1a pars (of 2): God give you good morrow, my masters | 5 | Orlando Gibings / Gibbons | |
|
Appears on:
46v–47
Genres:
In nomine, Song
Source Attribution:
Orlando Gibings / Gibbons
Number of voices:
5
|
||||
| 47v–48 | The cries of London - 2a pars (of 2): Will you go with me - A good sausage | 5 | - | |
|
Appears on:
47v–48
Genres:
Song
Number of voices:
5
|
||||
| 48v–49 | [untitled piece] | - | 'P' |
Pearson, James
(?)
|
|
Appears on:
48v–49
Genres:
Viol piece
Source Attribution:
'P'
General NoteThe initial 'P' at the end in D1 may be that of James Pearson, as composer. 2 voice parts copied, the Sexta on f. 49 |
||||
| 49v | Timor et tremor - 1a pars (of 2): Timor et tremor venerunt super me | 5 | - | |
|
Appears on:
49v
Genres:
Motet
Number of voices:
5
|
||||
| 49v | Timor et tremor - 2a pars (of 2): Exaudi Deus deprecationem meam | 5 | - | |
|
Appears on:
49v
Genres:
Motet
Number of voices:
5
General NoteIt is not clear whether the 2a pars is copied |
||||
| 50–51 | Fantasia a6 | 6 | William Birde | |
|
Appears on:
50–51
Genres:
Fantasia
Source Attribution:
William Birde
Number of voices:
6
General NoteSexta pars copied in Bassus book |
||||
| 51v | Arise O Lord - 1a pars (of 2): Arise O Lord why sleepest thou | 5 | Birde | |
|
Appears on:
51v
Genres:
Anthem
Source Attribution:
Birde
Number of voices:
5
|
||||
| 51v | Arise O Lord - 2a pars (of 2): Help us, O God | 5 | - | |
|
Appears on:
51v
Genres:
Anthem
Number of voices:
5
General NoteIt is not clear whether the 2a pars is copied |
||||
| 51v | Libera me Domine | 5 | Talles | |
|
Appears on:
51v
Genres:
Responsory
Source Attribution:
Talles
Number of voices:
5
|
||||
| 52 | Prostrate, O Lord, I lie | 5 | Birde | |
|
Appears on:
52
Genres:
Anthem
Source Attribution:
Birde
Number of voices:
5
|
||||
| 52v | [untitled piece] | 5 | Dr Tye | |
|
Appears on:
52v
Genres:
Viol piece
Source Attribution:
Dr Tye
Number of voices:
5
|
||||
| 52v–53 | Fantasia a5 | 5 | - | |
|
Appears on:
52v–53
Genres:
Fantasia
Number of voices:
5
|
||||
| 53v | [untitled piece] | 5 | Morley | |
|
Appears on:
53v
Genres:
Viol piece
Source Attribution:
Morley
Number of voices:
5
|
||||
| 54 | [untitled piece] | 5 | Munday | |
|
Appears on:
54
Genres:
Viol piece
Source Attribution:
Munday
Number of voices:
5
|
||||
| 54v | Death the dissolver | 5 | - | Anonymous |
Death the dissolverAnonymous
Appears on:
54v
Genres:
Consort song
Number of voices:
5
|
||||
| 55 | Dum transisset sabbatum | 5 | - | Anonymous |
Dum transisset sabbatumAnonymous
Appears on:
55
Genres:
Motet
Number of voices:
5
|
||||
| 55v | O Lord, who in thy sacred tent | 5 | - | |
|
Appears on:
55v
Genres:
Anthem
Number of voices:
5
|
||||
| 56–56v | Decantabat populus in Israel | 5 | Birde | |
|
Appears on:
56–56v
Genres:
Motet
Source Attribution:
Birde
Number of voices:
5
General NoteSource unknown. Not in Byrd Edition or Research Guide |
||||
| 57 | Fie fie my fate | 5 | Mundye | |
|
Appears on:
57
Genres:
Consort song
Source Attribution:
Mundye
Number of voices:
5
|
||||
| 57v–58 | De la court - 1a pars | 5 | Parsons | |
|
Appears on:
57v–58
Genres:
Chanson
Source Attribution:
Parsons
Number of voices:
5
General Noteunclear whether the 2a pars found in some sources is copied here |
||||
| 58v–59 | Sorrow stay, lend true repentant tears | 5 | - | |
|
Appears on:
58v–59
Genres:
Consort song
Number of voices:
5
General Notean anojnymous adaptation of Dowland's song |
||||
| 59v–71 | Hence stars, too dim of light | 5 | East | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
East
Number of voices:
5
General NoteThis and the next 24 songs make a complete copy of 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | With angel's face | 5 | Norcome | |
|
Appears on:
59v–71
Genres:
Consort song
Source Attribution:
Norcome
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | Lightly she whipped o'er the dales | 5 | Munday | |
|
Appears on:
59v–71
Genres:
Consort song
Source Attribution:
Munday
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | Long live fair Oriana | 5 | Ellis Gibbons | |
|
Appears on:
59v–71
Genres:
Consort song
Source Attribution:
Ellis Gibbons
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | All creatures now are merry minded | 5 | Bennet | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Bennet
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | Fair Oriana, beauty's queen | 5 | Hilton | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Hilton
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | The nymphs and shepherds danced | 5 | Marson | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Marson
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | Calm was the air and clear the sky | 5 | Carlton | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Carlton
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | Thus Bonnyboots the birthday celebrated | 5 | Holmes | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Holmes
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | Sing shepherds all and in your roundelays | 5 | Nicholson | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Nicholson
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | The Fauns and Satyrs tripping | 5 | Tomkins | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Tomkins
