This is the only remaining folio from a manuscript contemporary with and probably similar to BolC Q15. It was trimmed from its original larger size to serve as a cover for a later book. Probably from northern Italy.
I-Bc Q.1
Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy
choirbook fragment: Early-15th century: 1410-30
| Archive | Museo Internazionale e Biblioteca della Musica di Bologna, Bologna, Italy (I-Bc) |
|---|---|
| Shelfmark | Q.1 |
| Surface | Parchment |
| Measurements | 195 x 212 mm |
| Other Identifiers |
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| Notations |
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| External Links | |
| Provenance |
|
| Contents | Contains 2 compositions from 2 composers. |
General Description
Notation
Black full mensural
Foliation
23rv
Surface
parchment
RISM Description
RISM
Ms. Q 1 (Cod. 12) n* 23
XVe s. 1 f. Parchemin, 192x212 mm.
Pas de foliotation. Notation mesurée noire et rouge sur portées rouges. 6 portées par p. Capitales ornées en coul.
Ce ms. consiste en un seul f. très rogné à sa partie inférieure, tiré par le P. Martini d'une reliure ancienne. Il porte le n° 23 dans un recueil musical factice maintenant coté Q 1 (Cod. 12 par Martini) dont il constitue le seul exemple de musique polyphonique et dans lequel il a été relié à l'envers par erreur, le r° actuel étant en réalité le v* du f. original. Il contient au r° du f. 1e Ct d'un Gloria et au v° le Sup. et le T d'un autre Gloria que l'on trouve aussi, complet de ses 3vx. aux ff. 78v-79 du Ms. Q 15 du Civico museo (I-Bc 15) avec le nom de Hubertus de Salinis. L'écriture, très semblable à celle de Q 15, pour la musique comme pour le texte et les ornements, permet de dater aussi Q 1 de ca. 1430-1440.
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Census Catalogue of Music Description
This information is reproduced here by kind permission of the publishers. It is COPYRIGHT and copying/reproduction of this content without permission may result in legal action.
2 Glorias (both incomplete)
(Salinis)-1, anon-1
1 parchment folio, 195 x 212. Black mensural notation. This is the only remaining folio from a manuscript contemporary with and probably similar to BolC Q15. It was trimmed from its original larger size to serve as a cover for a later book.
1430-40 (Hamm). Probably from northern Italy.
Vol 4
Composers: Add "(Zachara da Teramo)-1"; delete "anon-1."
Date: Ca. 1410-20 (BentNS).
23
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‡ denotes primary source study
Di Bacco, Giuliano, and John Nadas. 1998. The Papal Chapels and Italian Sources of Polyphony during the Great Schism. Papal Music and Musicians in Late Medieval and Renaissance Rome, edited by Giuliano Di Bacco and John Nadas, 44-92. Oxford: Clarendon Press.
Bent, Margaret. 1980. New Sacred Polyphonic Fragments of the Early Quattrocento. Studi Musicali, 9: 171-89.
Hamm, Charles E, and Herbert Kellman (editors). 1979-1988. Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550. Renaissance Manuscript Studies, vol. 1-5. 5 vols. Neuhausen nr. Stuttgart: American Institute of Musicology, Hänssler Verlag. Notes: physical description; contents list; concordances (partial).
Mischiati, Oscar. 1966. Uno Sconosciuto Frammento di Codice Polifonico Quattrocentesco nella Biblioteca 'G. B. Martini' di Bologna. Collectanea Historiae Musicae IV, 179-83. Notes: physical description; contents list; concordances; mention of MS; discussion.
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DIAMM, 2016
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. General Description; Notation Note; Foliation Note; Surface Note
Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. Census Catalogue of Music Description
Répertoire Internationale des Sources Musicales
Monday, 23 January, 2017
NB: Migrated from old site. Credit for notes may not be completely accurate. RISM Description