I-Bc Q.17

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

manuscript of polyphony: 1490

Archive	Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc)
Shelfmark	Q.17
Image Availability	DIAMM does not have images of this source. Please refer to the external links for image availability.
Surface	Parchment
Numbering System	Foliation
Measurements	113 x 190 mm
Other Identifiers	RISM: I-Bc 17 CCM: BolC Q17 olim (Former shelfmark): 148
Notations	black void mensural
Relationships	Martini, Giovanni Battista 'Padre' (1706–1784) (owner)
External Links	Images PRoMS
Provenance	Italy
Contents	Contains 71 compositions, 64 from 28 composers, 7 are anonymous.

General Description

Copied by a single scribe. Most of the pieces have text incipits only. Copied in northern Italy, probably in or around Florence (AtlCM).

DIAMM, 2017

Notation

black void mensural

DIAMM, 2017

Foliation

Original ink foliation, 2-78; ff. 1, 10, and 79 are missing.

DIAMM, 2017

Index

No original index, but an 18th-century index, probably by Padre Martini, is pasted inside the back cover.

DIAMM, 2017

Surface

parchment

DIAMM, 2017

RISM Description

RISM

XVe/XVIe s. 76ff. Parchemin, 113 x 190 mm.

Foliotation ancienne en ch. arabes en haut à dr. des ff.: 2-78. Les ff. 1, 10 et 79 mq. Notation mesurée blanche. 6 portées par p. Au 1er f. ajouté postérieurement ch. 1, table du ms. Aux ff. 32v, 51v, 56, 57, 75v, pièces en partition à 2 et 3 vx. d'époque plus récente. Reliure ancienne en veau brun.

Ms. acquis par le P. Martini qui le mentionne (sans en indiquer l'origine) et en donne le dépouillement dans le Ms. Misc. H. 83: «Autori, che trovansi nel presente codice.» (Cf. Bibliographie). Comporte une majorité de chansons françaises dont les paroles se bornent au seul incipit, alors que pour les 2 seules pièces latines (nos 1 et 2), le texte est complet, ce qui laisserait supposer que le scribe était attaché à un couvent, d'autant plus qu'il se qualifie lui-même de «povero servo di dio» (ff. 22v et 26v). Les compositeurs représentés appartiennent à la génération active à la fin du XVe s. et dans les premières années du XVIe, le répertoire offrant beaucoup de concordances avec l'Odhecaton et les Canti B.

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of any of this content without permission may result in legal action.

Répertoire International des Sources Musicales

Census Catalogue of Music Description

This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.

1 Sanctus, 5 motets, 2 motet-chansons, 50 French secular pieces, 1 Flemish secular piece, 1 Italian secular piece, 1 Spanish secular piece, 1 macaronic secular piece, 1 instrumental piece with Latin incipit, 8 textless pieces (of these, 1 motet and 3 French secular pieces have been identified from concordant sources) = 71

A. Agricola-8, (A. Agricola/Isaac)-1, (J. Agricola)-1, Bartolomeo degli Organi [Bactio]-4, Basiron [Philippon]-2, Brumel-2, Busnois/(Compère/Mureau)-1, Busnois/(Japart)-2, Busnois/(Japart/La Rue)-1, (Caron)-1, Compère-7, Compère/(Obrecht)-1, (Compère/Pipelare/Weerbecke)-1, Hayne van Ghizeghem-2, Hayne van Ghizeghem/(A. Agricola)-1, Hayne van Ghizeghem/(M. Agricola)-1, Hayne van Ghizeghem/(Fresneau)-1, Isaac-4, (Isaac/Japart/Obrecht)-1, (Japart)-1, Josquin-4, Josquin/(A. Agricola)-1, La Rue-1, Lannoy/(Josquin)-1, Ninot le Petit/(Compère/Josquin)-1, (Obrecht)-1, Ockeghem/(Busnois)-1, (Ockeghem)-1, Pietrequin [Pierquin]/(Compère)-1, Prioris? [Boris]/(Compere)-1, (Prioris)-3, Stokhem/(Compère/Rubinet)-1, (Wreede)-1, anon-10

ii + 76 parchment folios, 115 x 190. Original ink foliation, 2-78; ff. 1, 10, and 79 are missing. No original index, but an 18th-century index, probably by Padre Martini, is pasted inside the back cover. Copied by a single scribe. Most of the pieces have text incipits only.

1490's (AtlCM); before 1500 (StaeP). Copied in northern Italy, probably in or around Florence (AtlCM).

Vol 4

Composers: Change "(J. Agrícola)-1" to "(J. Agricola/Eline)-1 "; change "(Wreede)-1" to "(Enrique/Wreede)-1."

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Click an entry to see more information about that item.