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | Come gentle swains | 5 | Cavendish | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Cavendish
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | With wreaths of rose and laurel | 5 | Cobbold | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Cobbold
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 59v–71 | Arise awake | 5 | Morley | |
|
Appears on:
59v–71
Genres:
Madrigal (English)
Source Attribution:
Morley
Number of voices:
5
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. |
||||
| 71v–83 | Fair nymphs I heard one telling | 6 | Farmer | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Farmer
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | The Lady Oriana was dight all in the treasures of Guiana | 6 | Wilbye | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Wilbye
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | Hark, did ye ever hear so sweet a singing? | 6 | Hunt | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Hunt
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | As Vesta was from Latmos Hill descending | 6 | Weelkes | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Weelkes
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | Fair Orian in the morn | 6 | Milton | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Milton
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | Round about her Chariot | 6 | Ellis Gibbons | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Ellis Gibbons
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | With angel's face / Bright Phoebus greets | 6 | Kirbye | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Kirbye
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | Fair Oriana seeming to wink at folly | 6 | Jones | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Jones
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | Fair Cytherea presents her doves | 6 | Lisley | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Lisley
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | Hard by a crystal fountain | 6 | Morley | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Morley
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 71v–83 | Come blessed Byrd and with thy sugared relish | 6 | Johnson | |
|
Appears on:
71v–83
Genres:
Madrigal (English)
Source Attribution:
Johnson
Number of voices:
6
General NoteFrom 'The Triumphs of Oriana'. Foliation of the individual pieces is not clear from the BL catalogue. The Sexta voice part is usually in the D1 book. |
||||
| 83v–84 | [untitled piece] | 2 of 6 | - | Anonymous |
[untitled piece]Anonymous
Appears on:
83v–84
Genres:
Viol piece
Number of voices:
2 of 6
General NoteCantus & Sextus copied in the D1 book; no parts copied in the other books |
||||
| 84v–87v | The cries of London | 4 of 5 | Thomas Weelkes | |
|
Appears on:
84v–87v
Genres:
Consort song
Source Attribution:
Thomas Weelkes
Number of voices:
4 of 5
General Notea number of folios are missing in the Altus book affecting the remaining pieces in the collection |
||||
| 88–88v | [untitled piece] | 4 of 5 | - | Anonymous |
[untitled piece]Anonymous
Appears on:
88–88v
Genres:
Viol piece
Number of voices:
4 of 5
|
||||
| 89–89v | Fantasia on 'Attendite' | 4 of 5 | - | Anonymous |
Fantasia on 'Attendite'Anonymous
Appears on:
89–89v
Genres:
Fantasia
Number of voices:
4 of 5
|
||||
| 90–90v | O God when thou wentest forth | 4 of 5 | - | Anonymous |
O God when thou wentest forthAnonymous
Appears on:
90–90v
Genres:
Anthem
Number of voices:
4 of 5
|
||||
| 91–91v | Put me not to rebuke | 4 of 5 | Wilkinson | |
|
Appears on:
91–91v
Genres:
Anthem
Source Attribution:
Wilkinson
Number of voices:
4 of 5
|
||||
| 92–92v | Rise, O my soul - 1a pars (of 3): Rise, O my soul | 4 of 5 | - |
East, Michael
(?)
Simmes, William
(?)
|
|
Appears on:
92–92v
Genres:
Anthem
Number of voices:
4 of 5
|
||||
| 92v–93 | Rise, O my soul - 2a pars (of 3): And thou, my soul | 4 of 5 | - |
Simmes, William
(?)
East, Michael
(?)
|
|
Appears on:
92v–93
Genres:
Anthem
Number of voices:
4 of 5
|
||||
| 93 | Rise, O my soul - 3a pars (of 3): To thee, O Jesus | 4 of 5 | - |
East, Michael
(?)
Simmes, William
(?)
|
|
Appears on:
93
Genres:
Anthem
Number of voices:
4 of 5
|
||||
| 93v–94 | I am brought - 1a pars (of 2): I am brought into so great trouble | 4 of 5 | - | |
|
Appears on:
93v–94
Genres:
Anthem
Number of voices:
4 of 5
|
||||
| 94–94v | I am brought - 2a pars (of 2): My heart panteth | 4 of 5 | - | |
|
Appears on:
94–94v
Genres:
Anthem
Number of voices:
4 of 5
|
||||
| 95–96v | Fantasia (in 3 partes) | 5 of 6 (or 4 of 5?) | Thomas Lupo | |
|
Appears on:
95–96v
Genres:
Fantasia
Source Attribution:
Thomas Lupo
Number of voices:
5 of 6 (or 4 of 5?)
|
||||
| 97 | When Israel came out of Egypt | 4 of 5 | - | Anonymous |
When Israel came out of EgyptAnonymous
Appears on:
97
Genres:
Anthem
Number of voices:
4 of 5
|
||||
| 97v–98 | What first did break thee | 4 of 5 | - | Anonymous |
What first did break theeAnonymous
Appears on:
97v–98
Genres:
Consort song
Number of voices:
4 of 5
|
||||
| 98v | Pavan | 4 of 5 | 'P' [=James Pearson?] / [Byrd] |
Pearson, James
(?)
|
|
Appears on:
98v
Genres:
Pavan
Source Attribution:
'P' [=James Pearson?] / [Byrd]
Number of voices:
4 of 5
General NoteThe 'P.' at the end may be the initial of the composer [? James Pearson, the owner] |
||||