V-CVbav MS Capp. Sist. 13

Biblioteca Apostolica Vaticana, Vatican City, Vatican

manuscript of polyphony: c. 1536-42

Archive Biblioteca Apostolica Vaticana, Vatican City, Vatican (V-CVbav)
Shelfmark MS Capp. Sist. 13
Image Availability The images on this record are linked using IIIF.
Surface Mixed Paper and Parchment
Numbering System Foliation
Format portrait
Measurements 625 x 463 mm
Other Identifiers
  • RISM: I-Rvat 13
  • CCM: VatS 13
  • olim (Former shelfmark): I-Rvat MS Capp. Sist. 13
Notations
  • black void mensural
Copyists
Relationships
External Links
External Authorities
Provenance
Contents Contains 49 compositions, 48 from 8 composers, 1 is anonymous.
General Description

Composite of several originally separate fascicles. Copied by Johannes Parvus (LlorCS). Copied in Rome, for use by Cappella Sistina.

DIAMM, 2017
Physical Description

Folios in very poor condition due to severe ink corrosion; much music now illegible

DIAMM, 2017
Binding

Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; similar or identical bindings also found on VatS 14-24, 26, 29, 32, 34, 35, 36, 38, 39, 41, 42, 44, 45, 46, 49, and 51.

DIAMM, 2017
Watermark

crossed arrows surmounted by six-pointed star (not in Briquet; see BraunerP for other manuscripts with same mark)

DIAMM, 2017
Notation

black void mensural

DIAMM, 2017
Ruling

Staff height 29-30

DIAMM, 2017
Foliation

Original ink foliation, i-[clxxxiii], on upper right rectos (one folio between ff. xxi/xxii not numbered; ff. [clxxxii-clxxxiii] incorrectly numbered as 'clxxii-clxxiii'). Modern pencil foliation, 1-186, on lower center rectos (excludes first and last flyleaves).

DIAMM, 2017
Decoration

Illuminated miniatures on f. i'-ii include coat of arms of Pope Paul III (1468-1549); miniatures are probably work of Vincent Raymond (BraunerP). Other folios have inked calligraphic initials.

DIAMM, 2017
Index

Original index on verso of parchment flyleaf lists pieces in order of appearance, with several attributions not found elsewhere in manuscript.

DIAMM, 2017
Surface

ii paper + i parchment + 184 paper + i paper

DIAMM, 2017
RISM Description

RISM

XVIe s. 186 ff. Papier (2 ff. parchemin), 530X380 mm. Foliotation ancienne en ch. romains. Les ff. 1, 35v, 36, 55v, 56, 78v, 79, l00v, 101, 121v, 122, 133v, 134, 154v, 155, 159v, 160, 171v, 172, 178v, 179, 183v sont blancs. 1 f. n.eh. entre les ff.21 et 22. Notation mesurée blanche. 10 portées par p. au v du f. limin. n.eh.: Table du ms. Aux ff.3v-4: lettres et marges ornées avec les armes de Paul III par Apollonio Bonfratelli, enlumineur papal. Reliure du XVille s.

Ms. copié sous Paul III (1534-1549) par Johannes Parvus à ses débuts de copiste à la cour papale (1538-39). Certaines lectures restent difficiles, l'encre ayant rongé le papier.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales
Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

8Masses, 7motets = 15

Arcadelt-2, Argentilly [Charles]-1, Bonnevin [Jo. Beausseron]-1, Escobedo-2, Escobedo/(Morales)-1, Jaquet of Mantua-1, Misonne -1, Morales-2, Mouton-3, anon-1

ii paper + i parchment + 184 paper + i paper folios, 625 x 463. Composite of several originally separate fascicles. Folios in very poor condition due to severe ink corrosion; much music now illegible. Original ink foliation, i-[clxxxiii], on upper right rectos (one folio between ff. xxi/xxii not numbered; ff. [clxxxii-clxxxiii] incorrectly numbered as "clxxii-clxxiii"). Modern pencil foliation, 1-186, on lower center rectos (excludes first and last flyleaves). Covers of medium brown leather over boards, blind tooled with decorative borders and central diamond motif; brass clasps, studs, and bosses. Covers date from 18th century (LlorCS), but decoration imitates earlier style; similar or identical bindings also found on VatS 14-24, 26, 29, 32, 34, 35, 36, 38, 39, 41, 42, 44, 45, 46, 49, and 51.

Original index on verso of parchment flyleaf lists pieces in order of appearance, with several attributions not found elsewhere in manuscript. Copied by Johannes Parvus (LlorCS); see general index for other manuscripts copied by the same scribe. Staff height 29-30. Illuminated miniatures on f. i'-ii include coat of arms of Pope Paul III (1468-1549); miniatures are probably work of Vincent Raymond (BraunerP). Other folios have inked calligraphic initials. Watermark: crossed arrows surmounted by six-pointed star (not in Briquet; see BraunerP for other manuscripts with same mark).

Ca. 1536-42 (BraunerP). Copied in Rome, for use by Cappella Sistina.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
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denotes primary source study

Josephson, Nors S (editor). 1982-. Early Sixteenth-Century Sacred Music from the Papal Chapel. Corpus mensurabilis musicae, vol. 95.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: I,ix-x,xiv-xv, 107-12,121-53; II,ix. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Brauner, Mitchell Paul. 1982. The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580. Brandeis University, Unpublished Ph.D. dissertation. Pages: l 1,51,55-6,143-51,369,381ff,/passim. Notes: physical description (partial); contents list; facsimile (partial); mention of MS; discussion.

Llorens Cisteró, José Maria. 1969. The Musical Codexes of the Sistine Chapel Written Through the Generosity of the Pauline Popes. Studies in Musicology: Essays in the History, Style, and Bibliography of Music in Memory of Glen Haydon, 18-50. Chapel Hill, N.C. Pages: 31.

Minor, Andrew C (editor). 1967-. Joannes Mouton: Opera Omnia. Corpus mensurabilis musicae, vol. 43.  Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,.xi; IV,x-xiv. Notes: contents list (partial); concordances (partial).

Stevenson, Robert. 1961. Spanish Cathedral Music in the Golden Age.  Berkeley and Los Angeles. Pages: 313. Notes: contents list (partial).

Llorens Cisteró, José Maria. 1960. Capellae Sistinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Studi e testi, vol. 202.  Città del Vaticano. Pages: 16-8, 477. Notes: physical description; contents list; incipits (partial).

Llorens Cisteró, José Maria. 1958-61. Miniaturas de Vincent Raymond en los manuscritos musicales de la Capilla Sixtina. Miscelânea en homenaje a Monsenor Higinio Anglès, 475ff. Barcelona. Pages: 489f.

Haberl, Franz Xavier. 1885-88. Bausteine für Musikgeschichte. 3 vols. Leipzig. Pages: II, 6.

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DIAMM, 2016

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Physical Description Note; Binding Note; Watermark Note; Notation Note; Ruling Note; Foliation Note; Decoration Note; Contents Note; Surface Note

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description