Folio / Pages	Composition / Item title	Source attribution	Composers (? Uncertain)
2	Parce Domine populo tuo quia pius es	[J. OBRECHT	Obrecht, Jacobus (ca. 1457–1505)
Parce Domine populo tuo quia pius es Obrecht, Jacobus (ca. 1457–1505) Appears on: 2 Genres: Motet Source Attribution: [J. OBRECHT Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Parce domine populo tuo quia pius es General Note incomplete, only Altus and Bassus; Altus ad libitum, in a composition originally for 3vv Concordances »15031 Item Bibliography Besseler, Heinrich. 1950-. Meisterwerke mittelalterlicher Musik. Kassel. Pages: 1. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig.
2v–3	Ave Maria gratia Dei plena Dominus tecum	Brumel	Brumel, Antoine (ca. 1460–ca. 1513)
Ave Maria gratia Dei plena Dominus tecum Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 2v–3 Genres: Ave Maria, Motet Source Attribution: Brumel Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Ave Maria gratia dei plena Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, V.
3v–4	Oblier veult douleur et tristesse (= Carmen in sol)	A. AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Oblier veult douleur et tristesse (= Carmen in sol) Agricola, Alexander (ca. 1445–1506) Appears on: 3v–4 Genres: Chanson Source Attribution: A. AGRICOLA Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Oublier veul General Note [= Carmen in sol] Concordances A-Wn 18810 Item Bibliography Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
4v–5	L'oserai-ge dire sy j'aime par amours.	-	Anonymous
L'oserai-ge dire sy j'aime par amours. Anonymous Appears on: 4v–5 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: L'oserai-ge dire sy j'ayme par amours. Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America.
5v–6	Royne du ciel / Regina caeli laetare alleluia	PRIORIS [sic pour L. COMPÈRE*]	Compère, Loyset (ca. 1445–1518)
Royne du ciel / Regina caeli laetare alleluia Compère, Loyset (ca. 1445–1518) Appears on: 5v–6 Genres: Motet, Regina caeli laetare Source Attribution: PRIORIS [sic pour L. COMPÈRE] Number of voices:* 3 Voice: [no designation] Languages: French Voice Text: Royne du ciel General Note Avec début différent Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A.* Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
6v–7	Plaine d'ennuy de longue main / Anima mea	LOYSET COMPÈRE	Compère, Loyset (ca. 1445–1518)
Plaine d'ennuy de longue main / Anima mea Compère, Loyset (ca. 1445–1518) Appears on: 6v–7 Genres: Chanson Source Attribution: LOYSET COMPÈRE Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Playne d'enuy General Note Ct: Anima mea liquefacta est. Item Bibliography Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Pages: II. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15,V.
7v–9	Amours amours - 1a pars (of 2): Amours amours	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Amours amours - 1a pars (of 2): Amours amours Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 7v–9 Genres: Chanson Source Attribution: BRUMEL Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Amours amours General Note [2a p.]: De desdain. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, VI.
7v–9	Amours amours - 2a pars (of 2): De desdain	BRUMEL	Brumel, Antoine (ca. 1460–ca. 1513)
Amours amours - 2a pars (of 2): De desdain Brumel, Antoine (ca. 1460–ca. 1513) Appears on: 7v–9 Genres: Chanson Source Attribution: BRUMEL Number of voices: 3 Voice: [no designation] Languages: French Voice Text: 2a p.]: De desdain. General Note Amours amours. 3vx. Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, VI.
9v	Amours amours	A. AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Amours amours Agricola, Alexander (ca. 1445–1506) Appears on: 9v Genres: Chanson Source Attribution: A. AGRICOLA Voice: [no designation] Languages: French Voice Text: Amours General Note Sup. seul' et fin du Ct Item Bibliography Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
11	Nunca fue pena mayor / Numquam fuit pena magior	J. URREDE ou ENRIQUE*	Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?)
Nunca fue pena mayor / Numquam fuit pena magior Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?) Appears on: 11 Genres: Motet Source Attribution: J. URREDE ou ENRIQUE* Number of voices: 2 Voice: [no designation] Languages: Latin Voice Text: Nunqua fui pena maior General Note T et Ct seul1l'Publ. cf. Bc 16, n» 116 Concordances *E-Sc 28
11v–12	O vos omnes qui transitis / O devots coeurs	Loyset Compere/ [Obrecht] - O devots coeurs / O vos omnes qui transitis per viam	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)
O vos omnes qui transitis / O devots coeurs Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 11v–12 Genres: Chanson, Contrafactum, Motet Source Attribution: Loyset Compere/ [Obrecht] - O devots coeurs / O vos omnes qui transitis per viam Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O devotz cueurs /O vos omnes qui transitis per viam General Note [= Tant ai d'ennui]Paroles complètes au CtB-Br 228 Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria.* Berkeley and Los Angeles: University of California Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: IV. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation.
12v–16	Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus	[A. AGRICOLA* ou H. ISAAC***	Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?)
Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 12v–16 Genres: Contrafactum Source Attribution: [A. AGRICOLA* ou H. ISAAC* Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Cecus [text incipit only] General Note [= Regali quam decet] [= Ave ancilla trinitatis*] [= Gaudent in celis*] Concordances Ch-SGs 462 D-ddr-Bds 40021 CS-HK II.A.7 **D-brd-Mbs 3154 Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22,.
12v–16	Caecus non iudicat - 2a pars (of 2): (no text)	-	Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)
Caecus non iudicat - 2a pars (of 2): (no text) Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 12v–16 Genres: textless
16v–17	Mes pensées ne me laissent une heure 27.26	LOYSET COMPÈRE	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)
Mes pensées ne me laissent une heure 27.26 Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518) Appears on: 16v–17 Genres: Chanson Source Attribution: LOYSET COMPÈRE Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Mes pensées [ne me laissent une heure]. Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Pope, Isabel. 1964. The musical manuscript Montecassino N879 [sic; recte 871]. Anuário Musical, 19: 123-53. Pages: Ms 871. Boer, Coenraad L W. 1938. Chansonvormen op het einde van de xvde eeuw : een studie naar aanleiding van Petrucci's "harmonice musices odhecaton". Amsterdam. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation.
17v–18	Gentil galans	[HAYNE VAN GHIZEGHEM	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Gentil galans Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 17v–18 Genres: Secular Source Attribution: [HAYNE VAN GHIZEGHEM Number of voices: 3 Voice: [no designation] Languages: French, Italian Voice Text: Gentil gallans Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
18v–19	Mais que ce fut secrètement en aulcune	PIERQUIN [ou L. COMPÈRE*]	Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?)
Mais que ce fut secrètement en aulcune Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 18v–19 Genres: Chanson Source Attribution: PIERQUIN [ou L. COMPÈRE] Number of voices:* 3 Voice: [no designation] Languages: French Voice Text: Mes que che fu secrètement. General Note [= Donzella no men culpeys à 4vx.] Concordances 1501 Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A.* Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V (op dup). Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
19v–20	Cela sans plus et plus hola	COLINET DE LANNOY	Lannoy, Colinet de Despres, Josquin (ca. 1450–1521) (?)
Cela sans plus et plus hola Lannoy, Colinet de Despres, Josquin (ca. 1450–1521) (?) Appears on: 19v–20 Genres: Chanson Source Attribution: COLINET DE LANNOY Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Cela sans plus et puis hola General Note Publ. cf. Bc 16, n° 42
20v–21	Dat ik mijn lijden aldus helen moet	[A. AGRICOLA ou P. ELINE*	Agricola, Johannes (ca. 1560–ca. 1601) (?) Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?)
Dat ik mijn lijden aldus helen moet Agricola, Johannes (ca. 1560–ca. 1601) (?) Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?) Appears on: 20v–21 Genres: Song Source Attribution: [A. AGRICOLA ou P. ELINE* Number of voices: 3 Voice: [no designation] Languages: German Voice Text: [Dat ik mijn lijden] Concordances E-SE10 Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent.* Monuments of Renaissance Music, vol. 7. Chicago and London.
21v–22	Ne refuses.	-	Anonymous
Ne refuses. Anonymous Appears on: 21v–22 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Ne refuses.
22v–23	Se j'ai parlé aulcunement des femmes de religion.	[L. COMPÈRE]	Compère, Loyset (ca. 1445–1518)
Se j'ai parlé aulcunement des femmes de religion. Compère, Loyset (ca. 1445–1518) Appears on: 22v–23 Genres: Chanson Source Attribution: [L. COMPÈRE] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Se j'ay parlé aulcunement des femmes de religion. Concordances E~SE Item Bibliography Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. [No Author] 1947-. Corpus mensurabilis musicae.* The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
23v–24	Allez regrets	BACTIO	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)
Allez regrets Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539) Appears on: 23v–24 Genres: Chanson Source Attribution: BACTIO Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Allés regres Item Bibliography Wexler, Richard. 1970. Newly Identified Works by Bartolomeo degli Organi in the MS Bologna Q. 17. Journal of the American Musicological Society, 23: 107-18. Pages: facs.
