V-CVbav MS Capp. Sist. 26

Biblioteca Apostolica Vaticana, Vatican City, Vatican

manuscript of polyphony: c. 1515-21

Archive Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav)
Shelfmark MS Capp. Sist. 26
Image Availability DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface Paper
Numbering System Foliation
Measurements 540 x 425 mm
Other Identifiers
  • RISM: I-Rvat 26
  • CCM: VatS 26
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 26
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents Contains 66 compositions, 61 from 13 composers, 5 are anonymous.
General Description

Composite of originally separate fascicles assembled by Claudius Bouchet c. 1525-7 (DeanS). Copied mostly by Claudius Gellandi (DeanS); Gellandi's assistant wrote some text on ff. 39'-43, 78'-85, 86-86', 87', 88', and 147'-151 (DeanS). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017
Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings.

DIAMM, 2017
Watermark

anchor in circle surmounted by six-pointed star (not in Briquet).

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 26.

DIAMM, 2017
Foliation

Original ink foliation, [i]-[clviii], on upper right rectos (omits original flyleaf; first folio unnumbered, but correctly counted in enumeration; 'lxxiv' and 'lxxxii' omitted; last folio erroneously numbered as 'clviiii' instead of 'clviii'). Modern foliation 1-158 on lower center rectos (excludes first two flyleaves and last two flyleaves)

DIAMM, 2017
Decoration

Illuminated initials at beginning of most Masses; other folios have inked calligraphic initials decorated with tracery. Coat of arms of Pope Leo X (1475-1521) on ff. 39', 78', and 115'-116; 'VIVAT LEO .X.' on f. 11; 'LEO X' on f. 16 (see DeanS for discussion of other Medici-related mottoes and emblems in VatS 26).

DIAMM, 2017
Index

Original index copied by Claudius Bouchet on f. 2 lists pieces in order of appearance

DIAMM, 2017
Surface

paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 159ff. + 2ff. limin. Papier, 545 x 430 mm. Foliotation ancienne en ch. romains et foliotation plus récente très incomplète en ch. arabes. Les ff. limin., 12v, 13, 26v, 27, 36v, 37, 50v, 51, 62v, 63, 76v, 77, 89v, 90, 101v, 102, 114v, 115, 125v, 126, 129v, 130 sont blancs. Notation mesurée blanche. 10 portées par p. Au f. limin. [2]: Tabula hujus libri. Capitales ornées en coul. Reliure du XVIIIe s. cuir avec fermoir et bouillons de métal. Certaines lectures restent difficiles par suite du mauvais état du ms.

Comme le Ms. 16, celui-ci a été compilé sous le pontificat de Léon X (1513-1521) dont on trouve plusieurs fois l'effigie dans le ms. et comme le confirme au f. 11 le titre: «Vivat Leo X.» Il est probable que les enluminures des initiales sont l'oeuvre de Vincent Raymond qui commença, semble-t-il, son activité romaine à la cour de Léon X.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

10 Masses, 1 Credo, 11 motets = 22

Barra-1, C. Festa-1, C. Festa-Isaac-1,* A. Févin-1, R. Févin-1, Gascongne-2, Josquin-1, Lhéritier-3, Misonne-4, Mouton-5, Ockeghem-1, anon-1

'Gloria of Mass on ff. 115'-125 attributed to "Ysaac"; other movements by C. Festa.

iii + i + 156 + ii paper folios, 540 x 425. Composite of originally separate fascicles assembled by Claudius Bouchet ca. 1525-7 (DeanS). Original ink foliation, [i]-[clviii], on upper right rectos (omits original flyleaf; first folio unnumbered, but correctly counted in enumeration; "lxxiv" and "lxxxii" omitted; last folio erroneously numbered as "clviiii" instead of "clviii"). Modern foliation (cited here), 1-158, on lower center rectos (excludes first two flyleaves and last two flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; see VatS 13 for other manuscripts with similar bindings. Original index copied by Claudius Bouchet on f. 2 lists pieces in order of appearance. Copied mostly by Claudius Gellandi (DeanS); see general index for other manuscripts copied by the same scribe. Gellandi's assistant wrote some text on ff. 39'-43, 78'-85, 86-86', 87', 88', and 147'-151 (DeanS). Staff height 26. Illuminated initials at beginning of most Masses; other folios have inked calligraphic initials decorated with tracery. Coat of arms of Pope Leo X (1475-1521) on ff. 39', 78', and 115'-116; "VIVAT LEO .X." on f. 11; "LEO X" on f. 16 (see DeanS for discussion of other Medici-related mottoes and emblems in VatS 26). Watermark: anchor in circle surmounted by six-pointed star (not in Briquet).