24v–25	Je vous an pri	BACTIO	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)
Je vous an pri Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539) Appears on: 24v–25 Genres: Chanson Source Attribution: BACTIO Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Je vous an pri General Note [= Meyor d'esté no ay] Item Bibliography [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 32, II. Wexler, Richard. 1970. Newly Identified Works by Bartolomeo degli Organi in the MS Bologna Q. 17. Journal of the American Musicological Society, 23: 107-18. Pages: facs.
25v–26	Je prends congie de vous mes amours	BACTIO	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)
Je prends congie de vous mes amours Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539) Appears on: 25v–26 Genres: Chanson Source Attribution: BACTIO Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Je pren congieu de vous mes amours.
26v–27	De tous biens plaine est ma maîtresse	BACTIO	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)
De tous biens plaine est ma maîtresse Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539) Appears on: 26v–27 Genres: Chanson Source Attribution: BACTIO Number of voices: 3 Voice: [no designation] Languages: French Voice Text: De tous biens
27v–28	Le renvoi d'un coeur esgaré	LOYSET COMPÈRE	Compère, Loyset (ca. 1445–1518)
Le renvoi d'un coeur esgaré Compère, Loyset (ca. 1445–1518) Appears on: 27v–28 Genres: Chanson Source Attribution: LOYSET COMPÈRE Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Le renvoy [d'ung cueur esgaré]. Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
28v–29	C'est trop sur amours entrepriz (= C'est mal serché (II))	A. AGRICOLA - C'est mal ser	Agricola, Alexander (ca. 1445–1506)
C'est trop sur amours entrepriz (= C'est mal serché (II)) Agricola, Alexander (ca. 1445–1506) Appears on: 28v–29 Genres: Chanson Source Attribution: A. AGRICOLA - C'est mal ser Number of voices: 3 Voice: [no designation] Languages: French Voice Text: C'est mal ser [ché] General Note [sic pour C'est trop sur amour entrepris]. Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
29v–30	Ma dame qui tant est en mon coeur	CARON	Caron, Firminus (ca. 1460–ca. 1475)
Ma dame qui tant est en mon coeur Caron, Firminus (ca. 1460–ca. 1475) Appears on: 29v–30 Genres: Chanson Source Attribution: CARON Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Ma dame [qui tant est en mon coeur]. General Note [= Nam nulli tacuisse nocet] Concordances SA - Csa 12 Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies, vol. XXVII, 1-2. Brooklyn. Pages: II. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. Schuetze, George C, Jr. 1960-80. Collected works of Faugues, Transcription and introduction by G.C. Schuetze, jr. Collected works. Gesamtausgaben, vol. 1 & Vols VI. Les œuvres complètes de Philippe (?) Caron... Transcription et notes critiques de James Thomson. 2 vol. 1971, 1976 XI. Les œuvres complètes d'Antoine de Févin par Edward Clinkscale. 1980. New York. Pages: V 1/2. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
30v–31	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	HAYNE	Ghizeghem, Hayne van (ca. 1445–ca. 1497) Agricola, Alexander (ca. 1445–1506) (?)
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence Ghizeghem, Hayne van (ca. 1445–ca. 1497) Agricola, Alexander (ca. 1445–1506) (?) Appears on: 30v–31 Genres: Chanson, Contrafactum, Motet Source Attribution: HAYNE Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: Allés regrez Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Villanis, Louis-Albert. 1903. Une chanson française au XVIe siècle. Revue d'histoire et de critique musicale, 2: 511-8. Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Becherini, Bianca. 1942-43. Alcuni canti dell'Odhecaton e del codice fiorentino 2794. Bulletin de l'Institut historique belge de Rome, 21: 327ff. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: MI IV. Droz, Eugénie, and Geneviève Thibault. 1924. Poètes et musiciens du XVe siècle. Documents artistiques du XVe siècle, vol. I. Paris. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Lewis, Anthony (editor). 1951-. Musica Britannica: A National Collection of Music. London. Pages: XVIII.
31v–32	Venes regrets venes il en est heure	LOYSET COMPÈRE	Compère, Loyset (ca. 1445–1518)
Venes regrets venes il en est heure Compère, Loyset (ca. 1445–1518) Appears on: 31v–32 Genres: Chanson Source Attribution: LOYSET COMPÈRE Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Venés regres Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
32v–33	Mon souvenir mi fait morir pour les regrets	HAYNE	Ghizeghem, Hayne van (ca. 1445–ca. 1497)
Mon souvenir mi fait morir pour les regrets Ghizeghem, Hayne van (ca. 1445–ca. 1497) Appears on: 32v–33 Genres: Chanson Source Attribution: HAYNE Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Mon souvenir [me fait mourir] Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. Gombosi, Otto Johannes. 1925. Jacob Obrecht: Eine stilkritische Studie. Leipzig. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
33v–34	De vous servir m'est prins envie	HAYNE [ou J. FRESNEAU]	Fresneau, Jehan (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
De vous servir m'est prins envie Fresneau, Jehan (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 33v–34 Genres: Chanson Source Attribution: HAYNE [ou J. FRESNEAU] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: De vous servir [m'est prins envie] Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
34v–35	Si dedero somnum oculis meis	A. AGRICOLA [ou VERBONNET*]	Agricola, Alexander (ca. 1445–1506)
Si dedero somnum oculis meis Agricola, Alexander (ca. 1445–1506) Appears on: 34v–35 Genres: Motet Source Attribution: A. AGRICOLA [ou VERBONNET] Number of voices:* 3 Voice: [no designation] Languages: Latin Voice Text: Si dedero somnum oculis meis General Note Publ. cf. Bc 16, n° 117 Concordances "CH-SGs 463
35v–36	Que vous madame / In pace in idipsum 27.33	Iosqn [= Josquin]/ [A. Agricola]	Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521)
Que vous madame / In pace in idipsum 27.33 Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521) Appears on: 35v–36 Genres: Motet Source Attribution: Iosqn [= Josquin]/ [A. Agricola] Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: In pace in idipsum [= Que vous madame] General Note JOSQUIN [ou A. AGRICOLA* pour la 4e vx.] Concordances * 15043 Item Bibliography Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. Besseler, Heinrich. 1950-. Meisterwerke mittelalterlicher Musik. Kassel. Pages: I. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V (op.dub. à 4vx. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
36v–37	Les grands regrets que sans cesses je porte	HAYNE [ou A. AGRICOLA*]	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)
Les grands regrets que sans cesses je porte Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?) Appears on: 36v–37 Genres: Chanson Source Attribution: HAYNE [ou A. AGRICOLA] Number of voices:* 3 Voice: [no designation] Languages: French Voice Text: Les grans regres. Concordances B-Br 11239 Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A.* Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V (op. dub). [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 74. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Marrocco, W. Thomas, and Nicholas Sandon (editors). 1977. Medieval Music. London.
37v–38	Je ne fais plus je ne dis ne escris = Au joli mois de may	A. BUSNOIS [ou L. COMPÈRE* ou G. MUREAU]	Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?)
Je ne fais plus je ne dis ne escris = Au joli mois de may Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 37v–38 Genres: Chanson Source Attribution: A. BUSNOIS [ou L. COMPÈRE* ou G. MUREAU] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Je ne fais [plus je ne dis] General Note [= Au joly moys de may] Concordances E-SE Item Bibliography Birmingham, Hugh Myers, Jr. 1955. A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance. North Texas State College, Unpublished Master's thesis. Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A.* Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Pages: (4vx). Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Brooks, Catherine V. 1951. Antoine Busnois as a composer of chansons. New York University, Ph.D. Dissertation. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Pease, Edward Joseph. 1959. An Edition of the Pixérécourt Manuscript. Indiana University, Ph.D. Dissertation.
38v–39	Soit loing ou pres tousjours me souviendra	A. AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Soit loing ou pres tousjours me souviendra Agricola, Alexander (ca. 1445–1506) Appears on: 38v–39 Genres: Chanson Source Attribution: A. AGRICOLA Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Soit loing soit pre Item Bibliography Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
39v–40	Par un jour de matinée	Pater meus AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Par un jour de matinée Agricola, Alexander (ca. 1445–1506) Appears on: 39v–40 Genres: Chanson Source Attribution: Pater meus AGRICOLA Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Par un matin. [= Par un jour de matinée] Concordances GB-Lbm XVI Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V.
40v–41	D'un aultre aimer mon coeur s'abesseroit	JO. OCKEGHEM [ou BUSNOIS*]	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)
D'un aultre aimer mon coeur s'abesseroit Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?) Appears on: 40v–41 Genres: Chanson Source Attribution: JO. OCKEGHEM [ou BUSNOIS] Number of voices:* 3 Voice: [no designation] Languages: French Voice Text: D'un aultre amer Concordances F-Pn 15123 Item Bibliography Droz, Eugénie, Y Rokseth, and Geneviève Thibault (editors). 1927. Trois Chansonniers Français du XV Siècle.* Paris. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: XI. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: I. Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig.
41v–42	En e fait = En riens de remede	-	Anonymous
En e fait = En riens de remede Anonymous Appears on: 41v–42 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [En e fait] [= En riens de remède] General Note [= En riens de remède] Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies, vol. XXVII, 1-2. Brooklyn. Pages: II. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London.
42v–43	Ha traite amours me sçauroes-tu feire pis	JO. STOCKEM [ou L. COMPÈRE* ou RUBINET]	Robinet, F (?) Stockem, Johannes de (ca. 1445–1487) (?) Compère, Loyset (ca. 1445–1518) (?)
Ha traite amours me sçauroes-tu feire pis Robinet, F (?) Stockem, Johannes de (ca. 1445–1487) (?) Compère, Loyset (ca. 1445–1518) (?) Appears on: 42v–43 Genres: Chanson Source Attribution: JO. STOCKEM [ou L. COMPÈRE* ou RUBINET] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: A traite amour Concordances * c. 1535" Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London.
43v–45	L'heure est venue de me plaindre	A. AGRICOLA	Agricola, Alexander (ca. 1445–1506)
L'heure est venue de me plaindre Agricola, Alexander (ca. 1445–1506) Appears on: 43v–45 Genres: Chanson Source Attribution: A. AGRICOLA Number of voices: 3 Voice: [no designation] Languages: French Voice Text: L'heure et venue [de me plaindre]. Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Boer, Coenraad L W. 1938. Chansonvormen op het einde van de xvde eeuw : een studie naar aanleiding van Petrucci's "harmonice musices odhecaton". Amsterdam. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
45v–46	A l'ombre d'ung buissonet au matinet 27.2	JOSQUIN	Despres, Josquin (ca. 1450–1521)
A l'ombre d'ung buissonet au matinet 27.2 Despres, Josquin (ca. 1450–1521) Appears on: 45v–46 Genres: Chanson Source Attribution: JOSQUIN Number of voices: 3 Voice: [no designation] Languages: French Voice Text: En l'ombre d'ung buisonnet. Item Bibliography Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II.
46v–47	D'un autre aimer mon coeur s'abesseroit	-	Anonymous
D'un autre aimer mon coeur s'abesseroit Anonymous Appears on: 46v–47 Genres: Chanson Number of voices: 2 Voice: [no designation] Languages: French Voice Text: D'ung aultre amer
47v–48	Venus	-	Anonymous
Venus Anonymous Appears on: 47v–48 Genres: Secular Number of voices: 3 Voice: [no designation] Languages: Italian Voice Text: [Venus] Item Bibliography Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London.
48v–49	Vostre oeil s'est bien tost repenty	[J. PRIORIS]	Prioris, Johannes (Denis, Dionisius) (–1515)
Vostre oeil s'est bien tost repenty Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 48v–49 Genres: Chanson Source Attribution: [J. PRIORIS] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Votre oeil s'est bien tost repenti] General Note [= Votre cueur s'est bien toust resjoy] Concordances F-Pn 2245 **DK-Kk 1848 Item Bibliography Birmingham, Hugh Myers, Jr. 1955. A Transcription into Modern Notation of a Chansonnier (Fonds Français 2245) of the Duke of Orleans, with Commentary and Concordance. North Texas State College, Unpublished Master's thesis. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Wexler, Richard. 1974. The Complete Works of Johannes Prioris. .
49v–50	O Venus bant	YZAC	Isaac, Heinrich (ca. 1450–1517)
O Venus bant Isaac, Heinrich (ca. 1450–1517) Appears on: 49v–50 Genres: Secular Source Attribution: YZAC Number of voices: 3 Voice: [no designation] Languages: Latin Voice Text: O Venus bant Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV). Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
50v–51	Allez regrets	-	Anonymous
Allez regrets Anonymous Appears on: 50v–51 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Allés regres
51v–52	Par vous sermens tous plains	[J. PRIORIS]	Prioris, Johannes (Denis, Dionisius) (–1515)
Par vous sermens tous plains Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 51v–52 Genres: Chanson Source Attribution: [J. PRIORIS] Number of voices: 3 Voice: [no designation] Languages: French Voice Text: [Par vos sermens] Item Bibliography Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Wexler, Richard. 1974. The Complete Works of Johannes Prioris. .
52v–53	Royne du ciel	[J. PRIORIS]	Prioris, Johannes (Denis, Dionisius) (–1515)
Royne du ciel Prioris, Johannes (Denis, Dionisius) (–1515) Appears on: 52v–53 Genres: Chanson, Sacred Song Source Attribution: [J. PRIORIS] Number of voices: 4 Voice: [no designation] Languages: French Voice Text: [Royne du ciel] General Note [Fc 2439: +2 ,0+2+4] Item Bibliography Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Pages: II. Wexler, Richard. 1974. The Complete Works of Johannes Prioris. .
53v–54	Pourquoi non ne veuil je morir	P. DE LA RUE	Rue, Pierre de la (ca. 1452–1518)
Pourquoi non ne veuil je morir Rue, Pierre de la (ca. 1452–1518) Appears on: 53v–54 Genres: Chanson Source Attribution: P. DE LA RUE Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Pourquoy non Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 3.
54v–55	Sanctus	YZAC	Isaac, Heinrich (ca. 1450–1517)
Sanctus Isaac, Heinrich (ca. 1450–1517) Appears on: 54v–55 Genres: Mass Ordinary, Sanctus [& Benedictus] Source Attribution: YZAC Number of voices: 4 Voice: [no designation] Languages: Latin Voice Text: Sanctus
55v–56	D'un autre aimer mon coeur s'abesseroit	PHILIPON	Basiron, Philippe (ca. 1449–1491)
D'un autre aimer mon coeur s'abesseroit Basiron, Philippe (ca. 1449–1491) Appears on: 55v–56 Genres: Italian secular Source Attribution: PHILIPON Number of voices: 3 Voice: [no designation] Languages: French Voice Text: D'ung aulire amer
56v–57	D'un autre aimer mon coeur s'abesseroit	-	Anonymous
D'un autre aimer mon coeur s'abesseroit Anonymous Appears on: 56v–57 Genres: Chanson Number of voices: 3 Voice: [no designation] Languages: French Voice Text: D'ung aultre amer
57v–58	D'un autre aimer mon coeur s'abesseroit	[P. BASIRON]	Basiron, Philippe (ca. 1449–1491)
D'un autre aimer mon coeur s'abesseroit Basiron, Philippe (ca. 1449–1491) Appears on: 57v–58 Genres: Italian secular Source Attribution: [P. BASIRON] Number of voices: 4 Voice: [no designation] Languages: French Voice Text: D'un aulire amer General Note T: L'homme armé doyt on doubter. Item Bibliography Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: I.
58v–59	Comment peut avoir joie (Ne come peult)	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Comment peut avoir joie (Ne come peult) Despres, Josquin (ca. 1450–1521) Appears on: 58v–59 Genres: Chanson Source Attribution: JOSQUIN Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Come peult avoir joye General Note Au f. 58v:«Fuga duorum temporum perdyapason» [=0 Jesu filii David] Concordances Dodecachordon Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 30. Disertori, Benvenuto. 1964. Le Frottole per canto e liuto intabulate da Franciscus Bossinensis. Istituzioni e Monumenti dell'arte musicale italiana. Nuova serie, vol. III. Milano. Glarean, Heinrich. 1547. Dodecachordon. Basel. Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music, vol. 2. Chicago. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam.
59v–60	Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command Despres, Josquin (ca. 1450–1521) Appears on: 59v–60 Genres: Chanson Source Attribution: JOSQUIN Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Adieu mes amours Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Geering, Arnold (editor). 1955-. Schweizerische Musikdenkmäler. Basel. Pages: 5. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. Antonowycz, Myroslaw, Willem Elders, and Albert Smijers (editors). 1925 - . Werken van Josquin des Prés: Wereldlijke Werken (1925); Missen (1931). Leipzig/ Amsterdam. Pages: II. La Fage, Adrien de. 1864 Reprinted: 1964. Essais de Diphtérographie musicale ou notices, descriptions, analyses, extraits et reproductions de manuscrits relatifs à la pratique, à la théorie et à l'histoire de la musique. 2 vols. Paris. Pages: II. Feilerer, Karl Gustav (editor). 1962-65. Altklassische Polyphonie. Das Musikwerk. Eine Beispielsammlung zur Musikgeschichte, vol. 28 & Vol. 3: Das mehrstimmige Lied des 16. Jahrhunderts in Italien, Frankreich und England; Engel, H (ed.) & Vol. 22: Die Kunst der Niederländer; Lenaerts, R B (ed.) (1962). Köln. Pages: 28. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Pages: IV. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: V. Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
60v–61	Lourdault Lourdault garde que tu feras 28.23	NINO PETIT [ou L. COMPÈRE* ou JOSQUIN**]	Compère, Loyset (ca. 1445–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500)
Lourdault Lourdault garde que tu feras 28.23 Compère, Loyset (ca. 1445–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500) Appears on: 60v–61 Genres: Chanson Source Attribution: NINO PETIT [ou L. COMPÈRE* ou JOSQUIN] Number of voices: 4 Voice: [no designation] Languages: French Voice Text:** Lourdeau Lourdeau. Concordances 15022 CH-Bu F.X. 1-4 Item Bibliography Brown, Howard Mayer. 1963. Theatrical chansons of the fifteenth- and early sixteenth centuries.* Cambridge, Mass.: Harvard University Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 87. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Hewitt, Helen Margaret (editor). 1967. Canti B numero cinquanta, Venice 1502. Monuments of Renaissance Music, vol. 2. Chicago. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Smijers, Albert (editor). 1949. Van Ockeghem tot Sweelinck. 5 vols. Amsterdam: Vereniging voor Nederlandse Muziekgeschiedenis. Pages: 4.
61v–62	Hé logierons nous céans l'hôtesse.	YZAC	Isaac, Heinrich (ca. 1450–1517)