Ca. 1515-21; index added ca. 1525-7 (DeanS). Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Dean, Jeffrey J. 1984. The Scribes of the Sistine Chapel 1501-1527. University of Chicago, Unpublished Ph.D. dissertation. Pages: 76, 80, 230-2, passim. Notes: physical description (partial); contents list; concordances (partial); facsimile (partial); mention of MS; discussion.

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae, vol. 95.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: II, ix-xi, 33-60, 63-102. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Johann Wolfgang Goethe-Universität (Frankfurt am Main), Unpublished Ph.D. dissertation. Pages: 189-90, 243.

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III.  Bern and Stuttgart. Pages: I, xxxvii, 51, 61; III, 183-4. Notes: physical description; contents list; incipitsst of contents (partial); mention of MS; discussion.

Rifkin, Joshua. 1973. Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries. Journal of the American Musicological Society, 26: 305-26. Pages: 308f.

Perkins, Leeman L (editor). 1969. Johannis Lhéritier: Opera Omnia. Corpus mensurabilis musicae, vol. 48.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xliv, liii-liv, 84-90. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Swing, Peter Gram. 1969. Parody and Form in Five Polyphonic Masses by Mathieu Gascongne. University of Chicago, Unpublished Ph.D. dissertation. Pages: 22-8, 31, 41, 513-5, 608ff. Notes: contents list (partial); concordances (partial); transcriptions (partial); texts (partial); mention of MS; discussion.

Lowinsky, Edward E (editor). 1968. The Medici Codex of 1518: A Choirbook of Motets Dedicated to Lorenzo de' Medici, Duke of Urbino. Monuments of Renaissance Music, vol. III-V.  Chicago. Pages: III, 60, 182-4, 186-8. Notes: contents list (partial); concordances (partial); texts (partial); mention of MS; discussion.

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae, vol. 43.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, xiv; III, xii. Notes: contents list (partial); concordances (partial).

Perkins, Leeman L. 1965. The Motets of Jean Lhéritier. Yale University, Unpublished Ph.D. dissertation. Pages: I, 150, 222ff; II, 54-68. Notes: physical description (partial); contents list (partial); concordances (partial); transcriptions (partial).

Main, Alexander, and Albert Seay (editors). 1962-. Costanza Festa: Opera Omnia. Corpus mensurabilis musicae, vol. 25.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I, iv-ff, l-15, 37-60. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi, vol. 202.  Città del Vaticano. Pages: 54ff.

Llorens Cisteró, José Maria. 1960. Capellae Sixtinae Codices.  Vatican City. Pages: 54-6, 482. Notes: physical description; contents list; incipits (partial).

Main, Alexander. 1960. Costanzo Festa: The Masses and Motets. New York University, Unpublished Ph.D. dissertation. Pages: 42, 46-7, 182-227. Notes: contents list (partial); transcriptions (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1958-61. Miniaturas de Vincent Raymond en los manuscritos musicales de la Capilla Sixtina. Miscelânea en homenaje a Monsenor Higinio Anglès, 475ff. Barcelona. Pages: 494.

Blume, Friedrich (editor). 1949-79. Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik.  Kassel. Pages: K. Jeppesen, in MGG IV, col. 96 (concerne le n° 10).

Plamenac, Dragan (editor). 1947-. Johannes Ockeghem: Collected Works.  American Musicological Society. Pages: II, xi, xxix-xxx, 59-64, Plate X. Notes: physical description; contents list (partial); transcriptions (partial); facsimile (partial); mention of MS; discussion.

[No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: L. Perkins, in CMM 48,1, p. XLIV.

Smijers, Albert (editor). 1926-64. Werken van Josquin des Prez: Motetten.  Amsterdam. Pages: IV, viii, x. Notes: physical description; contents list (partial); concordances (partial).

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 10.

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Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description