Hé logierons nous céans l'hôtesse. Isaac, Heinrich (ca. 1450–1517) Appears on: 61v–62 Genres: Chanson Source Attribution: YZAC Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Hé L•gerons nous céens l'otesse. Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV). Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London.
62v–63	Che fa la ramanzina	LOYSET COMPÈRE	Compère, Loyset (ca. 1445–1518)
Che fa la ramanzina Compère, Loyset (ca. 1445–1518) Appears on: 62v–63 Genres: Italian secular Source Attribution: LOYSET COMPÈRE Number of voices: 4 Voice: [no designation] Languages: Italian Voice Text: Che fa la ramasina Item Bibliography Blume, Friedrich, and Kurt Gude (editors). 1929-79. Das Chorwerk. Wolfenbüttel/Berlin. Pages: 43. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. Pannella, Liliana. 1961–62. II canto della "Ramacina" nella tradizione letteraria e musicale. Lares: Journal of the International Folk Music Council, 27 (1961), p. 124ff. and 28 (1962), p. 58ff.: . Schwartz, Rudolf (editor). 1935. Ottaviano Petrucci, Frottole, Buch I und IV. Publikationen älterer Musik, vol. 8. Leipzig.
63v–64	Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	A. BUSNOIS [ou J. JAPART ou PIRSON= P. DE LA RUE*]	Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?) Japart, Jean (?)
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?) Japart, Jean (?) Appears on: 63v–64 Genres: Chanson Source Attribution: A. BUSNOIS [ou J. JAPART ou PIRSON= P. DE LA RUE] Number of voices:* 4 Voice: [no designation] Languages: French Voice Text: Amour [fait moult tant que notre argent dure] Concordances CH~Bu F.X. 1-4 Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A.* Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Jones, George Morton. 1972. The "First" Chansonnier of the Biblioteca Riccardiana, Codex 2794: A Study in the Method of Editing l6th-Century Music. New York University, Unpublished Ph.D. dissertation. Becherini, Bianca. 1942-43. Alcuni canti dell'Odhecaton e del codice fiorentino 2794. Bulletin de l'Institut historique belge de Rome, 21: 327ff. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. Wolf, Johannes. 1908-21. Werken van Jacob Obrecht: Missen. Amsterdam und Leipzig. Torrefranca, Fausto. 1939-42; Reprint: Bologna 1972. II segreto del Quattrocento. Milano. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
64v–65	Fille vous have mal guarde / Ave sanctissima Maria	YZAC	Isaac, Heinrich (ca. 1450–1517)
Fille vous have mal guarde / Ave sanctissima Maria Isaac, Heinrich (ca. 1450–1517) Appears on: 64v–65 Genres: Contrafactum, Marian antiphon, Song Source Attribution: YZAC Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Fille vous avés mal guardé le pan devan Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV).
65v–66	Vostre bargeronette mamiette	LOYSET COMPÈRE	Compère, Loyset (ca. 1445–1518)
Vostre bargeronette mamiette Compère, Loyset (ca. 1445–1518) Appears on: 65v–66 Genres: Chanson Source Attribution: LOYSET COMPÈRE Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Vostre bregieronette mamiette Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V.
66v–67	Et qui la dira dira	A. BUSNOIS [ou J. JAPART	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?)
Et qui la dira dira Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Appears on: 66v–67 Genres: Chanson Source Attribution: A. BUSNOIS [ou J. JAPART Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Et qui la dira dira
67v–68	Amours, amours	A. BUSNOIS [ou J. JAPART	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?)
Amours, amours Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?) Appears on: 67v–68 Genres: Chanson Source Attribution: A. BUSNOIS [ou J. JAPART Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Amours amours Concordances 150l Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A.* Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London.
68v–69	T'meiskin was jonck = De tous in buse	J. JAPART ou J. OBRECHT* ou H. ISAAC**]	Isaac, Heinrich (ca. 1450–1517) (?) Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?)
T'meiskin was jonck = De tous in buse Isaac, Heinrich (ca. 1450–1517) (?) Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?) Appears on: 68v–69 Genres: Chanson Source Attribution: J. JAPART ou J. OBRECHT* ou H. ISAAC] Number of voices: 4 Voice: [no designation] Languages: French Voice Text:** De tous in buse. (=T'meiskin was jonck] Concordances E-SE *1501 Item Bibliography Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich.* Graz and Vienna. Pages: 28, (XIV). Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Baker, Norma Klein. 1978. A fifteenth-century manuscript from the Segovia cathedral. University of Maryland, Ph.D. Dissertation. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. Lenaerts, René Bernard. 1933. Het Nederlands polifonies Lied in de lòde eeuw. Mechelen-Amsterdam.
69v–70	Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	A. AGRICOLA	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne Agricola, Alexander (ca. 1445–1506) Appears on: 69v–70 Genres: Chanson Source Attribution: A. AGRICOLA Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Je nay deul [que de vous ne viegne] Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 5, I. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 22, V. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
70v–71	Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	-	Agricola, Alexander (ca. 1445–1506)
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire Agricola, Alexander (ca. 1445–1506) Appears on: 70v–71 Genres: Chanson
71v–72	Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe	(L. Compere ou G.Van Weerbecke ou M.Pipelaire)	Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?)
Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?) Appears on: 71v–72 Genres: Chanson, Contrafactum, Motet Source Attribution: (L. Compere ou G.Van Weerbecke ou M.Pipelaire) Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Vray Dieu (quel paine esse) Concordances 1504 CH-SGa 530 Item Bibliography Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27).* Musicological Studies, vol. XXVII, 1-2. Brooklyn. Pages: II. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 15, V. [No Author] 1947-. Corpus mensurabilis musicae. The American Institute of Musicology. 110 vols. A-R Editions, Inc. Pages: 34, I (op. dub. transfer, pour clavier).
72v–73	Je n'ai deuil que je ne suis morte	J.Ockeghem	Ockeghem, Jean de (ca. 1410–1497)
Je n'ai deuil que je ne suis morte Ockeghem, Jean de (ca. 1410–1497) Appears on: 72v–73 Genres: Chanson Source Attribution: J.Ockeghem Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Je n'ay deul (que je ne suis morte) Item Bibliography Newton, Paul G. 1968. Florence, Biblioteca del Conservatorio di Musica Luigi Cherubini, Manuscript Baseai 2439: Critical Edition and Commentary. North Texas State University, Unpublished Ph.D. dissertation. Pages: II. Picker, Martin. 1965. The Chanson Albums of Marguerite of Austria. Berkeley and Los Angeles: University of California Press. Ambros, August Wilhelm. 1880-82. Geschichte der Musik. 2. Auflage. 5 vols. Leipzig. Pages: V.
73v–74	Tant belle mi son pensade	H. ISAAC	Isaac, Heinrich (ca. 1450–1517)
Tant belle mi son pensade Isaac, Heinrich (ca. 1450–1517) Appears on: 73v–74 Genres: Chanson Source Attribution: H. ISAAC Number of voices: 4 Voice: [no designation] Languages: French Voice Text: Tant belle mi son pensade General Note Attrib. a Ghiselin par Pitoni (cf. Bibliographie AtlasTC) Item Bibliography Haberkamp, Gertraut. 1968. Die weltliche Vokalmusik in Spanien um 1500. Der Cancionero musical de Colombina von Sevilla und außerspanische Handschriften. Münchner Veröffentlichungen zur Musikgeschichte, vol. 12. Tutzing. Shipp, Clifford Marion. 1960. A chansonnier of the dukes of Lorraine: The Paris manuscript Fonds Français 1597. North Texas State College, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
74v–75	untexted	-	-
untexted Appears on: 74v–75 Number of voices: 4 Voice: [no designation] Languages: none Voice Text: [without text] General Note Sans texte
75v–76	Une mosche de Bischaye 28.35	JOSQUIN	Despres, Josquin (ca. 1450–1521)
Une mosche de Bischaye 28.35 Despres, Josquin (ca. 1450–1521) Appears on: 75v–76 Genres: Chanson Source Attribution: JOSQUIN Number of voices: 3 Voice: [no designation] Languages: French Voice Text: Une mousque de Biscaye Item Bibliography Droz, Eugénie, Y Rokseth, and Geneviève Thibault (editors). 1927. Trois Chansonniers Français du XV Siècle. Paris. Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the time of Lorenzo the Magnificent. Monuments of Renaissance Music, vol. 7. Chicago and London. La Fage, Adrien de. 1864 Reprinted: 1964. Essais de Diphtérographie musicale ou notices, descriptions, analyses, extraits et reproductions de manuscrits relatifs à la pratique, à la théorie et à l'histoire de la musique. 2 vols. Paris. Pages: II. Moerk, Alice Anne. 1971. The Seville Chansonnier: An Edition of Seville 5-1-43 and Paris N.A.FR. 4379 (Pt 1). West Virginia University, Ph.D. Dissertation. Wolff, Arthur S. 1970. The Chansonnier Biblioteca Casanatense 2856, Its History, Purpose and Music. North Texas State University, Ph.D. dissertation.
76v–77	untexted	-	-
untexted Appears on: 76v–77 Number of voices: 4 Voice: [no designation] Languages: none Voice Text: without text General Note Sans texte
78v	Tambien mi son pensade (= Si je fet un chop apres)	[J,Japart]	Japart, Jean
Tambien mi son pensade (= Si je fet un chop apres) Japart, Jean Appears on: 78v Genres: Chanson Source Attribution: [J,Japart] Number of voices: 2 Voice: [no designation] Languages: French Voice Text: Tan bien. [=Si je fet ung cop apres] General Note Sup. et T seul1 Item Bibliography Hewitt, Helen Margaret (editor). 1942. Harmonice Musices Odhecaton A. Studies and Documents, vol. 5. Cambridge, Massachusetts: Mediaeval Academy of America.

Composer	Compositions
Agricola, Alexander (ca. 1445-1506)	(?) Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 30v–31 Amours amours – 9v C'est trop sur amours entrepriz (= C'est mal serché (II)) – 28v–29 (?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus – 12v–16 (?) Caecus non iudicat - 2a pars (of 2): (no text) – 12v–16 Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne – 69v–70 Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire – 70v–71 L'heure est venue de me plaindre – 43v–45 (?) Les grands regrets que sans cesses je porte – 36v–37 Oblier veult douleur et tristesse (= Carmen in sol) – 3v–4 Par un jour de matinée – 39v–40 (?) Que vous madame / In pace in idipsum 27.33 – 35v–36 Si dedero somnum oculis meis – 34v–35 Soit loing ou pres tousjours me souviendra – 38v–39
Agricola, Johannes (ca. 1560-ca. 1601)	(?) Dat ik mijn lijden aldus helen moet – 20v–21
Anonymous	Allez regrets – 50v–51 D'un autre aimer mon coeur s'abesseroit – 46v–47 D'un autre aimer mon coeur s'abesseroit – 56v–57 En e fait = En riens de remede – 41v–42 L'oserai-ge dire sy j'aime par amours. – 4v–5 Ne refuses. – 21v–22 Venus – 47v–48 [No description] – 76v–77 [No description] – 74v–75
Bartolomeo degli Organi, (Barth. Florentinus) (1474-1539)	Allez regrets – 23v–24 De tous biens plaine est ma maîtresse – 26v–27 Je prends congie de vous mes amours – 25v–26 Je vous an pri – 24v–25
Basiron, Philippe (ca. 1449-1491)	D'un autre aimer mon coeur s'abesseroit – 55v–56 D'un autre aimer mon coeur s'abesseroit – 57v–58
Brumel, Antoine (ca. 1460-ca. 1513)	Amours amours - 1a pars (of 2): Amours amours – 7v–9 Amours amours - 2a pars (of 2): De desdain – 7v–9 Ave Maria gratia Dei plena Dominus tecum – 2v–3
Busnoys, Antoine (ca. 1430-1492)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 63v–64 (?) Amours, amours – 67v–68 (?) D'un aultre aimer mon coeur s'abesseroit – 40v–41 (?) Et qui la dira dira – 66v–67 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 37v–38
Caron, Firminus (ca. 1460-ca. 1475)	Ma dame qui tant est en mon coeur – 29v–30
Compère, Loyset (ca. 1445-1518)	Che fa la ramanzina – 62v–63 (?) Ha traite amours me sçauroes-tu feire pis – 42v–43 (?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 37v–38 Le renvoi d'un coeur esgaré – 27v–28 (?) Lourdault Lourdault garde que tu feras 28.23 – 60v–61 (?) Mais que ce fut secrètement en aulcune – 18v–19 Mes pensées ne me laissent une heure 27.26 – 16v–17 (?) O vos omnes qui transitis / O devots coeurs – 11v–12 Plaine d'ennuy de longue main / Anima mea – 6v–7 Royne du ciel / Regina caeli laetare alleluia – 5v–6 Se j'ai parlé aulcunement des femmes de religion. – 22v–23 Venes regrets venes il en est heure – 31v–32 Vostre bargeronette mamiette – 65v–66 (?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 71v–72
Despres, Josquin (ca. 1450-1521)	A l'ombre d'ung buissonet au matinet 27.2 – 45v–46 Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command – 59v–60 (?) Cela sans plus et plus hola – 19v–20 Comment peut avoir joie (Ne come peult) – 58v–59 (?) Lourdault Lourdault garde que tu feras 28.23 – 60v–61 (?) Mes pensées ne me laissent une heure 27.26 – 16v–17 Que vous madame / In pace in idipsum 27.33 – 35v–36 Une mosche de Bischaye 28.35 – 75v–76
Elinc, Petrus (=Pieter Edelinck) (ca. 1504-ca. 1506)	(?) Dat ik mijn lijden aldus helen moet – 20v–21
Enrique	(?) Nunca fue pena mayor / Numquam fuit pena magior – 11
Ferdinandus et frater eius	(?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus – 12v–16 (?) Caecus non iudicat - 2a pars (of 2): (no text) – 12v–16
Fresneau, Jehan	(?) De vous servir m'est prins envie – 33v–34
Ghizeghem, Hayne van (ca. 1445-ca. 1497)	Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence – 30v–31 (?) De vous servir m'est prins envie – 33v–34 Gentil galans – 17v–18 (?) Les grands regrets que sans cesses je porte – 36v–37 Mon souvenir mi fait morir pour les regrets – 32v–33
Isaac, Heinrich (ca. 1450-1517)	(?) Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus – 12v–16 Fille vous have mal guarde / Ave sanctissima Maria – 64v–65 Hé logierons nous céans l'hôtesse. – 61v–62 O Venus bant – 49v–50 Sanctus – 54v–55 (?) T'meiskin was jonck = De tous in buse – 68v–69 Tant belle mi son pensade – 73v–74
Japart, Jean	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 63v–64 (?) Amours, amours – 67v–68 (?) Et qui la dira dira – 66v–67 (?) T'meiskin was jonck = De tous in buse – 68v–69 Tambien mi son pensade (= Si je fet un chop apres) – 78v
Lannoy, Colinet de	Cela sans plus et plus hola – 19v–20
Mureau, Gilles	(?) Je ne fais plus je ne dis ne escris = Au joli mois de may – 37v–38
Obrecht, Jacobus (ca. 1457-1505)	(?) O vos omnes qui transitis / O devots coeurs – 11v–12 Parce Domine populo tuo quia pius es – 2 (?) T'meiskin was jonck = De tous in buse – 68v–69
Ockeghem, Jean de (ca. 1410-1497)	(?) D'un aultre aimer mon coeur s'abesseroit – 40v–41 Je n'ai deuil que je ne suis morte – 72v–73
Petit, Nino le (c1500)	Lourdault Lourdault garde que tu feras 28.23 – 60v–61
Pipelare, Mattheus (ca. 1450-ca. 1515)	(?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 71v–72
Prioris, Johannes (Denis, Dionisius) (-1515)	Par vous sermens tous plains – 51v–52 Royne du ciel – 52v–53 Vostre oeil s'est bien tost repenty – 48v–49
Robinet, F	(?) Ha traite amours me sçauroes-tu feire pis – 42v–43
Rue, Pierre de la (ca. 1452-1518)	(?) Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne – 63v–64 (?) Mais que ce fut secrètement en aulcune – 18v–19 Pourquoi non ne veuil je morir – 53v–54
Stockem, Johannes de (ca. 1445-1487)	(?) Ha traite amours me sçauroes-tu feire pis – 42v–43
Urrede (Wrede), Juan de (1451-c1482)	(?) Nunca fue pena mayor / Numquam fuit pena magior – 11
Weerbecke, Gaspar van (ca. 1445-ca. 1516)	(?) Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe – 71v–72

Composition	Composers (? Uncertain)	Folios / Pages
A l'ombre d'ung buissonet au matinet 27.2	Despres, Josquin (ca. 1450–1521)	45v–46
Adieu mes amours/Adieu vous command (28.3) - 1a pars (of 2): Adieu mes amours on m'atent/Adieu vous command	Despres, Josquin (ca. 1450–1521)	59v–60
Allez regrets	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)	23v–24
Allez regrets	Anonymous	50v–51
Allez regrets - 1a pars (of 2): Allez regrets vuides de ma présence	Ghizeghem, Hayne van (ca. 1445–ca. 1497) Agricola, Alexander (ca. 1445–1506) (?)	30v–31
Amour fait moult (Tant que nostre argent dure) / Il est de bonne heure ne	Busnoys, Antoine (ca. 1430–1492) (?) Rue, Pierre de la (ca. 1452–1518) (?) Japart, Jean (?)	63v–64
Amours amours	Agricola, Alexander (ca. 1445–1506)	9v
Amours amours - 1a pars (of 2): Amours amours	Brumel, Antoine (ca. 1460–ca. 1513)	7v–9
Amours amours - 2a pars (of 2): De desdain	Brumel, Antoine (ca. 1460–ca. 1513)	7v–9
Amours, amours	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?)	67v–68
Ave Maria gratia Dei plena Dominus tecum	Brumel, Antoine (ca. 1460–ca. 1513)	2v–3
C'est trop sur amours entrepriz (= C'est mal serché (II))	Agricola, Alexander (ca. 1445–1506)	28v–29
Caecus non iudicat - 1a pars (of 2): Caecus non iudicat de coloribus	Ferdinandus et frater eius (?) Isaac, Heinrich (ca. 1450–1517) (?) Agricola, Alexander (ca. 1445–1506) (?)	12v–16
Caecus non iudicat - 2a pars (of 2): (no text)	Ferdinandus et frater eius (?) Agricola, Alexander (ca. 1445–1506) (?)	12v–16
Cela sans plus et plus hola	Lannoy, Colinet de Despres, Josquin (ca. 1450–1521) (?)	19v–20
Che fa la ramanzina	Compère, Loyset (ca. 1445–1518)	62v–63
Comment peut avoir joie (Ne come peult)	Despres, Josquin (ca. 1450–1521)	58v–59
D'un aultre aimer mon coeur s'abesseroit	Ockeghem, Jean de (ca. 1410–1497) (?) Busnoys, Antoine (ca. 1430–1492) (?)	40v–41
D'un autre aimer mon coeur s'abesseroit	Anonymous	46v–47
D'un autre aimer mon coeur s'abesseroit	Basiron, Philippe (ca. 1449–1491)	55v–56
D'un autre aimer mon coeur s'abesseroit	Anonymous	56v–57
D'un autre aimer mon coeur s'abesseroit	Basiron, Philippe (ca. 1449–1491)	57v–58
Dat ik mijn lijden aldus helen moet	Agricola, Johannes (ca. 1560–ca. 1601) (?) Elinc, Petrus (=Pieter Edelinck) (ca. 1504–ca. 1506) (?)	20v–21
De tous biens plaine est ma maîtresse	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)	26v–27
De vous servir m'est prins envie	Fresneau, Jehan (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	33v–34
En e fait = En riens de remede	Anonymous	41v–42
Et qui la dira dira	Busnoys, Antoine (ca. 1430–1492) (?) Japart, Jean (?)	66v–67
Fille vous have mal guarde / Ave sanctissima Maria	Isaac, Heinrich (ca. 1450–1517)	64v–65
Gentil galans	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	17v–18
Ha traite amours me sçauroes-tu feire pis	Robinet, F (?) Stockem, Johannes de (ca. 1445–1487) (?) Compère, Loyset (ca. 1445–1518) (?)	42v–43
Hé logierons nous céans l'hôtesse.	Isaac, Heinrich (ca. 1450–1517)	61v–62
Je n'ai deuil - 1a pars (of 2): Je n'ai deuil que de vous ne viegne	Agricola, Alexander (ca. 1445–1506)	69v–70
Je n'ai deuil - 2a pars (of 2): Car Dieu voulut tant pour vous faire	Agricola, Alexander (ca. 1445–1506)	70v–71
Je n'ai deuil que je ne suis morte	Ockeghem, Jean de (ca. 1410–1497)	72v–73
Je ne fais plus je ne dis ne escris = Au joli mois de may	Mureau, Gilles (?) Compère, Loyset (ca. 1445–1518) (?) Busnoys, Antoine (ca. 1430–1492) (?)	37v–38
Je prends congie de vous mes amours	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)	25v–26
Je vous an pri	Bartolomeo degli Organi, (Barth. Florentinus) (1474–1539)	24v–25
L'heure est venue de me plaindre	Agricola, Alexander (ca. 1445–1506)	43v–45
L'oserai-ge dire sy j'aime par amours.	Anonymous	4v–5
Le renvoi d'un coeur esgaré	Compère, Loyset (ca. 1445–1518)	27v–28
Les grands regrets que sans cesses je porte	Agricola, Alexander (ca. 1445–1506) (?) Ghizeghem, Hayne van (ca. 1445–ca. 1497) (?)	36v–37
Lourdault Lourdault garde que tu feras 28.23	Compère, Loyset (ca. 1445–1518) (?) Despres, Josquin (ca. 1450–1521) (?) Petit, Nino le (fl. c1500)	60v–61
Ma dame qui tant est en mon coeur	Caron, Firminus (ca. 1460–ca. 1475)	29v–30
Mais que ce fut secrètement en aulcune	Rue, Pierre de la (ca. 1452–1518) (?) Compère, Loyset (ca. 1445–1518) (?)	18v–19
Mes pensées ne me laissent une heure 27.26	Despres, Josquin (ca. 1450–1521) (?) Compère, Loyset (ca. 1445–1518)	16v–17
Mon souvenir mi fait morir pour les regrets	Ghizeghem, Hayne van (ca. 1445–ca. 1497)	32v–33
Ne refuses.	Anonymous	21v–22
Nunca fue pena mayor / Numquam fuit pena magior	Enrique (?) Urrede (Wrede), Juan de (fl. 1451-c1482) (?)	11
O Venus bant	Isaac, Heinrich (ca. 1450–1517)	49v–50
O vos omnes qui transitis / O devots coeurs	Compère, Loyset (ca. 1445–1518) (?) Obrecht, Jacobus (ca. 1457–1505) (?)	11v–12
Oblier veult douleur et tristesse (= Carmen in sol)	Agricola, Alexander (ca. 1445–1506)	3v–4
Par un jour de matinée	Agricola, Alexander (ca. 1445–1506)	39v–40
Par vous sermens tous plains	Prioris, Johannes (Denis, Dionisius) (–1515)	51v–52
Parce Domine populo tuo quia pius es	Obrecht, Jacobus (ca. 1457–1505)	2
Plaine d'ennuy de longue main / Anima mea	Compère, Loyset (ca. 1445–1518)	6v–7
Pourquoi non ne veuil je morir	Rue, Pierre de la (ca. 1452–1518)	53v–54
Que vous madame / In pace in idipsum 27.33	Agricola, Alexander (ca. 1445–1506) (?) Despres, Josquin (ca. 1450–1521)	35v–36
Royne du ciel	Prioris, Johannes (Denis, Dionisius) (–1515)	52v–53
Royne du ciel / Regina caeli laetare alleluia	Compère, Loyset (ca. 1445–1518)	5v–6
Sanctus	Isaac, Heinrich (ca. 1450–1517)	54v–55
Se j'ai parlé aulcunement des femmes de religion.	Compère, Loyset (ca. 1445–1518)	22v–23
Si dedero somnum oculis meis	Agricola, Alexander (ca. 1445–1506)	34v–35
Soit loing ou pres tousjours me souviendra	Agricola, Alexander (ca. 1445–1506)	38v–39
T'meiskin was jonck = De tous in buse	Isaac, Heinrich (ca. 1450–1517) (?) Japart, Jean (?) Obrecht, Jacobus (ca. 1457–1505) (?)	68v–69
Tambien mi son pensade (= Si je fet un chop apres)	Japart, Jean	78v
Tant belle mi son pensade	Isaac, Heinrich (ca. 1450–1517)	73v–74
Une mosche de Bischaye 28.35	Despres, Josquin (ca. 1450–1521)	75v–76
Venes regrets venes il en est heure	Compère, Loyset (ca. 1445–1518)	31v–32
Venus	Anonymous	47v–48
Vostre bargeronette mamiette	Compère, Loyset (ca. 1445–1518)	65v–66
Vostre oeil s'est bien tost repenty	Prioris, Johannes (Denis, Dionisius) (–1515)	48v–49
Vrai dieu quel payne esse que d'aymer = Quam diu che pena messe	Weerbecke, Gaspar van (ca. 1445–ca. 1516) (?) Compère, Loyset (ca. 1445–1518) (?) Pipelare, Mattheus (ca. 1450–ca. 1515) (?)	71v–72

‡ denotes primary source study

Brown, Howard Mayer (editor). 1983. A Florentine Chansonnier from the Time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229. Monuments of Renaissance Music, vol. VII. Chicago and London. Pages: 183,207ff, passim. Notes: contents list (partial); concordances (partial); mention of MS; discussion.

Keahey, Thomas Herman, and Conrad Edward Mary Douglas (editors). 1982-85. Johannes Prioris: Opera Omnia. Corpus mensurabilis musicae, vol. 90. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: III,xvi,xviii-xix,xxi,124-5. Notes: contents list (partial); concordances (partial); transcriptions (partial).

Wright, Craig M. 1981. Antoine Brumel and Patronage at Paris. Music in Medieval and Early Modem Europe: Patronage, Sources and Texts, 37-60. Cambridge. Pages: 51-3. Notes: contents list (partial); facsimile (partial); mention of MS; discussion.

Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Pages: I, 71.

Baker, Norma Klein. 1978. An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History. University of Maryland, Unpublished Ph.D. dissertation. Pages: 56-8,355ff, passim. Notes: contents list (partial); concordances (partial); incipits (partial); mention of MS; discussion.

Gore, Glenn Leon. 1978. The Works of Philippe Basiron (Philippon?): Transcription and Commentary. West Virginia University, Unpublished Ph.D. dissertation. Pages: I,7,22-3, 104-5, 111-4; II, xviii-xix, 182-5. Notes: contents list (partial); concordances (partial); transcriptions (partial); mention of MS; discussion.

Hudson, Barton (editor). 1977. Hayne van Ghizeghem: Opera Omnia. Corpus mensurabilis musicae, vol. 74. Neuhausen nr. Stuttgart: American Institute of Musicology. Pages: xvii-xviii, xxi, xxxiv-xlv. Notes: mention of MS; contents list (partial); concordances (partial).

Staehelin, Martin. 1977. Die Messen Heinrich Isaacs. Publikationen der Schweizerischen Musikforschenden Gesellschaft Serie II, vol. 28/I-III. Bern and Stuttgart. Pages: I,xix,47-8,62,87; II1,177. Notes: physical description; contents list; incipitsst of contents (partial); mention of MS; discussion.

Atlas, Allan W. 1976. The Cappella Giulia chansonnier. (Rome, Biblioteca Apostolica Vaticana, CG. XII-27). Musicological Studies, vol. XXVII, 1-2. Brooklyn. Pages: 236f.

Wexler, Richard. 1974. The Complete Works of Johannes Prioris. . Pages: 228ff.

Schlager, Karlheinz (editor). 1971-. Répertoire International des Sources Musicales. Series A/I, vol. Einzeldrucke vor 1800. Kassel. Pages: Bologna, Civico museo, Ms. Misc. H. 83, f. 68 (= p. 61).

Wexler, Richard. 1970. Newly Identified Works by Bartolomeo degli Organi in the MS Bologna Q. 17. Journal of the American Musicological Society, 23: 107-18.

Jeppesen, Knud. 1968-70. La Frottola. Acta Jutlandica, vol. XL/2, XLI/1, & XLII/1. 3 vols. Copenhagen. Pages: II, 10.

Smijers, Albert. 1935. Vijftiende en zestiende eeuwsche Muziekhandschriften in Italië met werken van Nederlandsche Componisten. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 14: 165-81. Pages: 170.

Jeppesen, Knud (editor). 1927. New York, 1965 (reprint, with new remarks by the editor). Der Kopenhagener Chansonnier: Das Manuskript Thott 291s der Königlichen Bibliothek Kopenhagen. Copenhagen and Leipzig. Copenhagen and Leipzig. Pages: LXXIII.

Torchi, Luigi. 1906. I Monumenti dell'antica musica francese a Bologna. Rivista Musicale Italiana, 13: 451-505,575-615. Pages: 499ff.

Adler, Guido (editor). 1894-1970. Denkmäler der Tonkunst in Österreich. Graz and Vienna. Pages: 28 (XIV), 170.

Gaspari, Gaetano. 1890-1943. Catalogo della Biblioteca del Liceo musicale di Bologna. 5 vols. Bologna. Pages: III, 196.

Public Comments

This form is used to make comments on a source. If you wish to notify us of a correction to the record, you should use the "Contribute a change" form instead.

Laura Dümpelmann

Saturday, 20 February, 2021

Hello! I´m doing research about the "caecus non iudicat" piece (with all the motet versions). I know that in Segovia Codex there is written "Ferdinandus et frater eius" above the piece, assuming that is Ferdinand II of Aragon (who had no brother) or the newly born or unborn Ferdinand I. Does anyone here on DIAMM know how the piece would be attributed to one of these, or another Ferdinand? (I looked deep into all the sources except of specialnik, which is difficult to access) Thank you!

Contributions to this record are recorded here. If you wish to contribute information or a correction to this record, use the "Contribute a Change" link. This will then be reviewed by DIAMM staff and, if accepted, your contribution will be acknowledged here.

Clemens Goldberg

Friday, 7 April, 2023

Added concordance for 'Je vous an pri' (f. 24v) with 'Meyor deste non ay' (Cappella Giulia XIII.27, f. 59v),

Clemens Goldberg

Friday, 7 April, 2023

Added concordance for 'Si jay parle' (f.22v) with Segovia Cancionero f. 178v

Clemens Goldberg

Monday, 3 April, 2023

Concordances for 'Dat ic mijn lijden' identified & linked

Clemens Goldberg

Wednesday, 22 March, 2023

Royne du ciel (5v) is Compere's setting not (as ascribed) that by Prioris.

Clemens Goldberg

Monday, 20 March, 2023

Clarified that opening motet, Obrecht's Parce Domine, has only Altus and Bassus, the Altus being ad libitum of an originally three voice composition.

Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description

Répertoire Internationale des Sources Musicales

Monday, 23 January, 2017

NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description

I-Bc Q.17

Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy

manuscript of polyphony: 1490

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